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VIRTUAL THEATRE AND THE SL SHAKESPEARE COMPANY

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Mar 27, 2009•2 likes•995 views
EducationTechnology

Powerpoint of SL Shakespeare Company's NAST Conference presentation.

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VIRTUAL THEATRE AND THE SL SHAKESPEARE COMPANY

Mar 27, 2009•2 likes•995 views
Ina CentaursLiterary
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EducationTechnology

Powerpoint of SL Shakespeare Company's NAST Conference presentation.




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VIRTUAL THEATRE AND THE SL SHAKESPEARE COMPANY

 * 1. the A Brief Overview
 * 2. SL Shakesp e ar e Co mp a n y Virtual worlds: Multiuser “worlds” that
   exist in computer-simulated “virtual reality”  Often contains analogues of
   the real world, such as currency and similar spatial relations  Current
   Mainstream Implementations: User interacts in world represented by his/her
   avatar  Different virtual worlds have different features, but communication
   medium present in all.  Popular v.w.’s: ActiveWorlds, World of Kaneva, World
   of Warcraft, The Sims Online, Second Life  Virtual Theatre: theatrical
   performances in virtual worlds  Manifestation: Actors control avatars to
   tell a story, as witnessed by an audience of avatars  No longer location
   dependent, globally accessible anywhere with an Internet connection  More
   easily create immersive settings for theatrical presentations, can customize
   rules of reality.  Puppetry Analogy  Actor as represented by an avatar
   puppet  Keystrokes in lieu of strings to control the avatar  (Tangled
   strings manifest as virtual world server/software congestion!) 
 * 3. SL Shakesp e ar e Co mp a n y  Second Life (SL) is an immersive Stats (as
   of late 2008) • Over 15 million registered users open-ended virtual world
   imagined • ~50,000 online simultaneously • US$10 million exchanged by and
   created by its users. monthly on LindeX Extensive inworld commerce system 
   Global, communal, effective social networking platform.  Users register for
   a unique avatar name, purchase land or  islands to establish venues with a
   unique address (SLurl) Second Life as the “metaverse” 
 * 4. SL Shakesp e ar e Co mp a n y  Actor: represented by avatar in Second
   Life (Avatar: “virtual body” of participant)  Dependent on connective
   interface (e.g., keyboard, gamepad, OCZ nia, custom software)  Basic
   Implementations of Theatre Avatar moves/activates things directly via arrow
   keys and mouse-clicks, minimal scripted support.   Combination of movement
   with animations create new choreography  Speech via text chat, media stream,
   or SL Voice  Technology-guided Implementations of Theatre Artificial
   intelligence used to present a sequence of scripted behavior.   Speech via
   text chat, media stream, or SL Voice (Virtual Ventriloquism)  Hybrid  Voice
   acting by real humans, mixed with avatars guided by (programmatic) scripts.
 * 5. SL Shakesp e ar e Co mp a n y  Not a teleplay: Not merely about actors
   being separated by long distances, but actually, a play that exists in
   virtual reality—particularly, the metaverse, a virtual world with analogues
   to the real world, such as its own currency and economy, its own culture and
   intelligentsia, etc.  Not a broadcast medium, per se: Limitations in number
   of avatars in a single local venue similar to a RL theatre, not easy to
   record a high quality film of an event. When broadcast, in the traditional
   sense, as a raster video, the performance loses its scope.  Not just
   animation: The animation medium is premeditated, requiring that each frame of
   the spiel be planned for or created in advance. When you have an avatar on a
   virtual stage, it’s definitely a live medium, where anything can happen once
   showtime starts!
 * 6. SL Shakesp e ar e Co mp a n y  Second Life is new; the platform is
   experimental.  Possibilities  SL, as is, can facilitate high customization
   in avatar and set design, recognizably emulate RL productions  Innovative
   Possibilities  Transparent Interface: Natural movements via customized
   browser for real-time motion capture streaming animation.  Holographic
   projections
 * 7. SL Shakesp e ar e Co mp a n y  The SL Shakespeare Company (SLSC) is  a
   professional theatre company based in SL.  curator of the most historically
   accurate theatres and architecture relating to William Shakespeare in virtual
   worlds.  The SLSC is an independent organization.  Fiscal Sponsor:
   sLiterary, Inc. (NPO, arts in virtual worlds)  Not affiliated with Linden
   Lab (Second Life)  Not affiliated with any one institution, though many have
   participated, and all are welcome to participate.  Origins  Founded in 2007
   by Ina Centaur  Composed entirely of virtual staff recruited from the user
   communities of Second Life, and the Internet.
 * 8. SL Shakesp e ar e Co mp a n y  Performance Environment  SL Globe Theatre
   To-Scale replica of Shakespeare’s second Globe Theatre   Set in the midst
   of an an arts mecca in virtual worlds. Blackfriars Theatre  World’s only
   complete replica of Shakespeare’s indoor theatre.   Perfect for
   Elizabethan-style black box theatre.  Networking, Publicity, and Outreach 
   Utilizes the talented network of artists and creators, who are the merchants
   of SL  Thrives in the “artistic meritocracy” of SL  Grassroots-based
   publicity, with focus on inworld communities.  SL reaches to all
   econ-sectors, around the world. Many saw their first Shakespearean play on
   SL.
 * 11. SL Shakesp e ar e Co mp a n y  Main: A single full-length Shakespearean
   play/year  Several smaller productions other than the main play  RSC
   Methods of scansion/analysis with rigorous rehearsals  Open auditions,
   recruit from SL.  Most actors have never met in RL.  Performed scenes from
   Hamlet in our pilot year 2007  Elizabethan-era production  Created avatars
   based on photos submitted by actors  Shown in B&W are imagery of avatars
   created based on actors
 * 16. SL Shakesp e ar e Co mp a n y  Twelfth Night is our main Shakespearean
   production for ’09  Early work started in Summer of 2008, as a full-costumed
   tag-team staged reading series of the entire play.  Act 1 (full ensemble) is
   currently an open-ended run.  Acts 2, 3, 4 & 5 will open in June, September,
   and November  Set in the “Generic Past,” archetypal character designs  The
   Domain of Our Theatre is an Evolving Virtual World  Second Life is
   constantly evolving and changing based on what its users do. The world itself
   is a very live medium.  Live Demo: Scene from Twelfth Night: Act 1, Scene 2

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