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THE TWO MOTHERS

GIOVANNI SEGANTINI · 1889

 * Presented at the inaugural Milan Triennale in 1891, Le due madri is one of
   Segantini's most celebrated and talked-about works, and affirmed the
   revolutionary new technique known as Divisionism. This genre scene,
   traditional only in appearance, represents the first step in Segantini's
   progression towards a so-called "painting of ideas." The woman with the baby,
   and the cow with her calf, are elevated into universal symbols of motherhood.
   
   The studied effect of artificial light, shown in the rendering of the
   lantern-lit stable, gives this humble scene an intensity that could only be
   achieved via the Divisionist technique. Inspired by a profound and sincere
   sense of observation, this scene is captured through filamented brushstrokes
   of divided colors, with pure colors applied directly to the canvas. The final
   effect is a work whose meaning goes beyond reality and aspires to represent a
   universal image of the origins of life.
   
 * Artwork details
   

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SHORT OF THE MONTH

Added: 21 Dec, 2020


BROTHERHOOD [2018]

 * Directed by: Meryam Joobeur
 * Written by: Meryam Joobeur
 * Produced by: Maria Gracia Turgeon, Habib Attia
 * Mohamed is deeply shaken when his oldest son Malik returns home after a long
   journey with a mysterious new wife.


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