nativepicture.org
Open in
urlscan Pro
103.20.214.78
Public Scan
URL:
http://nativepicture.org/
Submission: On March 09 via manual from JP
Submission: On March 09 via manual from JP
Summary
This website contacted 6 IPs
in 2 countries
across 5 domains to perform 71 HTTP transactions.
The main IP is 103.20.214.78, located in
Faridabad, India and
belongs to NETMAGIC-AP Netmagic Datacenter Mumbai, IN.
The main domain is nativepicture.org.
This is the only time nativepicture.org was scanned on urlscan.io!
This is the only time nativepicture.org was scanned on urlscan.io!
urlscan.io Verdict: No classification
Domain & IP information
| IP Address | AS Autonomous System | ||
|---|---|---|---|
| 22 | 103.20.214.78 103.20.214.78 | 17439 (NETMAGIC-...) (NETMAGIC-AP Netmagic Datacenter Mumbai) | |
| 1 | 2404:a800:6:3... 2404:a800:6:3b:face:b00c:3333:a3f | 9498 (BBIL-AP B...) (BBIL-AP BHARTI Airtel Ltd.) | |
| 2 | 2a00:1450:400... 2a00:1450:4001:81a::200e | 15169 (GOOGLE) (GOOGLE) | |
| 2 | 2a00:1450:400... 2a00:1450:4001:819::200a | 15169 (GOOGLE) (GOOGLE) | |
| 44 | 2a00:1450:400... 2a00:1450:4001:81c::2003 | 15169 (GOOGLE) (GOOGLE) | |
| 71 | 6 |
22
103.20.214.78
(Faridabad, India)
ASN17439 (NETMAGIC-AP Netmagic Datacenter Mumbai, IN)
PTR: ns36.interactivedns.com
ASN17439 (NETMAGIC-AP Netmagic Datacenter Mumbai, IN)
PTR: ns36.interactivedns.com
| nativepicture.org |
1
2404:a800:6:3b:face:b00c:3333:a3f
(India)
ASN9498 (BBIL-AP BHARTI Airtel Ltd., IN)
ASN9498 (BBIL-AP BHARTI Airtel Ltd., IN)
| instagram.fdel27-1.fna.fbcdn.net |
2
2a00:1450:4001:81a::200e
(Frankfurt am Main, Germany)
ASN15169 (GOOGLE, US)
ASN15169 (GOOGLE, US)
| www.google-analytics.com |
| Apex Domain Subdomains |
Transfer | |
|---|---|---|
| 44 |
gstatic.com
fonts.gstatic.com |
550 KB |
| 22 |
nativepicture.org
nativepicture.org |
10 MB |
| 2 |
googleapis.com
fonts.googleapis.com |
6 KB |
| 2 |
google-analytics.com
www.google-analytics.com |
18 KB |
| 1 |
fbcdn.net
instagram.fdel27-1.fna.fbcdn.net |
128 KB |
| 71 | 5 |
| Domain | Requested by | |
|---|---|---|
| 44 | fonts.gstatic.com |
nativepicture.org
|
| 22 | nativepicture.org |
nativepicture.org
|
| 2 | fonts.googleapis.com |
nativepicture.org
|
| 2 | www.google-analytics.com |
nativepicture.org
|
| 1 | instagram.fdel27-1.fna.fbcdn.net |
nativepicture.org
|
| 71 | 5 |
This site contains links to these domains. Also see Links.
| Domain |
|---|
| www.twitter.com |
| www.facebook.com |
| www.instagram.com |
| www.soundcloud.com |
| www.youtube.com |
| instagram.com |
| Subject Issuer | Validity | Valid | |
|---|---|---|---|
| nativepicture.org cPanel, Inc. Certification Authority |
2020-03-05 - 2020-06-03 |
3 months | crt.sh |
| *.fdel27-1.fna.fbcdn.net DigiCert SHA2 High Assurance Server CA |
2020-03-05 - 2020-06-02 |
3 months | crt.sh |
| *.google-analytics.com GTS CA 1O1 |
2020-02-12 - 2020-05-06 |
3 months | crt.sh |
This page contains 2 frames:
Primary Page:
http://nativepicture.org/
Frame ID: 7535389A0AA785A43B15AFB5006C8E6A
Requests: 30 HTTP requests in this frame
Frame:
http://fonts.googleapis.com/css?family=Open+Sans%3A400%2C300%2C600%2C700%2C800%7CRoboto%3A400%2C300italic%2C400italic%2C500%2C500italic%2C700%2C700italic%2C900italic%2C900%7CLato%3A400%2C300italic%2C400italic%2C700%2C700italic%2C900italic%2C900%7CMontserrat%3A400%2C700%7CMerriweather+Sans%3A300%2C400%2C700%2C800+Sans%3A300%2C400%2C700%7CDroid+Sans%3A400%2C700%7COxygen%3A300%2C400%2C700%7CRaleway%3A100%2C200%2C300%2C400%2C500%2C600%2C700%2C800%2C900%7CMontserrat%3A400%2C700%7CMontserrat%3A400%2C700%2C400italic
Frame ID: 6A868C4F51B571763DE09D47447DA85D
Requests: 42 HTTP requests in this frame
Screenshot
Detected technologies
Apache
(Web Servers)
Expand
Overall confidence: 100%
Detected patterns
Detected patterns
- headers server /(?:Apache(?:$|\/([\d.]+)|[^\/-])|(?:^|\b)HTTPD)/i
Google Analytics
(Analytics)
Expand
Overall confidence: 100%
Detected patterns
Detected patterns
- script /google-analytics\.com\/(?:ga|urchin|analytics)\.js/i
Google Font API
(Font Scripts)
Expand
Overall confidence: 100%
Detected patterns
Detected patterns
- html /<link[^>]* href=[^>]+fonts\.(?:googleapis|google)\.com/i
Page Statistics
16 Outgoing links
These are links going to different origins than the main page.
URL: http://www.twitter.com/native_picture
Search URL Search Domain Scan URL
URL: http://www.facebook.com/nativepicture
Search URL Search Domain Scan URL
URL: http://www.instagram.com/native.picture
Search URL Search Domain Scan URL
URL: http://www.soundcloud.com/nativepicture
Search URL Search Domain Scan URL
URL: http://www.twitter.com/anupsahu
Search URL Search Domain Scan URL
URL: http://www.facebook.com/anupsahu
Search URL Search Domain Scan URL
URL: http://www.instagram.com/anupsahu
Search URL Search Domain Scan URL
URL: http://www.youtube.com/anupsahu
Search URL Search Domain Scan URL
URL: http://instagram.com/p/B9Exiy7Fi4E/
Search URL Search Domain Scan URL
URL: http://instagram.com/p/B88uFOtlN1V/
Title: <img src="//instagram.fdel27-1.fna.fbcdn.net/v/t51.2885-15/sh0.08/e35/c227.0.914.914a/s640x640/84527675_137143847786157_6257136266108897989_n.jpg?_nc_ht=instagram.fdel27-1.fna.fbcdn.net&_nc_cat=109&_nc_ohc=RzTNfQ6iIZwAX-M1xbW&oh=bd48c1177706322fc0ea95d120e3166b&oe=5E921787" alt="If a clay pot reveals the character of its maker, the emptiness inside is perhaps the character of pottery’s future in India. “Pottery is hard work and it doesn’t pay much. Since there is not enough income in this profession, I work as a daily wage laborer or as a contract farmer to earn my living,” says Mr. Bhim Pandit, a potter from Majhiladih village of Giridih district, Jharkhand. Despite having ancestral knowledge about pottery Mr. Pandit is ready to leave his traditional profession behind just to feed the mouths that depend on him. He knows that his children will never take up pottery and that a culturally rich profession like pottery will be extinct soon. “We have no other option but to leave this profession behind. Plastic has replaced everything, and nobody wants clay pots. We cannot sell these pots because everyone is using plastic. We are always asked, 'What is the use of a pot that breaks?' And because of our caste, we cannot sell it to anybody other than the Santhals,” Mr. Pandit says. Plastic has replaced earthenware; asbestos has replaced clay tiles and everything that was related to earth, that Mr. Pandit had made for a living, gathers dust at a corner of his workshop. After several rounds of drying and soaking the clay, Mr. Pandit moulds the pot on the wheel and fires the finished pot using charcoal. He sells the pots at Rs 30 apiece. The charcoal for firing the pots costs Rs 500 a quintal and Mr. Pandit must make 500 pots to buy a quintal of coal. “How can we continue this if we don't make enough money to buy food?” he asks. “I love making pots, but it is not getting me enough money. So, I make fewer pots these days. Of all the jobs I do, the one that brings me more money is the one I like the most,” Mr. Pandit says. . . . . #climatechange #sustainability #buylocal #makeinindia #thisismakeinindia #climateaction #environment #globalwarming #nature #savetheplanet #plasticfree #pollution #eco #reuse #green #organic #design #handmade #circulareconomy #noplastic #ruraleconomy #nativepicture #jharkhand #governmentpolicies #keepittribal" title="If a clay pot reveals the character of its maker, the emptiness inside is perhaps the character of pottery’s future in India. “Pottery is hard work and it doesn’t pay much. Since there is not enough income in this profession, I work as a daily wage laborer or as a contract farmer to earn my living,” says Mr. Bhim Pandit, a potter from Majhiladih village of Giridih district, Jharkhand. Despite having ancestral knowledge about pottery Mr. Pandit is ready to leave his traditional profession behind just to feed the mouths that depend on him. He knows that his children will never take up pottery and that a culturally rich profession like pottery will be extinct soon. “We have no other option but to leave this profession behind. Plastic has replaced everything, and nobody wants clay pots. We cannot sell these pots because everyone is using plastic. We are always asked, 'What is the use of a pot that breaks?' And because of our caste, we cannot sell it to anybody other than the Santhals,” Mr. Pandit says. Plastic has replaced earthenware; asbestos has replaced clay tiles and everything that was related to earth, that Mr. Pandit had made for a living, gathers dust at a corner of his workshop. After several rounds of drying and soaking the clay, Mr. Pandit moulds the pot on the wheel and fires the finished pot using charcoal. He sells the pots at Rs 30 apiece. The charcoal for firing the pots costs Rs 500 a quintal and Mr. Pandit must make 500 pots to buy a quintal of coal. “How can we continue this if we don't make enough money to buy food?” he asks. “I love making pots, but it is not getting me enough money. So, I make fewer pots these days. Of all the jobs I do, the one that brings me more money is the one I like the most,” Mr. Pandit says. . . . . #climatechange #sustainability #buylocal #makeinindia #thisismakeinindia #climateaction #environment #globalwarming #nature #savetheplanet #plasticfree #pollution #eco #reuse #green #organic #design #handmade #circulareconomy #noplastic #ruraleconomy #nativepicture #jharkhand #governmentpolicies #keepittribal" class="">
Title: <img src="//instagram.fdel27-1.fna.fbcdn.net/v/t51.2885-15/sh0.08/e35/c227.0.914.914a/s640x640/84527675_137143847786157_6257136266108897989_n.jpg?_nc_ht=instagram.fdel27-1.fna.fbcdn.net&_nc_cat=109&_nc_ohc=RzTNfQ6iIZwAX-M1xbW&oh=bd48c1177706322fc0ea95d120e3166b&oe=5E921787" alt="If a clay pot reveals the character of its maker, the emptiness inside is perhaps the character of pottery’s future in India. “Pottery is hard work and it doesn’t pay much. Since there is not enough income in this profession, I work as a daily wage laborer or as a contract farmer to earn my living,” says Mr. Bhim Pandit, a potter from Majhiladih village of Giridih district, Jharkhand. Despite having ancestral knowledge about pottery Mr. Pandit is ready to leave his traditional profession behind just to feed the mouths that depend on him. He knows that his children will never take up pottery and that a culturally rich profession like pottery will be extinct soon. “We have no other option but to leave this profession behind. Plastic has replaced everything, and nobody wants clay pots. We cannot sell these pots because everyone is using plastic. We are always asked, 'What is the use of a pot that breaks?' And because of our caste, we cannot sell it to anybody other than the Santhals,” Mr. Pandit says. Plastic has replaced earthenware; asbestos has replaced clay tiles and everything that was related to earth, that Mr. Pandit had made for a living, gathers dust at a corner of his workshop. After several rounds of drying and soaking the clay, Mr. Pandit moulds the pot on the wheel and fires the finished pot using charcoal. He sells the pots at Rs 30 apiece. The charcoal for firing the pots costs Rs 500 a quintal and Mr. Pandit must make 500 pots to buy a quintal of coal. “How can we continue this if we don't make enough money to buy food?” he asks. “I love making pots, but it is not getting me enough money. So, I make fewer pots these days. Of all the jobs I do, the one that brings me more money is the one I like the most,” Mr. Pandit says. . . . . #climatechange #sustainability #buylocal #makeinindia #thisismakeinindia #climateaction #environment #globalwarming #nature #savetheplanet #plasticfree #pollution #eco #reuse #green #organic #design #handmade #circulareconomy #noplastic #ruraleconomy #nativepicture #jharkhand #governmentpolicies #keepittribal" title="If a clay pot reveals the character of its maker, the emptiness inside is perhaps the character of pottery’s future in India. “Pottery is hard work and it doesn’t pay much. Since there is not enough income in this profession, I work as a daily wage laborer or as a contract farmer to earn my living,” says Mr. Bhim Pandit, a potter from Majhiladih village of Giridih district, Jharkhand. Despite having ancestral knowledge about pottery Mr. Pandit is ready to leave his traditional profession behind just to feed the mouths that depend on him. He knows that his children will never take up pottery and that a culturally rich profession like pottery will be extinct soon. “We have no other option but to leave this profession behind. Plastic has replaced everything, and nobody wants clay pots. We cannot sell these pots because everyone is using plastic. We are always asked, 'What is the use of a pot that breaks?' And because of our caste, we cannot sell it to anybody other than the Santhals,” Mr. Pandit says. Plastic has replaced earthenware; asbestos has replaced clay tiles and everything that was related to earth, that Mr. Pandit had made for a living, gathers dust at a corner of his workshop. After several rounds of drying and soaking the clay, Mr. Pandit moulds the pot on the wheel and fires the finished pot using charcoal. He sells the pots at Rs 30 apiece. The charcoal for firing the pots costs Rs 500 a quintal and Mr. Pandit must make 500 pots to buy a quintal of coal. “How can we continue this if we don't make enough money to buy food?” he asks. “I love making pots, but it is not getting me enough money. So, I make fewer pots these days. Of all the jobs I do, the one that brings me more money is the one I like the most,” Mr. Pandit says. . . . . #climatechange #sustainability #buylocal #makeinindia #thisismakeinindia #climateaction #environment #globalwarming #nature #savetheplanet #plasticfree #pollution #eco #reuse #green #organic #design #handmade #circulareconomy #noplastic #ruraleconomy #nativepicture #jharkhand #governmentpolicies #keepittribal" class="">
Search URL Search Domain Scan URL
URL: http://instagram.com/p/B80LY7zlb8K/
Title: <img src="//instagram.fdel27-1.fna.fbcdn.net/v/t51.2885-15/sh0.08/e35/c180.0.1080.1080a/s640x640/85112738_223511745708868_5096994326521046809_n.jpg?_nc_ht=instagram.fdel27-1.fna.fbcdn.net&_nc_cat=104&_nc_ohc=gGs93UAMtFYAX9YzXG8&oh=032ed031227dc5882e88a53324308331&oe=5E934BCB" alt="Legend has it that Brahma, the creator, awarded the title Prajapati to one of his sons, Kumhara, appreciating his devotion to the art of pottery. But for Mr. Madhai Pandit, a potter from the Prajapati caste of Jharkhand, his devotion to the traditional profession for the past 20 years has earned him only hardship and a bitter fight for survival. Mr. Madhai and many such potters of the Prajapati caste are staring helplessly into a future where their art – their only means of sustenance – is being silently eroded by the onslaught of plastic. Mr. Madhai makes earthen vessels which are bought mostly by the Santhals. He travels from one indigenous village to another selling earthenware like Handi, Ghela, Chukri, Sora, and Tawa. “I don’t have any other work but to make earthen pots. This is my only hope. Nobody buys my pots in the cities, so the villages and the fairs are my only options. If I start at 10 in the morning, I return home only around midnight. My family and I can eat only if I sell the earthenware I make,” Mr. Madhai says. Like a true existential hero Mr. Madhai, without questioning the absurdity of his fading profession, continues making earthenware and says, “We have to be happy with what we are doing.” . . . . #climatechange #behappy #supportlocal #makeinindia #thisismakeinindia #pottery #india #jharkhand #igportrait #portraitoftheday #buylocal #throughthelens #portraitsfromtheworld #nativepicture #nativestories #climateaction #stopplastic #climatechangeismorethanplastic #terra #terracotta #sustainability #sustainableliving" title="Legend has it that Brahma, the creator, awarded the title Prajapati to one of his sons, Kumhara, appreciating his devotion to the art of pottery. But for Mr. Madhai Pandit, a potter from the Prajapati caste of Jharkhand, his devotion to the traditional profession for the past 20 years has earned him only hardship and a bitter fight for survival. Mr. Madhai and many such potters of the Prajapati caste are staring helplessly into a future where their art – their only means of sustenance – is being silently eroded by the onslaught of plastic. Mr. Madhai makes earthen vessels which are bought mostly by the Santhals. He travels from one indigenous village to another selling earthenware like Handi, Ghela, Chukri, Sora, and Tawa. “I don’t have any other work but to make earthen pots. This is my only hope. Nobody buys my pots in the cities, so the villages and the fairs are my only options. If I start at 10 in the morning, I return home only around midnight. My family and I can eat only if I sell the earthenware I make,” Mr. Madhai says. Like a true existential hero Mr. Madhai, without questioning the absurdity of his fading profession, continues making earthenware and says, “We have to be happy with what we are doing.” . . . . #climatechange #behappy #supportlocal #makeinindia #thisismakeinindia #pottery #india #jharkhand #igportrait #portraitoftheday #buylocal #throughthelens #portraitsfromtheworld #nativepicture #nativestories #climateaction #stopplastic #climatechangeismorethanplastic #terra #terracotta #sustainability #sustainableliving" class="">
Title: <img src="//instagram.fdel27-1.fna.fbcdn.net/v/t51.2885-15/sh0.08/e35/c180.0.1080.1080a/s640x640/85112738_223511745708868_5096994326521046809_n.jpg?_nc_ht=instagram.fdel27-1.fna.fbcdn.net&_nc_cat=104&_nc_ohc=gGs93UAMtFYAX9YzXG8&oh=032ed031227dc5882e88a53324308331&oe=5E934BCB" alt="Legend has it that Brahma, the creator, awarded the title Prajapati to one of his sons, Kumhara, appreciating his devotion to the art of pottery. But for Mr. Madhai Pandit, a potter from the Prajapati caste of Jharkhand, his devotion to the traditional profession for the past 20 years has earned him only hardship and a bitter fight for survival. Mr. Madhai and many such potters of the Prajapati caste are staring helplessly into a future where their art – their only means of sustenance – is being silently eroded by the onslaught of plastic. Mr. Madhai makes earthen vessels which are bought mostly by the Santhals. He travels from one indigenous village to another selling earthenware like Handi, Ghela, Chukri, Sora, and Tawa. “I don’t have any other work but to make earthen pots. This is my only hope. Nobody buys my pots in the cities, so the villages and the fairs are my only options. If I start at 10 in the morning, I return home only around midnight. My family and I can eat only if I sell the earthenware I make,” Mr. Madhai says. Like a true existential hero Mr. Madhai, without questioning the absurdity of his fading profession, continues making earthenware and says, “We have to be happy with what we are doing.” . . . . #climatechange #behappy #supportlocal #makeinindia #thisismakeinindia #pottery #india #jharkhand #igportrait #portraitoftheday #buylocal #throughthelens #portraitsfromtheworld #nativepicture #nativestories #climateaction #stopplastic #climatechangeismorethanplastic #terra #terracotta #sustainability #sustainableliving" title="Legend has it that Brahma, the creator, awarded the title Prajapati to one of his sons, Kumhara, appreciating his devotion to the art of pottery. But for Mr. Madhai Pandit, a potter from the Prajapati caste of Jharkhand, his devotion to the traditional profession for the past 20 years has earned him only hardship and a bitter fight for survival. Mr. Madhai and many such potters of the Prajapati caste are staring helplessly into a future where their art – their only means of sustenance – is being silently eroded by the onslaught of plastic. Mr. Madhai makes earthen vessels which are bought mostly by the Santhals. He travels from one indigenous village to another selling earthenware like Handi, Ghela, Chukri, Sora, and Tawa. “I don’t have any other work but to make earthen pots. This is my only hope. Nobody buys my pots in the cities, so the villages and the fairs are my only options. If I start at 10 in the morning, I return home only around midnight. My family and I can eat only if I sell the earthenware I make,” Mr. Madhai says. Like a true existential hero Mr. Madhai, without questioning the absurdity of his fading profession, continues making earthenware and says, “We have to be happy with what we are doing.” . . . . #climatechange #behappy #supportlocal #makeinindia #thisismakeinindia #pottery #india #jharkhand #igportrait #portraitoftheday #buylocal #throughthelens #portraitsfromtheworld #nativepicture #nativestories #climateaction #stopplastic #climatechangeismorethanplastic #terra #terracotta #sustainability #sustainableliving" class="">
Search URL Search Domain Scan URL
URL: http://instagram.com/p/B8oMFvQlqdv/
Title: <img src="//instagram.fdel27-1.fna.fbcdn.net/v/t51.2885-15/sh0.08/e35/c227.0.914.914a/s640x640/81384113_1018387802000356_442386773691135901_n.jpg?_nc_ht=instagram.fdel27-1.fna.fbcdn.net&_nc_cat=104&_nc_ohc=PjFNB6bB1CIAX9TgpVj&oh=db6db36dbfbdfa47ac9ac9765671dff6&oe=5E95D133" alt="Mr. Raju, “The exotic species of trees made the fertile land acidic and hindered the growth of grass. So, where should the animals that grazed on grass or tree produce go? They went in search of food and came to the villages/towns, leading to the severe human-animal conflict. “Tamil Nadu Green Movement, prepared a draft on how to protect the Nilgiris forest and submitted it to the chief minister. But our bureaucrats and ministers are least bothered about the conservation of environment,” he says. “We also suggested that by just removing the eucalyptus trees from the Doddabetta forest, the forest will grow naturally and for the forest to grow, humans should not enter. This is the only solution. Shola will look after its own regeneration,” Mr. Raju says. “We are emotionally attached to this forest and for the past 25 years we are protecting this forest like our own farm.” According to Mr. Raju, almost 750 litres of water originate from a hectare of Shola every second and if the 10,000 hectares of eucalyptus plants and 15,000 hectares of acacia trees are removed from the reserve forest and native species are grown instead, Tamil Nadu might get up to 40,000 TMC of water and the Nilgiris has the potential to become the real overhead tank of South India. Mr. Raju also says that once the exotic species of trees are removed from the region, the fauna of the forest will have the food they are used to and need not go in search of their food. “The population of the Bison has increased due to the protection of the forest. But since Bisons don’t eat these exotics plants, they go in search of food and end up in the hamlets around the forest. If we grow native plans and regenerate the Shola, these animals will have food at their home and there would be no man-animal conflict,” he says. . . . #forest #water #nilgiris #westernghats #climatechange #localhero #saveforest #humananimalconflict #ecology #nativepicture @keystonefoundation" title="Mr. Raju, “The exotic species of trees made the fertile land acidic and hindered the growth of grass. So, where should the animals that grazed on grass or tree produce go? They went in search of food and came to the villages/towns, leading to the severe human-animal conflict. “Tamil Nadu Green Movement, prepared a draft on how to protect the Nilgiris forest and submitted it to the chief minister. But our bureaucrats and ministers are least bothered about the conservation of environment,” he says. “We also suggested that by just removing the eucalyptus trees from the Doddabetta forest, the forest will grow naturally and for the forest to grow, humans should not enter. This is the only solution. Shola will look after its own regeneration,” Mr. Raju says. “We are emotionally attached to this forest and for the past 25 years we are protecting this forest like our own farm.” According to Mr. Raju, almost 750 litres of water originate from a hectare of Shola every second and if the 10,000 hectares of eucalyptus plants and 15,000 hectares of acacia trees are removed from the reserve forest and native species are grown instead, Tamil Nadu might get up to 40,000 TMC of water and the Nilgiris has the potential to become the real overhead tank of South India. Mr. Raju also says that once the exotic species of trees are removed from the region, the fauna of the forest will have the food they are used to and need not go in search of their food. “The population of the Bison has increased due to the protection of the forest. But since Bisons don’t eat these exotics plants, they go in search of food and end up in the hamlets around the forest. If we grow native plans and regenerate the Shola, these animals will have food at their home and there would be no man-animal conflict,” he says. . . . #forest #water #nilgiris #westernghats #climatechange #localhero #saveforest #humananimalconflict #ecology #nativepicture @keystonefoundation" class="">
Title: <img src="//instagram.fdel27-1.fna.fbcdn.net/v/t51.2885-15/sh0.08/e35/c227.0.914.914a/s640x640/81384113_1018387802000356_442386773691135901_n.jpg?_nc_ht=instagram.fdel27-1.fna.fbcdn.net&_nc_cat=104&_nc_ohc=PjFNB6bB1CIAX9TgpVj&oh=db6db36dbfbdfa47ac9ac9765671dff6&oe=5E95D133" alt="Mr. Raju, “The exotic species of trees made the fertile land acidic and hindered the growth of grass. So, where should the animals that grazed on grass or tree produce go? They went in search of food and came to the villages/towns, leading to the severe human-animal conflict. “Tamil Nadu Green Movement, prepared a draft on how to protect the Nilgiris forest and submitted it to the chief minister. But our bureaucrats and ministers are least bothered about the conservation of environment,” he says. “We also suggested that by just removing the eucalyptus trees from the Doddabetta forest, the forest will grow naturally and for the forest to grow, humans should not enter. This is the only solution. Shola will look after its own regeneration,” Mr. Raju says. “We are emotionally attached to this forest and for the past 25 years we are protecting this forest like our own farm.” According to Mr. Raju, almost 750 litres of water originate from a hectare of Shola every second and if the 10,000 hectares of eucalyptus plants and 15,000 hectares of acacia trees are removed from the reserve forest and native species are grown instead, Tamil Nadu might get up to 40,000 TMC of water and the Nilgiris has the potential to become the real overhead tank of South India. Mr. Raju also says that once the exotic species of trees are removed from the region, the fauna of the forest will have the food they are used to and need not go in search of their food. “The population of the Bison has increased due to the protection of the forest. But since Bisons don’t eat these exotics plants, they go in search of food and end up in the hamlets around the forest. If we grow native plans and regenerate the Shola, these animals will have food at their home and there would be no man-animal conflict,” he says. . . . #forest #water #nilgiris #westernghats #climatechange #localhero #saveforest #humananimalconflict #ecology #nativepicture @keystonefoundation" title="Mr. Raju, “The exotic species of trees made the fertile land acidic and hindered the growth of grass. So, where should the animals that grazed on grass or tree produce go? They went in search of food and came to the villages/towns, leading to the severe human-animal conflict. “Tamil Nadu Green Movement, prepared a draft on how to protect the Nilgiris forest and submitted it to the chief minister. But our bureaucrats and ministers are least bothered about the conservation of environment,” he says. “We also suggested that by just removing the eucalyptus trees from the Doddabetta forest, the forest will grow naturally and for the forest to grow, humans should not enter. This is the only solution. Shola will look after its own regeneration,” Mr. Raju says. “We are emotionally attached to this forest and for the past 25 years we are protecting this forest like our own farm.” According to Mr. Raju, almost 750 litres of water originate from a hectare of Shola every second and if the 10,000 hectares of eucalyptus plants and 15,000 hectares of acacia trees are removed from the reserve forest and native species are grown instead, Tamil Nadu might get up to 40,000 TMC of water and the Nilgiris has the potential to become the real overhead tank of South India. Mr. Raju also says that once the exotic species of trees are removed from the region, the fauna of the forest will have the food they are used to and need not go in search of their food. “The population of the Bison has increased due to the protection of the forest. But since Bisons don’t eat these exotics plants, they go in search of food and end up in the hamlets around the forest. If we grow native plans and regenerate the Shola, these animals will have food at their home and there would be no man-animal conflict,” he says. . . . #forest #water #nilgiris #westernghats #climatechange #localhero #saveforest #humananimalconflict #ecology #nativepicture @keystonefoundation" class="">
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URL: http://instagram.com/p/B8fX-uAF9cf/
Title: <img src="//instagram.fdel27-1.fna.fbcdn.net/v/t51.2885-15/sh0.08/e35/c239.0.962.962a/s640x640/84444145_790828597993608_2685124989081135683_n.jpg?_nc_ht=instagram.fdel27-1.fna.fbcdn.net&_nc_cat=100&_nc_ohc=flK3UkqVcuMAX96Zi_C&oh=1abb6a0e47124b181d0160eabc9998e0&oe=5E99AD98" alt="The history of conservation activities in the Longwood Shola forest dates to 1905 when the British East India Company had given the permission for the locals of Kotagiri region to cut down the forest and convert the land into tea gardens. “There was a bungalow inside the forest, a legendary bungalow, where Bailey Brack and his wife stayed,” says Mr. Raju. “After cutting down trees for the development of tea estates, the villagers came to the gate of the Longwood forest. It was Brack who told the villagers that the population of the region is increasing and that the Shola (forest) would be the only source of water for the natives in the future, Brack is believed to have asked the natives to stop the felling of trees and concentrate on the conservation of the forest. “He was the first real conservator of the region,” says Mr. Raju with a smile on his face. “Brack and his wife lived in the forest for over 45 years and they did not allow any locals inside the forest. Only the British were allowed and even they had to ride on horseback, relax for some time and vacate the forest as soon as possible,” Mr. Raju adds. “After Independence and Brack's death, the Maharaja of Baroda bought the bungalow but did not stay there for long because he thought the bungalow was haunted,” laughs Mr. Raju. In the late 1980s when Michel Danino, a French scholar and author at Mother’s Institute of Research, Auroville, came to stay in the bungalow, he involved the locals to be part of the conservation on an experimental basis. “The locals then asked Danino to push for the removal of eucalyptus trees. A small patch of land was cleared, and the locals planted a few native trees and protected them, which led to a proper regeneration of the shola hence proving our theory that if we remove the exotic trees planted artificially, we would bring an ecological balance in the region. . . . #ecology #conservation #nilgiris #forest #water #climatechange #climateaction #britisheastindiacompany #native #nativepicture #conservation #tamilnadu #westernghats #savetheplanet @keystonefoundation" title="The history of conservation activities in the Longwood Shola forest dates to 1905 when the British East India Company had given the permission for the locals of Kotagiri region to cut down the forest and convert the land into tea gardens. “There was a bungalow inside the forest, a legendary bungalow, where Bailey Brack and his wife stayed,” says Mr. Raju. “After cutting down trees for the development of tea estates, the villagers came to the gate of the Longwood forest. It was Brack who told the villagers that the population of the region is increasing and that the Shola (forest) would be the only source of water for the natives in the future, Brack is believed to have asked the natives to stop the felling of trees and concentrate on the conservation of the forest. “He was the first real conservator of the region,” says Mr. Raju with a smile on his face. “Brack and his wife lived in the forest for over 45 years and they did not allow any locals inside the forest. Only the British were allowed and even they had to ride on horseback, relax for some time and vacate the forest as soon as possible,” Mr. Raju adds. “After Independence and Brack's death, the Maharaja of Baroda bought the bungalow but did not stay there for long because he thought the bungalow was haunted,” laughs Mr. Raju. In the late 1980s when Michel Danino, a French scholar and author at Mother’s Institute of Research, Auroville, came to stay in the bungalow, he involved the locals to be part of the conservation on an experimental basis. “The locals then asked Danino to push for the removal of eucalyptus trees. A small patch of land was cleared, and the locals planted a few native trees and protected them, which led to a proper regeneration of the shola hence proving our theory that if we remove the exotic trees planted artificially, we would bring an ecological balance in the region. . . . #ecology #conservation #nilgiris #forest #water #climatechange #climateaction #britisheastindiacompany #native #nativepicture #conservation #tamilnadu #westernghats #savetheplanet @keystonefoundation" class="">
Title: <img src="//instagram.fdel27-1.fna.fbcdn.net/v/t51.2885-15/sh0.08/e35/c239.0.962.962a/s640x640/84444145_790828597993608_2685124989081135683_n.jpg?_nc_ht=instagram.fdel27-1.fna.fbcdn.net&_nc_cat=100&_nc_ohc=flK3UkqVcuMAX96Zi_C&oh=1abb6a0e47124b181d0160eabc9998e0&oe=5E99AD98" alt="The history of conservation activities in the Longwood Shola forest dates to 1905 when the British East India Company had given the permission for the locals of Kotagiri region to cut down the forest and convert the land into tea gardens. “There was a bungalow inside the forest, a legendary bungalow, where Bailey Brack and his wife stayed,” says Mr. Raju. “After cutting down trees for the development of tea estates, the villagers came to the gate of the Longwood forest. It was Brack who told the villagers that the population of the region is increasing and that the Shola (forest) would be the only source of water for the natives in the future, Brack is believed to have asked the natives to stop the felling of trees and concentrate on the conservation of the forest. “He was the first real conservator of the region,” says Mr. Raju with a smile on his face. “Brack and his wife lived in the forest for over 45 years and they did not allow any locals inside the forest. Only the British were allowed and even they had to ride on horseback, relax for some time and vacate the forest as soon as possible,” Mr. Raju adds. “After Independence and Brack's death, the Maharaja of Baroda bought the bungalow but did not stay there for long because he thought the bungalow was haunted,” laughs Mr. Raju. In the late 1980s when Michel Danino, a French scholar and author at Mother’s Institute of Research, Auroville, came to stay in the bungalow, he involved the locals to be part of the conservation on an experimental basis. “The locals then asked Danino to push for the removal of eucalyptus trees. A small patch of land was cleared, and the locals planted a few native trees and protected them, which led to a proper regeneration of the shola hence proving our theory that if we remove the exotic trees planted artificially, we would bring an ecological balance in the region. . . . #ecology #conservation #nilgiris #forest #water #climatechange #climateaction #britisheastindiacompany #native #nativepicture #conservation #tamilnadu #westernghats #savetheplanet @keystonefoundation" title="The history of conservation activities in the Longwood Shola forest dates to 1905 when the British East India Company had given the permission for the locals of Kotagiri region to cut down the forest and convert the land into tea gardens. “There was a bungalow inside the forest, a legendary bungalow, where Bailey Brack and his wife stayed,” says Mr. Raju. “After cutting down trees for the development of tea estates, the villagers came to the gate of the Longwood forest. It was Brack who told the villagers that the population of the region is increasing and that the Shola (forest) would be the only source of water for the natives in the future, Brack is believed to have asked the natives to stop the felling of trees and concentrate on the conservation of the forest. “He was the first real conservator of the region,” says Mr. Raju with a smile on his face. “Brack and his wife lived in the forest for over 45 years and they did not allow any locals inside the forest. Only the British were allowed and even they had to ride on horseback, relax for some time and vacate the forest as soon as possible,” Mr. Raju adds. “After Independence and Brack's death, the Maharaja of Baroda bought the bungalow but did not stay there for long because he thought the bungalow was haunted,” laughs Mr. Raju. In the late 1980s when Michel Danino, a French scholar and author at Mother’s Institute of Research, Auroville, came to stay in the bungalow, he involved the locals to be part of the conservation on an experimental basis. “The locals then asked Danino to push for the removal of eucalyptus trees. A small patch of land was cleared, and the locals planted a few native trees and protected them, which led to a proper regeneration of the shola hence proving our theory that if we remove the exotic trees planted artificially, we would bring an ecological balance in the region. . . . #ecology #conservation #nilgiris #forest #water #climatechange #climateaction #britisheastindiacompany #native #nativepicture #conservation #tamilnadu #westernghats #savetheplanet @keystonefoundation" class="">
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URL: http://instagram.com/p/B8TuxvKlkgG/
Title: <img src="//instagram.fdel27-1.fna.fbcdn.net/v/t51.2885-15/sh0.08/e35/c223.0.901.901a/s640x640/83946211_134123641419266_6459031216305224347_n.jpg?_nc_ht=instagram.fdel27-1.fna.fbcdn.net&_nc_cat=102&_nc_ohc=s7v9sRgjw1UAX_j6qM8&oh=dfd003435503e0efde6f2ca333e5991a&oe=5E97EDCC" alt="Archaic conservation policies, an indifferent forest department and the colonial idea of converting fertile land into man-made plantations have nearly destroyed the Sholas in the Nilgiris. “The grasslands were termed ‘wastelands’ and exotic trees like eucalyptus and acacia were introduced in areas where there were grasslands,” says Mr. K.J. Raju, a mathematics teacher who is the secretary of the Longwood Shola Watchdog Committee (LSWC). Constituted in May 1998, The LSWC was formed to assist the forest department in protecting the endangered shola forest on the northern edge of Kotagiri town. But little did the committee know that it had to fight against the measures taken by the forest department itself. “The grasslands were destroyed by planting these exotic trees that are not native to the region and not a single blade of grass grew there because of that. The forest department was totally ignorant of this and they used helicopters to disperse acacia seeds throughout the region to make the forest look rich and green. The soil here does not have the bacteria required for the growth of these exotic species and naturally as they took much longer to decompose, they started dominating the region. These exotic species of trees made the fertile land acidic and hindered the growth of grass. So, where should the animals that grazed on grass or tree produce go? They went in search of food and came to the villages/towns, leading to the severe human-animal conflict. "Wild boars and other animals came to the villages in search of food and became casual visitors. Wild boars started eating plastic while looking for food." When asked how the forest officials and the IAS officers, who are not trained in either botany or zoology, understand the situation and save the forest? Mr. Raju said, “We can’t blame the forest officials. The problem is they know everything, but they won’t do anything. All they do is crisis management and retire happily. They have very little concern for the forests.” (1/3) . . . #forest #nativeforest #climatechange #climateaction #hero #savetheplanet #saveforest #knowledge #nilgiris #tamilnadu #westernghats #humananimalconflict @keystonefoundation" title="Archaic conservation policies, an indifferent forest department and the colonial idea of converting fertile land into man-made plantations have nearly destroyed the Sholas in the Nilgiris. “The grasslands were termed ‘wastelands’ and exotic trees like eucalyptus and acacia were introduced in areas where there were grasslands,” says Mr. K.J. Raju, a mathematics teacher who is the secretary of the Longwood Shola Watchdog Committee (LSWC). Constituted in May 1998, The LSWC was formed to assist the forest department in protecting the endangered shola forest on the northern edge of Kotagiri town. But little did the committee know that it had to fight against the measures taken by the forest department itself. “The grasslands were destroyed by planting these exotic trees that are not native to the region and not a single blade of grass grew there because of that. The forest department was totally ignorant of this and they used helicopters to disperse acacia seeds throughout the region to make the forest look rich and green. The soil here does not have the bacteria required for the growth of these exotic species and naturally as they took much longer to decompose, they started dominating the region. These exotic species of trees made the fertile land acidic and hindered the growth of grass. So, where should the animals that grazed on grass or tree produce go? They went in search of food and came to the villages/towns, leading to the severe human-animal conflict. "Wild boars and other animals came to the villages in search of food and became casual visitors. Wild boars started eating plastic while looking for food." When asked how the forest officials and the IAS officers, who are not trained in either botany or zoology, understand the situation and save the forest? Mr. Raju said, “We can’t blame the forest officials. The problem is they know everything, but they won’t do anything. All they do is crisis management and retire happily. They have very little concern for the forests.” (1/3) . . . #forest #nativeforest #climatechange #climateaction #hero #savetheplanet #saveforest #knowledge #nilgiris #tamilnadu #westernghats #humananimalconflict @keystonefoundation" class="">
Title: <img src="//instagram.fdel27-1.fna.fbcdn.net/v/t51.2885-15/sh0.08/e35/c223.0.901.901a/s640x640/83946211_134123641419266_6459031216305224347_n.jpg?_nc_ht=instagram.fdel27-1.fna.fbcdn.net&_nc_cat=102&_nc_ohc=s7v9sRgjw1UAX_j6qM8&oh=dfd003435503e0efde6f2ca333e5991a&oe=5E97EDCC" alt="Archaic conservation policies, an indifferent forest department and the colonial idea of converting fertile land into man-made plantations have nearly destroyed the Sholas in the Nilgiris. “The grasslands were termed ‘wastelands’ and exotic trees like eucalyptus and acacia were introduced in areas where there were grasslands,” says Mr. K.J. Raju, a mathematics teacher who is the secretary of the Longwood Shola Watchdog Committee (LSWC). Constituted in May 1998, The LSWC was formed to assist the forest department in protecting the endangered shola forest on the northern edge of Kotagiri town. But little did the committee know that it had to fight against the measures taken by the forest department itself. “The grasslands were destroyed by planting these exotic trees that are not native to the region and not a single blade of grass grew there because of that. The forest department was totally ignorant of this and they used helicopters to disperse acacia seeds throughout the region to make the forest look rich and green. The soil here does not have the bacteria required for the growth of these exotic species and naturally as they took much longer to decompose, they started dominating the region. These exotic species of trees made the fertile land acidic and hindered the growth of grass. So, where should the animals that grazed on grass or tree produce go? They went in search of food and came to the villages/towns, leading to the severe human-animal conflict. "Wild boars and other animals came to the villages in search of food and became casual visitors. Wild boars started eating plastic while looking for food." When asked how the forest officials and the IAS officers, who are not trained in either botany or zoology, understand the situation and save the forest? Mr. Raju said, “We can’t blame the forest officials. The problem is they know everything, but they won’t do anything. All they do is crisis management and retire happily. They have very little concern for the forests.” (1/3) . . . #forest #nativeforest #climatechange #climateaction #hero #savetheplanet #saveforest #knowledge #nilgiris #tamilnadu #westernghats #humananimalconflict @keystonefoundation" title="Archaic conservation policies, an indifferent forest department and the colonial idea of converting fertile land into man-made plantations have nearly destroyed the Sholas in the Nilgiris. “The grasslands were termed ‘wastelands’ and exotic trees like eucalyptus and acacia were introduced in areas where there were grasslands,” says Mr. K.J. Raju, a mathematics teacher who is the secretary of the Longwood Shola Watchdog Committee (LSWC). Constituted in May 1998, The LSWC was formed to assist the forest department in protecting the endangered shola forest on the northern edge of Kotagiri town. But little did the committee know that it had to fight against the measures taken by the forest department itself. “The grasslands were destroyed by planting these exotic trees that are not native to the region and not a single blade of grass grew there because of that. The forest department was totally ignorant of this and they used helicopters to disperse acacia seeds throughout the region to make the forest look rich and green. The soil here does not have the bacteria required for the growth of these exotic species and naturally as they took much longer to decompose, they started dominating the region. These exotic species of trees made the fertile land acidic and hindered the growth of grass. So, where should the animals that grazed on grass or tree produce go? They went in search of food and came to the villages/towns, leading to the severe human-animal conflict. "Wild boars and other animals came to the villages in search of food and became casual visitors. Wild boars started eating plastic while looking for food." When asked how the forest officials and the IAS officers, who are not trained in either botany or zoology, understand the situation and save the forest? Mr. Raju said, “We can’t blame the forest officials. The problem is they know everything, but they won’t do anything. All they do is crisis management and retire happily. They have very little concern for the forests.” (1/3) . . . #forest #nativeforest #climatechange #climateaction #hero #savetheplanet #saveforest #knowledge #nilgiris #tamilnadu #westernghats #humananimalconflict @keystonefoundation" class="">
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URL: http://instagram.com/native.picture/
Title: Follow Native Picture
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GET DATA |
truncated
/ |
42 B 0 |
Image
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IMG_1387.jpg
nativepicture.org/wp-content/uploads/2019/06/ |
3 MB 3 MB |
Image
image/jpeg |
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GET H/1.1 |
DSCF6244-1s-870x580.jpg
nativepicture.org/wp-content/uploads/2019/04/ |
150 KB 150 KB |
Image
image/jpeg |
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GET H/1.1 |
IMG_5459-870x580.jpg
nativepicture.org/wp-content/uploads/2018/11/ |
104 KB 104 KB |
Image
image/jpeg |
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GET H/1.1 |
IMG_1689.jpg
nativepicture.org/wp-content/uploads/2018/08/ |
1 MB 1 MB |
Image
image/jpeg |
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GET H/1.1 |
IMG_4044-870x580.jpg
nativepicture.org/wp-content/uploads/2018/05/ |
78 KB 78 KB |
Image
image/jpeg |
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GET H/1.1 |
011.jpg
nativepicture.org/wp-content/uploads/2018/05/ |
101 KB 101 KB |
Image
image/jpeg |
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GET H/1.1 |
F470C105-C78F-40E9-BD9D-2EC1F9DA1CBA.jpg
nativepicture.org/wp-content/uploads/2020/01/ |
1 MB 1 MB |
Image
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GET H/1.1 |
DSCF7648-1-870x580.jpeg
nativepicture.org/wp-content/uploads/2019/11/ |
149 KB 150 KB |
Image
image/jpeg |
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GET H/1.1 |
DSCF6665-1-1-870x580.jpeg
nativepicture.org/wp-content/uploads/2019/11/ |
111 KB 111 KB |
Image
image/jpeg |
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GET H/1.1 |
DSCF7551s.jpg
nativepicture.org/wp-content/uploads/2019/11/ |
2 MB 2 MB |
Image
image/jpeg |
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GET H/1.1 |
DSCF8619s-870x580.jpg
nativepicture.org/wp-content/uploads/2019/11/ |
156 KB 156 KB |
Image
image/jpeg |
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GET H/1.1 |
DSCF8207-870x580.jpg
nativepicture.org/wp-content/uploads/2019/11/ |
89 KB 89 KB |
Image
image/jpeg |
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GET H/1.1 |
DSCF8183s.jpg
nativepicture.org/wp-content/uploads/2019/11/ |
407 KB 407 KB |
Image
image/jpeg |
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|
General
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GET H/1.1 |
DSCF8140s-870x580.jpg
nativepicture.org/wp-content/uploads/2019/11/ |
77 KB 77 KB |
Image
image/jpeg |
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|
General
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GET H/1.1 |
DSCF7219s-870x580.jpg
nativepicture.org/wp-content/uploads/2019/11/ |
98 KB 98 KB |
Image
image/jpeg |
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|
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|
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|
GET H/1.1 |
DSCF7101s.jpg
nativepicture.org/wp-content/uploads/2019/11/ |
361 KB 362 KB |
Image
image/jpeg |
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|
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|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
GET H2 |
collect
www.google-analytics.com/r/ |
35 B 101 B |
Image
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|
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|
GET H/1.1 |
c19ba3.js
nativepicture.org/s/ |
496 KB 141 KB |
Script
text/javascript |
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|
GET H/1.1 |
fontawesome-webfont.woff2
nativepicture.org/wp-content/themes/fotomag/library/css/fontawesome/ |
70 KB 71 KB |
Font
font/woff2 |
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|
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|
GET H/1.1 |
css
fonts.googleapis.com/ Frame 6A86 |
58 KB 3 KB |
Stylesheet
text/css |
||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
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|
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|
GET H/1.1 |
mem8YaGs126MiZpBA-UFVZ0bf8pkAg.woff2
fonts.gstatic.com/s/opensans/v17/ Frame 6A86 |
9 KB 9 KB |
Font
font/woff2 |
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|
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|
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|
GET H/1.1 |
mem5YaGs126MiZpBA-UN_r8OUuhpKKSTjw.woff2
fonts.gstatic.com/s/opensans/v17/ Frame 6A86 |
9 KB 9 KB |
Font
font/woff2 |
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|
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|
GET H/1.1 |
mem5YaGs126MiZpBA-UNirkOUuhpKKSTjw.woff2
fonts.gstatic.com/s/opensans/v17/ Frame 6A86 |
9 KB 9 KB |
Font
font/woff2 |
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|
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|
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|
GET H/1.1 |
mem5YaGs126MiZpBA-UN7rgOUuhpKKSTjw.woff2
fonts.gstatic.com/s/opensans/v17/ Frame 6A86 |
9 KB 9 KB |
Font
font/woff2 |
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|
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|
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|
GET H/1.1 |
mem5YaGs126MiZpBA-UN8rsOUuhpKKSTjw.woff2
fonts.gstatic.com/s/opensans/v17/ Frame 6A86 |
9 KB 9 KB |
Font
font/woff2 |
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|
General
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|
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|
GET H/1.1 |
KFOmCnqEu92Fr1Mu4mxKKTU1Kg.woff2
fonts.gstatic.com/s/roboto/v20/ Frame 6A86 |
11 KB 11 KB |
Font
font/woff2 |
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|
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|
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|
GET H/1.1 |
KFOjCnqEu92Fr1Mu51TjASc6CsTYl4BO.woff2
fonts.gstatic.com/s/roboto/v20/ Frame 6A86 |
13 KB 13 KB |
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font/woff2 |
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|
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|
GET H/1.1 |
KFOkCnqEu92Fr1Mu51xIIzIXKMny.woff2
fonts.gstatic.com/s/roboto/v20/ Frame 6A86 |
12 KB 13 KB |
Font
font/woff2 |
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|
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|
GET H/1.1 |
KFOlCnqEu92Fr1MmEU9fBBc4AMP6lQ.woff2
fonts.gstatic.com/s/roboto/v20/ Frame 6A86 |
11 KB 11 KB |
Font
font/woff2 |
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|
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|
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|
GET H/1.1 |
KFOjCnqEu92Fr1Mu51S7ACc6CsTYl4BO.woff2
fonts.gstatic.com/s/roboto/v20/ Frame 6A86 |
12 KB 13 KB |
Font
font/woff2 |
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|
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|
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|
GET H/1.1 |
KFOlCnqEu92Fr1MmWUlfBBc4AMP6lQ.woff2
fonts.gstatic.com/s/roboto/v20/ Frame 6A86 |
11 KB 11 KB |
Font
font/woff2 |
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|
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|
GET H/1.1 |
KFOjCnqEu92Fr1Mu51TzBic6CsTYl4BO.woff2
fonts.gstatic.com/s/roboto/v20/ Frame 6A86 |
12 KB 13 KB |
Font
font/woff2 |
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|
GET H/1.1 |
KFOjCnqEu92Fr1Mu51TLBCc6CsTYl4BO.woff2
fonts.gstatic.com/s/roboto/v20/ Frame 6A86 |
12 KB 13 KB |
Font
font/woff2 |
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|
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|
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|
GET H/1.1 |
KFOlCnqEu92Fr1MmYUtfBBc4AMP6lQ.woff2
fonts.gstatic.com/s/roboto/v20/ Frame 6A86 |
11 KB 11 KB |
Font
font/woff2 |
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|
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|
GET H/1.1 |
S6uyw4BMUTPHjx4wXiWtFCc.woff2
fonts.gstatic.com/s/lato/v16/ Frame 6A86 |
14 KB 14 KB |
Font
font/woff2 |
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|
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|
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|
GET H/1.1 |
S6u_w4BMUTPHjxsI9w2_Gwftx9897g.woff2
fonts.gstatic.com/s/lato/v16/ Frame 6A86 |
14 KB 15 KB |
Font
font/woff2 |
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|
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|
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|
GET H/1.1 |
S6u8w4BMUTPHjxsAXC-qNiXg7Q.woff2
fonts.gstatic.com/s/lato/v16/ Frame 6A86 |
15 KB 15 KB |
Font
font/woff2 |
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|
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|
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|
GET H/1.1 |
S6u9w4BMUTPHh6UVSwiPGQ3q5d0.woff2
fonts.gstatic.com/s/lato/v16/ Frame 6A86 |
14 KB 14 KB |
Font
font/woff2 |
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|
General
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|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
GET H/1.1 |
S6u_w4BMUTPHjxsI5wq_Gwftx9897g.woff2
fonts.gstatic.com/s/lato/v16/ Frame 6A86 |
14 KB 15 KB |
Font
font/woff2 |
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|
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|
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|
GET H/1.1 |
S6u_w4BMUTPHjxsI3wi_Gwftx9897g.woff2
fonts.gstatic.com/s/lato/v16/ Frame 6A86 |
14 KB 15 KB |
Font
font/woff2 |
||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
General
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|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
GET H/1.1 |
S6u9w4BMUTPHh50XSwiPGQ3q5d0.woff2
fonts.gstatic.com/s/lato/v16/ Frame 6A86 |
13 KB 14 KB |
Font
font/woff2 |
||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
General
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|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
GET H/1.1 |
JTUSjIg1_i6t8kCHKm459WlhyyTh89Y.woff2
fonts.gstatic.com/s/montserrat/v14/ Frame 6A86 |
13 KB 14 KB |
Font
font/woff2 |
||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
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|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
GET H/1.1 |
JTURjIg1_i6t8kCHKm45_dJE3gnD_vx3rCs.woff2
fonts.gstatic.com/s/montserrat/v14/ Frame 6A86 |
13 KB 14 KB |
Font
font/woff2 |
||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
General
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|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
GET H/1.1 |
2-c49IRs1JiJN1FRAMjTN5zd9vgsFH1eYCDE0hZ0z5qZ.woff2
fonts.gstatic.com/s/merriweathersans/v11/ Frame 6A86 |
12 KB 12 KB |
Font
font/woff2 |
||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
General
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|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
GET H/1.1 |
2-c99IRs1JiJN1FRAMjTN5zd9vgsFHX1QjXp8Bte.woff2
fonts.gstatic.com/s/merriweathersans/v11/ Frame 6A86 |
11 KB 12 KB |
Font
font/woff2 |
||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
General
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|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
GET H/1.1 |
2-c49IRs1JiJN1FRAMjTN5zd9vgsFH1OZyDE0hZ0z5qZ.woff2
fonts.gstatic.com/s/merriweathersans/v11/ Frame 6A86 |
11 KB 12 KB |
Font
font/woff2 |
||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
General
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|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
GET H/1.1 |
SlGVmQWMvZQIdix7AFxXkHNSbRYXags.woff2
fonts.gstatic.com/s/droidsans/v12/ Frame 6A86 |
11 KB 11 KB |
Font
font/woff2 |
||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
General
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|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
GET H/1.1 |
SlGWmQWMvZQIdix7AFxXmMh3eDs1ZyHKpWg.woff2
fonts.gstatic.com/s/droidsans/v12/ Frame 6A86 |
11 KB 12 KB |
Font
font/woff2 |
||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
General
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|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
GET H/1.1 |
2sDcZG1Wl4LcnbuCJW8zaGW5Kb8VZA.woff2
fonts.gstatic.com/s/oxygen/v9/ Frame 6A86 |
10 KB 11 KB |
Font
font/woff2 |
||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
General
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|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
GET H/1.1 |
2sDfZG1Wl4LcnbuKjk0mRUe0Aw.woff2
fonts.gstatic.com/s/oxygen/v9/ Frame 6A86 |
10 KB 10 KB |
Font
font/woff2 |
||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
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|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
GET H/1.1 |
2sDcZG1Wl4LcnbuCNWgzaGW5Kb8VZA.woff2
fonts.gstatic.com/s/oxygen/v9/ Frame 6A86 |
10 KB 10 KB |
Font
font/woff2 |
||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
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|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
GET H/1.1 |
1Ptsg8zYS_SKggPNwE44TYFqL_KWxQ.woff2
fonts.gstatic.com/s/raleway/v14/ Frame 6A86 |
13 KB 13 KB |
Font
font/woff2 |
||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
General
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|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
GET H/1.1 |
1Ptrg8zYS_SKggPNwOIpWqZPANqczVs.woff2
fonts.gstatic.com/s/raleway/v14/ Frame 6A86 |
13 KB 13 KB |
Font
font/woff2 |
||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
General
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|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
GET H/1.1 |
1Ptrg8zYS_SKggPNwIYqWqZPANqczVs.woff2
fonts.gstatic.com/s/raleway/v14/ Frame 6A86 |
13 KB 13 KB |
Font
font/woff2 |
||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
General
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Response headers
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
GET H/1.1 |
1Ptug8zYS_SKggPNyC0IT4ttDfA.woff2
fonts.gstatic.com/s/raleway/v14/ Frame 6A86 |
13 KB 13 KB |
Font
font/woff2 |
||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
General
Request headers
Response headers
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
GET H/1.1 |
1Ptrg8zYS_SKggPNwN4rWqZPANqczVs.woff2
fonts.gstatic.com/s/raleway/v14/ Frame 6A86 |
13 KB 14 KB |
Font
font/woff2 |
||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
General
Request headers
Response headers
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
GET H/1.1 |
1Ptrg8zYS_SKggPNwPIsWqZPANqczVs.woff2
fonts.gstatic.com/s/raleway/v14/ Frame 6A86 |
13 KB 13 KB |
Font
font/woff2 |
||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
General
Request headers
Response headers
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
GET H/1.1 |
1Ptrg8zYS_SKggPNwJYtWqZPANqczVs.woff2
fonts.gstatic.com/s/raleway/v14/ Frame 6A86 |
13 KB 13 KB |
Font
font/woff2 |
||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
General
Request headers
Response headers
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
GET H/1.1 |
1Ptrg8zYS_SKggPNwIouWqZPANqczVs.woff2
fonts.gstatic.com/s/raleway/v14/ Frame 6A86 |
13 KB 13 KB |
Font
font/woff2 |
||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
General
Request headers
Response headers
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
GET H/1.1 |
1Ptrg8zYS_SKggPNwK4vWqZPANqczVs.woff2
fonts.gstatic.com/s/raleway/v14/ Frame 6A86 |
13 KB 14 KB |
Font
font/woff2 |
||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
General
Request headers
Response headers
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
GET H/1.1 |
JTUQjIg1_i6t8kCHKm459WxRyS7m0dR9pA.woff2
fonts.gstatic.com/s/montserrat/v14/ Frame 6A86 |
14 KB 14 KB |
Font
font/woff2 |
||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
General
Request headers
Response headers
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
GET H/1.1 |
css
fonts.googleapis.com/ |
58 KB 3 KB |
Stylesheet
text/css |
||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
General
Request headers
Response headers
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
GET H/1.1 |
JTURjIg1_i6t8kCHKm45_dJE3gnD_vx3rCs.woff2
fonts.gstatic.com/s/montserrat/v14/ |
13 KB 14 KB |
Font
font/woff2 |
||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
General
Request headers
Response headers
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
GET H/1.1 |
JTUSjIg1_i6t8kCHKm459WlhyyTh89Y.woff2
fonts.gstatic.com/s/montserrat/v14/ |
13 KB 14 KB |
Font
font/woff2 |
||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
General
Request headers
Response headers
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
GET H/1.1 |
JTUQjIg1_i6t8kCHKm459WxRyS7m0dR9pA.woff2
fonts.gstatic.com/s/montserrat/v14/ |
14 KB 14 KB |
Font
font/woff2 |
||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
General
Request headers
Response headers
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Verdicts & Comments Add Verdict or Comment
54 JavaScript Global Variables
These are the non-standard "global" variables defined on the window object. These can be helpful in identifying possible client-side frameworks and code.
object| onformdata object| onpointerrawupdate function| ress_loadGooglefont function| ress_loadFont string| em_version boolean| em_track_user string| em_no_track_reason string| disableStr function| __gaTrackerIsOptedOut function| __gaTrackerOptout function| gaOptout string| GoogleAnalyticsObject function| __gaTracker function| ga object| exactmetrics_frontend object| google_tag_data object| gaplugins object| gaGlobal object| gaData object| wpcf7 object| newsletter object| fotomagExt object| fotomagScripts object| twemoji function| ExactMetrics object| ExactMetricsObject object| es_data object| Formstone undefined| cbYTPlayerHolder undefined| cbEmbedIconData object| CbYTPlayer string| cbYouTubeVideoID undefined| tag undefined| firstScriptTag function| resize function| newsletter_check_field function| newsletter_check function| onYouTubeIframeAPIReady object| _wpemojiSettings object| wp undefined| $ function| jQuery object| jQuery1124006054023228247285 object| html5 object| Modernizr function| yepnope function| EvEmitter function| imagesLoaded function| Retina function| RetinaImagePath function| RetinaImage function| ScrollMagic function| Cookies function| lazyLoadXT3 Cookies
Cookies are little pieces of information stored in the browser of a user. Whenever a user visits the site again, he will also send his cookie values, thus allowing the website to re-identify him even if he changed locations. This is how permanent logins work.
| Domain/Path | Expires | Name / Value |
|---|---|---|
| .nativepicture.org/ | Name: _gat Value: 1 |
|
| .nativepicture.org/ | Name: _gid Value: GA1.2.1265420464.1583718981 |
|
| .nativepicture.org/ | Name: _ga Value: GA1.2.237698055.1583718981 |
1 Console Messages
A page may trigger messages to the console to be logged. These are often error messages about being unable to load a resource or execute a piece of JavaScript. Sometimes they also provide insight into the technology behind a website.
| Source | Level | URL Text |
|---|
Indicators
This is a term in the security industry to describe indicators such as IPs, Domains, Hashes, etc. This does not imply that any of these indicate malicious activity.
fonts.googleapis.com
fonts.gstatic.com
instagram.fdel27-1.fna.fbcdn.net
nativepicture.org
www.google-analytics.com
103.20.214.78
2404:a800:6:3b:face:b00c:3333:a3f
2a00:1450:4001:819::200a
2a00:1450:4001:81a::200e
2a00:1450:4001:81c::2003
036d841b132c14046e26d8f2da1bc634c6ad34885ed1295660694a91c98933a6
046fa5c62e3b17b46ea2f8c601465dacfd5c153aee7a71754a9be582de74a385
0ce5a460ace775560c3344a43245687bdbec5cb8ee20d209ab9fa67f4e09a3e8
0d9fd7ccabde9b202de45ee6b65878ce9594975d8e8810b0878d3f3fa3637d0e
1b6863771c330f7b6a857dbfee3959d8e8c61c0e34f1e9ba5f6f38268d05573d
1e49f52bf38e781e11c6c08e0568110ee2064a9686130c7e0c63a0a7c7a6ceaa
22537df44ab1aa6f93db69f4a0fbaf03c75296614278e3e59f45fab1d2ae1a60
25c3ed9ca917c203cd26e979a65756581ca02340786de04e3c1e65cc9b890f65
25df5985827b82cf5a2e0750bfef61b63f21d1d9395e9ebb7343c744a4598e3a
2d35b1db0cf22ec414f80b02fc581433466ed5a8c37bb1a5dfd4e1f4a8cbdf69
30ac80246c39a1fce99e2d53907cf58b4a09734142e388ebd14142d4f40d5c3a
38dd9c83da5f58133ed1f707b16983d9bc6add5318ed92b84dcb3641cc20d4ac
3be0a916496d7936bb83ce60a4de9f10ef400f16c38e7dd7c65449c795e7739b
475946a4651dc338aaba91fe0199deec9a37450812bd0812177ea6ed4845848c
497eb7531a4c5fd92ca676a572825de7c7118f318c515d4b0058bd53fc17b32d
4c575d67f22342308c6bdc002dce3d2bf2eb03c3434846dd8aeb4b2b74b43d43
4c6cf0709b8e52572cae1fb57128acd0a5a453c9ce99dc3712a1860ff90c6bf8
4f924b4cfae85a537e04b058cae794595ef20446949ae5cd69911ca495a86246
50f4eb73e4854117bf7bf9da7dc0c17740b03b5db6eb7ee6ffc20aeb35c1ea48
54c64f3c66372027154f01fc9f24b4e25fdfe405b70d1994c79abbc2576ff775
5c1dde4cdc5c608da53737233f02219a7421ab6870d5d90bc0b7b294d571942c
5d1bc9b443f3f81fa4b4ad4634c1bb9702194c1898e3a9de0ab5e2cdc0e9f479
5e261f7e11c39ff6f4c8fe884e5c9de2fa15f29085a1adefdd36603ef2e23c00
63faac0a35283fa66924f73966386a8e1e41dac3f1c957f9b02c924c7fd0121d
64f12bcd111be76f80de661978a9817e6701c7b62a84be48ca42f604c4a57a2e
6f84e0fa90478a07a7f65c48ecdae68cb3e74395f03b5d74f0b632883e74889a
705214a33f7f72fe3e6a4c850a460d856acb9bc2e74bd9679139299e3d71eabc
72ccecc1a85c2cd8d80a1dd4e6a76f43331fd58fd5dfd16effd2c8d7dc6b4848
7d1a48d4eaa4b3accebbc72b3c7f2577bf662a409a79c8cc9cc9db6e13bb7b0d
7dacf83f51179de8d7980a513e67ab3a08f2c6272bb5946df8fd77c0d1763b73
7e347b66fb1145f780600551e06778b33ecaca5c45897ac90eb96eb4b6afd082
82cdf580655d3697dadd6f72fa9fbd5d06adbcde5f2a2e048a9e3e7cc6636b46
8337212354871836e6763a41e615916c89bac5b3f1f0adf60ba43c7c806e1015
8fecf14303cc5d088538c95e27ab3231ad0984f13ad3f396d522b10f1cea485f
92b37ef6d2c6b3763d09f2eede9943578bc45d21abb7a0a29a3c442de9e65848
973ebbead06df6ace22a88d2856663d37845792bdf1b40ff69df2e20912fedef
9791dc91342b2ac6f61999edf3b9e5e97a9443841085e6dca7de5f925a2dcea3
9baad10e85c5be8d5697086479983b6b477197103bf8f0f11817b1bdfb9a7451
9c695acb1fb9e1a8739e6ae5621d41fc1ff3d13bbf370ea9c1fc95e879109890
a2c7d07cd248356cb58a7787ab262354fd1149ad02dd63b722028154ec8dec85
a37d3624086675554078137e1df705b7dd0cae87bf39b588759a94157fdefd73
a48a6e4b14fe55f750c0a3dfb5a6f4941bdc06af0aa542b90de25c30c2b4625c
ab77b5d2fc45c64383a9ae7cd3b07ab2407ec7e6650b2740f3397f4c2a63d37c
adc7b5323f1dd3e08f8cb0c10550b15ea35f7d45ddf5d079867d3521ef34646c
b282a8addc38e45f16f401cde8810e5f06a2fd6e48ae56372f2cba199cbd93fa
b8e23a845bc6b7fd417d29182e0e38d353e64b5e12e06bb1de2b5ce063db1dcc
b8e6b6e20509ef545ea16fd99583c36abd0001d2cb517ddd667bc5324d45b062
bd33ffebb82d0e70371aedd27d79a993c98b29fb0d5e3d8c99c376cc9d57414d
bf80cea4d5c42dfdc90ff3df029693a29b0e0cb08ba85baa97cbcac083092be8
c0cef4e89609c1c120413ce18839213409fbb223c214dc75a69e4f678b6385c7
c475dff12671b37bf8c2d1f36418b866f1024b6afde8d9b1b405198b0cecf995
c8cb742dbb60decab090cf738bfef2d8a780141573e9a2a3854bf3f78919faed
ce897833ac6e362df7c91ac8223fe511c6defcf33964928a81004600a2dd4c2e
d16b1379eb980b45b6943b22c5d2ec7f39a6e05d7c4247a47732ea98fccbf149
d46036bc96b78c1fa5c7a425c1d8497d0cd17b2d3120810c7d3c44299dae87ff
d630df8a89d2ec3c590c3b036b610c60fda3df53b3a4c81f3a9e5c94a0de5929
d8ccc36d648469ae72535a1ec5e23def10a53deff594eabfe2a6fa5d4ee4ce2e
dc10a6d12571bf46e2c32c14b3caba23062192abaa6101986df9c038a4d01f8d
e0f49049bbf8071312c4a4554e9332d420b7277fc310ab02fb2ef031e48128f8
e37f44861004836e71af56f8899c74e69a934516ad70627112afb89a36fdd111
e5bb117c101dc9524af98aa6e637fad544326e185299654c6d4a244c10ea9366
e612df226a6a514a6c5286f253a5f173e4509f5b74003495aa1e79d4785052b3
eaf1b128b927ac2868755cb7366d35554255c8af362235afe270f9614f8c806d
ef1955ae757c8b966c83248350331bd3a30f658ced11f387f8ebf05ab3368629
f5b9c05ae7b05e6ef6129a065795922649a71851bd9f57d080dc86e3efa34a51
fbce925aafddcc65275e2c18bba033b3b765c14f5f62f3af1acc69700012145e
fe4bbdad1d6dff75cde79f8afc07f29502bd4708cb0ce5f552083c3d81ba8382
ff4eb7e4df6e09b7fba76e1957f3fc0f703496a13d23a5a245bb2709810b0c43