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RODOLPHE TÖPFFER AND THE FIRST SEQUENTIAL VISUAL NARRATIVE

Posted inThe Daily Heller
By Steven HellerPosted July 2, 2018  ∙  2 min. read
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On this July 4 (I know its only July 3 but it is the correct week) its only
fitting that we celebrate the birth of our national treasure, the American comic
strip, actually invented by the Lafayette of the sequential picture/narrative
revolution, Paris-educated, Swiss-born Rodolphe Töpffer (1799–1846), a author,
painter, cartoonist, and caricaturist, known for his ittérature en estampes,
“graphic literature”), which the earliest sequential narrative. He is known as
the father of comic strips (or what we now generally call graphic novels. This
is a translation of his most famous and brilliantly constructed (see the way he
uses panels and the long handwritten tracts of text – no speech balloons,
though). He was also a schoolteacher and ran a boarding school, where he amused
his students with caricatures.

This, for me, is Töpffer’s layered ittérature en estampes, “The True Story of
Monsieur Crépin,” first published in 1837, featuring the adventures of a father
who employs a series of tutors for his children and falls prey to their
eccentricities. Read it in its entirety below.

He wrote six more “novels,” popular selling satires of 19th century society.
Another story Histoire de M. Vieux Bois was brought to a United States audience
as The Adventures of Mr. Obadiah Oldbuck and published in 1842 as a supplement
in the New York City newspaper Brother Jonathan , essentially the first American
comic book and launch of the graphic novel. You might say, a declaration of
independence from the word-only book. And here is a PDF of another story
Histoire Albert.

The eminent comics historian David Kunzle wrote in Father of the Comic Strip
Rodolphe Töpffer: “Töpffer developed a graphic style suited to his poor
eyesight: the doodle, which he systematized and also theorized. The drawings,
with their “modernist” spontaneous, flickering, broken lines, forming figures in
mad hyperactivity, run above deft, ironic captions and propel narratives of
surreal absurdity.”

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Posted inComics & Animation Design ∙ Illustration Design ∙ The Daily Heller


STEVEN HELLER

Steven Heller has written for PRINT since the 1980s. He is co-chair of SVA MFA
Designer as Entrepreneur. The author, co-author and editor of over 200 books on
design and popular culture, Heller is also the recipient of the Smithsonian
Institution National Design Award for "Design Mind," the AIGA Medal for Lifetime
Achievement and other honors. He was a senior art director at The New York Times
for 33 years and a writer of obituaries and book review columnist for the
newspaper, as well. His memoir, Growing Up Underground (Princeton Architectural
Press) was published in 2022. Some of his recent essays are collected in For the
Love of Design (Allworth Press).

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