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JOHN 10: JESUS TEACHING THAT HE IS EQUAL TO GOD

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Director Miller: A sense of space and primordial time Apollo 11 is something
like the "official" movie for the 50th anniversary of the moon landing on July
20, 1969. Three years ago, US news channel CNN commissioned director Miller to
stage the film for the anniversary. Miller was right in the post-production of
his short film Apollo 17 about NASA's last manned moon landing so far. The
director had previously completed his spectacular dinosaur documentary "Dinosaur
13," so he seemed to be the right man for the job. Watching Apollo 11 on the big
screen now, it's as if time has stood still. Of course, only very few people
experienced all the preparations and the work behind the scenes for the lunar
landing in the manner the film presents it now. At that time, in 1969, the vast
majority of people saw only the slightly blurred black-and-white shots of Neil
Armstrong's legendary first step on the moon. The film shows the days preceding
the launch of the carrier rocket hosting the Apollo 11 spacecraft. It shows the
work of hundreds of technicians in the NASA control centers and the preparations
that finally led to the launch. Viewers experience the last hours of the three
astronauts Neil Armstrong, Edwin "Buzz" Aldrin and Michael Collins up close
before their mission. They are right there when the three don their spacesuits
and helmets and receive final instructions from the technical personnel for
their trip. They are with them as they take the elevator up to the space capsule
and squeeze into their tight seats. Several documentaries about the Apollo 11
mission have already been made, and feature films have condensed the successes
and failures of lunar landing missions (most recently, First Man from 2018).
Even early on in the history of cinema there was a spectacular excursion to the
moon with French pioneer Georges Méliès' A Journey to the Moon from 1902.
Cinema has also seen the filming of space mission conspiracy theories, such as
the 1978 thriller Capricorn One portraying a Mars landing hoax. The first
landing on the moon as global media event A few kilometers further on, thousands
of people have convened, with cars and caravans everywhere. There's a vibe as
though at a big outdoor rock concert. Families, men, women, children, space fans
— they all want to experience the launch of the Apollo mission live. The film
captures this with impressive shots from a helicopter perspective. And so it
continues. Until the launch of the rocket, and ultimately, the landing on the
moon. Of course, the original shots become fewer and farther between — the
flight, for example, is shown with short animated scenes, the filmmakers' only
concession to the classic documentary film. These "empty spaces" are filled with
sequences from the control center. There, hundreds of specialists sit in front
of their computers, evaluate and recalculate flight paths, plan the next steps
— and smoke. This small, incidental detail reminds the viewer perhaps most of
all that this is an event from 1969. Back then, everyone smoked — really
everyone. Apollo 11 in brilliant color But most amazing are the brilliant colors
of the film. One recalls the moon landing in black and white — and of course,
the sequences of the first steps there and the astronauts' stay on the moon can
only be seen this way. Everything else, on the other hand, radiates in color,
captivatingly sharp, rich-in-contrast, color-intensive images made possible
through digital processing. "Apollo 11's mission is one of the greatest
achievements in human history — hundreds of thousands of people, tens of
thousands of companies, all focused on one goal: bringing people to another
world," said director Miller, raving about the pioneering spirit of the time. He
captured it in his film. What helped him most were the achievements of the
digital age, which hardly anyone could have anticipated back in 1969. Following
its premiere at the Sundance Film Festival, the movie will be released in
cinemas around the globe as of June 27, 2019. Screenings in German cinemas are
scheduled as of July 7. Apollo 11 will also be shown in various IMAX movie
theaters (partially, in a shortened version).

The bulk of the Gospel accounts is devoted to the three years that Jesus spent
ministering around the Sea of Galilee in northern Israel. They tell us of the
life and teachings of a unique person. Jesus, the Gospels explain, demonstrated
his divine powers by healing the sick, blind and lame; by raising the dead; by
walking on water and calming a storm at sea. Jesus’ teaching lacked the
exacting legalism and piousness that characterized so much of contemporary
Judaism. He became tremendously popular among the masses in Galilee.