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STREAM IT OR SKIP IT: ‘FOUNDATION’ ON APPLE TV+, A SCI FI EPIC ABOUT AN EMPIRE
ON THE VERGE OF COLLAPSE AND THE PEOPLE WHO TRY TO SAVE IT
By Joel Keller Twitter @joelkeller Sep 24, 2021 at 3:00pm
'Foundation' on Apple TV+: Stream It or Skip It?
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WHERE TO STREAM:
FOUNDATION
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FOUNDATION
* 'SILO' EPISODE 1 RECAP: NOTES FROM UNDERGROUND
* MEGHAN O'KEEFE'S 10 MOST IMPORTANT MALE BODY PARTS OF 2021
* 'FOUNDATION' SEASON FINALE RECAP: TILL THE BREAK OF DAWN
* 'FOUNDATION' SEASON 1 ENDING EXPLAINED: HOW IS SALVOR HARDIN GAAL DORNICK'S
DAUGHTER?
Isaac Asimov’s novels have always been tough to adapt for the screen because the
worlds he created are dense and detailed. Condensing that detail from the page
to even a multi-episode limited series leaves out so much contextual information
that it leaves the viewer confused. Is the latest adaptation, Foundation, able
to crack that code?
FOUNDATION: STREAM IT OR SKIP IT?
Opening Shot: A shot of stars and planets, with a voice over of a woman saying,
“When I was a child, I told my mother I wanted to learn every planet in the
Galactic Empire, beginning in the center, and moving out to Star’s End.”
The Gist: The scene is on a snowy, rocky planet called Terminus. A group of kids
make attempts to get close to a hovering monolith that the colonists call “The
Vault.” As the number of flags stuck in the rocks have shown, no one ever gets
close. When one kid gets so close she actually passes out, their revived by a
woman named Salvor Hardin (Leah Harvey); legend has it that she got the closest
— but she tells the kid that story is just a myth.
Flashing back 35 years, on Trantor, psychological mathematician Hari Seldon
(Jared Harris) and his son Raych (Alfred Enoch) are anticipating the arrival of
Gaal Dornick (Lou Llobell), who is leaving her water-logged home of Synnax to
study under Seldon. But there are other reasons why he needs her there, and most
of it has to do with his calculations that signify that the beginning of the end
of the Galactic Empire is about to start.
The Galactic Empire is ruled by three clones who together are different sides of
Emperor Cleon; Brother Day (Lee Pace), the older Brother Dusk (Terrance Mann)
and the very young Brother Dawn (Cassian Bilton). The Empire is so vast that it
includes thousands of planets and trillions of people; according to Seldon,
though, it’s all about to be plunged to an era of darkness and chaos that will
spell the empire’s end. The Emperor has no use for Seldon’s work, especially
Brother Day.
In fact, after Gaal arrives on Trantor — she briefly comes out of stasis during
her transport’s warp jump to see all the colors it generates — then goes down a
star elevator for hours on end, she learns from Seldon that they will both be
arrested the next day. The reason why he wanted her there is because she is the
only one who solved an equation that has flummoxed scholars for millennia and he
wants her to prove or disprove his theory.
After they’re arrested, Gaal is given a chance to look over Seldon’s
calculations; saying they’re correct or incorrect will generate a bad outcome
for her, Seldon or both of them. After the trial, and right as the two of them
are being escorted to what is likely one of their deaths, several suicide bombs
go off around Trantor, causing massive destruction of the society on the space
station and the upper reaches of the surface.
After that, Seldon, Gaal and his foundation are exiled to Terminus, on the outer
edges of the galaxy. This is something that he anticipated, and he’s happy that
Gaal sees in his calculations a silver of light on the other side of the
darkness.
Photo: Apple TV+
What Shows Will It Remind You Of? Foundation is a more inscrutable version of an
epic like the 2000’s version of Battlestar Galactica.
Our Take: Based on Isaac Asimov’s Foundation series of novels and created by
David S. Goyer and Josh Friedman, Foundation is trying to tell an epic story of
the people who saved the Galactic Empire from those outermost reaches of the
galaxy. They’re trying to tell the stories of the people who defied the Empire,
who had abilities others didn’t, and how everything came together.
But the first episode is so confusing, so slow-moving and stuffed with jargon,
that it’s hard to crack it open to get to the emotional underpinnings of the
story. Asimov’s stories have always been this way; he was never shy about
creating worlds that included terminology that were presented without much
explanation besides context. The better adaptations of his work managed to drill
through that and find the humanity in order to hook in viewers. We don’t get
there in the first episode of Foundation, mainly because it’s too hard to keep
track of just what the heck is going on in the first place.
It could be that the mythology of Foundation is just too dense to explain in
anything other than dozens of pages in print. But we needed something to latch
onto in the first episode, an event of some sort, or at least something other
than many, many scenes of two people talking about things for which we had no
context. By the time the suicide bombs went off, we were so checked out of the
first episode that we had to rewatch the last 15 minutes to figure out just how
and why Seldon, Raych and Gaal were sent to Terminus to do their work.
Because we’re going to be spanning decades, if not centuries, in this series, it
feels like we’re not going to get enough time to know the main players as we
jump back and forth in time. Maybe we’re wrong about that, but after the first
episode it just feels like a world that doesn’t offer anything for us to root
for or against.
That’s not to say that the performances of Harris, Llobell, Pace and the rest of
the cast don’t help. They’re all game to bring the right emotional — or maybe in
the case of Pace’s Brother Day, creepily unemotional — tone to their roles and
the situations they’re in. We’re just not sure if we were able to get enough
information from the first episode to follow any of them along on this journey.
Sex and Skin: None.
Parting Shot: Back to Terminus 35 years later, and Salvor goes right up to the
Vault and reaches inside. “When Hari was formulating his plan, did he realize
the galaxy’s fate would rest on what she found inside?” says Gaal in voice over.
“I think he did. And I think that’s what he feared the most.”
Sleeper Star: Leah Hardin plays a big role as Salvor, who is important to this
mythology. We just don’t know how much she means until the very end of the
episode.
Most Pilot-y Line: There are no particularly dumb lines, but Lee Pace’s accent
as Brother Day is largely from some undefined place. Despite his fine
performance, we know that’s going to annoy us.
Our Call: SKIP IT. Foundation is a plodding, confusing tale of a civilization’s
triumph over its almost certain doom. We’d love to see the parts that show the
story’s humanity and hope, but the first episode was just too boring to draw us
in.
Joel Keller (@joelkeller) writes about food, entertainment, parenting and tech,
but he doesn’t kid himself: he’s a TV junkie. His writing has appeared in the
New York Times, Slate, Salon, RollingStone.com, VanityFair.com, Fast Company and
elsewhere.
Stream Foundation On Apple TV+
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