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Advanced Equipment.
Legendary Support.
At Machina, we’re not just in the business of providing cutting-edge
equipment—we’re dedicated to revolutionizing the customer’s rental experience.
With a relentless commitment to unparalleled customer support and a passion for
delivering the right equipment, Machina is here to get you what you need.
Contact Info
5645 N Ravenswood Ave
Chicago, IL 60660
(312) 888-5441
rent@machina.rentals
Home
Equipment
How to Rent
FAQ
Contact Us
Log in
* Cameras
* RED
* Sony
* Canon
* Freefly
* GoPro
* Lenses
* Cinema
* DZOfilm
* Catta
* Catta Ace
* Pictor
* Vespid
* Zeiss
* CP.3 XD
* Laowa
* Zero-D Cine
* Pro2be
* NiSi
* NiSi Athena
* Atlas
* Atlas Mercury
* Cooke
* SP3
* Photo
* Canon EF
* Primes
* Zooms
* Canon RF
* Primes
* Zooms
* Sony
* Primes
* Zooms
* Lens Accessories
* Adapters
* Teleconverters
* Filtration
* 4×5.65″
* Schneider
* RHOdium Full Spectrum ND
* Graduated Attenuator ND
* Hollywood Black Magic
* Radiant Soft
* True Streak
* Antique Suede
* Storm Blue Water White
* Tiffen
* Black Pro-Mist
* Glimmerglass
* Soft FX
* Low Contrast
* Smoque
* Combo IRND
* Combo IRND Glimmerglass 1/2
* Combo IRND Glimmerglass 1
* Hard Edge Graduated Horizontal
* NiSi
* 138mm
* Threaded
* ND
* NATural ND
* Variable ND
* Circular Polarizer
* Black Pro-Mist
* Glimmerglass
* General
* Step-Up Rings
* Camera Support
* Tripods
* Monopods
* Dollies
* Stabilizers
* Rigs
* Sliders
* Accessories
* Monitoring
* Production Monitors
* Small HD
* Atomos
* Computer Monitors
* Apple
* Wireless Video
* Teradek
* Hollyland
* Teleprompters
* monitoring Accessories
* Power
* Batteries
* V-Mount
* Gold Mount
* DJI
* Sony
* Canon
* Chargers
* V-Mount
* Gold Mount
* Accessories
* Adapters
* Media
* RED Mags
* CFast
* CFexpress A
* CFexpress B
* Compact Flash
* SD
* MicroSD
* Follow Focus
* Teradek
* Tilta
* Wooden Camera
* Matteboxes
* Bright Tangerine
* Wooden Camera
* Underwater
* Aquatech
* Lighting
* Aputure
* Electro Storm
* Light Storm
* Nova
* B7c
* MC
* Infinibar
* amaran
* 300c
* F22c
* F21c
* Creamsource
* Vortex 8
* Vortex 4
* Litepanels
* Gemini
* Astra
* Caliber
* Profoto
* Pro 11
* B1
* Lighting Accessories
* Modifying Attachments
* Softboxes
* Spotlights
* Gobo
* Reflectors
* Grip
* Stands
* C-Stands
* Rollers
* Backdrops
* Flags + Rags
* 18×24″
* 18×48″
* 24×74″
* 40×40″
* 2×3′
* 4×4′
* 6×6′
* 8×8′
* 12×12′
* 20×20′
* Kits
* Speedrail
* Length
* Speedrail Couplers
* Frames
* Sizes
* Grip Hardware
* Baby
* Rigging + Mounting
* Clamps
* Nail-On Plate
* Junior
* Rigging + Mounting
* Clamps
* Nail-On Plates
* Boom Arms
* Suction Cups
* Safety
* 5/8ths
* Clamps
* Wood
* Bags
* Reflectors
* Electric
* Distribution
* Generators
* Audio
* Microphones
* Mixers + Recorders
* Wireless
* Audio Accessories
* Audio Support
* Audio Cables
* Production
* Carts
* Communication
* SFX
* Coolers
* Basecamp
Full List View
↳ Hover and click on items to view descriptions.
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Categories
Contact
CAMERAS
Daily Rate
↳ Kits include camera, 2 batteries, 1 media card, and a charger.
RED
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RED DSMC2 Gemini 5k S35 Kit
×
RED DSMC2 Gemini 5k S35 Kit
$450.00 Daily Rate
Bundling high-performance raw video recording in a compact camera body, the RED
DIGITAL CINEMA DSMC2 MONOCHROME BRAIN with MONSTRO 8K VV Sensor and PL Mount is
part of the 2018 unified DSMC2 lineup and is designed to be built up the way you
want, to tell your story in almost any way possible.
$450
RED DSMC2 Monstro 8K VV Kit
×
RED DSMC2 Monstro 8K VV Kit
$650.00 Daily Rate
Bundling high-performance raw video recording in a compact camera body, the RED
DIGITAL CINEMA DSMC2 BRAIN with MONSTRO 8K VV Sensor is part of the 2018 unified
DSMC2 lineup and is designed to be built up the way you want, to tell your story
in almost any way possible. Since the DSMC2 form factor is standard, accessories
from RED and other manufacturers can be easily attached to accessorize your
camera. The MONSTRO 8K full-frame sensor boasts up to 17 stops of dynamic range
and can record the full image circle of full-frame 35mm lenses. You can also use
Super35 lenses with a windowed capture area for high frame rate recording.
Sitting in front of the full-frame sensor is an interchangeable PL mount. This
way you can use industry-standard cinema lenses right out of the box or exchange
the mount to use alternative photo and video lenses.
$650
RED Komodo 6K S35 Kit
×
RED Komodo 6K S35 Kit
$350.00 Daily Rate
RED has taken fresh steps with the release of the KOMODO 6K Digital Cinema
Camera by bringing their legendary image quality and color science into an
ultracompact, all-in-one design that weighs just 2.1 lb and measures about 4 x 4
x 4″.
$300
RED Komodo-X 6K S35 Kit
×
RED Komodo-X 6K S35 Kit
$500.00 Daily Rate
Retaining the size of the original KOMODO-X 6K S35 global shutter sensor, RED
has redesigned an entirely new sensor for the KOMODO-X to feature even more
detail in the shadows, enhance color depth, and double-supported frame rates to
6K80 and 4K120 to encourage even more creative cinematography.
$500
Sony
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Sony BURANO 8K Kit
×
Sony BURANO 8K Kit
$1500.00 Daily Rate
Designed for highly mobile, solo cine-style shooting, the Sony BURANO 8K Digital
Cinema Camera offers up to 8.6K video capture in a compact, full-frame form.
Unique in-camera stabilization for both E- and PL-mount lenses, Fast Hybrid
Autofocus, and an easily adjustable ND filter enhance single-user capture and
seamless image matching, making the CineAlta BURANO camera ideal for use as your
VENICE B or C camera.
$1500
Sony Alpha 1 Kit
×
Sony Alpha 1 Kit
$200.00 Daily Rate
A flagship in the truest sense, the Sony a1 is the one camera designed to do it
all. Built without compromise, this full-frame mirrorless offers high-resolution
for stills shooting, impressive 8K video recording, speed and sensitivity, and
connectivity for the most demanding professional workflows.
$200
Sony A7R IV Kit
×
Sony A7R IV Kit
$100.00 Daily Rate
An all-arounder that pushes beyond basic, the Sony a7 IV does double duty with
strong stills and video performance. An advanced hybrid mirrorless camera, the
a7 IV has the resolution and AF performance that appeals to photographers along
with robust 4K 60p video recording for filmmakers and content creators.
$100
Sony FX3 Kit
×
Sony FX3 Kit
$150.00 Daily Rate
With a compact design for solo shooters, for travel applications, and to serve
as an ideal B cam, the Sony FX3 borrows from both the Cinema Line and Alpha
series of cameras to create an optimized portable cinema camera. The FX3
features all the imaging attributes you’d expect from this class but sports a
new lightweight, handheld form.
$150
Canon
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Canon EOS R5 C Kit
×
Canon EOS R5 C Kit
$160.00 Daily Rate
For all the wedding videographers, drone camera operators, and multimedia
journalists who have professional photo still and cinema video production needs,
get ready for a new type of shooting experience with the EOS R5 C Mirrorless
Cinema Camera from Canon.
$160
Canon EOS R5 Kit
×
Canon EOS R5 Kit
$150.00 Daily Rate
For the professional image-maker who needs resolution, speed, and video
capabilities, the Canon EOS R5 full-frame mirrorless camera features a newly
developed 45MP CMOS sensor, which offers 8K raw video recording, 12 fps
continuous shooting with a mechanical shutter, and is the first EOS camera to
feature 5-axis sensor-shift image stabilization.
$150
Canon EOS R8 Kit
×
Canon EOS R8 Kit
$65.00 Daily Rate
A lightweight, travel-friendly, full-frame camera body, the Canon EOS R8
Mirrorless Camera offers powerful photo and video capabilities for both
photographers and multimedia content creators. Utilizing a newly developed
sensor also found in the EOS R6 Mark II, the R8 features a 24.2MP CMOS sensor
paired with a DIGIC X processor.
$65
Canon EOS 1DX MKII Kit
×
Canon EOS 1DX MKII Kit
$100.00 Daily Rate
Bringing the shooting speed and video capabilities required by professional
multimedia image-makers, the EOS-1D X Mark II is the flagship model
within Canon’s DSLR lineup, and is characterized by its robust processing
capabilities and ability to enable a high-end multimedia workflow.
$100
Freefly
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Freefly Ember S5K Kit
×
Freefly Ember S5K Kit
$800 Daily Rate
Capture high-resolution, high-speed 5K video with the Ember S5K Camera from
FREEFLY. The compact S35 camera is designed for continuous high-speed recording
and is small enough to mount as a drone payload. The Gpixel S35 sensor captures
up to 5K resolution at 600 fps or up to 4K800 to capture clear high-speed,
slow-motion video.
$800
GoPro
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GoPro Hero 4 Black Kit
×
GoPro Hero 4 Black Kit
$20.00 Daily Rate
HERO4 Black takes Emmy Award-winning GoPro performance to the next level with
our best image quality yet, plus a 2x more powerful processor that delivers
super slow motion at 240 frames per second. Incredible high-resolution 4K30 and
2.7K60 video combines with 1080p120 and 720p240 slow motion to enable stunning,
immersive footage of you and your world. Protun settings for both photos and
video unlock manual control of Color, ISO Limit, Exposure and more. Waterproof
to 131 feet (40 meter) with 12MP photos at 30 frames per second and improved
audio, HERO4 Black is the ultimate life-capture solution for those who demand
the best.
$20
GoPro Hero 8 Black Kit
×
GoPro Hero 8 Black Kit
$35.00 Daily Rate
This is HERO8 Black—the most versatile, unshakable HERO camera ever. A
streamlined design makes it more pocketable than ever, and swapping mounts takes
just seconds, thanks to built-in folding fingers. There’s also game-changing
HyperSmooth 2.0 stabilization with jaw-dropping slo-mo.
$35
Lenses
Daily Rate
Cinema
DZOFilm
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Catta (E/RF)
DZOFilm Catta 18-35mm T2.9 FF/VV Lens
×
DZOFilm Catta 18-35mm T2.9 FF/VV Lens
$80.00 Daily Rate
Add a cinema zoom lens to your documentary, broadcast, or online production kit
with this black Catta Ace FF 18-35mm T2.9 Cine Zoom Lens from DZOFilm. The cine
lens is designed to maintain focus as you smoothly zoom in or out, and the Catta
full-frame line reproduces accurate color and features a smooth focus/defocus
transition. It features a wide T2.9 to T22 aperture, a 16-blade iris for a
smooth bokeh, and a long 20.1″ close focus range.
$80
DZOFilm Catta 35-80mm T2.9 FF/VV Lens
×
DZOFilm Catta 35-80mm T2.9 FF/VV Lens
$80.00 Daily Rate
Add a cinema zoom lens to your documentary, broadcast, or online production kit
with this black Catta Ace FF 35-80mm T2.9 Cine Zoom Lens from DZOFilm. The cine
lens is designed to maintain focus as you smoothly zoom in or out, and the Catta
full-frame line reproduces accurate color and features a smooth focus/defocus
transition. It features a wide T2.9 to T22 aperture, a 16-blade iris for a
smooth bokeh, and a long 20.1″ close focus range.
$80
DZOFilm Catta 70-135mm T2.9 FF/VV Lens
×
DZOFilm Catta 70-135mm T2.9 FF/VV Lens
$80.00 Daily Rate
Add a cinema zoom lens to your documentary, broadcast, or online production kit
with this white Catta 70-135mm T2.9 Cine Zoom Lens from DZOFilm. The cine zoom
lens is designed to maintain focus as you smoothly zoom in or out. The Catta
line reproduces accurate color and features a smooth focus/defocus transition.
It features a wide T2.9 to T22 aperture, a 16-blade iris for a smooth bokeh, and
a long 29.9″ close focus range.
$80
Catta Ace (EF/PL)
DZOFilm Catta Ace 18-35mm T2.9 FF/VV Lens
×
DZOFilm Catta Ace 18-35mm T2.9 FF/VV Lens
$80.00 Daily Rate
Add a cinema zoom lens to your documentary, broadcast, or online production kit
with this black Catta Ace FF 18-35mm T2.9 Cine Zoom Lens from DZOFilm. The cine
lens is designed to maintain focus as you smoothly zoom in or out, and the Catta
full-frame line reproduces accurate color and features a smooth focus/defocus
transition. It features a wide T2.9 to T22 aperture, a 16-blade iris for a
smooth bokeh, and a long 20.1″ close focus range.
$80
DZOFilm Catta Ace 35-80mm T2.9 FF/VV Lens
×
DZOFilm Catta Ace 35-80mm T2.9 FF/VV Lens
$80.00 Daily Rate
Add a cinema zoom lens to your documentary, broadcast, or online production kit
with this black Catta Ace FF 18-35mm T2.9 Cine Zoom Lens from DZOFilm. The cine
lens is designed to maintain focus as you smoothly zoom in or out, and the Catta
full-frame line reproduces accurate color and features a smooth focus/defocus
transition. It features a wide T2.9 to T22 aperture, a 16-blade iris for a
smooth bokeh, and a long 20.1″ close focus range.
$80
DZOFilm Catta Ace 70-135mm T2.9 FF/VV Lens
×
DZOFilm Catta Ace 70-135mm T2.9 FF/VV Lens
$80.00 Daily Rate
Add a cinema zoom lens to your documentary, broadcast, or online production kit
with this Catta Ace 70-135mm T2.9 Cine Zoom Lens from DZOFilm. The cine lens is
designed to maintain focus as you smoothly zoom in or out. The Catta line
reproduces accurate color and features a smooth focus/defocus transition. It has
a wide T2.9 to T22 aperture, a 16-blade iris for smooth bokeh, and a long 2.5′
close focus range.
$80
Pictor (EF/PL)
DZOFilm Pictor 12-25mm T2.8 S35 Lens
×
DZOFilm Pictor 12-25mm T2.8 S35 Lens
$60.00 Daily Rate
The black, parfocal DZO Pictor 12-25mm T2.8 Super35 Zoom Lens features an
aperture range of T2.8 to T22, the ability to hold focus throughout the zoom
range, and an internal focus design with floating elements that virtually
eliminates focus breathing.
$60
DZOFilm Pictor 14-30mm T2.8 S35 Lens
×
DZOFilm Pictor 14-30mm T2.8 S35 Lens
$60.00 Daily Rate
A parfocal cine lens, the DZO Pictor 14-30mm T2.8 Super35 Parfocal Zoom Lens
features a relatively fast maximum aperture of T2.8 with an aperture range of
T2.8 to T22, and it adds an extreme wide-angle zoom to the Pictor line of
lenses. As you would expect from a cinema-style zoom, the lens is parfocal,
meaning it holds focus throughout the zoom range. The internal focus design with
floating elements virtually eliminates focus breathing. It covers a Super35
image circle.
$60
DZOFilm Pictor 20-55mm T2.8 S35 Lens
×
DZOFilm Pictor 20-55mm T2.8 S35 Lens
$60.00 Daily Rate
A parfocal cine lens, the DZO Pictor 20-55mm T2.8 Super35 Parfocal Zoom Lens
features a relatively fast maximum aperture of T2.8 with an aperture range of
T2.8 to T22. As you would expect from a cinema-style zoom, the lens is parfocal,
meaning it holds focus throughout the zoom range. The internal focus design with
floating elements virtually eliminates focus breathing. It covers a Super35
image circle.
$60
DZOFilm Pictor 50-125mm T2.8 S35 Lens
×
DZOFilm Pictor 50-125mm T2.8 S35 Lens
$60.00 Daily Rate
A parfocal cine lens, the DZO Pictor 50-125mm T2.8 Super35 Parfocal Zoom Lens
features a relatively fast maximum aperture of T2.8 with an aperture range of
T2.8 to T22. As you would expect from a cinema-style zoom, the lens is parfocal,
meaning it holds focus throughout the zoom range. The internal focus design with
floating elements virtually eliminates focus breathing. It covers a Super35
image circle.
$60
Vespid (EF/PL)
DZOFilm Vespid 12mm T2.8 FF/VV Lens
×
DZOFilm Vespid 12mm T2.8 FF/VV Lens
$35.00 Daily Rate
Relatively small and lightweight, the DZOFilm VESPID 12mm T2.8 Lens is part of
the VESPID series of lenses from DZOFilm and is well suited for independent and
high-end full-frame cinematography. The lens has an 80mm front diameter,
allowing it to work with virtually any cine-style matte box. The small size
makes this lens an attractive option when working with drones and gimbals, as
well as when shooting handheld or run-and-gun. Sporting an interchangeable PL
mount, this fully manual lens works with cameras that have a PL or EF mount with
the included EF mount. The full-frame coverage of the lens supports sensors that
have an image circle up to 46.5mm for use on cameras with sensors up to
full-frame without vignetting.
$35
DZOFilm Vespid 16mm T2.8 FF/VV Lens
×
DZOFilm Vespid 16mm T2.8 FF/VV Lens
$35.00 Daily Rate
Relatively small and lightweight, the DZOFilm VESPID 16mm T2.8 Lens is part of
the VESPID series of lenses from DZOFilm and is well suited for independent and
high-end full-frame cinematography. The lens has an 80mm front diameter,
allowing it to work with virtually any cine-style matte box. The small size
makes this lens an attractive option when working with drones and gimbals, as
well as when shooting handheld or run-and-gun. Sporting an interchangeable PL
mount, this fully manual lens works with cameras that have a PL or EF mount with
the included EF mount. The full-frame coverage of the lens supports sensors that
have an image circle up to 46.5mm for use on cameras with sensors up to
full-frame without vignetting.
$35
DZOFilm Vespid 21mm T2.1 FF/VV Lens
×
DZOFilm Vespid 21mm T2.1 FF/VV Lens
$35.00 Daily Rate
Relatively small and lightweight, the DZOFilm VESPID 21mm T2.1 Lens is part of
the VESPID series of lenses from DZOFilm and is well suited for independent and
high-end full-frame cinematography. The lens has an 80mm front diameter,
allowing it to work with virtually any cine-style matte box. The small size
makes this lens an attractive option when working with drones and gimbals, as
well as when shooting handheld or run-and-gun. The interchangeable PL mount and
included EF mount allow you to use the fully manual lens on a variety of modern
and vintage cine cameras, while the full-frame coverage supports sensors that
have an image circle up to 46.5mm for use on cameras with sensors up to
full-frame without vignetting.
$35
DZOFilm Vespid 25mm T2.1 FF/VV Lens
×
DZOFilm Vespid 25mm T2.1 FF/VV Lens
$35.00 Daily Rate
Relatively small and lightweight, the DZOFilm VESPID 25mm T2.1 Lens is part of
the VESPID series of lenses from DZOFilm and is well suited for independent and
high-end full-frame cinematography. The lens has an 80mm front diameter,
allowing it to work with virtually any cine-style matte box. The small size
makes this lens an attractive option when working with drones and gimbals, as
well as when shooting handheld or run-and-gun. The interchangeable PL mount and
included EF mount allow you to use the fully manual lens on a variety of modern
and vintage cine cameras, while the full-frame coverage supports sensors that
have an image circle up to 46.5mm for use on cameras with sensors up to
full-frame without vignetting.
$35
DZOFilm Vespid 35mm T2.1 FF/VV Lens
×
DZOFilm Vespid 35mm T2.1 FF/VV Lens
$35.00 Daily Rate
Relatively small and lightweight, the DZOFilm VESPID 35mm T2.1 Lens is part of
the VESPID series of lenses from DZOFilm and is well suited for independent and
high-end full-frame cinematography. The lens has an 80mm front diameter,
allowing it to work with virtually any cine-style matte box. The small size
makes this lens an attractive option when working with drones and gimbals, as
well as when shooting handheld or run-and-gun. The interchangeable PL mount and
included EF mount allow you to use the fully manual lens on a variety of modern
and vintage cine cameras, while the full-frame coverage supports sensors that
have an image circle up to 46.5mm for use on cameras with sensors up to
full-frame without vignetting.
$35
DZOFilm Vespid 40mm T2.1 FF/VV Lens
×
DZOFilm Vespid 40mm T2.1 FF/VV Lens
$35.00 Daily Rate
Relatively small and lightweight, the DZOFilm VESPID 40mm T2.1 Lens is part of
the VESPID series of lenses from DZOFilm and is well suited for independent and
high-end full-frame cinematography. The lens has an 80mm front diameter,
allowing it to work with virtually any cine-style matte box. The small size
makes this lens an attractive option when working with drones and gimbals, as
well as when shooting handheld or run-and-gun. The interchangeable PL mount and
included EF mount allow you to use the fully manual lens on a variety of modern
and vintage cine cameras, while the full-frame coverage supports sensors that
have an image circle up to 46.5mm for use on cameras with sensors up to
full-frame without vignetting.
$35
DZOFilm Vespid 50mm T2.1 FF/VV Lens
×
DZOFilm Vespid 50mm T2.1 FF/VV Lens
$35.00 Daily Rate
Relatively small and lightweight, the DZOFilm VESPID 50mm T2.1 Lens is part of
the VESPID series of lenses from DZOFilm and is well suited for independent and
high-end full-frame cinematography. The lens has an 80mm front diameter,
allowing it to work with virtually any cine-style matte box. The small size
makes this lens an attractive option when working with drones and gimbals, as
well as when shooting handheld or run-and-gun. The interchangeable PL mount and
included EF mount allow you to use the fully manual lens on a variety of modern
and vintage cine cameras, while the full-frame coverage supports sensors that
have an image circle up to 46.5mm for use on cameras with sensors up to
full-frame without vignetting.
$35
DZOFilm Vespid 75mm T2.1 FF/VV Lens
×
DZOFilm Vespid 75mm T2.1 FF/VV Lens
$35.00 Daily Rate
Relatively small and lightweight, the DZOFilm VESPID 75mm T2.1 Lens is part of
the VESPID series of lenses from DZOFilm and is well suited for independent and
high-end full-frame cinematography. The lens has an 80mm front diameter,
allowing it to work with virtually any cine-style matte box. The small size
makes this lens an attractive option when working with drones and gimbals, as
well as when shooting handheld or run-and-gun. The interchangeable PL mount and
included EF mount allow you to use the fully manual lens on a variety of modern
and vintage cine cameras, while the full-frame coverage supports sensors that
have an image circle up to 46.5mm for use on cameras with sensors up to
full-frame without vignetting.
$35
DZOFilm Vespid 90mm T2.1 FF/VV Macro Lens
×
DZOFilm Vespid 90mm T2.1 FF/VV Macro Lens
$35.00 Daily Rate
Relatively small and lightweight, the DZOFilm VESPID 90mm T2.8 Lens is part of
the VESPID series of lenses from DZOFilm and is well suited for independent and
high-end full-frame cinematography. This macro lens has an 80mm front diameter,
allowing it to work with virtually any cine-style matte box. The small size
makes this lens an attractive option when working with drones and gimbals, as
well as when shooting handheld or run-and-gun. The interchangeable PL mount and
included EF mount allow you to use the fully manual lens on a variety of modern
and vintage cine cameras, while the full-frame coverage supports sensors that
have an image circle up to 46.5mm for use on cameras with sensors up to
full-frame without vignetting.
$35
DZOFilm Vespid 100mm T2.1 FF/VV Lens
×
DZOFilm Vespid 100mm T2.1 FF/VV Lens
$35.00 Daily Rate
Relatively small and lightweight, the DZOFilm VESPID 100mm T2.1 Lens is part of
the VESPID series of lenses from DZOFilm and is well suited for independent and
high-end full-frame cinematography. The lens has an 80mm front diameter,
allowing it to work with virtually any cine-style matte box. The small size
makes this lens an attractive option when working with drones and gimbals, as
well as when shooting handheld or run-and-gun. The interchangeable PL mount and
included EF mount allow you to use the fully manual lens on a variety of modern
and vintage cine cameras, while the full-frame coverage supports sensors that
have an image circle up to 46.5mm for use on cameras with sensors up to
full-frame without vignetting.
$35
DZOFilm Vespid 125mm T2.1 FF/VV Lens
×
DZOFilm Vespid 125mm T2.1 FF/VV Lens
$35.00 Daily Rate
Relatively small and lightweight, the DZOFilm VESPID 125mm T2.1 Lens is part of
the VESPID series of lenses from DZOFilm and is well suited for independent and
high-end full-frame cinematography. The lens has an 80mm front diameter,
allowing it to work with virtually any cine-style matte box. The small size
makes this lens an attractive option when working with drones and gimbals, as
well as when shooting handheld or run-and-gun. The interchangeable PL mount and
included EF mount allow you to use the fully manual lens on a variety of modern
and vintage cine cameras, while the full-frame coverage supports sensors that
have an image circle up to 46.5mm for use on cameras with sensors up to
full-frame without vignetting.
$35
Zeiss
--------------------------------------------------------------------------------
CP.3 XD (EF/PL)
Zeiss CP.3 XD 15mm T2.9 Lens
×
Zeiss CP.3 XD 15mm T2.9 Lens
$100.00 Daily Rate
Building on the success of the well-regarded CP.2 lenses, ZEISS‘s CP.3 Compact
Prime Lenses offer the same full-frame sensor coverage and classic ZEISS look in
an updated form-factor and with improved mechanics and lens coatings. This lens
also includes the new eXtended Data connections which transmit essential lens
metadata through both a Cooke /i interface on the mount itself and a 4-pin LEMO
connection on the lens body.
$100
Zeiss CP.3 XD 18mm T2.9 Lens
×
Zeiss CP.3 XD 18mm T2.9 Lens
$100.00 Daily Rate
Building on the success of the well-regarded CP.2 lenses, ZEISS‘s CP.3 Compact
Prime Lenses offer the same full-frame sensor coverage and classic ZEISS look in
an updated form-factor and with improved mechanics and lens coatings. This lens
also includes the new eXtended Data connections which transmit essential lens
metadata through both a Cooke /i interface on the mount itself and a 4-pin LEMO
connection on the lens body.
$100
Zeiss CP.3 XD 21mm T2.9 Lens
×
Zeiss CP.3 XD 21mm T2.9 Lens Lens
$100.00 Daily Rate
Building on the success of the well-regarded CP.2 lenses, ZEISS‘s CP.3 Compact
Prime Lenses offer the same full-frame sensor coverage and classic ZEISS look in
an updated form-factor and with improved mechanics and lens coatings. This lens
also includes the new eXtended Data connections which transmit essential lens
metadata through both a Cooke /i interface on the mount itself and a 4-pin LEMO
connection on the lens body.
$100
Zeiss CP.3 XD 25mm T2.1 Lens
×
Zeiss CP.3 XD 25mm T2.1 Lens
$100.00 Daily Rate
Building on the success of the well-regarded CP.2 lenses, ZEISS‘s CP.3 Compact
Prime Lenses offer the same full-frame sensor coverage and classic ZEISS look in
an updated form-factor and with improved mechanics and lens coatings. This lens
also includes the new eXtended Data connections which transmit essential lens
metadata through both a Cooke /i interface on the mount itself and a 4-pin LEMO
connection on the lens body.
$100
Zeiss CP.3 XD 28mm T2.1 Lens
×
Zeiss CP.3 XD 28mm T2.1 Lens
$100.00 Daily Rate
Building on the success of the well-regarded CP.2 lenses, ZEISS‘s CP.3 Compact
Prime Lenses offer the same full-frame sensor coverage and classic ZEISS look in
an updated form-factor and with improved mechanics and lens coatings. This lens
also includes the new eXtended Data connections which transmit essential lens
metadata through both a Cooke /i interface on the mount itself and a 4-pin LEMO
connection on the lens body.
$100
Zeiss CP.3 XD 35mm T2.1 Lens
×
Zeiss CP.3 XD 35mm T2.1 Lens
$100.00 Daily Rate
Building on the success of the well-regarded CP.2 lenses, ZEISS‘s CP.3 Compact
Prime Lenses offer the same full-frame sensor coverage and classic ZEISS look in
an updated form-factor and with improved mechanics and lens coatings. This lens
also includes the new eXtended Data connections which transmit essential lens
metadata through both a Cooke /i interface on the mount itself and a 4-pin LEMO
connection on the lens body.
$100
Zeiss CP.3 XD 50mm T2.1 Lens
×
Zeiss CP.3 XD 50mm T2.1 Lens
$100.00 Daily Rate
Building on the success of the well-regarded CP.2 lenses, ZEISS‘s CP.3 Compact
Prime Lenses offer the same full-frame sensor coverage and classic ZEISS look in
an updated form-factor and with improved mechanics and lens coatings. This lens
also includes the new eXtended Data connections which transmit essential lens
metadata through both a Cooke /i interface on the mount itself and a 4-pin LEMO
connection on the lens body.
$100
Zeiss CP.3 XD 85mm T2.1 Lens
×
Zeiss CP.3 XD 85mm T2.1 Lens
$100.00 Daily Rate
Building on the success of the well-regarded CP.2 lenses, ZEISS‘s CP.3 Compact
Prime Lenses offer the same full-frame sensor coverage and classic ZEISS look in
an updated form-factor and with improved mechanics and lens coatings. This lens
also includes the new eXtended Data connections which transmit essential lens
metadata through both a Cooke /i interface on the mount itself and a 4-pin LEMO
connection on the lens body.
$100
Zeiss CP.3 XD 100mm T2.1 Lens
×
Zeiss CP.3 XD 100mm T2.1 Lens
$100.00 Daily Rate
Building on the success of the well-regarded CP.2 lenses, ZEISS‘s CP.3 Compact
Prime Lenses offer the same full-frame sensor coverage and classic ZEISS look in
an updated form-factor and with improved mechanics and lens coatings. This lens
also includes the new eXtended Data connections which transmit essential lens
metadata through both a Cooke /i interface on the mount itself and a 4-pin LEMO
connection on the lens body.
$100
Zeiss CP.3 XD 135mm T2.1 Lens
×
Zeiss CP.3 XD 135mm T2.1 Lens
$100.00 Daily Rate
Building on the success of the well-regarded CP.2 lenses, ZEISS‘s CP.3 Compact
Prime Lenses offer the same full-frame sensor coverage and classic ZEISS look in
an updated form-factor and with improved mechanics and lens coatings. This lens
also includes the new eXtended Data connections which transmit essential lens
metadata through both a Cooke /i interface on the mount itself and a 4-pin LEMO
connection on the lens body.
$100
Laowa
--------------------------------------------------------------------------------
Zero-D Cine (PL)
Laowa Zero-D Cine 12mm T2.9 Lens
×
Laowa Zero-D Cine 12mm T2.9 Lens
$60.00 Daily Rate
The PL mount Laowa Zero-D Cine Lens 12mm T2.9 from Venus Optics provides a
wide, 122° angle of view well suited for outdoor and landscape shots and in
tight interior locations, and it is optimized for digital cinematography. It is
so lightweight and compact that it can be used not only with handheld shooting,
it is also light enough for use on gimbals. The lens produces an image circle
that will cover full-frame, VistaVision, and ARRI ALEXA LF sized sensors or
smaller.
$60
Pro2be (PL/EF/RF/FE)
Laowa Pro2be 24mm T8 2x 90º Periscope Probe Lens
×
Laowa Pro2be 24mm T8 2x 90º Periscope Probe Lens
$75.00 Daily Rate
Capture unique close-up views with your PL-mount cine camera and the LAOWA 24mm
T8 Full Frame 2x Pro2be Lens from Venus Optics. This 35° view lens is one in a
series that also includes direct-view and 90° periscope versions. It covers up
to full-frame camera sensors, is waterproof down to 14.4″, focuses to just 0.2″,
and features a relatively fast T8 maximum aperture, a 2x magnification ratio,
and 360° rotation.
$75
Laowa Pro2be 24mm T8 2x Direct View Probe Lens
×
Laowa Pro2be 24mm T8 2x Direct View Probe Lens
$75.00 Daily Rate
Capture unique close-up views with your PL-mount cine camera and the LAOWA 24mm
T8 Full Frame 2x Pro2be Lens from Venus Optics. This 35° view lens is one in a
series that also includes direct-view and 90° periscope versions. It covers up
to full-frame camera sensors, is waterproof down to 14.4″, focuses to just 0.2″,
and features a relatively fast T8 maximum aperture, a 2x magnification ratio,
and 360° rotation.
$75
Laowa Pro2be 24mm T8 2x 35º Probe Lens
×
Laowa Pro2be 24mm T8 2x 35º Probe Lens
$75.00 Daily Rate
Capture unique close-up views with your PL-mount cine camera and the LAOWA 24mm
T8 Full Frame 2x Pro2be Lens from Venus Optics. This 35° view lens is one in a
series that also includes direct-view and 90° periscope versions. It covers up
to full-frame camera sensors, is waterproof down to 14.4″, focuses to just 0.2″,
and features a relatively fast T8 maximum aperture, a 2x magnification ratio,
and 360° rotation.
$75
NiSi
--------------------------------------------------------------------------------
NiSi ATHENA (PL) – Coming Soon
NiSi ATHENA Prime 14mm T2.4 Full-Frame Lens
×
NiSi ATHENA Prime 14mm T2.4 Full-Frame Lens
Coming Soon
Capture high-quality images using a full-frame camera with an ARRI PL mount with
this NiSi ATHENA Prime 14mm T2.4 Full-Frame Lens. The lens features 10 aperture
blades, micro-contrast control, and low chromatic aberration to highlight image
details without distortion. It has an aperture range of T2.4 to T22 and an 80mm
front diameter with minimal focus breathing.
–
NiSi ATHENA Prime 18mm T2.2 Full-Frame Lens
×
NiSi ATHENA Prime 18mm T2.2 Full-Frame Lens
Coming Soon
Capture high-quality images using a full-frame camera with an ARRI PL mount with
this NiSi ATHENA Prime 18mm T2.2 Full-Frame Lens. The lens features soft bokeh,
micro-contrast control, and low chromatic aberration to highlight image details
without distortion. It has a maximum aperture T2.2 and an 80mm front diameter
with minimal focus breathing.
–
NiSi ATHENA Prime 25mm T1.9 Full-Frame Lens
×
NiSi ATHENA Prime 25mm T1.9 Full-Frame Lens
Coming Soon
Capture high-quality images using a full-frame camera with an ARRI PL mount with
this NiSi ATHENA Prime 25mm T1.9 Full-Frame Lens. The lens features 10 aperture
blades, micro-contrast control, and low chromatic aberration to highlight image
details without distortion. It has an aperture range of T1.9 to T22 and an 80mm
front diameter with minimal focus breathing.
–
NiSi ATHENA Prime 35mm T1.9 Full-Frame Lens
×
NiSi ATHENA Prime 35mm T1.9 Full-Frame Lens
Coming Soon
Capture high-quality images using a full-frame camera with an ARRI PL mount with
this NiSi ATHENA Prime 35mm T1.9 Full-Frame Lens. The lens features 10 aperture
blades, micro-contrast control, and low chromatic aberration to highlight image
details without distortion. It has an aperture range of T1.9 to T22 and an 80mm
front diameter with minimal focus breathing.
–
NiSi ATHENA Prime 40mm T1.9 Full-Frame Lens
×
NiSi ATHENA Prime 40mm T1.9 Full-Frame Lens
Coming Soon
Capture high-quality images using a full-frame camera with an ARRI PL mount with
this NiSi ATHENA Prime 40mm T1.9 Full-Frame Lens. The lens features soft bokeh,
micro-contrast control, and low chromatic aberration to highlight image details
without distortion. It has a maximum aperture T1.9 and an 80mm front diameter
with minimal focus breathing.
–
NiSi ATHENA Prime 50mm T1.9 Full-Frame Lens
×
NiSi ATHENA Prime 50mm T1.9 Full-Frame Lens
Coming Soon
Capture high-quality images using a full-frame camera with an ARRI PL mount with
this NiSi ATHENA Prime 50mm T1.9 Full-Frame Lens. The lens features 10 aperture
blades, micro-contrast control, and low chromatic aberration to highlight image
details without distortion. It has an aperture range of T1.9 to T22 and an 80mm
front diameter with minimal focus breathing.
–
NiSi ATHENA Prime 85mm T1.9 Full-Frame Lens
×
NiSi ATHENA Prime 85mm T1.9 Full-Frame Lens
Coming Soon
Capture high-quality images using a full-frame camera with an ARRI PL mount with
this NiSi ATHENA Prime 85mm T1.9 Full-Frame Lens. The lens features 10 aperture
blades, micro-contrast control, and low chromatic aberration to highlight image
details without distortion. It has an aperture range of T1.9 to T22 and an 80mm
front diameter with minimal focus breathing.
–
NiSi ATHENA Prime 135mm T1.9 Full-Frame Lens
×
NiSi ATHENA Prime 135mm T1.9 Full-Frame Lens
Coming Soon
Capture high-quality images using a full-frame camera with an ARRI PL mount with
this NiSi ATHENA Prime 135mm T1.9 Full-Frame Lens. The lens features 10 aperture
blades, micro-contrast control, and low chromatic aberration to highlight image
details without distortion. It has an aperture range of T1.9 to T22 and an 80mm
front diameter with minimal focus breathing.
–
Cooke
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SP3 (E/RF)
Cooke SP3 25mm T2.4 FF Lens
×
Cooke SP3 25mm T2.4 FF Lens
$100.00 Daily Rate
Right at home on Full Frame cameras, the SP3 Primes features a consistent T2.4
across the range. The Cooke SP3 Primes offer a convenient blend of image
character inspired by the famous Cooke Speed Panchros with an ultra-light,
compact housing ideal for a wide range of camera setups, especially gimbal,
drone, and close-quarters filming.
$100
Cooke SP3 32mm T2.4 FF Lens
×
Cooke SP3 32mm T2.4 FF Lens
$100.00 Daily Rate
Right at home on Full Frame cameras, the SP3 Primes features a consistent T2.4
across the range. The Cooke SP3 Primes offer a convenient blend of image
character inspired by the famous Cooke Speed Panchros with an ultra-light,
compact housing ideal for a wide range of camera setups, especially gimbal,
drone, and close-quarters filming.
$100
Cooke SP3 50mm T2.4 FF Lens
×
Cooke SP3 50mm T2.4 FF Lens
$100.00 Daily Rate
Right at home on Full Frame cameras, the SP3 Primes features a consistent T2.4
across the range. The Cooke SP3 Primes offer a convenient blend of image
character inspired by the famous Cooke Speed Panchros with an ultra-light,
compact housing ideal for a wide range of camera setups, especially gimbal,
drone, and close-quarters filming.
$100
Cooke SP3 75mm T2.4 FF Lens
×
Cooke SP3 75mm T2.4 FF Lens
$100.00 Daily Rate
Right at home on Full Frame cameras, the SP3 Primes features a consistent T2.4
across the range. The Cooke SP3 Primes offer a convenient blend of image
character inspired by the famous Cooke Speed Panchros with an ultra-light,
compact housing ideal for a wide range of camera setups, especially gimbal,
drone, and close-quarters filming.
$100
Cooke SP3 100mm T2.4 FF Lens
×
Cooke SP3 100mm T2.4 FF Lens
$100.00 Daily Rate
Right at home on Full Frame cameras, the SP3 Primes features a consistent T2.4
across the range. The Cooke SP3 Primes offer a convenient blend of image
character inspired by the famous Cooke Speed Panchros with an ultra-light,
compact housing ideal for a wide range of camera setups, especially gimbal,
drone, and close-quarters filming.
$100
Atlas
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Atlas Mercury (PL)
Atlas Mercury 36mm T2.2 FF 1.5x Anamorphic Lens
×
Atlas Mercury 36mm T2.2 FF 1.5x Anamorphic Lens
$250.00 Daily Rate
Designed by cinematographers for professional videographers, the Mercury 36mm
T2.2 1.5x Anamorphic Prime Lens is part of the compact and lightweight Mercury
Series from Atlas Lens Co. This series offers native full-frame coverage,
enhanced bokeh, near-zero chromatic aberration, and a buttery vintage look that
is warmer than that of the Orion series. The ARRI PL-mount Mercury series
includes 36, 42, and 72mm primes plus 54 and 95mm and one telephoto focal length
still in the pipeline.
$250
Atlas Mercury 42mm T2.2 FF 1.5x Anamorphic Lens
×
Atlas Mercury 42mm T2.2 FF 1.5x Anamorphic Lens
$250.00 Daily Rate
Designed by cinematographers for professional videographers, the Mercury 42mm
T2.2 1.5x Anamorphic Prime Lens is part of the compact and lightweight Mercury
Series from Atlas Lens Co. This series offers native full-frame coverage,
enhanced bokeh, near-zero chromatic aberration, and a buttery vintage look that
is warmer than that of the Orion series. The ARRI PL-mount Mercury series
includes 36, 42, and 72mm primes plus 54 and 95mm and one telephoto focal length
still in the pipeline.
$250
Atlas Mercury 54mm T2.2 FF 1.5x Anamorphic Lens
×
Atlas Mercury 54mm T2.2 FF 1.5x Anamorphic Lens
Coming Soon
Designed by cinematographers for professional videographers, the Mercury 54mm
T2.2 1.5x Anamorphic Prime Lens is part of the compact and lightweight Mercury
Series from Atlas Lens Co. This series offers native full-frame coverage,
enhanced bokeh, near-zero chromatic aberration, and a buttery vintage look that
is warmer than that of the Orion series. The ARRI PL-mount Mercury series
includes 36, 42, 54, 72, 95, and 138mm primes.
–
Atlas Mercury 72mm T2.2 FF 1.5x Anamorphic Lens
×
Atlas Mercury 72mm T2.2 FF 1.5x Anamorphic Lens
$250.00 Daily Rate
Designed by cinematographers for professional videographers, the Mercury 72mm
T2.2 1.5x Anamorphic Prime Lens is part of the compact and lightweight Mercury
Series from Atlas Lens Co. This series offers native full-frame coverage,
enhanced bokeh, near-zero chromatic aberration, and a buttery vintage look that
is warmer than that of the Orion series. The ARRI PL-mount Mercury series
includes 36, 42, and 72mm primes plus 54 and 95mm and one telephoto focal length
still in the pipeline.
$250
Atlas Mercury 95mm T2.2 FF 1.5x Anamorphic Lens
×
Atlas Mercury 95mm T2.2 FF 1.5x Anamorphic Lens
Coming Soon
Designed by cinematographers for professional videographers, the Mercury 95mm
T2.2 1.5x Anamorphic Prime Lens is part of the compact and lightweight Mercury
Series from Atlas Lens Co. This series offers native full-frame coverage,
enhanced bokeh, near-zero chromatic aberration, and a buttery vintage look that
is warmer than that of the Orion series. The ARRI PL-mount Mercury series
includes 36, 42, 54, 72, 95, and 138mm primes.
–
Atlas Mercury 138mm T2.6 FF 1.5x Anamorphic Lens
×
Atlas Mercury 138mm T2.6 FF 1.5x Anamorphic Lens
Coming Soon
Designed by cinematographers for professional videographers, the Mercury 138mm
T2.6 1.5x Anamorphic Prime Lens is part of the compact and lightweight Mercury
Series from Atlas Lens Co. This series offers native full-frame coverage,
enhanced bokeh, near-zero chromatic aberration, and a buttery vintage look that
is warmer than that of the Orion series. The ARRI PL-mount Mercury series
includes 36, 42, 54, 72, 95, and 138mm primes.
–
Photo
Canon EF – Primes
--------------------------------------------------------------------------------
Canon EF 24mm f/1.4 II L-Series Lens
×
Canon EF 24mm f/1.4 II L-Series
$30.00 Daily Rate
Blending a favored wide-angle focal length with a bright maximum aperture,
the EF 24mm f/1.4L II USM is a Canon L-series lens characterized by a robust
physical construction and sophisticated optical design. Two ultra-low dispersion
elements help to control chromatic aberrations and color fringing while a pair
of aspherical elements reduce spherical aberrations and distortion for high
sharpness and clarity. Individual elements also feature a Sub Wavelength Coating
to suppress lens flare and ghosting for improved contrast and color neutrality
in a variety of lighting conditions. Besides the optical attributes, this lens
is also distinguished by its fast f/1.4 maximum aperture to benefit working in
low-light conditions for controlling depth of field. Additionally, this lens
sports a ring-type USM for quick and quiet autofocus performance and full-time
manual focus override, and an internal floating focus mechanism also helps to
maintain consistent image quality throughout the entire focusing range.
$30
Canon EF 35mm f/1.4 L-Series Lens
×
Canon EF 35mm f/1.4 L-Series
$30.00 Daily Rate
Characterized by its unique and advanced optical composition, the Canon EF 35mm
f/1.4L II USM is a wide-angle L-series prime featuring a fast f/1.4 maximum
aperture to suit working in difficult lighting conditions. Its optical design
incorporates a Blue Spectrum Refractive Optics element; a specially developed
element that helps to nearly eliminate chromatic aberrations and color fringing
for notable clarity and color accuracy. In addition to this, an ultra-low
dispersion element and two aspherical elements are also featured to further
control various aberrations and distortion for great sharpness and resolution.
Individual elements also feature a Sub Wavelength Coating to suppress flare and
ghosting for high contrast and color fidelity when working in harsh and backlit
conditions.
$30
Canon EF 50mm f/1.2L USM Lens
×
Canon EF 50mm f/1.2L USM
$30.00 Daily Rate
Clearly distinguished by its bright maximum aperture, the Canon EF 50mm f/1.2L
USM is a normal-length L-series prime also sporting a robust physical design and
advanced optical layout. The impressively fast f/1.2 maximum aperture affords a
great degree of control over depth of field for isolating subjects and producing
desirable selective focus effects. Complementing these qualities is a
sophisticated optical composition, which includes one aspherical element to
suppress spherical aberrations in order to achieve notable sharpness and
clarity. A Super Spectra coating has also been applied to limit flare and
ghosting and promote greater contrast and color accuracy in a variety of
lighting conditions. Complementing the imaging attributes, a ring-type USM is
employed to deliver quick and quiet autofocus performance along with full-time
manual focus control.
$30
Canon EF 85mm f/1.2 II L-Series Lens
×
Canon EF 85mm f/1.2 II L-Series
$30.00 Daily Rate
Mixing a short-telephoto focal length with a bright maximum aperture, the EF
85mm f/1.2L II USM is a Canon L-series lens well-suited for portraiture. The
impressively fast f/1.2 maximum aperture affords a great degree of control over
depth of field for isolating subjects and producing desirable selective focus
effects. Complementing these qualities is a sophisticated design that includes
one aspherical element to suppress spherical aberrations and notable sharpness
and clarity, and a floating optical system is used that maintains image quality
throughout the focusing range. A Super Spectra coating has also been applied to
limit flare and ghosting and promote greater contrast and color accuracy in a
variety of lighting conditions. Complementing the imaging attributes, a
ring-type USM is employed to deliver quick and quiet autofocus performance along
with full-time manual focus control.
$30
Canon EF 100mm f/2.8 Macro IS L-Series Lens
×
Canon EF 100mm f/2.8 Macro IS L-Series
$30.00 Daily Rate
Primarily designed for close-up shooting, the EF 100mm f/2.8L Macro IS
USM from Canon is a versatile L-series short telephoto prime that is also
well-suited for portraiture and other mid-range subjects. As a macro lens,
however, this 100mm offers a life-size, 1:1 maximum magnification and an 11.8″
minimum focusing distance. Complementing close-up shooting, an Image Stabilizer
is featured that minimizes camera shake by two stops at full 1:1 magnification,
or up to four stops at lower magnifications for sharper handheld shooting. Also
contributing to smooth and intuitive handling, a ring-type USM and internal
focusing design offers quick, quiet, and accurate autofocus performance along
with full-time manual focus override. In regard to its optical assets, one
ultra-low dispersion element is featured, to control color fringing and
chromatic aberrations, and a Super Spectra coating has been applied to suppress
flare and ghosting for improved contrast and color fidelity. Additionally, as an
L-series lens, this 100mm f/2.8 is weather-sealed for working in inclement
conditions.
$30
Canon EF 135mm f/2 L-Series Lens
×
Canon EF 135mm f/2 L-Series
$30.00 Daily Rate
Ideal for portraiture, the EF 135mm f/2L USM is a medium telephoto prime and a
member of Canon‘s L-series of lenses. The long focal length coupled with the f/2
maximum aperture afford a great deal of control over depth of field for
isolating subject matter and using selective focus, and the bright aperture also
benefits shooting handheld in low-light conditions. In regard to the optical
design, the lens uses two ultra-low dispersion elements to control chromatic
aberrations and color fringing for high clarity, and a Super Spectra coating has
also been applied to suppress flare and ghosting for increased contrast and
color accuracy. Complementing the imaging attributes, a ring-type USM is
employed to deliver quick and quiet autofocus performance along with full-time
manual focus control.
$30
Canon EF 200mm f/2.8 II L-Series Lens
×
Canon EF 200mm f/2.8 II L-Series
$30.00 Daily Rate
A medium telephoto L-series prime, the Canon EF 200mm f/2.8L II USM combines a
flexible focal length with a modestly bright maximum aperture to realize a
relatively compact and lightweight design well-suited for sports and portraiture
applications. Its advanced optical design incorporates a pair of ultra-low
dispersion glass elements to greatly reduce color fringing and chromatic
aberrations in order to realize notable clarity and color accuracy, and a Super
Spectra coating also helps to increase contrast when working in harsh lighting
conditions. Benefitting the optics, a ring-type USM is employed, too, to deliver
quick and quiet autofocus performance along with full-time manual focus control.
$30
Canon EF – Zooms
--------------------------------------------------------------------------------
Canon EF 8-15mm f/4 Fisheye L-Series Lens
×
Canon EF 8-15mm f/4 Fisheye L-Series Lens
$30.00 Daily Rate
Specialized and versatile, the EF 8-15mm f/4L Fisheye USM is a Canon L-series
lens offering flexibility to a conventionally niche lens type. Capable of
producing both circular and rectangular fisheye effects, this lens is
characterized by its notable distortion and rounded image quality along with an
immense 180° angle of view at the 8mm position. The optical design incorporates
two ultra-low dispersion glass elements to limit chromatic aberrations and color
fringing for high clarity and color accuracy, and a Sub Wavelength coating has
also been applied to control flare and ghosting for greater contrast.
$30
Canon EF 11-24mm f/4 L-Series Lens
×
Canon EF 11-24mm f/4 L-Series Lens
$30.00 Daily Rate
A truly versatile wide-angle zoom featuring an advanced optical design and
constant f/4 maximum aperture, the Canon EF 11-24mm f/4L USM Lens is a member of
the esteemed L-series of lenses designed for full-frame EOS DSLRs. One Super UD
element and one UD element offer a significant reduction in chromatic
aberrations while four aspherical elements help to minimize distortions
throughout the zoom range and provide consistent edge-to-edge sharpness and
illumination. Both SWC and ASC coatings have been applied to the elements in
order to reduce lens flare and ghosting for increased contrast and color
accuracy. Ideally suited for landscape and architectural photography, this lens
covers ultra-wide to wide-angle perspectives and backs up its versatile zoom
range with sophisticated optical components and intuitive handling.
$30
Canon EF 16-35mm f/2.8 II L-Series Lens
×
Canon EF 16-35mm f/2.8 II L-Series Lens
$30.00 Daily Rate
The EF 16-35mm f/2.8L II USM Lens from Canon is a high performance,
water-resistant, ultra wide-angle L-series zoom lens. An f/2.8 maximum aperture
is effective in low light situations and offers shallow depth of field focus
control. The optical design has been improved to offer better edge-to-edge image
quality. In addition, it features 3 high-precision aspherical lens elements,
each of a different type: ground, replica and GMo. Its ultrasonic motor (USM)
and improved AF algorithms will help the lens to focus faster and quieter.
Precise manual focus is supported even in One Shot AF mode and a truly round
aperture results in pleasing background blur.
$30
Canon EF 16-35mm f/4 IS L-Series Lens
×
Canon EF 16-35mm f/4 IS L-Series Lens
$30.00 Daily Rate
Covering a useful wide-angle focal length range, the EF 16-35mm f/4L IS USM is
a Canon L-series lens distinguished by its constant f/4 maximum aperture,
sophisticated optical design, and use of image stabilization to realize sharp
imagery. Two ultra-low dispersion elements are used to greatly reduce color
fringing and chromatic aberrations throughout the zoom range for high clarity
and color accuracy, and a Super Spectra coating has also been applied to
suppress flare and ghosting for improved contrast. Three aspherical elements are
also featured and help to control distortion and minimize spherical aberrations
for improved sharpness.
$30
Canon EF 24-70mm f/2.8 II L-Series Lens
×
Canon EF 24-70mm f/2.8 II L-Series Lens
$30.00 Daily Rate
Spanning a popular and versatile range of focal lengths, the EF 24-70mm f/2.8L
II USM is a Canon L-series zoom commonly thought of as the workhorse of lenses.
Ranging from wide-angle to portrait length, this lens is also distinguished by
its constant f/2.8 maximum aperture to benefit working in difficult lighting
conditions and to afford greater control over depth of field. The lens is also
characterized by its sophisticated optical design, which includes one Super UD
element and two UD elements, which reduce color fringing and chromatic
aberrations in order to realize a high degree of color accuracy and clarity.
Three aspherical elements are also featured, and minimize distortion and
spherical aberrations for improved sharpness. Additionally, a Super Spectra
coating has been applied to individual elements to control flare and ghosting
for high contrast and neutral color fidelity.
$30
Canon EF 24-105mm f/4 II L-Series Lens
×
Canon EF 24-105mm f/4 II L-Series Lens
$30.00 Daily Rate
An advanced one-lens solution, the EF 24-105mm f/4L IS II USM is
a Canon L-series zoom covering wide-angle to short-telephoto focal lengths and
featuring a constant f/4 maximum aperture. The version II of this popular lens
sports a redeveloped optical design, which includes four aspherical elements to
significantly reduce distortion and spherical aberrations throughout the zoom
range for great sharpness and accurate subject rendering. Individual elements
feature an Air Sphere Coating, too, to suppress flare and ghosting for greater
contrast and color accuracy in harsh lighting conditions.
$30
Canon EF 70-200mm f/2.8 IS II L-Series Lens
×
Canon EF 70-200mm f/2.8 IS II L-Series Lens
$30.00 Daily Rate
A workhorse of a lens, the Canon EF 70-200mm f/2.8L IS II USM is an L-series
telephoto zoom characterized by its bright f/2.8 constant maximum aperture and
optical image stabilization. The fast maximum aperture affords greater control
over depth of field and benefits working in low-light conditions while the Image
Stabilizer compensates for four stops of camera shake for sharper handheld
shooting. As an L-series lens, this 70-200mm also features a sophisticated
optical design that uses five ultra-low dispersion elements and one fluorite
element to reduce color fringing and chromatic aberrations for improved clarity.
Also, a Super Spectra coating has been applied to help reduce lens flare and
ghosting for greater contrast and color neutrality.
$30
Canon EF 100-400mm f/4.5-5.6L IS L-Series Lens
×
Canon EF 100-400mm f/4.5-5.6L IS L-Series Lens
$30.00 Daily Rate
A long-reaching telephoto zoom characterized by a sophisticated optical design
and advanced image stabilization technologies, the Canon EF 100-400mm f/4.5-5.6L
IS II USM Lens is part of the esteemed L-series developed for full-frame EOS
DSLRs. One fluorite element and one Super UD element have been incorporated into
the lens’ construction, and both help to reduce aberrations and distortions
throughout the zoom range in order to deliver notable clarity, image sharpness,
and faithful color reproduction. An Air Sphere Coating has also been applied to
lens elements in order to reduce lens flare and ghosting for more contrast-rich
imagery. Benefitting the optical components of the lens, a four-stop effective
Image Stabilizer helps to minimize the appearance of camera shake and can be
dedicated to different styles of shooting. Furthermore, a redeveloped
rotation-type zoom ring pairs with an internal focusing mechanism, and an
Ultrasonic Motor, to deliver quick and intuitive handling to benefit handheld
shooting. Positioned as a versatile option for sports and wildlife
photographers, this lens’ list of attributes make it a viable telephoto zoom for
a variety of shooting applications.
$30
Canon RF – Primes
--------------------------------------------------------------------------------
Canon RF 16mm f/2.8 STM Lens
×
Canon RF 16mm f/2.8 STM Lens
$15.00 Daily Rate
Ultra-wide field of view mixed with a compact and portable design, the Canon RF
16mm f/2.8 STM is a sleek everyday wide-angle prime. Blending a compact,
lightweight design with a bright maximum aperture, this rectilinear ultra-wide
comes in handy when photographing interiors and architectural subjects, as well
as broad landscape views and astrophotography scenes.
$15
Canon RF 35mm f/1.4 L VCM Lens
×
Canon RF 35mm f/1.4 L VCM Lens
$15.00 Daily Rate
Designed with high-end cinema video in mind, the Canon RF 35mm f/1.4L VCM
Lens is a wide-angle L-series hybrid prime featuring an ultra-fast f/1.4 maximum
aperture to suit working in difficult lighting conditions. Its 11-blade iris
creates soft, cinematic bokeh, and the lens features minimal focus breathing for
easy and smooth focus pulls. The focus ring can be used full-time with override,
and you can also utilize the iris ring manually during changing conditions on
your video shoots.
$15
Canon RF 50mm f/1.8 STM Lens
×
Canon RF 50mm f/1.8 STM Lens
$15.00 Daily Rate
Compact, lightweight, and close-focusing, the Canon RF 50mm f/1.8 STM is a sleek
normal-length prime offering a classic, versatile field of view and an
especially compact design. An ideal lens for every day, walkaround shooting,
this 50mm f/1.8 is characterized by its bright design for available light
shooting and apt depth of field control. The optical design incorporates one
aspherical element, which reduces spherical aberrations and distortion, and also
sports a Super Spectra coating to minimize flare and ghosting for improved
contrast and color accuracy. Also, an STM motor affords impressively quiet and
smooth autofocus performance and full-time manual focus override. Additionally,
a configurable Control Ring lets you adjust exposure settings, including ISO,
aperture, and exposure compensation, from the lens itself.
$15
Canon RF 50mm f/1.2 L USM Lens
×
Canon RF 50mm f/1.2 L USM Lens
$40.00 Daily Rate
Distinguished by its speed, the RF 50mm f/1.2 L USM from Canon is a desirable
normal-length prime due to its versatile focal length and bright f/1.2 maximum
aperture. This fast design excels in difficult lighting conditions and also
benefits working with shallow depth of field and selective focus techniques. The
optical layout incorporates one UD element and one aspherical element, which
help to reduce both chromatic and spherical aberrations in order to produce
greater clarity and sharpness. A rounded 10-blade diaphragm also benefits bokeh
quality to suit isolating subjects with depth of field. Complementing the
imaging capabilities is an apt ring-type Ultrasonic Motor, which delivers fast,
near-silent autofocus and full-time manual focus override. Additionally, a
unique Control Ring is integrated into the lens design for intuitive control
over exposure settings from the lens itself.
$40
Canon RF 85mm f/1.2 L USM Lens
×
Canon RF 85mm f/1.2 L USM Lens
$40.00 Daily Rate
Pairing a cherished short-telephoto focal length with an exceptionally bright
maximum aperture, the Canon RF 85mm f/1.2 L USM is also characterized by its
advanced optical design to produce well-corrected imagery. The fast f/1.2 design
excels in difficult lighting conditions and also benefits working with shallow
depth of field and selective focus techniques. The optical layout incorporates a
Blue Spectrum Refractive Optics element; a specially developed element that
helps to nearly eliminate chromatic aberrations and color fringing for notable
clarity and color accuracy. In addition to this, an ultra-low dispersion element
and one aspherical element are also featured to further control various
aberrations and distortion for great sharpness and resolution. Individual
elements also feature an Air Sphere Coating to suppress flare and ghosting for
high contrast and color fidelity when working in bright and backlit conditions.
$40
Canon RF 85mm f/1.2 DS Lens
×
Canon RF 85mm f/1.2 DS Lens
$45.00 Daily Rate
Pairing a cherished short-telephoto focal length with an exceptionally bright
maximum aperture, the Canon RF 85mm f/1.2 L USM is also characterized by its
advanced optical design to produce well-corrected imagery. The fast f/1.2 design
excels in difficult lighting conditions and also benefits working with shallow
depth of field and selective focus techniques. The optical layout incorporates a
Blue Spectrum Refractive Optics element; a specially developed element that
helps to nearly eliminate chromatic aberrations and color fringing for notable
clarity and color accuracy. In addition to this, an ultra-low dispersion element
and one aspherical element are also featured to further control various
aberrations and distortion for great sharpness and resolution. Individual
elements also feature an Air Sphere Coating to suppress flare and ghosting for
high contrast and color fidelity when working in bright and backlit conditions.
$45
Canon RF 100mm f/2.8 L Macro IS USM Lens
×
Canon RF 100mm f/2.8 L Macro IS USM Lens
$40.00 Daily Rate
Engineered specifically for full-frame EOS R-series cameras, the RF 100mm f/2.8
L Macro IS USM Lens from Canon combines a medium-telephoto field of view with a
sleek design and close-focusing performance. Designed for close-up imagery, this
autofocus lens is an ideal choice for portraits and macro subjects. Featuring a
fixed 100mm focal length, a bright f/2.8 maximum aperture, fast, highly-precise
autofocus, and a spherical aberration control ring, this lens elevates the look
of portraits and macro shots and gives you the ability to create dreamlike and
romantic images with a soft focus look. Its close focus design enables working
with subject matter as close as 10.2″ away, and a Super Spectra coating
minimizes ghosting and flare when working in strong lighting conditions. The
lens also features optical image stabilization, along with Hybrid IS, to
suppress up to five stops of camera shake for cleaner, steadier shooting, and
imagemakers can expect to see stunning results that enhance their creative and
artistic vision.
$40
Canon RF 5.2mm f/2.8 L Dual Fisheye 3D VR Lens
×
Canon RF 5.2mm f/2.8 L Dual Fisheye 3D VR Lens
$45.00 Daily Rate
Unlock new dimensions in visual storytelling with the RF 5.2mm f/2.8 L Dual
Fisheye 3D VR from Canon. Currently compatible with the EOS R5 Mirrorless
Digital Camera, this L-series lens is the world’s first digital interchangeable
lens that can capture stereoscopic 3D 180° VR imagery to a single image sensor.
The dual high-performance L-series fisheye lenses combine imagery onto a single
image sensor delivering impressive results to a single file. This helps simplify
your workflow by eliminating the need to sync and stitch multiple video files.
Creators can go from traditional stills or video shooting to stereoscopic 3D
capture with a simple lens swap, and the pairing of this lens with the EOS R5
provides for high resolution video recording at up to DCI 8K 30fps and DCI 4K 60
fps.
$45
Canon RF – Zooms
--------------------------------------------------------------------------------
Canon RF 10-20mm f/4 L IS STM Lens
×
Canon RF 10-20mm f/4 L IS STM Lens
$45.00 Daily Rate
A state-of-the-art ultra-wide zoom lens, the Canon RF 10-20mm f/4 L IS
STM delivers professional quality results for all your landscape, nature,
architecture, and interior image-making needs. Optimized for both photo and
video applications, this versatile, full-frame, L-series lens provides visual
drama to your imagery for outstanding results that will be remembered for a
lifetime.
$45
Canon RF 14-35mm f/4 IS USM Lens
×
Canon RF 14-35mm f/4 IS USM Lens
$45.00 Daily Rate
Ultra-wide and stabilized, the Canon RF 14-35mm f/4 L IS USM is a uniquely
versatile zoom characterize by its broad range, constant f/4 maximum aperture,
and advanced optical design. Gaining a bit on the wide end, this zoom offers a
broader field of view to suit landscape, nature, and architectural applications,
and its modest maximum aperture also contributes to a sleek, highly portable
design for walkaround shooting.
$45
Canon RF 15-30mm f/4.5-6.3 IS STM Lens
×
Canon RF 15-30mm f/4.5-6.3 IS STM Lens
$20.00 Daily Rate
Compact with wide-angle versatility, the Canon RF 15-30mm f/4.5-6.3 IS STM pairs
a portable design with a flexible focal length range ideal for landscape,
architecture, and street subjects. Complementing the ultra-wide to wide range is
also an Optical Image Stabilizer to reduce camera shake and a stepping AF motor
that suits both photo and video uses.
$20
Canon RF 15-35mm f/2.8 L IS USM Lens
×
Canon RF 15-35mm f/2.8 L IS USM Lens
$45.00 Daily Rate
Covering a versatile wide-angle focal length range, the RF 15-35mm f/2.8 L IS
USM from Canon is also characterized by its bright f/2.8 constant maximum
aperture. This bright design enables working in available light conditions and
also affords greater control over depth of field. The range of wide focal
lengths suits working in a variety of situations, from landscape to documentary
shooting, and this zoom is complemented by an advanced optical design that
greatly reduces color fringing and distortion for high clarity and sharpness. An
Air-Sphere coating has also been applied to reduce flare and ghosting for
improved contrast and color fidelity when working in bright conditions.
$45
Canon RF 24-105mm f/4 IS STM Lens
×
Canon RF 24-105mm f/4 IS STM Lens
$20.00 Daily Rate
Prized for its versatility, the RF 24-105mm f/4 L IS USM from Canon is a
wide-angle to short telephoto zoom characterized by its constant f/4 maximum
aperture. Ideal for use in nearly any shooting scenario, this zoom is benefitted
by a five-stop-effective Image Stabilizer to minimize the appearance of camera
shake for sharper handheld imagery. Also complementing handling is a unique
customizable Control Ring, which can be configured to adjust a variety of
exposure settings settings, including aperture, ISO, and exposure compensation.
Benefitting image quality, the advanced optical design features a Super Spectra
Coating, which helps to suppress ghosting and flare in order to improve contrast
and color accuracy when working in bright and backlit conditions. Ideal for both
photo and video applications, this lens also incorporates a Nano USM autofocus
motor, which delivers quick, quiet, and precise focusing performance.
$20
Canon RF 24-50mm f/4.5-6.3 IS STM Lens
×
Canon RF 24-50mm f/4.5-6.3 IS STM Lens
$20.00 Daily Rate
Featuring a lightweight and compact design, the RF 24-50mm f/4.5-6.3 IS STM
Lens is a versatile standard zoom covering wide-angle to normal-view focal
lengths. Designed for everyday use and an excellent choice for vlogging and
content creation, this lens is well-suited for landscapes, cityscapes, street
scenes, portraits, products, and more. An STM stepping AF motor produces fast,
smooth, and near-silent autofocus performance to support both stills and video
recording, and an Optical Image Stabilizer compensates for up to 4.5 stops of
camera shake to better enable taking sharp handheld photos in difficult lighting
conditions.
$20
Canon RF 24-70mm f/2.8 L IS USM Lens
×
Canon RF 24-70mm f/2.8 L IS USM Lens
$45.00 Daily Rate
Poised to be the new workhorse zoom, the Canon RF 24-70mm f/2.8 L IS USM is a
versatile wide-angle to portrait-length lens characterized by its bright,
advanced, and intuitive design. The constant f/2.8 maximum aperture suits
working in difficult lighting conditions and also enables greater control over
depth of field. The optical design incorporates a series of aspherical and
Ultra-Low Dispersion elements, which greatly reduce a variety of aberrations
throughout the zoom range in order to produce sharp and clear imagery. An Air
Sphere Coating has also been applied to suppress flare and ghosting when working
in strong lighting conditions.
$45
Canon RF 24-105mm f/2.8 L IS USM Z Lens
×
Canon RF 24-105mm f/2.8 L IS USM Z Lens
$50.00 Daily Rate
A powerful multiuse zoom for photo and video, the RF 24-105mm f/2.8 L IS USM Z
Lens from Canon is the first of its kind at this focal length and aperture. By
utilizing dual Nano USM motors, this lens achieves fast and nearly silent
autofocusing. The constant f/2.8 aperture allows for optimal low light
performance and provides flattering bokeh for portraits at any focal length.
In-lens optical image stabilization offers five and a half stops of correction,
or eight stops with Coordinated IS when paired with a compatible camera. Four
ultra-low dispersion elements and three aspherical elements help create sharper
images and reduce chromatic and spherical aberrations. Additionally, the RF
24-105mm f/2.8 benefits from Super Spectra, Air Sphere, and Fluorine coatings,
which work together to minimize ghosting and flare caused by lens surface
reflection.
$50
Canon RF 24-240mm f/4.5-6.3 IS USM Lens
×
Canon RF 24-240mm f/4.5-6.3 IS USM Lens
$25.00 Daily Rate
Covering an impressive wide-angle to super-telephoto range, the RF 24-240mm
f/4-6.3 IS USM from Canon is a true all-in-one lens for nearly any shooting
situation. Its 10x zoom range is complemented by an Optical Image Stabilizer,
which compensates for up to five stops of camera shake to better realize sharp
imagery when shooting handheld. Dynamic IS also benefits video recording, and
better compensates for footage shot while walking or moving. Benefitting both
stills and video is a Nano USM autofocus motor, which delivers quick, quiet, and
precise focusing performance. Additionally, the lens also features a unique
customizable Control Ring, which can be configured to adjust a variety of
exposure settings, including aperture, ISO, and exposure compensation.
$25
Canon RF 28-70mm f/2 L USM Lens
×
Canon RF 28-70mm f/2 L USM Lens
$45.00 Daily Rate
Combining the versatility of a zoom with the speed typically reserved for a
prime, the Canon RF 28-70mm f/2 L USM is a wide-angle to portrait-length lens
distinguished by its impressively unique f/2 constant maximum aperture. This
bright design yields excellent low-light performance along with enhanced control
over depth of field for isolating subject matter. Ultra-Low Dispersion glass is
employed in the optical design, and greatly reduces color fringing and chromatic
aberrations in order to realize high clarity and color accuracy. Complementing
the advanced optical properties is Canon’s proven ring-type Ultrasonic Motor,
which delivers fast and quiet autofocus performance along with full-time manual
focus control. Additionally, unique to RF lenses, this 28-70mm incorporates a
configurable Control Ring for intuitively adjusting exposure settings, including
ISO, aperture, and exposure compensation, from the lens itself.
$45
Canon RF 70-200mm f/2.8 L IS USM Lens
×
Canon RF 70-200mm f/2.8 L IS USM Lens
$50.00 Daily Rate
This impressive L-Series lens offers a telephoto zoom focal length for getting
closer to faraway subjects. Canon’s lightest and shortest 70-200mm f/2.8 lens
ever, the RF 70-200mm f/2.8 L IS USM is engineered to make traveling more
comfortable, offering a compact and portable design that’s easy to pack and
carry wherever you go.
$50
Canon RF 100-500mm f/4.5-7.1 IS USM Lens
×
Canon RF 100-500mm f/4.5-7.1 IS USM Lens
$50.00 Daily Rate
Covering a variety of telephoto focal lengths, the Canon RF 100-500mm f/4.5-7.1
L IS USM spans a short- to super-telephoto range within a sleek and portable
form factor. The modest maximum aperture enables a relatively portable design
that is well-suited to handheld, walkaround use and optical image stabilization
also helps to steady photos and videos by up to five stops when working in
difficult lighting conditions.
$50
Sony – Primes
--------------------------------------------------------------------------------
Sony FE 14mm f/1.8 GM Lens
×
Sony FE 14mm f/1.8 GM Lens
$40.00 Daily Rate
Pairing an ultra wide-angle focal length with an especially bright design,
the FE 14mm f/1.8 GM from Sony is a fast and dynamic lens well-suited to
landscape, nature, architectural, and astrophotography applications. Its
extremely wide perspective is complemented by an f/1.8 maximum aperture for
excellent performance in low-light conditions and its impressively compact form
factor makes it a portable and versatile option for everything from casual
walkaround shooting to staged architectural shoots.
$40
Sony FE 24mm f/1.4 GM Lens
×
Sony FE 24mm f/1.4 GM Lens
$40.00 Daily Rate
Combining a favored wide-angle focal length with an especially bright design,
the FE 24mm f/1.4 GM from Sony is a fast, versatile lens well-suited to
landscape, astrophotography, and street shooting applications. Its
wide-but-usable perspective is complemented by the f/1.4 maximum aperture and
the lens is also distinguished by a sleek, portable profile for all-day
shooting.
$40
Sony FE 35mm f/1.4 GM Lens
×
Sony FE 35mm f/1.4 GM Lens
$40.00 Daily Rate
A classic wide-angle prime with an updated, sleek form factor, the Sony FE 35mm
f/1.4 GM is further characterized by its speed and advanced optical design. The
versatile focal length suits everything from street shooting to landscape and
documentary subjects, and the fast maximum aperture excels in low light and for
controlling depth of field.
$40
Sony FE 50mm f/1.2 GM Lens
×
Sony FE 50mm f/1.2 GM Lens
$40.00 Daily Rate
Combining speed, versatility, and quality, the Sony FE 50mm f/1.2 GM is a
normal-length prime that flexes a bright f/1.2 design and advanced optics while
remaining portable and lightweight for everyday shooting. As a G Master lens,
resolution and bokeh are top priorities, and this 50mm f/1.2 goes on to also
include a sophisticated focusing system to suit both stills and video needs and
a reliable physical design that’s intuitive to use and durable enough for
working in harsh environments.
$40
Sony FE 85mm f/1.4 GM Lens
×
Sony FE 85mm f/1.4 GM Lens
$40.00 Daily Rate
Often referred to as the perfect focal length for portraiture, the Sony FE 85mm
f/1.4 GM is a fast short-telephoto prime distinguished by its flattering field
of view, advanced optics, and ability to isolate subjects with shallow depth of
field. As a G Master lens, too, this lens offers refined sharpness and bokeh
quality, championing a pleasing image quality well-suited for portraits, events,
and and other situations where focus control is paramount.
$40
Sony FE 100mm f/2.8 STF GM OSS Lens
×
Sony FE 100mm f/2.8 STF GM OSS Lens
$40.00 Daily Rate
Delivering both smooth bokeh and fine sharpness, the FE 100mm f/2.8 STF GM
OSS from Sony is a short-telephoto prime featuring a unique and sophisticated
optical design. Separating itself from other portrait-length lenses, this 100mm
f/2.8 features Smooth Trans Focus (STF) technology, which uses an apodization
filter to realize notably smooth bokeh with rounded out-of-focus highlights in
both the foreground and background.
$40
Sony FE 135mm f/1.8 GM Lens
×
Sony FE 135mm f/1.8 GM Lens
$40.00 Daily Rate
Prized for its ability to isolate focus, the FE 135mm f/1.8 GM from Sony is a
medium telephoto prime characterized by a bright and sophisticated design.
Perfect for portraiture, this lens also excels in close-range sports shooting
and as a unique focal length for landscape subjects. Its G Master design
prioritizes both sharpness and bokeh quality and the lens also sports fast
autofocus capabilities and a durable build quality.
$40
Sony – Zooms
--------------------------------------------------------------------------------
Sony FE 12-24mm f/2.8 GM Lens
×
Sony FE 12-24mm f/2.8 GM Lens
$50.00 Daily Rate
Comprising a range of ultra-wide fields of view, the Sony FE 12-24mm f/2.8 GM is
an E-mount zoom characterized by an impressively bright and versatile design.
Ideal for landscape, nature, architecture, and interior applications, the lens’s
constant f/2.8 maximum aperture and advanced optical design make it a perfect
choice for working in difficult shooting conditions while still offering
well-corrected imagery.
$50
Sony FE 16-35mm f/2.8 GM Lens
×
Sony FE 16-35mm f/2.8 GM Lens
$45.00 Daily Rate
Offering G Master performance in a compact, fast, and versatile form, the Sony
FE 16-35mm f/2.8 GM is a wide-angle zoom covering ultra-wide to standard
wide-angle fields of view. Ideal for a range of subjects, from landscape to
lifestyle to architecture, the lens’s advanced optics and bright f/2.8 design
pair with a flexible zoom design to suit working in a variety of shooting
conditions.
$45
Sony FE 24-70mm f/2.8 GM Lens
×
Sony FE 24-70mm f/2.8 GM Lens
$45.00 Daily Rate
A fast, standard zoom favored for its versatility, the Sony FE 24-70mm f/2.8
GM is a wide-angle to short telephoto lens featuring advanced G Master optics, a
robust physical design, and a bright f/2.8 constant maximum aperture. A go-to
lens for a variety of shooting situations, the 24-70mm f/2.8 is a perfect choice
for anything from landscape to sports to portraiture subjects.
$45
Sony FE 24-105mm f/4 G OSS Lens
×
Sony FE 24-105mm f/4 G OSS Lens
$45.00 Daily Rate
Designed for versatility, the FE 24-105mm f/4 G OSS Lens from Sony is a
wide-angle to short-telephoto zoom designed to be an ideal one-lens solution for
everyday shooting. The flexible focal length range pairs with a bright constant
maximum aperture, impressive optics, and intuitive handling to make it a
suitable option for walk-around shooting, street subjects, travel, and event
photography.
$45
Sony FE 70-200mm f/2.8 GM OSS Lens
×
Sony FE 70-200mm f/2.8 GM OSS Lens
$45.00 Daily Rate
Boasting exceptional optics, intuitive handling, and outstanding speed in all
aspects, the Sony FE 70-200mm f/2.8 GM OSS takes its place as a reliable, go-to
telephoto zoom for professionals. A member of the G Master series, this 70-200mm
delivers high sharpness alongside smooth, clean bokeh, and the bright f/2.8
constant maximum aperture and optical image stabilization also help to ensure
sharp handheld shots in available lighting conditions.
$45
Sony FE 100-400mm f/4.5-5.6 GM OSS Lens
×
Sony FE 100-400mm f/4.5-5.6 GM OSS Lens
$45.00 Daily Rate
Targeting sports, wildlife, and action shooters, this FE 100-400mm f/4.5-5.6 GM
OSS Lens from Sony will satisfy many photographers and videographers who are
looking for a bit of extra reach with their full-frame E-mount camera. As a
member of the G Master line, it is designed with outstanding resolution and
sharpness in mind, along with a relatively compact size, responsive autofocus,
and Optical SteadyShot image stabilization for outstanding performance at all
focal lengths.
$45
Sony FE 200-600mm f/5.6-6.3 G OSS Lens
×
Sony FE 200-600mm f/5.6-6.3 G OSS Lens
$45.00 Daily Rate
Spanning a versatile telephoto range, the FE 200-600mm f/5.6-6.3 G
OSS from Sony is a flexible zoom perfectly suited for nature, wildlife, and
sports applications. Its long reach pairs with a modest maximum aperture range
to render to a relatively lightweight and portable design and, as a G series
lens, optical quality, focus speed, and attention to handling details are also
priorities of this well-rounded super-tele zoom.
$45
Lens Accessories
Adapters
--------------------------------------------------------------------------------
Metabones Locking EF to E Mount T CINE Smart Adapter
×
Metabones Locking EF to E Mount T CINE Smart Adapter
$25.00 Daily Rate
Bring out your Canon EF and EF-S mount lenses for use on a variety of full-frame
and APS-C format Sony E-mount cameras with this Metabones EF to E Mount T CINE
Smart Adapter. This cinema-styled electronic adapter features a positive-lock
lens mount that will ensure that your adapted lenses are secure. Further
improving on previous generations of Smart Adapters, this fifth-generation model
now features a rubber gasket to protect the camera’s mount from dust and
moisture, offers a status notification LED light to check operation modes, and a
dedicated switch that controls in-body image stabilization of select cameras.
Also, this version is compatible with the Sony PXW-FS7 Mark II video camera.
$25
Metabones EF to E Mount T MK V Smart Adapter
×
Metabones EF to E Mount T MK V Smart Adapter
$25.00 Daily Rate
Bring out your Canon EF and EF-S mount lenses for use on a variety of full-frame
and APS-C format Sony E-mount cameras with this Metabones EF to E Mount T MK V
Smart Adapter. Further improving on previous generations of Smart Adapters, this
fifth-generation model now features a rubber gasket to protect the camera’s
mount from dust and moisture, offers a status notification LED light to check
operation modes, and a dedicated switch that controls in-body image
stabilization of select cameras. Also, this version is compatible with the Sony
PXW-FS7 Mark II video camera.
$25
Metabones PL Lens to E Mount T Cine Adapter
×
Metabones PL to E Mount T Cine Adapter
$25.00 Daily Rate
Attach the Metabones PL to E Mount T CINE Adapter to use select full-frame PL
lenses on your APS-C Sony E-mount camera or camera with APS-C capture mode, and
take advantage of a near full-frame field-of-view and depth-of-field. The
advanced optical design of five elements in four groups comprised of tantalum
glass reduces the projected image circle while maintaining high optical
sharpness and minimizing aberrations. Internal flaring is reduced by the
application of internal anti-reflective black flocking. Because of the optical
block inside, this adapter will only be compatible with lenses designed for
full-frame sensor coverage, like the Zeiss Compact Primes.
$25
Metabones PL to RF Mount T Cine Adapter
×
Metabones PL to RF Mount T Cine Adapter
$25.00 Daily Rate
The PL Lens to RF Mount T Cine Adapter from Metabones uses an advanced
5-element/4-group optical design, incorporating ultra-high index tantalum-based
optical glass to achieve optical performance with improved corner sharpness,
less distortion, and reduced vignetting. The Speed Booster ULTRA has a
magnification of 0.71x and makes effective use of exotic materials at the
furthest limit of glassmaking technology, and as a result, is well corrected for
use with virtually all full-frame SLR/Prime lenses regardless of exit pupil
distance.
$25
Fotodiox Pro EF Lens to EF-M Mount Adapter
×
Fotodiox EF to EF-M Mount Smart Adapter
$10.00 Daily Rate
The EF / EF-S to EF-M Mount Smart Adapter from FotodioX is an all-metal adapter
that allows you to use your Canon EOS DSLR lenses with Canon EOS M mirrorless
bodies. The adapter features electronic components for full communication
between the body and most lenses, enabling autofocus and giving you control of
the aperture on your camera.
$10
Canon EF to RF Mount Drop-In Filter Smart Adapter
×
Canon EF to RF Mount Drop-In Filter Smart Adapter
$25.00 Daily Rate
Extending the range of compatible lenses, this Canon EF to RF Mount Drop-In
Filter Smart Adapter is a unique lens adapter designed for attaching any EF or
EF-S-mount lens to the EOS R mirrorless digital camera. This sophisticated
adapter affords compatibility with select A-type drop-in filters, and includes a
variable neutral density filter for greater control over your exposure settings.
$25
Canon EF to RF Mount Control Ring Smart Adapter
×
Canon EF to RF Mount Control Ring Smart Adapter
$20.00 Daily Rate
Extending the range of compatible lenses, the Canon Control Ring Mount Adapter
EF-EOS R is a unique lens adapter designed for attaching any EF or EF-S-mount
lens to the EOS R mirrorless digital camera. This sophisticated adapter
incorporates a customizable Control Ring, the same as that on native RF-mount
lenses, for intuitively adjusting exposure settings, such as ISO, aperture, and
exposure compensation. This ring provides tactile feedback when being turned,
making it easy to recognize and control your settings adjustments. It also
retains full autofocus and image stabilization capabilities and contains no
optical components, thereby maintaining the original optical quality of the
mounted lens. Additionally, it is dust- and water-resistant, making it suitable
for use in harsh weather conditions.
$20
Canon EF to RF Mount Smart Adapter
×
Canon EF to RF Mount Smart Adapter
$20.00 Daily Rate
Extending the range of compatible lenses, the Canon Mount Adapter EF-EOS R is a
lightweight, compact lens adapter designed for attaching any EF or EF-S-mount
lens to the EOS R mirrorless digital camera. This simple adapter retains full
autofocus and image stabilization capabilities and contains no optical
components, thereby maintaining the original optical quality of the mounted
lens. It is also dust- and water-resistant, making it suitable for use in harsh
weather conditions.
$20
Teleconverters
--------------------------------------------------------------------------------
Canon EF 2x Extender III
×
Canon EF 2x Extender III
$20.00 Daily Rate
The EF 2X Extender III from Canon is designed for select Canon EF mount L-series
telephoto lenses. It increases the focal length of a lens by a factor of 2x
while still delivering superb image quality. To ensure the best possible image
quality in all shooting conditions, it combines redesigned optics, improved data
communication between lens and camera and enhanced environmental protection. It
is ideal for photojournalists and wildlife, nature and sports photographers who
need to get close to distant and challenging subjects and it reduces the need to
carry heavy telephoto lenses.
$20
Canon RF 1.4x Extender
×
Canon RF 1.4x Extender
$20.00 Daily Rate
Extend the reach of select Canon RF-mount lenses with the Extender RF 1.4x. This
teleconverter magnifies the image by 1.4x and retains full communication between
the lens and camera body, enabling metering, autofocus, and image stabilization
as well as the transmission of Exif data. Additionally, the Extender RF is dust
and water resistant and has a heat shield exterior to ensure optimal performance
in a range of conditions.
$20
Canon RF 2x Extender
×
Canon RF 2x Extender
$20.00 Daily Rate
Extend the reach of select Canon RF-mount lenses with the Extender RF 2x. This
teleconverter magnifies the image by 2x and retains full communication between
the lens and camera body, enabling metering, autofocus, and image stabilization
as well as the transmission of Exif data. Additionally, the Extender RF is dust
and water resistant and has a heat shield exterior to ensure optimal performance
in a range of conditions.
$20
Sony FE 1.4x Teleconverter
×
Sony FE 1.4x Teleconverter
$25.00 Daily Rate
Extending the effective focal length of select Sony E-mount telephoto lenses,
the FE 1.4x Teleconverter increases the lens’s magnification by 1.4x for a
narrower field of view. The dedicated design maintains full communication
between the lens and E-mount mirrorless cameras, including auto-exposure
metering, autofocus, and Optical SteadyShot image stabilization. Additionally,
this teleconverter also features a dust- and moisture-resistant construction,
matching the lens, to benefit working in harsh environmental conditions.
$25
Sony FE 2.0x Teleconverter
×
Sony FE 2.0x Teleconverter
$25.00 Daily Rate
Extending the effective focal length of select Sony E-mount telephoto lenses,
the FE 2x Teleconverter increases the lens’s magnification by 2x for a narrower
field of view. The dedicated design maintains full communication between the
lens and E-mount mirrorless cameras, including auto-exposure metering,
autofocus, and Optical SteadyShot image stabilization. This teleconverter is
dust and moisture resistant to benefit working in harsh environmental
conditions.
$25
Filtration
Daily Rate
4×5.65″
Schneider
--------------------------------------------------------------------------------
RHOdium Full Spectrum ND
Schneider RHOdium Full Spectrum ND 0.3
×
Schneider RHOdium Full Spectrum ND 0.3
$15.00 Daily Rate
Designed for 4K, 6K and 8K productions, the Schneider 4 x 5.65″ RHOdium Full
Spectrum Neutral Density 0.3 Filter features a 2x filter factor that provides a
1-stop exposure reduction. It helps you control IR contamination within the full
visible and into the near infra-red spectrum. The neutral density material is
sandwiched between two layers of white water glass, which prevents subtle color
shifts that can occur with regular ND filters.
$15
Schneider RHOdium Full Spectrum ND 0.6
×
Schneider RHOdium Full Spectrum ND 0.6
$15.00 Daily Rate
Designed for 4K, 6K and 8K productions, the Schneider 4 x 5.65″ RHOdium Full
Spectrum Neutral Density 0.6 Filter features a 2x filter factor that provides a
2-stop exposure reduction. It helps you control IR contamination within the full
visible and into the near infra-red spectrum. The neutral density material is
sandwiched between two layers of white water glass, which prevents subtle color
shifts that can occur with regular ND filters.
$15
Schneider RHOdium Full Spectrum ND 0.9
×
Schneider RHOdium Full Spectrum ND 0.9
$15.00 Daily Rate
Designed for 4K, 6K and 8K productions, the Schneider 4 x 5.65″ RHOdium Full
Spectrum Neutral Density 0.9 Filter features a 2x filter factor that provides a
3-stop exposure reduction. It helps you control IR contamination within the full
visible and into the near infra-red spectrum. The neutral density material is
sandwiched between two layers of white water glass, which prevents subtle color
shifts that can occur with regular ND filters.
$15
Schneider RHOdium Full Spectrum ND 1.2
×
Schneider RHOdium Full Spectrum ND 1.2
$15.00 Daily Rate
Designed for 4K, 6K and 8K productions, the Schneider 4 x 5.65″ RHOdium Full
Spectrum Neutral Density 1.2 Filter features a 2x filter factor that provides a
4-stop exposure reduction. It helps you control IR contamination within the full
visible and into the near infra-red spectrum. The neutral density material is
sandwiched between two layers of white water glass, which prevents subtle color
shifts that can occur with regular ND filters.
$15
Schneider RHOdium Full Spectrum ND 1.5
×
Schneider RHOdium Full Spectrum ND 1.5
$15.00 Daily Rate
Designed for 4K, 6K and 8K productions, the Schneider 4 x 5.65″ RHOdium Full
Spectrum Neutral Density 1.5 Filter features a 2x filter factor that provides a
5-stop exposure reduction. It helps you control IR contamination within the full
visible and into the near infra-red spectrum. The neutral density material is
sandwiched between two layers of white water glass, which prevents subtle color
shifts that can occur with regular ND filters.
$15
Schneider RHOdium Full Spectrum ND 1.8
×
Schneider RHOdium Full Spectrum ND 1.8
$15.00 Daily Rate
Designed for 4K, 6K and 8K productions, the Schneider 4 x 5.65″ RHOdium Full
Spectrum Neutral Density 1.8 Filter features a 2x filter factor that provides a
6-stop exposure reduction. It helps you control IR contamination within the full
visible and into the near infra-red spectrum. The neutral density material is
sandwiched between two layers of white water glass, which prevents subtle color
shifts that can occur with regular ND filters.
$15
Schneider RHOdium Full Spectrum ND 2.1
×
Schneider RHOdium Full Spectrum ND 2.1
$15.00 Daily Rate
Designed for 4K, 6K and 8K productions, the Schneider 4 x 5.65″ RHOdium Full
Spectrum Neutral Density 2.1 Filter features a 2x filter factor that provides a
7-stop exposure reduction. It helps you control IR contamination within the full
visible and into the near infra-red spectrum. The neutral density material is
sandwiched between two layers of white water glass, which prevents subtle color
shifts that can occur with regular ND filters.
$15
Schneider RHOdium Full Spectrum ND 2.4
×
Schneider RHOdium Full Spectrum ND 2.4
$15.00 Daily Rate
Designed for 4K, 6K and 8K productions, the Schneider 4 x 5.65″ RHOdium Full
Spectrum Neutral Density 2.4 Filter features a 2x filter factor that provides a
8-stop exposure reduction. It helps you control IR contamination within the full
visible and into the near infra-red spectrum. The neutral density material is
sandwiched between two layers of white water glass, which prevents subtle color
shifts that can occur with regular ND filters.
$15
Schneider RHOdium Full Spectrum ND 2.7
×
Schneider RHOdium Full Spectrum ND 2.7
$15.00 Daily Rate
Designed for 4K, 6K and 8K productions, the Schneider 4 x 5.65″ RHOdium Full
Spectrum Neutral Density 2.7 Filter features a 2x filter factor that provides a
9-stop exposure reduction. It helps you control IR contamination within the full
visible and into the near infra-red spectrum. The neutral density material is
sandwiched between two layers of white water glass, which prevents subtle color
shifts that can occur with regular ND filters.
$15
Schneider RHOdium Full Spectrum ND 3.0
×
Schneider RHOdium Full Spectrum ND 3.0
$15.00 Daily Rate
Designed for 4K, 6K and 8K productions, the Schneider 4 x 5.65″ RHOdium Full
Spectrum Neutral Density 3.0 Filter features a 2x filter factor that provides a
10-stop exposure reduction. It helps you control IR contamination within the
full visible and into the near infra-red spectrum. The neutral density material
is sandwiched between two layers of white water glass, which prevents subtle
color shifts that can occur with regular ND filters.
$15
Graduated Attenuator ND
Schneider Graduated Attenuator ND 0.6
×
Schneider Graduated Attenuator ND 0.6
$15.00 Daily Rate
The 4 x 5.65″ Neutral Density Attenuator Filter from Schneider is a unique
filter for the still or MPTV shooter. Unlike traditional graduated ND filters
that are 50% clear and 50% ND with a certain density factor, Attenuators are
graduated over the entire surface of the filter. For example, the 0.3 (1 stop)
attenuator will be clear glass at the bottom of the filter and 1 stop ND at the
top with a gradual progression throughout the remainder – with probably a 1/2
stop ND somewhere in the middle – but the major difference between the two types
of filters is that the transition in Attenuators is seamless.
$15
Schneider Graduated Attenuator ND 0.9
×
Schneider Graduated Attenuator ND 0.9
$15.00 Daily Rate
The 4 x 5.65″ Neutral Density Attenuator Filter from Schneider is a unique
filter for the still or MPTV shooter. Unlike traditional graduated ND filters
that are 50% clear and 50% ND with a certain density factor, Attenuators are
graduated over the entire surface of the filter. For example, the 0.3 (1 stop)
attenuator will be clear glass at the bottom of the filter and 1 stop ND at the
top with a gradual progression throughout the remainder – with probably a 1/2
stop ND somewhere in the middle – but the major difference between the two types
of filters is that the transition in Attenuators is seamless.
$15
Schneider Graduated Attenuator ND 1.2
×
Schneider Graduated Attenuator ND 1.2
$15.00 Daily Rate
The 4 x 5.65″ Neutral Density Attenuator Filter from Schneider is a unique
filter for the still or MPTV shooter. Unlike traditional graduated ND filters
that are 50% clear and 50% ND with a certain density factor, Attenuators are
graduated over the entire surface of the filter. For example, the 0.3 (1 stop)
attenuator will be clear glass at the bottom of the filter and 1 stop ND at the
top with a gradual progression throughout the remainder – with probably a 1/2
stop ND somewhere in the middle – but the major difference between the two types
of filters is that the transition in Attenuators is seamless.
$15
Hollywood Black Magic
Schneider Hollywood Black Magic 1/8
×
Schneider Hollywood Black Magic 1/8
$15.00 Daily Rate
The Schneider 4 x 5.65″ Hollywood Black Magic 1/8 Filter can be applied to
purposely reduce the appearance of blemishes and wrinkles. This can be useful
for creating a more flattering image of a subject while highlight as well as
mid-tone contrast is softened and glare is reduced. Additionally, a glowing
effect around highlights is created, which can further enhance a subject’s
appearance or produce a desired effect while overall sharpness is maintained.
$15
Schneider Hollywood Black Magic 1/4
×
Schneider Hollywood Black Magic 1/4
$15.00 Daily Rate
The Schneider 4 x 5.65″ Hollywood Black Magic 1/4 Filter can be applied to
purposely reduce the appearance of blemishes and wrinkles. This can be useful
for creating a more flattering image of a subject while highlight as well as
mid-tone contrast is softened and glare is reduced. Additionally, a glowing
effect around highlights is created, which can further enhance a subject’s
appearance or produce a desired effect while overall sharpness is maintained.
$15
Schneider Hollywood Black Magic 1/2
×
Schneider Hollywood Black Magic 1/2
$15.00 Daily Rate
The Schneider 4 x 5.65″ Hollywood Black Magic 1/2 Filter can be applied to
purposely reduce the appearance of blemishes and wrinkles. This can be useful
for creating a more flattering image of a subject while highlight as well as
mid-tone contrast is softened and glare is reduced. Additionally, a glowing
effect around highlights is created, which can further enhance a subject’s
appearance or produce a desired effect while overall sharpness is maintained.
$15
Schneider Hollywood Black Magic 1
×
Schneider Hollywood Black Magic 1
$15.00 Daily Rate
The Schneider 4 x 5.65″ Hollywood Black Magic 1 Filter can be applied to
purposely reduce the appearance of blemishes and wrinkles. This can be useful
for creating a more flattering image of a subject while highlight as well as
mid-tone contrast is softened and glare is reduced. Additionally, a glowing
effect around highlights is created, which can further enhance a subject’s
appearance or produce a desired effect while overall sharpness is maintained.
$15
Schneider Hollywood Black Magic 2
×
Schneider Hollywood Black Magic 2
$15.00 Daily Rate
The Schneider 4 x 5.65″ Hollywood Black Magic 2 Filter can be applied to
purposely reduce the appearance of blemishes and wrinkles. This can be useful
for creating a more flattering image of a subject while highlight as well as
mid-tone contrast is softened and glare is reduced. Additionally, a glowing
effect around highlights is created, which can further enhance a subject’s
appearance or produce a desired effect while overall sharpness is maintained.
$15
Radiant Soft
Schneider Radiant Soft 1/4
×
Schneider Radiant Soft 1/4
$15.00 Daily Rate
The Schneider 4 x 5.65″ Radiant Soft 1/4 Filter can be applied to purposely
reduce the appearance of blemishes and wrinkles while a glowing effect is
applied to skin tones. An array of small, two-dimensional particles distributed
within the surface of this filter smooths fine lines and textures, which can be
useful for creating a more flattering result of a subject.
$15
Schneider Radiant Soft 1/2
×
Schneider Radiant Soft 1/2
$15.00 Daily Rate
The Schneider 4 x 5.65″ Radiant Soft 1/2 Filter can be applied to purposely
reduce the appearance of blemishes and wrinkles while a glowing effect is
applied to skin tones. An array of small, two-dimensional particles distributed
within the surface of this filter smooths fine lines and textures, which can be
useful for creating a more flattering result of a subject.
$15
Schneider Radiant Soft 1
×
Schneider Radiant Soft 1
$15.00 Daily Rate
The Schneider 4 x 5.65″ Radiant Soft 1 Filter can be applied to purposely reduce
the appearance of blemishes and wrinkles while a glowing effect is applied to
skin tones. An array of small, two-dimensional particles distributed within the
surface of this filter smooths fine lines and textures, which can be useful for
creating a more flattering result of a subject.
$15
Schneider Radiant Soft 2
×
Schneider Radiant Soft 2
$15.00 Daily Rate
The Schneider 4 x 5.65″ Radiant Soft 2 Filter can be applied to purposely reduce
the appearance of blemishes and wrinkles while a glowing effect is applied to
skin tones. An array of small, two-dimensional particles distributed within the
surface of this filter smooths fine lines and textures, which can be useful for
creating a more flattering result of a subject.
$15
Schneider Radiant Soft 3
×
Schneider Radiant Soft 3
$15.00 Daily Rate
The Schneider 4 x 5.65″ Radiant Soft 3 Filter can be applied to purposely reduce
the appearance of blemishes and wrinkles while a glowing effect is applied to
skin tones. An array of small, two-dimensional particles distributed within the
surface of this filter smooths fine lines and textures, which can be useful for
creating a more flattering result of a subject.
$15
Schneider Radiant Soft 4
×
Schneider Radiant Soft 4
$15.00 Daily Rate
The Schneider 4 x 5.65″ Radiant Soft 4 Filter can be applied to purposely reduce
the appearance of blemishes and wrinkles while a glowing effect is applied to
skin tones. An array of small, two-dimensional particles distributed within the
surface of this filter smooths fine lines and textures, which can be useful for
creating a more flattering result of a subject.
$15
Schneider Radiant Soft 5
×
Schneider Radiant Soft 5
$15.00 Daily Rate
The Schneider 4 x 5.65″ Radiant Soft 5 Filter can be applied to purposely reduce
the appearance of blemishes and wrinkles while a glowing effect is applied to
skin tones. An array of small, two-dimensional particles distributed within the
surface of this filter smooths fine lines and textures, which can be useful for
creating a more flattering result of a subject.
$15
True-Streak
Schneider Clear True-Streak 1mm
×
Schneider Clear True-Streak 1mm
$15.00 Daily Rate
The Schneider 4 x 5.65″ 1mm Clear True-Streak Filter is designed to be used
perpendicular to a point light source such as the sun, a light bulb, or a
candle. Within the filter’s glass is a combination of fine line types whose
action is limited to point light sources. Upon those light sources, those lines
create the effect of a scene or image that has been recorded with an anamorphic
lens and then displayed using a complementary reverse projection lens. This can
result in prominent, elongated streaks that are symmetric and extend
horizontally from each point light source for the purpose of drawing attention
to a specific part of the frame, or to create a visually dramatic effect.
$15
Schneider Clear True-Streak 2mm
×
Schneider Clear True-Streak 2mm
$15.00 Daily Rate
The Schneider 4 x 5.65″ 2mm Clear True-Streak Filter is designed to be used
perpendicular to a point light source such as the sun, a light bulb, or a
candle. Within the filter’s glass is a combination of fine line types whose
action is limited to point light sources. Upon those light sources, those lines
create the effect of a scene or image that has been recorded with an anamorphic
lens and then displayed using a complementary reverse projection lens. This can
result in prominent, elongated streaks that are symmetric and extend
horizontally from each point light source for the purpose of drawing attention
to a specific part of the frame, or to create a visually dramatic effect.
$15
Schneider Clear True-Streak 3mm
×
Schneider Clear True-Streak 3mm
$15.00 Daily Rate
The Schneider 4 x 5.65″ 3mm Clear True-Streak Filter is designed to be used
perpendicular to a point light source such as the sun, a light bulb, or a
candle. Within the filter’s glass is a combination of fine line types whose
action is limited to point light sources. Upon those light sources, those lines
create the effect of a scene or image that has been recorded with an anamorphic
lens and then displayed using a complementary reverse projection lens. This can
result in prominent, elongated streaks that are symmetric and extend
horizontally from each point light source for the purpose of drawing attention
to a specific part of the frame, or to create a visually dramatic effect.
$15
Schneider Clear True-Streak 4mm
×
Schneider Clear True-Streak 4mm
$15.00 Daily Rate
The Schneider 4 x 5.65″ 4mm Clear True-Streak Filter is designed to be used
perpendicular to a point light source such as the sun, a light bulb, or a
candle. Within the filter’s glass is a combination of fine line types whose
action is limited to point light sources. Upon those light sources, those lines
create the effect of a scene or image that has been recorded with an anamorphic
lens and then displayed using a complementary reverse projection lens. This can
result in prominent, elongated streaks that are symmetric and extend
horizontally from each point light source for the purpose of drawing attention
to a specific part of the frame, or to create a visually dramatic effect.
$15
Schneider Blue True-Streak 1mm
×
Schneider Blue True-Streak 1mm
$15.00 Daily Rate
The Schneider 4 x 5.65″ 1mm Blue True-Streak Filter is designed to be used
perpendicular to a point light source such as the sun, a light bulb, or a
candle. Within the filter’s glass is a combination of fine line types whose
action is limited to point light sources. Upon those light sources, those lines
create the effect of a scene or image that has been recorded with an anamorphic
lens and then displayed using a complementary reverse projection lens. This can
result in prominent, elongated streaks that are symmetric and extend
horizontally from each point light source for the purpose of drawing attention
to a specific part of the frame, or to create a visually dramatic effect.
$15
Schneider Blue True-Streak 2mm
×
Schneider Blue True-Streak 2mm
$15.00 Daily Rate
The Schneider 4 x 5.65″ 2mm Blue True-Streak Filter is designed to be used
perpendicular to a point light source such as the sun, a light bulb, or a
candle. Within the filter’s glass is a combination of fine line types whose
action is limited to point light sources. Upon those light sources, those lines
create the effect of a scene or image that has been recorded with an anamorphic
lens and then displayed using a complementary reverse projection lens. This can
result in prominent, elongated streaks that are symmetric and extend
horizontally from each point light source for the purpose of drawing attention
to a specific part of the frame, or to create a visually dramatic effect.
$15
Schneider Blue True-Streak 3mm
×
Schneider Blue True-Streak 3mm
$15.00 Daily Rate
The Schneider 4 x 5.65″ 3mm Blue True-Streak Filter is designed to be used
perpendicular to a point light source such as the sun, a light bulb, or a
candle. Within the filter’s glass is a combination of fine line types whose
action is limited to point light sources. Upon those light sources, those lines
create the effect of a scene or image that has been recorded with an anamorphic
lens and then displayed using a complementary reverse projection lens. This can
result in prominent, elongated streaks that are symmetric and extend
horizontally from each point light source for the purpose of drawing attention
to a specific part of the frame, or to create a visually dramatic effect.
$15
Schneider Blue True-Streak 4mm
×
Schneider Blue True-Streak 4mm
$15.00 Daily Rate
The Schneider 4 x 5.65″ 4mm Blue True-Streak Filter is designed to be used
perpendicular to a point light source such as the sun, a light bulb, or a
candle. Within the filter’s glass is a combination of fine line types whose
action is limited to point light sources. Upon those light sources, those lines
create the effect of a scene or image that has been recorded with an anamorphic
lens and then displayed using a complementary reverse projection lens. This can
result in prominent, elongated streaks that are symmetric and extend
horizontally from each point light source for the purpose of drawing attention
to a specific part of the frame, or to create a visually dramatic effect.
$15
Schneider Confetti True-Streak
×
Schneider Confetti True-Streak
$15.00 Daily Rate
The Confetti True-Streak Filter from Schneider adds a new level of creativity to
still imaging and video content by using all of the True-Streak colors scattered
randomly in one filter. This unusual filter produces random multi-colored bursts
and streaks of varying length, thickness, and position, emanating from bright
light points and highlights. The dynamic streak effects are created simply and
easily in camera.
$15
Schneider Rainbow True-Streak
×
Schneider Rainbow True-Streak
$15.00 Daily Rate
The Schneider 4 x 5.65″ Rainbow True-Streak Filter is designed to be used
perpendicular to a point light source such as the sun, a light bulb, or a
candle. Within the filter’s glass is a combination of fine line types whose
action is limited to point light sources. Upon those light sources, those lines
create the effect of a scene or image that has been recorded with an anamorphic
lens and then displayed using a complementary reverse projection lens. This can
result in prominent, elongated streaks that are symmetric and extend
horizontally from each point light source to draw attention to a specific part
of the frame, or to create a visually dramatic effect.
$15
Antique Suede
Schneider Antique Suede 1
×
Schneider Antique Suede 1
$15.00 Daily Rate
The Schneider 4×5.65″ Solid Color Antique Suede 1 Glass Filter reduces greenish
tint in complexion shadows. Outdoors, it helps accentuate foliage.
$15
Schneider Antique Suede 2
×
Schneider Antique Suede 2
$15.00 Daily Rate
The Schneider 4×5.65″ Solid Color Antique Suede 2 Glass Filter reduces greenish
tint in complexion shadows. Outdoors, it helps accentuate foliage.
$15
Schneider Antique Suede 3
×
Schneider Antique Suede 3
$15.00 Daily Rate
The Schneider 4×5.65″ Solid Color Antique Suede 3 Glass Filter reduces greenish
tint in complexion shadows. Outdoors, it helps accentuate foliage.
$15
Storm Blue Water White
Schneider Storm Blue Water White Filter 1
×
Schneider Storm Blue Water White Filter 1
$15.00 Daily Rate
The Schneider 4×5.65″ Graduated Storm Blue 1 Glass Filter adds a grey-green
color to ocean and sky for a stormy effect.
$15
Schneider Storm Blue Water White Filter 2
×
Schneider Storm Blue Water White Filter 2
$15.00 Daily Rate
The Schneider 4×5.65″ Graduated Storm Blue 2 Glass Filter adds a grey-green
color to ocean and sky for a stormy effect.
$15
Schneider Storm Blue Water White Filter 3
×
Schneider Storm Blue Water White Filter 3
$15.00 Daily Rate
The Schneider 4×5.65″ Graduated Storm Blue 3 Glass Filter adds a grey-green
color to ocean and sky for a stormy effect.
$15
Tiffen
--------------------------------------------------------------------------------
Black Pro-Mist
Tiffen Black Pro-Mist 1/8
×
Tiffen Black Pro-Mist 1/8
$15.00 Daily Rate
It is easy to see why the Black Pro-Mists have been such a success for over the
past 30 or so years. Its unique layering of contrast combined with a gauzy paint
like halation, function as a twist on the stand of the pro halation spill
effect. Even at its lowest density, it delivers an effective increase in the
halation which adds a pleasing depth of warmth, but is not transported to the
skin tone values. These characteristics will become more apparent when you use
densities of 1 quarter and above.
In the heavier densities the spill is quite aggressive from the practical light,
with the warm tone becoming more apparent. Yet the subtle but effective look
still continues to make the pro mist filter a staple filter for many
cinematographers in the digital world.
$15
Tiffen Black Pro-Mist 1/4
×
Tiffen Black Pro-Mist 1/4
$15.00 Daily Rate
It is easy to see why the Black Pro-Mists have been such a success for over the
past 30 or so years. Its unique layering of contrast combined with a gauzy paint
like halation, function as a twist on the stand of the pro halation spill
effect. Even at its lowest density, it delivers an effective increase in the
halation which adds a pleasing depth of warmth, but is not transported to the
skin tone values. These characteristics will become more apparent when you use
densities of 1 quarter and above.
In the heavier densities the spill is quite aggressive from the practical light,
with the warm tone becoming more apparent. Yet the subtle but effective look
still continues to make the pro mist filter a staple filter for many
cinematographers in the digital world.
$15
Tiffen Black Pro-Mist 1/2
×
Tiffen Black Pro-Mist 1/2
$15.00 Daily Rate
It is easy to see why the Black Pro-Mists have been such a success for over the
past 30 or so years. Its unique layering of contrast combined with a gauzy paint
like halation, function as a twist on the stand of the pro halation spill
effect. Even at its lowest density, it delivers an effective increase in the
halation which adds a pleasing depth of warmth, but is not transported to the
skin tone values. These characteristics will become more apparent when you use
densities of 1 quarter and above.
In the heavier densities the spill is quite aggressive from the practical light,
with the warm tone becoming more apparent. Yet the subtle but effective look
still continues to make the pro mist filter a staple filter for many
cinematographers in the digital world.
$15
Tiffen Black Pro-Mist 1
×
Tiffen Black Pro-Mist 1
$15.00 Daily Rate
It is easy to see why the Black Pro-Mists have been such a success for over the
past 30 or so years. Its unique layering of contrast combined with a gauzy paint
like halation, function as a twist on the stand of the pro halation spill
effect. Even at its lowest density, it delivers an effective increase in the
halation which adds a pleasing depth of warmth, but is not transported to the
skin tone values. These characteristics will become more apparent when you use
densities of 1 quarter and above.
In the heavier densities the spill is quite aggressive from the practical light,
with the warm tone becoming more apparent. Yet the subtle but effective look
still continues to make the pro mist filter a staple filter for many
cinematographers in the digital world.
$15
Glimmerglass
Tiffen Glimmerglass 1/8
×
Tiffen Glimmerglass 1/8
$15.00 Daily Rate
Glimmerglass is a line of diffusion filters that produces a soft clean halation
around practical and specular light sources, while keeping an apparent sharpness
on the overall image. On close ups, the apparent sharpness and fine detail is
kept as the effect of the filter lowers contrast while softly rolling into the
shadow area. This low contrast affect moderately mutes bright colors. This makes
the lower end of the glimmer glass diffusion line produce a non-destructive or
invasive look.
$15
Tiffen Glimmerglass 1/4
×
Tiffen Glimmerglass 1/4
$15.00 Daily Rate
Glimmerglass is a line of diffusion filters that produces a soft clean halation
around practical and specular light sources, while keeping an apparent sharpness
on the overall image. On close ups, the apparent sharpness and fine detail is
kept as the effect of the filter lowers contrast while softly rolling into the
shadow area. This low contrast affect moderately mutes bright colors. This makes
the lower end of the glimmer glass diffusion line produce a non-destructive or
invasive look.
$15
Tiffen Glimmerglass 1/2
×
Tiffen Glimmerglass 1/2
$15.00 Daily Rate
Glimmerglass is a line of diffusion filters that produces a soft clean halation
around practical and specular light sources, while keeping an apparent sharpness
on the overall image. On close ups, the apparent sharpness and fine detail is
kept as the effect of the filter lowers contrast while softly rolling into the
shadow area. This low contrast affect moderately mutes bright colors. This makes
the lower end of the glimmer glass diffusion line produce a non-destructive or
invasive look.
$15
Tiffen Glimmerglass 1
×
Tiffen Glimmerglass 1
$15.00 Daily Rate
Glimmerglass is a line of diffusion filters that produces a soft clean halation
around practical and specular light sources, while keeping an apparent sharpness
on the overall image. On close ups, the apparent sharpness and fine detail is
kept as the effect of the filter lowers contrast while softly rolling into the
shadow area. This low contrast affect moderately mutes bright colors. This makes
the lower end of the glimmer glass diffusion line produce a non-destructive or
invasive look.
$15
Tiffen Glimmerglass 2
×
Tiffen Glimmerglass 2
$15.00 Daily Rate
Glimmerglass is a line of diffusion filters that produces a soft clean halation
around practical and specular light sources, while keeping an apparent sharpness
on the overall image. On close ups, the apparent sharpness and fine detail is
kept as the effect of the filter lowers contrast while softly rolling into the
shadow area. This low contrast affect moderately mutes bright colors. This makes
the lower end of the glimmer glass diffusion line produce a non-destructive or
invasive look.
$15
Tiffen Glimmerglass 3
×
Tiffen Glimmerglass 3
$15.00 Daily Rate
Glimmerglass is a line of diffusion filters that produces a soft clean halation
around practical and specular light sources, while keeping an apparent sharpness
on the overall image. On close ups, the apparent sharpness and fine detail is
kept as the effect of the filter lowers contrast while softly rolling into the
shadow area. This low contrast affect moderately mutes bright colors. This makes
the lower end of the glimmer glass diffusion line produce a non-destructive or
invasive look.
$15
Soft FX
Tiffen Soft FX 1/2
×
Tiffen Soft FX 1/2
$15.00 Daily Rate
The Tiffen 4 x 5.650″ Soft/FX Filter can be applied to purposely reduce the
appearance of blemishes and wrinkles in portraits or to apply a general
soft-focus effect while maintaining overall sharpness. An array of small lenses
distributed within the surface of this filter smooths fine lines and textures,
which can be useful for creating a more flattering result of a subject.
$15
Tiffen Soft FX 1
×
Tiffen Soft FX 1
$15.00 Daily Rate
The Tiffen 4 x 5.650″ Soft/FX Filter can be applied to purposely reduce the
appearance of blemishes and wrinkles in portraits or to apply a general
soft-focus effect while maintaining overall sharpness. An array of small lenses
distributed within the surface of this filter smooths fine lines and textures,
which can be useful for creating a more flattering result of a subject.
$15
Low Contrast
Tiffen Low Contrast
×
Tiffen Low Contrast
$15.00 Daily Rate
The Tiffen Low Contrast Filter can be applied to purposely reduce contrast while
photographing an image or while recording video. By redistributing illumination
from brighter to darker areas within a scene, this filter is useful in helping
to balance the tonal range among highlights and shadows. Detail is increased
within shadow regions while a halation effect around highlights is created which
can further enhance a scene’s appearance or produce a desired effect.
$15
Smoque
Tiffen Smoque 1
×
Tiffen Smoque 1
$15.00 Daily Rate
The Tiffen 4 x 5.65″ Smoque Filter can be applied to simulate the presence of
smoke within a frame or scene. It can be used to substitute typical theatrical
smoke generators such as smoke cookies, chips, pellets, grenades, or aerosols.
This filter can also be used to supplement the use of such smoke generators to
help provide a consistent appearance of smoke, particularly if wind or other
conditions prevent physical smoke from settling or staying within a frame or
scene. The use of physical smoke is associated with the release of solid
particles into the air. By lessening or eliminating the release of those
particles, a more predictable and comfortable photo or film set can be
maintained.
$15
Combo IRND-BPM 1/4
Tiffen Combo IRND 0.6/BPM 1/4
×
Tiffen Combo IRND 0.6/BPM 1/4
$15.00 Daily Rate
Alleviating the need to use multiple filters at once, this filter combines three
distinct effects to reduce the number of filter surfaces in use. IRND offers a
stop exposure reduction to permit working with longer shutter speeds or wider
aperture settings than normally required. Infrared attenuating design is
proportionate to the neutral density value, and helps to ensure clean, accurate
colors and true blacks. Improves the Skin Tone, Softens Wrinkles and Blemishes.
Contrast is lowered, but with less lightening of shadows for a more delicate
effect. Creates a soft light “pastel” effect. Delicate effect with contained
highlight flare. Constructed from water white optical glass for maintained image
quality.
$15
Tiffen Combo IRND 0.9/BPM 1/4
×
Tiffen Combo IRND 0.9/BPM 1/4
$15.00 Daily Rate
Alleviating the need to use multiple filters at once, this filter combines three
distinct effects to reduce the number of filter surfaces in use. IRND offers a
stop exposure reduction to permit working with longer shutter speeds or wider
aperture settings than normally required. Infrared attenuating design is
proportionate to the neutral density value, and helps to ensure clean, accurate
colors and true blacks. Improves the Skin Tone, Softens Wrinkles and Blemishes.
Contrast is lowered, but with less lightening of shadows for a more delicate
effect. Creates a soft light “pastel” effect. Delicate effect with contained
highlight flare. Constructed from water white optical glass for maintained image
quality.
$15
Combo IRND-Glimmerglass 1/2
Tiffen Combo IRND 0.6/Glimmerglass 1/2
×
Tiffen Combo IRND 0.6/Glimmerglass 1/2
$15.00 Daily Rate
Combining three distinct effects within a single filter, the 4 x 5.65″ IRND
Glimmerglass Filter from Tiffen offers a 2 stop exposure reduction, attenuates
infrared wavelengths, and slightly softens skin details while adding a glowing
quality to highlights. Intended for use with high definition video capture with
CMOS and CCD sensors, this filter compensates for the extended red sensitivity
of these sensor designs in order to produce cleaner, more accurate colors and
also takes the over-sharpened “digital edge” off for a smoother image quality.
The filter is constructed from water white optical glass for maintained clarity
and measures 4 x 5.65″ / 101.6 x 143.5mm to pair well with lightweight or
clip-on matte boxes.
$15
Tiffen Combo IRND 0.9/Glimmerglass 1/2
×
Tiffen Combo IRND 0.9/Glimmerglass 1/2
$15.00 Daily Rate
Combining three distinct effects within a single filter, the 4 x 5.65″ IRND
Glimmerglass Filter from Tiffen offers a 2 stop exposure reduction, attenuates
infrared wavelengths, and slightly softens skin details while adding a glowing
quality to highlights. Intended for use with high definition video capture with
CMOS and CCD sensors, this filter compensates for the extended red sensitivity
of these sensor designs in order to produce cleaner, more accurate colors and
also takes the over-sharpened “digital edge” off for a smoother image quality.
The filter is constructed from water white optical glass for maintained clarity
and measures 4 x 5.65″ / 101.6 x 143.5mm to pair well with lightweight or
clip-on matte boxes.
$15
Tiffen Combo IRND 1.2/Glimmerglass 1/2
×
Tiffen Combo IRND 1.2/Glimmerglass 1/2
$15.00 Daily Rate
Combining three distinct effects within a single filter, the 4 x 5.65″ IRND
Glimmerglass Filter from Tiffen offers a 2 stop exposure reduction, attenuates
infrared wavelengths, and slightly softens skin details while adding a glowing
quality to highlights. Intended for use with high definition video capture with
CMOS and CCD sensors, this filter compensates for the extended red sensitivity
of these sensor designs in order to produce cleaner, more accurate colors and
also takes the over-sharpened “digital edge” off for a smoother image quality.
The filter is constructed from water white optical glass for maintained clarity
and measures 4 x 5.65″ / 101.6 x 143.5mm to pair well with lightweight or
clip-on matte boxes.
$15
Combo IRND-Glimmerglass 1
Tiffen Combo IRND 0.6/Glimmerglass 1
×
Tiffen Combo IRND 0.6/Glimmerglass 1
$15.00 Daily Rate
Combining three distinct effects within a single filter, the 4 x 5.65″ IRND
Glimmerglass Filter from Tiffen offers a 2 stop exposure reduction, attenuates
infrared wavelengths, and slightly softens skin details while adding a glowing
quality to highlights. Intended for use with high definition video capture with
CMOS and CCD sensors, this filter compensates for the extended red sensitivity
of these sensor designs in order to produce cleaner, more accurate colors and
also takes the over-sharpened “digital edge” off for a smoother image quality.
The filter is constructed from water white optical glass for maintained clarity
and measures 4 x 5.65″ / 101.6 x 143.5mm to pair well with lightweight or
clip-on matte boxes.
$15
Tiffen Combo IRND 0.9/Glimmerglass 1
×
Tiffen Combo IRND 0.9/Glimmerglass 1
$15.00 Daily Rate
Combining three distinct effects within a single filter, the 4 x 5.65″ IRND
Glimmerglass Filter from Tiffen offers a 2 stop exposure reduction, attenuates
infrared wavelengths, and slightly softens skin details while adding a glowing
quality to highlights. Intended for use with high definition video capture with
CMOS and CCD sensors, this filter compensates for the extended red sensitivity
of these sensor designs in order to produce cleaner, more accurate colors and
also takes the over-sharpened “digital edge” off for a smoother image quality.
The filter is constructed from water white optical glass for maintained clarity
and measures 4 x 5.65″ / 101.6 x 143.5mm to pair well with lightweight or
clip-on matte boxes.
$15
Tiffen Combo IRND 1.2/Glimmerglass 1
×
Tiffen Combo IRND 1.2/Glimmerglass 1
$15.00 Daily Rate
Combining three distinct effects within a single filter, the 4 x 5.65″ IRND
Glimmerglass Filter from Tiffen offers a 2 stop exposure reduction, attenuates
infrared wavelengths, and slightly softens skin details while adding a glowing
quality to highlights. Intended for use with high definition video capture with
CMOS and CCD sensors, this filter compensates for the extended red sensitivity
of these sensor designs in order to produce cleaner, more accurate colors and
also takes the over-sharpened “digital edge” off for a smoother image quality.
The filter is constructed from water white optical glass for maintained clarity
and measures 4 x 5.65″ / 101.6 x 143.5mm to pair well with lightweight or
clip-on matte boxes.
$15
Hard Edge Graduated ND
Tiffen Hard Edge Graduated ND 0.3
×
Tiffen Hard Edge Graduated ND 0.3
$15.00 Daily Rate
The Tiffen 4 x 5.650″ Hard Edge Graduated ND Filter Horizontal Orientation is a
graduated neutral density filter that helps to specifically darken skies and
other bright areas of the image. The filter is densest at the edge and tapers to
clear by the middle, with a hard-edged line of transition between the density
and clear areas. Neutral density filters do not affect the coloration of the
image and the density provides reduction in light from entering the lens.
$15
Tiffen Hard Edge Graduated ND 0.6
×
Tiffen Hard Edge Graduated ND 0.6
$15.00 Daily Rate
The Tiffen 4 x 5.650″ Hard Edge Graduated ND Filter Horizontal Orientation is a
graduated neutral density filter that helps to specifically darken skies and
other bright areas of the image. The filter is densest at the edge and tapers to
clear by the middle, with a hard-edged line of transition between the density
and clear areas. Neutral density filters do not affect the coloration of the
image and the density provides reduction in light from entering the lens.
$15
NiSi
--------------------------------------------------------------------------------
NiSi Clear
×
NiSi Clear
$2.00 Daily Rate
The NiSi 4 x 5.65″ Pure Clear Filter is a simple, clear filter with a 1x filter
factor and is designed to provide general protection for your lens. This
optically clear filter does not affect exposure or overall image quality while
helping to prevent dust, scratches, moisture, and other elements from reaching
or damaging your lens.
$2
138mm
Schneider 138mm Full Field Diopter +1/8
×
Schneider 138mm Full Field Diopter +1/8
$15.00 Daily Rate
The Schneider 138mm Diopter Full +1/8 lens attachment reduces near focus
distance, allowing you to capture macro images without using a special macro
lens. This is done by increasing the magnification while the field of view
decreases, but the depth of field is retained.
$15
Schneider 138mm Full Field Diopter +1/4
×
Schneider 138mm Full Field Diopter +1/4
$15.00 Daily Rate
The Schneider 138mm Diopter Full +1/4 lens attachment reduces near focus
distance, allowing you to capture macro images without using a special macro
lens. This is done by increasing the magnification while the field of view
decreases, but the depth of field is retained.
$15
Schneider 138mm Full Field Diopter +1/2
×
Schneider 138mm Full Field Diopter +1/2
$15.00 Daily Rate
The Schneider 138mm Diopter Full +1/2 lens attachment reduces near focus
distance, allowing you to capture macro images without using a special macro
lens. This is done by increasing the magnification while the field of view
decreases, but the depth of field is retained.
$15
Schneider 138mm Full Field Diopter +3/4
×
Schneider 138mm Full Field Diopter +3/4
$15.00 Daily Rate
The Schneider 138mm Diopter Full +3/4 lens attachment reduces near focus
distance, allowing you to capture macro images without using a special macro
lens. This is done by increasing the magnification while the field of view
decreases, but the depth of field is retained.
$15
Schneider 138mm Full Field Diopter +1
×
Schneider 138mm Full Field Diopter +1
$15.00 Daily Rate
The Schneider 138mm Diopter Full +1 lens attachment reduces near focus distance,
allowing you to capture macro images without using a special macro lens. This is
done by increasing the magnification while the field of view decreases, but the
depth of field is retained.
$15
Schneider 138mm Full Field Diopter +2
×
Schneider 138mm Full Field Diopter +2
$15.00 Daily Rate
The Schneider 138mm Diopter Full +2 lens attachment reduces near focus distance,
allowing you to capture macro images without using a special macro lens. This is
done by increasing the magnification while the field of view decreases, but the
depth of field is retained.
$15
Schneider 138mm Full Field Diopter +3
×
Schneider 138mm Full Field Diopter +3
$15.00 Daily Rate
The Schneider 138mm Diopter Full +3 lens attachment reduces near focus distance,
allowing you to capture macro images without using a special macro lens. This is
done by increasing the magnification while the field of view decreases, but the
depth of field is retained.
$15
Schneider 138mm True-Polarizing Water White Filter
×
Schneider 138mm True-Polarizing Water White Filter
$15.00 Daily Rate
The Schneider 138mm True-Polarizing Glass filter is by far the most effective
polarizer for motion picture and television cameras. Having an extinction ratio
of ER 374, the Schneider True-Pol is 12- times more effective than other
polarizing filters, and is unmatched in its ability.
$15
Schneider 82mm Circular Tru-Pol Polarizer
×
Schneider 82mm Circular Tru-Pol Polarizer
$15.00 Daily Rate
The Schneider Optics 68-013127 Circular True-Pol Rotating Filter (5″/127 mm) is
designed for cameras which use polarizing elements in the beam-splitters of the
viewing system, such as ARRI 435 and the Movie-Cam compact lenses. This filter
can also be used on certain high-definition video cameras with complex optical
blocks such as the Sony PMW-EX1, PMW-EX3, and PDW-700 cameras which polarize the
red and blue channels more than other cameras and therefore require a circular
polarizer to prevent cross polarization and associated color shift in the image.
$15
Threaded
ND
Tiffen 82mm ND 0.6
×
Tiffen 82mm ND 0.6
$2.00 Daily Rate
The Tiffen 82mm ND 0.6 Filter is a solid ND filter with a filter factor of 2.5x
that provides a 1.3-stop exposure reduction. Its 0.6 density creates a darkening
of the entire image, allowing you to photograph with a wider aperture or slower
shutter speed than normally required. By slowing your exposure time or
increasing your aperture, you are able to control depth of field and convey
movement more easily. Neutral density filters do not affect the coloration of
the image and are ideal for pairing with other filters.
$2
Tiffen 82mm ND 0.9
×
Tiffen 82mm ND 0.9
$2.00 Daily Rate
The Tiffen 82mm ND 0.9 Filter is a solid ND filter with a filter factor of 2.5x
that provides a 1.3-stop exposure reduction. Its 0.9 density creates a darkening
of the entire image, allowing you to photograph with a wider aperture or slower
shutter speed than normally required. By slowing your exposure time or
increasing your aperture, you are able to control depth of field and convey
movement more easily. Neutral density filters do not affect the coloration of
the image and are ideal for pairing with other filters.
$2
Tiffen 82mm ND 1.2
×
Tiffen 82mm ND 1.2
$2.00 Daily Rate
The Tiffen 82mm ND 1.2 Filter is a solid ND filter with a filter factor of 2.5x
that provides a 1.3-stop exposure reduction. Its 1.2 density creates a darkening
of the entire image, allowing you to photograph with a wider aperture or slower
shutter speed than normally required. By slowing your exposure time or
increasing your aperture, you are able to control depth of field and convey
movement more easily. Neutral density filters do not affect the coloration of
the image and are ideal for pairing with other filters.
$2
Tiffen 82mm Clear ND
×
Tiffen 82mm Clear ND
$2.00 Daily Rate
The Tiffen 82mm Clear ND Filter is a filter to help you get better shots in
bright light as well as assist you with some special effect images.
Neutral density filters have several uses and offer the possibility to achieve
otherwise unachievable results. They enable the shooter to adjust exposure
without affecting color balance. ND filters appear gray and reduce the amount of
light reaching the film.
$2
Tiffen 82mm Color Grad ND 0.6
×
Tiffen 82mm Color Grad ND 0.6
$4.00 Daily Rate
The82mm Color Graduated ND 0.6 Filter from Tiffen is a graduated neutral density
filter that helps to specifically darken skies and other bright areas of the
image. The filter is densest at the edge and tapers to clear by the middle, with
a feathered line between the density and clear areas. Neutral density filters do
not affect the coloration of the image and the 0.6 density provides a 2-stop
reduction in light from entering the lens.
$4
NATural ND
Tiffen 82mm NATural ND 0.3
×
Tiffen 82mm NATural ND 0.3
$8.00 Daily Rate
The Tiffen 82mm NATural ND 0.3 from Tiffen is a Neutral Density filter that
darkens the image, allowing you to photograph with a longer shutter speed or
wider aperture than normally required. Providing a 1-stop exposure reduction,
this filter allows you to control depth of field and convey movement more
easily. Filter does not affect coloration of the image and is ideal for use with
other filters.
$8
Tiffen 82mm NATural ND 0.6
×
Tiffen 82mm NATural ND 0.6
$8.00 Daily Rate
The Tiffen 82mm NATural ND 0.6 from Tiffen is a Neutral Density filter that
darkens the image, allowing you to photograph with a longer shutter speed or
wider aperture than normally required. Providing a 1-stop exposure reduction,
this filter allows you to control depth of field and convey movement more
easily. Filter does not affect coloration of the image and is ideal for use with
other filters.
$8
Tiffen 82mm NATural ND 0.9
×
Tiffen 82mm NATural ND 0.9
$8.00 Daily Rate
The Tiffen 82mm NATural ND 0.9 from Tiffen is a Neutral Density filter that
darkens the image, allowing you to photograph with a longer shutter speed or
wider aperture than normally required. Providing a 1-stop exposure reduction,
this filter allows you to control depth of field and convey movement more
easily. Filter does not affect coloration of the image and is ideal for use with
other filters.
$8
Tiffen 82mm NATural ND 1.2
×
Tiffen 82mm NATural ND 1.2
$8.00 Daily Rate
The Tiffen 82mm NATural ND 1.2 from Tiffen is a Neutral Density filter that
darkens the image, allowing you to photograph with a longer shutter speed or
wider aperture than normally required. Providing a 1-stop exposure reduction,
this filter allows you to control depth of field and convey movement more
easily. Filter does not affect coloration of the image and is ideal for use with
other filters.
$8
Tiffen 82mm NATural ND 1.5
×
Tiffen 82mm NATural ND 1.5
$8.00 Daily Rate
The Tiffen 82mm NATural ND 1.5 from Tiffen is a Neutral Density filter that
darkens the image, allowing you to photograph with a longer shutter speed or
wider aperture than normally required. Providing a 1-stop exposure reduction,
this filter allows you to control depth of field and convey movement more
easily. Filter does not affect coloration of the image and is ideal for use with
other filters.
$8
Tiffen 82mm NATural ND 1.8
×
Tiffen 82mm NATural ND 1.8
$8.00 Daily Rate
The Tiffen 82mm NATural ND 1.8 from Tiffen is a Neutral Density filter that
darkens the image, allowing you to photograph with a longer shutter speed or
wider aperture than normally required. Providing a 1-stop exposure reduction,
this filter allows you to control depth of field and convey movement more
easily. Filter does not affect coloration of the image and is ideal for use with
other filters.
$8
Tiffen 82mm NATural ND 2.1
×
Tiffen 82mm NATural ND 2.1
$8.00 Daily Rate
The Tiffen 82mm NATural ND 2.1 from Tiffen is a Neutral Density filter that
darkens the image, allowing you to photograph with a longer shutter speed or
wider aperture than normally required. Providing a 1-stop exposure reduction,
this filter allows you to control depth of field and convey movement more
easily. Filter does not affect coloration of the image and is ideal for use with
other filters.
$8
Tiffen 82mm NATural ND 3.0
×
Tiffen 82mm NATural ND 3.0
$8.00 Daily Rate
The Tiffen 82mm NATural ND 3.0 from Tiffen is a Neutral Density filter that
darkens the image, allowing you to photograph with a longer shutter speed or
wider aperture than normally required. Providing a 1-stop exposure reduction,
this filter allows you to control depth of field and convey movement more
easily. Filter does not affect coloration of the image and is ideal for use with
other filters.
$8
Variable ND
Tiffen 72mm Variable ND
×
Tiffen 72mm Variable ND
$8.00 Daily Rate
The 72mm Variable Neutral Density Filter from Tiffen offers a unique way of
maintaining total control over your depth of field as well as presenting an
efficient way to create some special effects. The filter is designed with a
built-in rotating ring that controls neutral density ranging from 2 – 8 stops
(0.6- 2.4). The heavier the density, the slower your shutter speed will be. This
longer exposure allows the shutter to remain open long enough to record the same
amount of light but will also create movement within the shot. Another major
benefit of this filter is the elimination of having to buy and carry around
individual neutral density filters. With this one filter, you can rotate to the
degree of ND you want – a real time and money saver.
$8
Tiffen 77mm Variable ND
×
Tiffen 77mm Variable ND
$8.00 Daily Rate
The 77mm Variable Neutral Density Filter from Tiffen offers a unique way of
maintaining total control over your depth of field as well as presenting an
efficient way to create some special effects. The filter is designed with a
built-in rotating ring that controls neutral density ranging from 2 – 8 stops
(0.6- 2.4). The heavier the density, the slower your shutter speed will be. This
longer exposure allows the shutter to remain open long enough to record the same
amount of light but will also create movement within the shot. Another major
benefit of this filter is the elimination of having to buy and carry around
individual neutral density filters. With this one filter, you can rotate to the
degree of ND you want – a real time and money saver.
$8
Tiffen 82mm Variable ND
×
Tiffen 82mm Variable ND
$8.00 Daily Rate
The 82mm Variable Neutral Density Filter from Tiffen offers a unique way of
maintaining total control over your depth of field as well as presenting an
efficient way to create some special effects. The filter is designed with a
built-in rotating ring that controls neutral density ranging from 2 – 8 stops
(0.6- 2.4). The heavier the density, the slower your shutter speed will be. This
longer exposure allows the shutter to remain open long enough to record the same
amount of light but will also create movement within the shot. Another major
benefit of this filter is the elimination of having to buy and carry around
individual neutral density filters. With this one filter, you can rotate to the
degree of ND you want – a real time and money saver.
$8
Schneider 82mm True Match Variable ND MKII
×
Schneider 82mm True Match Variable ND MKII
$12.00 Daily Rate
The True-Match Vari-ND MKII Variable Neutral Density Filter from Schneider is a
solid variable neutral density filter with an adjustable filter factor of 0.45
to 3.45 that provides a reduction of 1.5 to 11.5 stops. This 82mm filter darkens
the entire image area, allowing for wider apertures or longer shutter speeds
than usually required. The variable density is easily controlled by rotating the
front filter ring, allowing the additional required exposure length to be
determined. By slowing the exposure time, the level of image blur and sense of
movement may be enhanced; and by adjusting the lens aperture, depth of field may
be more precisely controlled. This is especially useful when shooting images in
bright sunlight, where achieving long shutter speeds and wide apertures is
otherwise impossible.
$12
Circular Polarizer
Tiffen 72mm Circular Polarizer
×
Tiffen 72mm Circular Polarizer
$2.00 Daily Rate
Tiffen 72mm Circular Polarizer Filters – Light rays which are reflected become
polarized. Polarizing filters are used to select which light rays enter your
camera lens. They can remove unwanted reflections from non-metallic surfaces
such as water or glass and also saturate colors providing better contrast. The
effect can be seen through the viewfinder and changed by rotating the filter.
The filter factor varies according to how the filter is rotated and its
orientation to the sun.
$2
Tiffen 77mm Circular Polarizer
×
Tiffen 77mm Circular Polarizer
$2.00 Daily Rate
Tiffen 77mm Circular Polarizer Filters – Light rays which are reflected become
polarized. Polarizing filters are used to select which light rays enter your
camera lens. They can remove unwanted reflections from non-metallic surfaces
such as water or glass and also saturate colors providing better contrast. The
effect can be seen through the viewfinder and changed by rotating the filter.
The filter factor varies according to how the filter is rotated and its
orientation to the sun.
$2
Tiffen 82mm Circular Polarizer
×
Tiffen 82mm Circular Polarizer
$2.00 Daily Rate
Tiffen 82mm Circular Polarizer Filters – Light rays which are reflected become
polarized. Polarizing filters are used to select which light rays enter your
camera lens. They can remove unwanted reflections from non-metallic surfaces
such as water or glass and also saturate colors providing better contrast. The
effect can be seen through the viewfinder and changed by rotating the filter.
The filter factor varies according to how the filter is rotated and its
orientation to the sun.
$2
Tiffen 82mm Digital HT Polarizing
×
Tiffen 82mm Digital HT Polarizing
$5.00 Daily Rate
The Tiffen 82mm Digital High Transmission (DHT) Circular Polarizing Multi-Coated
Filter is a filter that contains the strength of a titanium coating along with
high-end optical glass. Using their patented ColorCore technology, this filter
represents the highest scratch-resistant durability available. There is no need
to worry about cleaning this filter since the coating protects the surface
thereby maintaining the optical quality of the glass.
$5
Black Pro-Mist
Tiffen 82mm Black Pro-Mist 1/8
×
Tiffen 82mm Black Pro-Mist 1/8
$8.00 Daily Rate
The 82mm Tiffen Black Pro-Mist 1/8 Filter helps to reduce the value of the
highlights while slightly lowering the overall contrast. This filter is
especially useful for smoothing out and softening facial wrinkles and other
blemishes. While designed for use with movies, this filter can also be used for
fashion and beauty applications. Unlike a traditional diffusion or soft focus
filter, Pro-Mist filters provide little loss of detail across the image. The 3
density provides more contrast and highlight reduction than the 2, but less than
the 4, while still allowing for a soft, pastel-like quality of light.
$8
Tiffen 82mm Black Pro-Mist 1/4
×
Tiffen 82mm Black Pro-Mist 1/4
$8.00 Daily Rate
The 82mm Tiffen Black Pro-Mist 1/4 Filter helps to reduce the value of the
highlights while slightly lowering the overall contrast. This filter is
especially useful for smoothing out and softening facial wrinkles and other
blemishes. While designed for use with movies, this filter can also be used for
fashion and beauty applications. Unlike a traditional diffusion or soft focus
filter, Pro-Mist filters provide little loss of detail across the image. The 3
density provides more contrast and highlight reduction than the 2, but less than
the 4, while still allowing for a soft, pastel-like quality of light.
$8
Tiffen 82mm Black Pro-Mist 1/2
×
Tiffen 82mm Black Pro-Mist 1/2
$8.00 Daily Rate
The 82mm Tiffen Black Pro-Mist 1/2 Filter helps to reduce the value of the
highlights while slightly lowering the overall contrast. This filter is
especially useful for smoothing out and softening facial wrinkles and other
blemishes. While designed for use with movies, this filter can also be used for
fashion and beauty applications. Unlike a traditional diffusion or soft focus
filter, Pro-Mist filters provide little loss of detail across the image. The 3
density provides more contrast and highlight reduction than the 2, but less than
the 4, while still allowing for a soft, pastel-like quality of light.
$8
Tiffen 82mm Black Pro-Mist 1
×
Tiffen 82mm Black Pro-Mist 1
$8.00 Daily Rate
The 82mm Tiffen Black Pro-Mist 1 Filter helps to reduce the value of the
highlights while slightly lowering the overall contrast. This filter is
especially useful for smoothing out and softening facial wrinkles and other
blemishes. While designed for use with movies, this filter can also be used for
fashion and beauty applications. Unlike a traditional diffusion or soft focus
filter, Pro-Mist filters provide little loss of detail across the image. The 3
density provides more contrast and highlight reduction than the 2, but less than
the 4, while still allowing for a soft, pastel-like quality of light.
$8
Tiffen 82mm Black Pro-Mist 2
×
Tiffen 82mm Black Pro-Mist 2
$8.00 Daily Rate
The 82mm Tiffen Black Pro-Mist 1 Filter helps to reduce the value of the
highlights while slightly lowering the overall contrast. This filter is
especially useful for smoothing out and softening facial wrinkles and other
blemishes. While designed for use with movies, this filter can also be used for
fashion and beauty applications. Unlike a traditional diffusion or soft focus
filter, Pro-Mist filters provide little loss of detail across the image. The 3
density provides more contrast and highlight reduction than the 2, but less than
the 4, while still allowing for a soft, pastel-like quality of light.
$8
Tiffen 82mm Black Pro-Mist 3
×
Tiffen 82mm Black Pro-Mist 3
$8.00 Daily Rate
The 82mm Tiffen Black Pro-Mist 3 Filter helps to reduce the value of the
highlights while slightly lowering the overall contrast. This filter is
especially useful for smoothing out and softening facial wrinkles and other
blemishes. While designed for use with movies, this filter can also be used for
fashion and beauty applications. Unlike a traditional diffusion or soft focus
filter, Pro-Mist filters provide little loss of detail across the image. The 3
density provides more contrast and highlight reduction than the 2, but less than
the 4, while still allowing for a soft, pastel-like quality of light.
$8
Glimmerglass
Tiffen 82mm Glimmerglass 1/8
×
Tiffen 82mm Glimmerglass 1/8
$8.00 Daily Rate
The 82mm Glimmerglass Grade 1/8 Filter from Tiffen is a beauty filter whose
function is two-fold: in addition to modifying the appearance of the image
itself, it also features a sparkling appearance when viewed from the front,
instilling more confidence in the model. The filter itself helps soften skin
details, blemishes, and wrinkles. It also produces glowing highlights and a mild
reduction in contrast for a more ethereal appearance. The grade 1/8 diffusion
provides a minimal amount of softening and overall image alteration.
$8
Tiffen 82mm Glimmerglass 1/4
×
Tiffen 82mm Glimmerglass 1/4
$8.00 Daily Rate
The 82mm Glimmerglass Grade 1/4 Filter from Tiffen is a beauty filter whose
function is two-fold: in addition to modifying the appearance of the image
itself, it also features a sparkling appearance when viewed from the front,
instilling more confidence in the model. The filter itself helps soften skin
details, blemishes, and wrinkles. It also produces glowing highlights and a mild
reduction in contrast for a more ethereal appearance. The grade 1/8 diffusion
provides a minimal amount of softening and overall image alteration.
$8
Tiffen 82mm Glimmerglass 1/2
×
Tiffen 82mm Glimmerglass 1/2
$8.00 Daily Rate
The 82mm Glimmerglass Grade 1/2 Filter from Tiffen is a beauty filter whose
function is two-fold: in addition to modifying the appearance of the image
itself, it also features a sparkling appearance when viewed from the front,
instilling more confidence in the model. The filter itself helps soften skin
details, blemishes, and wrinkles. It also produces glowing highlights and a mild
reduction in contrast for a more ethereal appearance. The grade 1/8 diffusion
provides a minimal amount of softening and overall image alteration.
$8
Tiffen 82mm Glimmerglass 1
×
Tiffen 82mm Glimmerglass 1
$8.00 Daily Rate
The 82mm Glimmerglass Grade 1 Filter from Tiffen is a beauty filter whose
function is two-fold: in addition to modifying the appearance of the image
itself, it also features a sparkling appearance when viewed from the front,
instilling more confidence in the model. The filter itself helps soften skin
details, blemishes, and wrinkles. It also produces glowing highlights and a mild
reduction in contrast for a more ethereal appearance. The grade 1/8 diffusion
provides a minimal amount of softening and overall image alteration.
$8
Tiffen 82mm Glimmerglass 3
×
Tiffen 82mm Glimmerglass 3
$8.00 Daily Rate
The 82mm Glimmerglass Grade 3 Filter from Tiffen is a beauty filter whose
function is two-fold: in addition to modifying the appearance of the image
itself, it also features a sparkling appearance when viewed from the front,
instilling more confidence in the model. The filter itself helps soften skin
details, blemishes, and wrinkles. It also produces glowing highlights and a mild
reduction in contrast for a more ethereal appearance. The grade 1/8 diffusion
provides a minimal amount of softening and overall image alteration.
$8
Tiffen 82mm Glimmerglass 5
×
Tiffen 82mm Glimmerglass 5
$8.00 Daily Rate
The 82mm Glimmerglass Grade 5 Filter from Tiffen is a beauty filter whose
function is two-fold: in addition to modifying the appearance of the image
itself, it also features a sparkling appearance when viewed from the front,
instilling more confidence in the model. The filter itself helps soften skin
details, blemishes, and wrinkles. It also produces glowing highlights and a mild
reduction in contrast for a more ethereal appearance. The grade 1/8 diffusion
provides a minimal amount of softening and overall image alteration.
$8
Step-Up Rings
--------------------------------------------------------------------------------
67mm to 82mm Step-Up Ring
×
67mm to 82mm Step-Up Ring
$1.00 Daily Rate
67mm to 82mm Step-Up Ring
$1
72mm to 82mm Step-Up Ring
×
72mm to 82mm Step-Up Ring
$1.00 Daily Rate
72mm to 82mm Step-Up Ring
$1
77mm to 82mm Step-Up Ring
×
77mm to 82mm Step-Up Ring
$1.00 Daily Rate
77mm to 82mm Step-Up Ring
$1
Camera Support
Daily Rate
Tripods
--------------------------------------------------------------------------------
OConnor 1040 Flowtech Tripod System
×
OConnor 1040 Flowtech Tripod System
$100.00 Daily Rate
INCLUDES:
(x1) – Ultimate 1040 Fluid Head (C1265-0001)
(x1) – Large Euro Quick Release with Camera Plate (1030-268)
(x1) – Pan Handle for 1030 Range (1030-246)
(x1) – Pan Handle Extension (2575-135)
(x1) – 100mm Ball Base (08365)
(x1) – 100mm FT Tiedown (S2052-1100)
(x1) – Flowtech 100 Tripod & Feet (C1266-0002)
(x1) – Handle (S2051-1061)
The OConnor Ultimate 1040 Fluid Head is a lightweight fluid head that shares
features with the other fluid heads in the OConnor Ultimate fluid head line.
This allows operators to easily transition between lighter and heavier cameras
without having to relearn or think about the differences between fluid heads.
The head supports 45 pounds’ worth of camera and accessories at a center of
gravity (COG) 5 inches above the camera platform. The counterbalance system
helps prevent the camera from tilting forward or back on the head on its own and
helps the camera to remain in the position the operator places it without
requiring additional effort to hold it in place. The counterbalance system on
the 1040 is a stepless system, so it is continuously variable from the maximum
weight the head can support all the way down to zero. This makes the 1040
extremely versatile and suitable for use with heavy ENG-style cameras all the
way down to lightweight cameras, while maintaining the same operational feel.
$100
OConnor 2560 2-Stage Carbon Fiber Tripod System
×
OConnor 2560 2-Stage Carbon Fiber Tripod System
$125.00 Daily Rate
INCLUDES:
(1x) – OConnor 2560 Head with Mitchel Base
(1x) – Pan Handle
(1x) – Large Euro Quick Release Plate
(1x) – Mitchell Base Tie Down
(1x) – 150 Bowl Adapter
(1x) – 150 Bowl Tie Down
(1x) – 60l 2-Stage Carbon Fiber Legs
(1x) – Mid-Level Spreaders
The Ultimate 2560 Fluid Head & 60L Tripod from OConnor includes the Ultimate
2560 fluid head package, 60L two-stage tripod system with a 150mm bowl and a
floor spreader. The fluid head is capable of supporting camera payloads up to 66
pounds at a 6″ center of gravity above the platform, and offers a ± 90° tilt
range. The fluid head package comes with a 12″ pan handle with 30° bend and
11.5″ pan handle extension. It also comes packaged with both a Mitchell base and
150mm ball base with tie-downs for expanded tripod compatibility.
$125
OConnor 2575D 2-Stage Tripod System
×
OConnor 2575D 2-Stage Tripod System
$150.00 Daily Rate
INCLUDES:
(1x) – OConnor Ultimate 2575D Fluid Head
(1x) – Euro Style Quick Release
(1x) – Pan Handle Extension
(1x) – Mitchell Base & Tiedown
(1x) – 150mm Ball Base & Tiedown
(1x) – Jason Cases Wheeled Case for Fluid Head
(1x) – OConnor Cine-HD 2-Stage Standard Tripod Legs
(1x) – OConnor Cine-HD Ground Spreaders
(1x) – OConnor Molded Standard Tripod Case
The OConnor Ultimate 2575D Fluid Head includes the sinusoidal counterbalance
system for true, accurate balance at any point in the tilt range and holds
cameras up to 90 lb. It provides stepless, ultra-smooth pan and tilt fluid drag
for improved control and stability for film-style shooting. The head comes with
platform controls on the operator’s side of the head. The platform release lever
with a one touch finger actuated safety release catch allows for one “finger” or
hand action to undo the safety catch and open the lever. This package comes with
The OConnor Cine HD 2-Stage Standard Tripod Legs, OConnor Cine HD Ground
Spreaders, and OConnor Molded Standard Tripod Case for a full camera support
package.
$150
Manfrotto 501HDV Tripod System
×
Manfrotto 501HDV Tripod System
$15.00 Daily Rate
INCLUDES:
(1x) – Manfrotto 501HDV Tripod Head
(1x) – Manfrotto 3021N Tripod Legs
(1x) – Carrying Case
The Manfrotto 501HDV,351MVB2K is a kit which includes the 501HDV pro video head,
351MVB 1-stage tripod, 350SPRB mid-level spreader, and the MBAG90P tripod bag.
This system works for handheld sized camcorders up to 13.2 lbs.
$15
Manfrotto 502AH Tripod System
×
Manfrotto 502AH Tripod System
$25.00 Daily Rate
INCLUDES:
(x1) – Manfrotto MT055XPRO3 Tripod Legs
(x1) – Manfrotto 502AH Video Head
(x1) – Pan Bar
(x1) – Manfrotto 504PLONG Long Quick Release Mounting Plate
(x1) – Carrying Case
The Manfrotto 502AH Pro Video Head with Flat Base is an affordable yet
remarkably fully featured professional head that represents an advance over the
popular 501HDV, with sturdier construction and featuring Manfrotto’s patented
bridging technology (inherited from the 509 and 504 heads). This head is
designed for executing cinematic moves with compact camcorders and DSLR cameras.
The 502AH includes the “AH” flat base version with a 3/8″-16 mounting hole.
$25
Manfrotto 504HD Tripod System
×
Manfrotto 504HD Tripod System
$35.00 Daily Rate
INCLUDES:
(x1) – Manfrotto 504HD with 536 MPRO Tripod Legs
(x1) – Carrying Case
The Manfrotto 504HD Head with 546GB 2-Stage Aluminum Tripod System combines the
504HD fluid video head with the 2-stage aluminum 546GB professional video tripod
to create an ideal combo of affordability, stability, and smooth, precise
control. The tripod features a 75mm half ball, and the sticks have a 75mm bowl
for quick and secure leveling. This compact, versatile system was designed with
independent video and DSLR shooters in mind, and it provides the level of
ergonomics and support required by today’s small crews.
$35
Manfrotto 504X Tripod System
×
Manfrotto 504X Tripod System
$45.00 Daily Rate
INCLDUES:
(x1) – Manfrotto 504X Fluid Video Head with Flat Base
(x1) – Pan Handle
(x1) – 504PLONGR-1 Quick Release Plate
(x1) – Manfrotto Carbon Fiber Twin Leg Video Tripod Legs with Ground Spreader
(x1) – 100 to 75mm Adapter Ring
(x1) – Leveling Ball
(x1) – Carry Bag
The 504X Fluid Video Head with Flat Base from Manfrotto features an open bridge
design that provides a stable, smooth performance while reducing weight. The
head’s patented bridge technology allows for a wider top surface and longer
sliding plate that add stability and balance. The head features a flat base with
a 3/8″-16 female mounting thread that allows compatibility with a wide range of
tripods, monopods, sliders, jibs, and dollies, and a variety of rigs.
$45
Manfrotto 509HD Tripod System
×
Manfrotto 509HD Tripod System
$55.00 Daily Rate
INCLUDES:
(1x) – Manfrotto 509HD
(1x) – 536K Carbon Fiber Tripod
(1x) – Carrying Case
Steady your professional video system with this 509HD Video Head & 545GB
Aluminum Tripod Pro Ground-Twin Kit 100 from Manfrotto. Able to hold up to 29.8
lb on the fluid head, users will have excellent stability and security for their
shots. The 509HD head offers a sliding 509PLONG quick release plate and a
four-step counterbalance system for a quick setup. The head also features easily
accessed adjustments, easy-link connectors, and is lightweight. Also, it has
Manfrotto Bridging Technology with a ball bearing drag system for smooth,
precise movements well suited to stills and video. An Advanced Balancing
Recorder feature can save the balancing position of your camera to help expedite
your next setup.
$55
Monopods
--------------------------------------------------------------------------------
Manfrotto MVM500A Monopod
×
Manfrotto MVM500A Monopod
$15.00 Daily Rate
A versatile kit for nearly any videographer or filmmaker, the MVM500A can often
travel places tripods cannot, providing additional stability and supporting
heavy equipment when required. The 4-section design, paired with an aluminum
construction, results in an easy-to-transport setup weighing just 4.6 lb. With a
maximum height of 79.9″ and a minimum height of just 30.7″, the MVM500A can be
adjusted to suit users of varying heights and for various different tasks.
The MVMX500UA Monopod from Manfrotto is a 4-section aluminum video support
equipped with Manfrotto’s FLUIDTECH base and a 500-series fluid tilt head.
$15
Dollies
--------------------------------------------------------------------------------
MovMax Rickshaw
×
MovMax Rickshaw
$300.00 Daily Rate
Achieve smooth, tracking shots no matter the terrain using this All-Terrain
Rickshaw Standard Combo from MOVMAX without needing to lay down a designated
track, thanks to the rickshaw’s large front tires. The entire rig supports a
total weight of 330.7 lb to accommodate both a seated operator and a large
camera rig. Modular components make up the rickshaw’s design with detailed
instructions and templates on the baseplate for assembly. Both the operator and
the camera can be pushed or pulled by a grip to facilitate complex tracking
shots.
$300
Dana Dolly
×
Dana Dolly
$85.00 Daily Rate
INCLUDES:
(x1) – DanaDolly
(x2) – Universal Track Ends
(x1) – Center Support
(x1) – 75mm Bowl Adapter
(x1) – 100mm Bowl Adapter
(x1) – 150mm Bowl Adapter
(x1) – 3″ Washer
(x1) – T-Tool
(x1) – Monitor Mount
(x1) – 6′ SpeedRails
(x2) – Low Boy Combo Stands
(x1) – Flight Case
The DanaDolly Universal Rental Kit with universal track ends is a heavy duty
camera dolly platform that rides on 16 custom modified soft polyurethane wheels
that resist flat spotting and use ABEC-7 rated precision bearings providing you
with extremely smooth dolly shots. This kit is complete with 75, 100 and 150mm
bowl adapters and comes in a custom flight case. The wheel trucks swivel,
allowing the dolly to ride on available straight or curved track, which you must
source separately. The manufacturer recommends using standard speed rail or
Schedule 80 aluminum pipe of compatible size. The dolly includes two universal
track ends, which accept inch and a quarter pipe (standard speed rail) up to
1.9″ O.D. and fit into available standard Junior stand receivers or 5/8″ Baby
pins. A center support is included for long track runs or when using heavy
cameras.
$85
MovMax Grip Dolly + Travel Rails
×
MovMax Grip Dolly + Travel Rails
$40.00 Daily Rate
INCLUDES:
(1x) – Mini Dolly
(1x) – Mini Dolly Middle Support
(2x) – Mini Dolly Side Support
(1x) – Mini Dolly Mitchell Mount
(1x) – Mini Dolly 150mm Bowl Mount
(1x) – Mini Dolly 100mm Bowl Mount
(1x) – Mini Dolly 65mm & 75mm Bowl Adapter
(2x) – Mini Dolly Low Riser
(6x) – Mini Dolly M8 Screw
(1x) – Mini Dolly Tool
(6x) – Mini Dolly M8-16 Screw
(3x) – Handle Screw
(2x) – Cable Clamp
(2x) – Mini Dolly Stop Clamp
(1x) – Mini Dolly Flightcase
Achieve smooth dolly shots with heavy cine rigs using this Grip Dolly Pro
Kit from MOVMAX. The system includes a flat dolly plate with wheels, multiple
adapters for tripod heads, middle and side supports, as well as mounting
accessories to assemble it all. The pro kit can support loads up to 198 lb.
$85
Stabilizers
--------------------------------------------------------------------------------
DJI RSC2
×
DJI RSC2
$30.00 Daily Rate
INCLUDED:
(1x) – DJI RSC 2 Gimbal Stabilizer
(1x) – DJI Ronin-S Extended Grip/Tripod
(1x) – DJI Ronin RavenEye Image Transmission System
(1x) – DJI Ronin Focus Motor
(1x) – DJI R Phone Holder
(1x) – DJI Ronin-S Focus Gear Strip
(1x) – DJI R Mini-HDMI to HDMI Cable (7.9″)
(1x) – DJI R Mini-HDMI to Mini-HDMI Cable (7.9″)
(1x) – DJI R Mini-HDMI to Micro-HDMI Cable (7.9″)
(3x) – DJI R Multicamera Control Cable (USB Type-C)
(1x) – DJI R Multicamera Control Cable (Sony Multi)
(1x) – DJI R Multicamera Control Cable (Micro-USB)
(1x) – DJI R Multicamera Control Cable (Mini-USB)
(1x) – DJI R USB Charging Cable (USB Type-A)
(1x) – USB Charging Block
(1x) – DJI R Quick Release Plate (Lower)
(1x) – DJI R Quick Release Plate (Upper)
(1x) – 12mm Rod
(1x) – Nanuk 930 Case for DJI RSC 2/RSC 2 Pro Combo
(1x) – Raven Eye 1/4-20 adapter
The DJI RSC 2 is designed for mirrorless and DSLR cameras and supports up to 6.6
lb camera and accessories loads. The motors of the RSC 2 are 50% more powerful
than those of the Ronin-SC, which is the predecessor of this redesigned gimbal.
A key feature of the RSC 2 is a foldable design that allows switching to
underslung mode.
$30
DJI RS3 Pro
×
DJI RS3 Pro
$70.00 Daily Rate
INCLUDES:
(1x) – DJI RS 3 Pro Gimbal
(1x) – DJI Ronin BG30 Grip for RS 2 & RS 3 Pro Gimbals
(1x) – Lens Support
(1x) – Extended Grip/Tripod
(1x) – Quick Release Plate (Arca-Type/Manfrotto) –
(1x) – Lower Extended Quick Release Plate
(1x) – DJI Ronin RavenEye Image Transmission System for RS 2 & RSC 2
(1x) – DJI RS Focus Motor (2022)
(1x) – Focus Motor Rod Mount Kit Combo
(1x) – Focus Gear Strip
(1x) – Phone Holder
(1x) – USB Power Cable (7.9″)
(1x) – USB Type-C Charging Cable (15.7″)
(1x) – USB Type-C Multi-Control Cable (11.8″)
(1x) – Mini-HDMI to HDMI Cable (7.9″)
(1x) – Mini-HDMI to Mini-HDMI Cable (7.9″)
(1x) – Mini-HDMI to Micro-HDMI Cable (7.9″)
(1x) – Carry Case
(1x) – Screw Kit
(3x) – Hook-and-Loop Strap
The DJI RS3 Pro Gimbal Stabilizer has been redesigned to be sleeker and more
powerful than the Ronin RS 2 gimbal, with its carbon fiber body weighing only
3.3 lb and a payload of up to 10 lb. This tiny gimbal is tough enough to support
and stabilize midsize cameras such as the RED Komodo-X or Canon R5C with a
24-70mm zoom lens attached. With a larger full-color OLED display, a new
fine-tuning knob, and greater stability, the RS3 can become an essential part of
your professional camera kit.
$70
DJI RS4 Pro
×
DJI RS4 Pro
$75.00 Daily Rate
INCLUDES:
(1x) – DJI RS4 Pro Gimbal Assembly
(1x) – BG30 Battery Grip
(1x) – HDMI Mini (C) to Micro HDMI (D)
(1x) – HDMI (A) to HDMI Mini (C)
(1x)- HDMI Mini (C) to HDMI Mini (C)
(2x) – USB-C to USB-C (Straight)
(1x) – USB-C to USB-C (Right Angle)
(1x) – USB-A to USB-C
(1x) – Raveneye Wireless Video Transmitter
(1x) – Rod Adapter Plate
(1x) – Quick Release Plate- Lower
(1x) – Quick Release Plate- Upper
(1x) – Quick Release Plate- Lower Extended
(1x) – Extended Tripod Grip
(1x) – Focus Pro Motor
(1x) – Motor Rod Mount
(1x) – Briefcase Handle
(1x) – Phone Holder
(1x) – Screw Kit
(2x) – Focus Gear Strip
(1x) – Lens Support
(1x) – USB Power Charging Block
(1x) – Hard Shell Carrying Case
(1x) – 12mm Rod
Enhanced operation efficiency, native vertical shooting, and an expanded
accessory ecosystem make the DJI RS 4 Pro a powerful tool for the mirrorless
camera shooter. The gimbal only weighs around 2.74 lb and sports a load capacity
of 10 lb capable of supporting your compact camera build. The combo includes a
Focus Pro Motor with a rod mount kit, a Ronin Image Transmitter, a focus gear
strip, a briefcase handle, and a carrying case. Teflon-coated axes reduce
friction for a smoother balancing and operating experience. Other intuitive
features include a fine-tuning knob, auto-locking OLED screen, and RSA
communication port for use with expanded accessories.
$75
DJI Ronin 2 Gimbal
×
DJI Ronin 2 Gimbal
$350.00 Daily Rate
INCLUDES:
(1x) – Ronin 2 Gimbal
(1x) – Ronin 2 Ring Grip
(1x) – Remote Control
(2x) – TB50 Battery
(1x) – TB50 Battery Mount
(1x) – TB50 Charger
(1x) – Camera Top Cross
(1x) – Base Plate
(1x) – AKS Mount
(2x) – 15mm Rod – 9.5″
(1x) – 15mm Focus Rod Mount
(1x) – Ronin 2 Universal Mount
(1x) – Top Mounting Black
(1x) – Motion Block
(1x) – Arri Alexa Power Cable
(1x) – Arri Alexa Run/Stop Cable
(1x) – RED Power Cable
(1x) – RED Control Cable
(1x) – Gimbal Power Cable
(1x) – DC Power Cable
(1x) – D-Tap Breakout Cable
(1x) – SDI Input Cable
(1x) – SDI Output Cable
(1x) – USB-C Data Cable
(1x) – UART to D-BUS Cable
(1x) – Hard Case
(2x) – Hex Tool
(2x) – Tilt Arms Extension Stage 1
(2x) – Tilt Arms Extension Stage 2
(1x) – Remote Control Panel
(1x) – Control Panel Harness
The versatile Ronin 2 gimbal from DJI is suitable for use either handheld or
mounted in a variety of ways including onto a drone, Steadicam, vehicle mount,
and more. An update from the original Ronin, this motorized stabilization system
is suitable for a range of camera and lens configurations, boasting a payload
capacity of 30 pounds. This means it can be used for everything from DSLRs up to
cinema cameras such as the ARRI ALEXA Mini or Sony FS7.
$350
Tilta Advanced Ring Grip for DJI RS Gimbals
×
Tilta Advanced Ring Grip for DJI RS Gimbals
$40.00 Daily Rate
INCLUDES:
(1x) – Top Grip
(1x) – Bottom Grip
(1x) – Wireless Control Receiver Module
(1x) – Dual-Channel Wireless Lens Control Handle
(1x) – Tilta Advanced Ring
(1x) – Carrying Case
Add stability and control to your DJI handheld gimbal stabilizer to achieve
smooth, steady, creative shots with the Advanced Ring Grip from Tilta. The
advanced ring grip lets you grip your gimbal from nearly any angle on its four
sides, providing stability, taking the load off your arm, and creating
two-handed operation when you’re shooting for longer periods of time. It also
allows you to control your gimbal and camera right from the left and right
powered handgrips, and to add a variety of other accessories to your rig.
$40
Tilta Float Gimbal Support System (V-Mount)
×
Tilta Float Gimbal Support System (V-Mount)
$100.00 Daily Rate
INCLUDES:
(1x) – Tilta Float Handheld Gimbal Support System for DJI RS 2 (V-Mount)
(1x) – Support Vest
(1x) – Stabilizer Arm
(1x) – Mounting Post
(1x) – Monitor Bracket
(1x) – Power Supply Baseplate
(1x) – 2-Pin to 2-Pin LEMO-Type Cable
(1x) – D-Tap to 2-Pin LEMO-Type Cable
(1x) – Wireless Thumb Controller
(1x) – Wireless Control Module Receiver
(1x) – V-Mount Battery Plate
(1x) – Tilta Adjustable Cold Shoe Phone Mounting Bracket (Black)
(1x) – Tool Kit
(1x) – Carry Case
Create dramatic, smooth cinematic moves using your DJI RS 2 handheld gimbal
without back or arm strain with the Float Handheld Gimbal Support System from
Tilta. The Float system features an adjustable vest, stabilizer arm, adjustable
gimbal extension post, wireless thumb controller, wireless receiver module,
V-mount battery plate, monitor bracket, power and control cables, smartphone
mounting bracket, tool kit, and a carry case to store and transport the entire
system.
$100
Freefly Movi M5 Gimbal
×
Freefly Movi M5 Gimbal
$60.00 Daily Rate
INCLUDES:
(1x) – Freefly Movi M5 3-Axis Motorized Gimbal Stabilizer
(2x) – Tools
(1x) – Manfrotto 492
(2x) – A-clamp
(3x) – Lipo Batteries
(1x) – Battery charger
(1x) – HDMI Cable
(1x) – LiPo Battery Checker
The MōVI M5 3-Axis Motorized Gimbal Stabilizer from Freefly is designed for
mid-sized DSLRs, mirrorless cameras, and camcorders weighing up to 5 pounds,
including the lens. For camera stabilization the M5 uses three motors and an IMU
(inertial measurement unit) to detect and counteract unwanted movement along
three axes: pan, tilt, and roll. In particular, compensating for handshake or
vehicle-induced vibration and reducing translation. There is a quick-release
adapter available separately so that it can be mounted on cranes, jibs, vehicle
mounts, and other camera support equipment. There is also an MR (multi-rotor)
conversion kit, available separately, so that it can mounted on a UAV.
$60
Freefly Movi Pro Gimbal
×
Freefly Movi Pro Gimbal
$225.00 Daily Rate
INCLUDES:
(1x) – MōVI Pro
(1x) – Mimc Pro
(1x) – MōVI Ring Pro Handle
(4x) – DJI TB50 Batteries
(1x) – DJI Tb50 Quad Charger
(1x) – MōVI Hard Case MoVI Plates and Mounts Carbon Fiber Rods Cables Tools
Get up and ready to shoot smooth handheld footage with FREEFLY‘s MōVI Pro
Handheld Bundle. Consisting of the MōVI Pro motorized gimbal stabilizer, MōVI
Ring Pro handle, and the MIMIC controller, this kit can perform in either single
or dual-operator configurations.
$225
Rigs
--------------------------------------------------------------------------------
EasyRig MiniMax
×
EasyRig MiniMax
$70.00 Daily Rate
INCLUDES:
(1x) – Easyrig Minimax with Quick Release
(1x) – Carrying Case
Ideal for documentaries, news, events, and more, the Easyrig Minimax with Quick
Release is designed for productions requiring extensive handheld camerawork with
cameras weighing 4.4 to 15.4 lb. Rather than uncomfortably handholding your
camera and supporting the weight with your arms, the Minimax redistributes the
weight of your camera setup through the body harness. Taking the weight off your
arms enables you to hold the camera steady for longer periods of time while
reducing fatigue.
$70
EasyRig Vario 5 with 9″ Extended Arm
×
EasyRig Vario 5 with 9″ Extended Arm
$150.00 Daily Rate
INCLUDES:
(1x) – Easyrig Vario 5 w/Cinema 3 Vest
(1x) – 5″ Extended Arm
(1x) – Carrying Case
(1x) – Kong Frog Clamp and Eye Bolt
The Easyrig Vario 5 with Cinema 3 Vest and 9″ Extended Arm is a body-worn
support system that is adjustable to support camera rigs weighing 11 to 38 lb.
The system works by using a suspension line to support the weight of the gimbal
rig, taking the load off your shoulder, neck, and arm muscles, and distributing
it across your torso. The tension line is adjustable by turning a screw in the
back, letting you dial in the appropriate amount of tension for your rig. The
system consists of the Cinema 3 double shoulder vest, a Vario 5 standard support
bar, and a 9″ extended support arm. A carrying bag is also included for
convenient storage and transport of the Easyrig system.
$150
EasyRig Vario 5 with Serene Arm
×
EasyRig Vario 5 with Serene Arm
$175.00 Daily Rate
INCLUDES:
(1x) – Easyrig Vario 5 w/Gimbal Rig Vest
(1x) – 5″ Extended Arm w/Flowcine Serene
(1x) – Carrying Case
(1x) – Kong Frog Clamp and Eye Bolt
The ERIG-V-SE Vario 5 from Easyrig is a body-worn support system that takes the
weight off your back, neck, and shoulders and distributes it to your hips.
Designed for supporting cameras or even entire rigs ranging from 11 to 38 lb,
this system enables you to capture steady handheld shots in comfort for hours
while giving you the ability to relax your arms. The ERIG-V-SE Vario 5 comes
with a standard Cinema vest and a standard arm. Additionally, it comes with a
FLOWCINE Serene two-axis spring arm stabilizer preinstalled.
$175
Ready Rig GS Vega Kit
×
Ready Rig GS Vega Kit
$140.00 Daily Rate
INCLUDES:
(1x) – Ready Rig GS VEGA + ProArm Kit
(2x) – Shoulder Mounts
(2x) – Carbon Fiber Support Rods
(2x) – Rear Tension Cables
(2x) – Universal Gimbal Attachments
(1x) – Carrying Case
Use the Ready Rig GS Stabilizer + ProArm Kit to transfer the weight of a
gimbal-mounted camera away from an operator’s arms and shoulders. By
redistributing the load to the user’s hips and core, this rig enables you to
extend your shooting time and lessens operator fatigue. It also reduces the
bounce motion sometimes seen during handheld gimbal shots. The Ready Rig GS
Stabilizer works with any gimbal in standard or underslung mode. This rig has
been fitted with The Ready Rig VEGA Upgrade v2 which adds an improved lift
system that ensures better shock absorption, better stability, and more balanced
boom action. At the same time, it redistributes the weight of your load to your
legs and core, so you also get reduced fatigue and can shoot for longer times.
$140
Cinema Devices Ergo Rig
×
Cinema Devices Ergo Rig
$100.00 Daily Rate
INCLUDES:
(1x) – Ergorig
(1x) – Undersling Accessory
(1x) – Carrying Bag
The Ergorig Lightweight Body-Mounted Harness from Cinema Devices is an
innovative body vest for shoulder-mounting a camera without putting any stress
on the spine. It supports heavy-duty loads, such as a fully-accessorized ARRI
ALEXA 65, and 100% of the weight is distributed to the hips.
$100
Sliders
--------------------------------------------------------------------------------
Kessler Traveler Stealth Slider (28.5″)
×
Kessler Traveler Stealth Slider (28.5″)
$50.00 Daily Rate
INCLUDES:
(x1) – Kessler Crane Traveler Length Stealth Slider (28.5″)
(x1) – Kessler Crane Rigid Slider Case (Mini/Traveler)
(x1) – 5/32″ Hex Key
(x4) – 1/4″-20 Flathead Countersunk Screw
(x1) – Kessler Crane Flat Mount Adapter
The Traveler Length Stealth Slider from Kessler Crane combines the lightweight
portable rail and carriage system of the standard Pocket Dolly with the
adjustable drag control of the CineSlider. Supporting loads up to 15 lb, this
slider offers 19″ of camera travel. It can be center mounted on a tripod or
supported by two tripods or stands using mounting threads at the ends of the
slider.
$45
Kessler 3′ CineSlider
×
Kessler 3′ CineSlider
$40.00 Daily Rate
INCLUDES:
(1x) – CineSlider 3′
(1x) – Crank
(2x) – All-Terrain Outrigger Feet
(1x) – Flat Mount Adapter
(1x) – SporTube Hard Shell
The CineSlider from Kessler Crane is a belt-driven, heavy-duty camera slider
supporting up to 80 lb, and this model measures a total length of 40.5″, it has
a total weight of 9.1 lb, and a travel distance of 35.5″. The slider is made of
reinforced aluminum, and the slide rails are on the inside, where they’re better
protected.
$40
Kessler 5′ CineSlider
×
Kessler 5′ CineSlider
$40.00 Daily Rate
INCLUDES:
(1x) – CineSlider 5′
(1x) – Crank
(2x) – All-Terrain Outrigger Feet
(1x) – Flat Mount Adapter
(1x) – Protective Case
The CineSlider from Kessler Crane is a belt-driven, heavy-duty camera slider
supporting up to 80 lb, and this model measures a total length of 60.5″, it has
a total weight of 12 lb, and a travel distance of 51″. The slider is made of
reinforced aluminum, and the slide rails are on the inside, where they’re better
protected.
$50
Kessler Crane Parallax for 5′ CineSlider
×
Kessler Crane Parallax for 5′ CineSlider
$20.00 Daily Rate
Achieve shots that were once only possible with advanced motorized setups with
the Kessler Crane Parallax. This model is sized to fit the 5′ Cineslider and
provides fixed-point shooting capability. Using a flexible bar and a mechanical
linkage, the Parallax can easily facilitate inward and outward panning motions
to accompany the horizontal slider movement. This can be used, for example, to
fix the camera on one subject during the slide; great for interviews and other
shots of still subjects. Setting up is as easy as setting your camera’s position
at each end of the move’s travel.
$20
Kessler Crane Second Shooter Kit
×
Kessler Crane Second Shooter Kit
$70.00 Daily Rate
INCLUDES:
(1x) – Second Shooter Controller
(1x) – Second Shooter Slider Motor
(1x) – Second Shooter Pan & Tilt Head
(1x) – Flat Mount Adapter
(1x) – D-Tap to Power Cable
(2x) – Power Cables
(4x) – Ethernet Cables
(1x) – Ethernet Extension
(1x) – USB to Micro Cable
(1x) – Motor Mount
(1x) – CORE SWX Power Base Edge
(1x) – V-Mount Charger
(1x) – Bag of bolts, gear, etc.
(1x) – Second Shooter Hard Case
The Second Shooter PRO Slide/Pan/Tilt System features the Kessler Crane Second
Shooter controller, a slider motor, and pan/tilt head combo, altogether allowing
3-axis repeatable motion control with up to 10 keyframes on each axis. The
slider motor is compatible with the Kessler CineSlider, Stealth, and Philip
Bloom sliders. The pan/tilt head mounts on the slider via mounting threads on
the bottom. Both connect to the controller using included Cat 5 cables. A
companion iOS/Android app works from up to 200′ away over Wi-Fi and lets you
adjust settings and remotely operate the system. Also, optional camera-specific
Kessler cables, such as MFR#s MC1017 and MC1035, can be used for time-lapse and
stop-motion capture.
$70
Accessories
Daily Rate
Monitoring
Production Monitors
--------------------------------------------------------------------------------
SmallHD
SmallHD Focus 5″ HDMI Monitor Kit
×
SmallHD Focus 5″ HDMI Monitor Kit
$25.00 Daily Rate
The FOCUS OLED 5″ HDMI Monitor has an integrated Sony L Series battery plate and
the unique ability to power popular DSLR and mirrorless cameras. Using the
monitor’s 7.2 volt power output and camera specific adapter cables, operators
can use one battery to power their camera and monitor for several hours.
$25
SmallHD Focus 5″ SDI Monitor Kit
×
SmallHD Focus 5″ SDI Monitor Kit
$25.00 Daily Rate
The SmallHD FOCUS SDI monitor provides a daylight viewable display in a
convenient form factor. Easily attach the FOCUS to your camera or rig using the
included SmallHD Tilt Arm: a lightweight, camera-top mounting solution.
$25
SmallHD Indie 5 Monitor Kit
×
SmallHD Indie 5 Monitor Kit
$65.00 Daily Rate
Indie 5’s hyper-responsive touchscreen display, with 1080p resolution, is backed
by PageOS 5. With Indie 5, you’ll be able to access our intuitive UI/UX for
at-a-glance adjustments and effortless navigation, integrated tools for more
accurate exposure and color control, Look-Around Camera Control, EL
Zone, Advanced Teradek RT overlays, and so much more.
$65
SmallHD 503 Monitor Kit
×
SmallHD 503 Monitor Kit
$65.00 Daily Rate
The 503 Ultrabright On-Camera Monitor, a monitor built for every environment,
features a daylight viewable screen, durable design, professional software
toolset, and two user function buttons. The 503 Ultrabright is made of a mill
aluminum housing with optically bonded gorilla glass display, making this one of
the most durable monitors in the field.
$65
SmallHD Indie 7 Monitor Kit
×
SmallHD Indie 7 Monitor Kit
$75.00 Daily Rate
Indie 7 is the vivid, lightweight entry model into SmallHD’s professional 7-inch
touchscreen monitor series. This hyper-responsive touchscreen monitor is powered
by the user-customizable PageOS 4 software, with a host of internal imaging
assistance tools such as Focus Assist, Exposure Assist, and more. Housed in a
lightweight, rugged, and thin aluminum chassis, the Indie 7 is designed for
heavy production use. Indie 7 provides a personalized viewing experience
designed to improve your workflow. Backed by 1000 nits of brightness, the Indie
7 can be viewed in direct sunlight, allowing you to monitor your production
regardless of environment or time of day.
$75
SmallHD Cine 7 Monitor Kit
×
SmallHD Cine 7 Monitor Kit
$100.00 Daily Rate
Cine 7 is the ultimate 7” on-camera HD monitor for cinematographers, offering a
color accurate wide-gamut display, cinema camera control, and 4K and HDR
compatibility. View your production in full sunlight thanks to 1800 nits of
brightness and save your favorite tools, functions, and setting pages in one tap
with PageOS 4. The Full HD 7-inch IPS LCD display with 1920×1200 resolution
ensures a clear look at your production, while 10-bit color processing in 100%
DCI-P3 offers color accuracy. This guarantees the image on screen reflects
what’s being captured by the camera. No matter the time of day, environment, or
sunlight, you’ll get a clear, glare-free view of your monitor thanks to 1800
nits of brightness.
$100
SmallHD Cine 7 Monitor 500 TX Kit
×
SmallHD Cine 7 Monitor 500 TX Kit
$125.00 Daily Rate
The lightweight 7″ SmallHD Cine 7 On-Camera 500 TX Monitor provides professional
monitoring in a sharp 7″ display suitable for outdoor use. The Cine 7 supports
up to UHD 4K HDMI output as well as various HD and SD formats via one full-size
HDMI input, one HDMI output, one 3G-SDI input, and one 3G-SDI selectable
input/output.
$125
SmallHD 703 Monitor Kit
×
SmallHD 703 Monitor Kit
$150.00 Daily Rate
The 703 Ultrabright On-Camera Monitor is built for every environment, featuring
a daylight viewable screen, durable design, professional software toolset, and
five user function buttons. The 703 Ultrabright is made of an aluminum housing
with optically bonded gorilla glass display, making this one of the most durable
monitors in the field.
$150
SmallHD Cine 13″ 4K Monitor Kit
×
SmallHD Cine 13″ 4K Monitor Kit
$175.00 Daily Rate
Cine 13 is an agile, brilliantly bright, and pixel-dense 4K production monitor
designed for those on-set creatives who require critical focusing capability and
a large display. Low-profile in design, this field companion can be rigged for
almost any situation. And, weighing in at only 6.8lbs, the Cine 13 is making
monitoring in 4K more portable than ever. The Cine 13” 4K High-Bright Monitor
boasts over 1500nits of brightness, ensuring an unobstructed look at your
production in full sunlight without the need for a sunhood or viewing tent. The
13-inch screen has a 3840 x 2160 resolution and full 4K clarity, as well as
10-bit color depth for color-accurate images.
$175
SmallHD 3203 HDR Monitor Kit
×
SmallHD 3203 HDR Monitor Kit
$200.00 Daily Rate
See beyond the restricted color and contrast of conventional monitoring with
the SmallHD 3203 HDR 32″ Production Monitor. Featuring true HDR rendering backed
by a 10-bit Color Intelligence engine with calibration capabilities, the 3203
can display a large brightness range, encompassing log formats and other
expanded-range picture styles.
$200
SmallHD 1703 P3X Monitor Kit
×
SmallHD 1703 P3X Monitor Kit
$225.00 Daily Rate
See beyond the restricted color and contrast of conventional monitoring with the
SmallHD 1703 P3X 17″ Production Monitor. Featuring wide color gamut (P3) and
true 10-bit color with calibration capabilities, the 1703 can display a large
brightness range, encompassing log formats and other expanded-range picture
styles.
$225
SmallHD Cine 18″ 4K Monitor Kit
×
SmallHD Cine 18″ 4K Monitor Kit
$250.00 Daily Rate
Add a professional UHD 4K monitor to your DIT station, video village, or studio
with the Cine 18″ 4K High-Bright Production Monitor from SmallHD. Featuring the
updated SmallHD OS4.1, the monitor provides a crisp 4K image with 3840 x 2160
resolution, 10-bit (8+2 FRC) color intelligence, 1300:1 contrast ratio, and 1100
cd/m² brightness for use outdoors.
$250
SmallHD Cine 24″ 4K Monitor Kit
×
SmallHD Cine 24″ 4k Monitor Kit
$250.00 Daily Rate
Add a professional UHD 4K monitor to your studio with the Cine 24″ 4K High
Bright Pro Monitor from SmallHD. Featuring the updated SmallHD OS4.1, the
monitor provides a crisp image with 10-bit DCI-P3 color intelligence, 1350 cd/m²
brightness, and a 1000:1 contrast ratio.
$250
Atomos
Atomos Ninja V+ Recording Monitor Kit
×
Atomos Ninja V+ Recording Monitor Kit
$65.00 Daily Rate
If you’re shooting with an 8K camera, then why not record in 8K raw format using
the Ninja V+ 5.2″ 8K HDMI H.265 Raw Recording Monitor from Atomos. The Ninja V+
is the same on-camera monitor/recorder as its predecessor the Ninja V 5″, but
the Ninja+ now features a 5.2″ display and records and plays back up to 8K30 raw
video to and from purpose-built mini-SSDs.
The Ninja V+ can record Apple ProRes RAW up to 8K30 or DCI 4K120 directly from
the sensor, and it is compatible with an array of cameras. Display features
include a 10-bit screen with a brightness of 1000 cd/m² AtomHDR technology for
accurate monitoring of your log gamma footage and support for popular log
formats from Sony, Canon, JVC, Panasonic, Nikon, RED, Sony, and Z CAM cameras.
$65
Atomos Ninja Inferno 7″ Monitor Kit
×
Atomos Ninja Inferno 7″ Monitor Kit
$45.00 Daily Rate
Able to record DCI and UHD 4K signals at up to 60 fps, the Atomos Ninja
Inferno makes a great companion to cameras and camcorders that output
uncompressed video over HDMI. The monitor itself features 10-bit FRC processing
and AtomHDR display technology that supports a 10-stop brightness range,
allowing you to more accurately monitor your log gamma footage without having to
view flat, washed-out looking images or use a LUT to compress the dynamic range
and color space. The monitor offers built-in presets to accurately translate
popular log formats from Sony, Canon, Panasonic, ARRI, RED, and JVC cameras. The
settings only affect viewing, with recorded video remained unaltered.
$45
Atomos Shogun Flame 7″ Monitor Kit
×
Atomos Shogun Flame 7″ Monitor Kit
$65.00 Daily Rate
The Atomos Shogun Flame is a 7″, 1920 x 1200 on-camera recording monitor that
combines 4K recording with a 10-bit FRC panel that supports native display of
HDR (log) footage as well as high brightness viewing of Rec. 709 footage. It
utilizes 4K HDMI and 12G-SDI inputs to support clean output signals at
resolutions up to UHD 4K (3840 x 2160), recording it to 2.5″ SSDs using 10-bit,
4:2:2 Apple ProRes and Avid DNxHR codecs. It even supports DCI 4K (4096 x 2160)
raw video streams over SDI from select Sony and Canon cameras, encoding it as
ProRes/DNxHR files.
$65
Atomos SUMO 19″ Monitor Kit
×
Atomos SUMO 19″ Monitor Kit
$125.00 Daily Rate
With an upgraded 19″ 1920 x 1080 IPS touchscreen display and 1200 cd/m²
brightness, the Atomos Sumo 19″ SE HDR Monitor, Recorder, and Switcher maintains
the same 4K recording, monitoring, and switching capabilities of its predecessor
with a sharper and brighter display.
$125
Computer Monitors
--------------------------------------------------------------------------------
Apple
Apple 27″ Studio Display + Mount
×
Apple 27″ Studio Display + Mount (Standard Glass, Tilt & Height Adjustable
Stand)
$150.00 Daily Rate
Choice of one:
-Standard Glass, Tilt & Heigh Adjustable Stand
-Nano-Texture Glass, VESA Mount Adapter
-Standard Glass, VESA Mount Adapter
Fully immerse yourself in creativity, entertainment, and more with the 27″ Apple
Studio Display. With its 27″ active viewing area and exceptionally thin bezels
that allow you to fully focus on the 5120 x 2880 resolution 5K Retina screen,
the Studio Display is designed to elevate your computing experience. Support for
1.07 billion colors and wide P3 color delivers lifelike photos and videos. At
the same time, true tone technology uses a built-in ambient light sensor to
automatically adjust the color temperature to match your environment. However,
the Studio Display doesn’t just enhance your creative workflow—it boosts your
collaboration and entertainment experiences. Inside is an A13 Bionic chip that
powers integrated features such as the 12MP Ultra Wide camera with Center Stage
technology to keep you and other video call participants in frame while the
studio-quality three-microphone array helps to ensure that everyone is heard
with minimal background noise interference. There is also a six-speaker audio
system comprised of four woofers and two tweeters that immerses you in music and
videos using Dolby Atmos virtual surround sound.
$150
Wireless Video
--------------------------------------------------------------------------------
Teradek
Teradek Bolt 3000 Kit
×
Teradek Bolt 3000 Kit
$400.00 Daily Rate
INCLUDES:
(x1) – Teradek Bolt Pro 3000 Wireless Video Transmitter
(x1) – Teradek Bolt Pro 3000 Wireless Video Receiver
(x2) – Wireless Antennas (for Transmitter)
(x5) – Wireless Antennas (for Receiver)
(x2) – SDI Cables (10″)
(x2) – 2-Pin LEMO to D-Tap
(x2) – PSU 2-Pin LEMO to AC Adapter Cable (6′)
(x1) – Carrying Case
The Bolt XT satisfies the needs of the most discerning professionals, from
powerful software tools and rock-solid performance to smart power options and
backward compatibility. A key feature of the Bolt XT is its backward
compatibility with any Bolt of the same range, Sidekick II / LT / XT, and 703
Bolt, giving users more flexibility building onto their existing systems or
linking with others already on set. Unlike alternative wireless video systems,
Bolt XT includes a unique AES 128 encryption algorithm to protect your video
footage, ensuring that only authorized receivers can connect to your
transmitter.
$400
Teradek Bolt 500 Kit
×
Teradek Bolt 500 Kit
$150.00 Daily Rate
INCLUDES:
(x1) – Bolt 500 XT Wireless Transmitter
(x1) – Bolt 500 XT Wireless Receiver (x2) – Wireless Antennas (for Transmitter)
(x2) – SDI Cables
(x2) – HDMI Cables
(x2) – 2-Pin LEMO to D-Tap
(x2) – PSU 2-Pin LEMO to AC Adapter Cable
(x1) – Dual Direct Mount Plate for L- Series
(x1) – Carrying Case
The Bolt XT satisfies the needs of the most discerning professionals, from
powerful software tools and rock-solid performance to smart power options and
backward compatibility. A key feature of the Bolt XT is its backward
compatibility with any Bolt of the same range, Sidekick II / LT / XT, and 703
Bolt, giving users more flexibility building onto their existing systems or
linking with others already on set. Unlike alternative wireless video systems,
Bolt XT includes a unique AES 128 encryption algorithm to protect your video
footage, ensuring that only authorized receivers can connect to your
transmitter.
$150
Teradek Serv Pro
×
Teradek Serv Pro
$60.00 Daily Rate
INCLUDES:
(1x) – Teradek SERV Pro
(2x) – Wireless Antennas (2dBi 2.4/5.8 Ghz)
(1x) – 2-pin Connector to 30W AC Power Adapter
(1x) – SDI Cable (BNC to BNC)
(1x) – HDMI Cable (Full Type A to Full Type A)
(1x) – Ethernet Cable
(1x) – Hot Shoe Adapter
Designed to be used on set for single or multicam productions, the Teradek Serv
Pro is the foundation of Teradek’s network-based video monitoring system.
Connect the Serv Pro unit to your camera’s SDI or HDMI port, and up to 10 iOS,
Android, or macOS devices running the free Vuer app can monitor the camera’s
video signal in resolutions up to 1080p with minimal 2-frame latency.
$60
Hollyland
Hollyland Mars 300 Kit
×
Hollyland Mars 300 Kit
$30.00 Daily Rate
INCLUDES:
(x1) – Transmitter
(x1) – Receiver
(x1) – 1/4″-20 Screw Mount
(x4) – Antennas
(x1) – Cold Shoe Mount
(x1) – DC Adapter
The Hollyland MARS 300 Pro HDMI Wireless Video Transmitter and Receiver Set
features a multi-functional clickable thumbwheel, OLED display & HDMI loop out
on TX, NP-F/USB Type-C/DC power supply, multi-channels & stable transmission,
300ft transmission range, 0.1s ultra-low latency, and automatic reconnection.
$30
Teleprompters
--------------------------------------------------------------------------------
Prompter People Proline Plus 24″ Prompter Kit
×
Prompter People Proline Plus Prompter Kit
$250.00 Daily Rate
The Prompter People Proline Plus 24″ HB Teleprompter with 22.5″ Reversing
Monitor features a 22.5″ 1000 cd/m² reversing monitor, 60/40 beamsplitter glass,
and a 27′ reading range. The teleprompter supports nearly any camcorder, ranging
from MiniDV to ENG. The teleprompter comes with an aluminum extrusion frame,
which enables mounting the camera to the prompter without requiring
counterweights. Height and angle adjustments allow the 60/40 glass to be tuned
to ensure that the camera is centered and suited to the presenter’s viewing
angle and can be folded down for transport and storage. The removable camera
rail makes for easy storage. You can mount the camera to the prompter and mount
that setup to your tripod in a traditional manner, or with an optional
FreeStanding kit, you can mount your camera to your tripod and separately mount
the prompter to a stand in front of your camera.
$250
Neewer X12 Teleprompter
×
Neewer X12 Teleprompter
$20.00 Daily Rate
Set up your teleprompter shoot almost anywhere, fast, without requiring a
truckload of gear with this Neewer X12 Aluminum Alloy Teleprompter with Remote,
App, and Carry Case sets up easily on a separately available lightstand,
supporting a mirrorless or DSLR camera and using a separately available tablet
up to 9.8″ as the text monitor.
$20
Eye Direct MKII Kit
×
Eye Direct MKII Kit
$100.00 Daily Rate
The Mark II offers a flexible way of maintaining the eye contact with on-camera
talent/interview subjects with your camera, and it can be used as a teleprompter
that feeds your on-camera subject lines to read. Suitable for use with cameras
from DSLR or mirrorless up to full-size camcorders or digital cinema cameras
with large lenses.
$100
Accessories
--------------------------------------------------------------------------------
AJA U-TAP USB 3.0 (3.2 Gen 1) Powered SDI Capture Device
×
AJA U-TAP USB 3.0 (3.2 Gen 1) Powered SDI Capture Device
$20.00 Daily Rate
Capture 3G-SDI video on your computer or laptop with this U-TAP USB 3.0 (3.2 Gen
1) Powered SDI Capture Device from AJA. The compact converter fits in your
pocket and features a 3G-SDI input and a 3G-SDI output, and it features a USB
3.0 (3.2 Gen 1) Type-B output, which is also backward compatible. The U-TAP SDI
supports frame rates up to 1080p60 and supports auto-scaling. The SDI
loop-through outputs the source SDI signal to monitors, switchers, and other
destinations. Embedded stereo audio is also supported and sent through the USB
output to your computer. A wide range of Windows, macOS, and Linux software is
supported, and no additional drivers are required. The unit is powered over the
USB Type-B connection using the included cable.
$20
Power
Batteries
--------------------------------------------------------------------------------
V-Mount
FXLION Nano One 50 Wh (V-Mount)
×
FXLION Nano One 50 Wh (V-Mount)
$10.00 Daily Rate
The NANO ONE 50Wh 14.8V V-Mount Battery from Fxlion is an ultra-compact,
lightweight 50Wh battery that can support up to an 8A draw at a nominal 14.8V.
This travel-friendly battery is approved as a carry-on item and is suitable for
powering handheld cameras, drones, and gimbals. The NANO ONE provides four
accessory ports, including one 14.8V D-Tap for powering various accessories or
mobile devices. USB ports include a USB-A output, one USB-C input/output, and
one micro-USB input/output.
$10
Core SWX Powerbase Edge Link (V-Mount)
×
Core SWX Powerbase Edge Link (V-Mount)
$15.00 Daily Rate
Power your camera and its accessories for more than eight hours with
the Powerbase EDGE LITE 47Wh Battery Pack from Core SWX. This 14.8V battery has
a maximum continuous draw of 8A. Featuring a quick release plate and multiple
1/4″-20 threads, the battery can easily attach and disengage from your camera
for a modular fit. The EDGE LITE’s top plate is also compatible with the legacy
EDGE model quick release plate to integrate into your preexisting Powerbase
configuration.
$15
Core SWX NANO Micro 98Wh (V-Mount)
×
Core SWX NANO Micro 98Wh (V-Mount)
$20.00 Daily Rate
Power your monitor, recorder, wireless equipment, or drone with the V-mount NANO
Micro 98Wh Lithium-Ion Battery from Core SWX. The lightweight, ultracompact
battery features a 14.8V, 98Wh capacity and supports a continuous 10A draw.
$20
Core SWX NANO Slim 98wh (V-Mount)
×
Core SWX NANO Slim 98wh (V-Mount)
$20.00 Daily Rate
Add a high-capacity compact battery to your kit with this Core SWX Nano Slim
98Wh that the Machina team recommends!
$20
Core SWX Hypercore NEO 9 Mini (V-Mount)
×
Core SWX Hypercore NEO 9 Mini (V-Mount)
$20.00 Daily Rate
The Hypercore NEO 9 Mini, in a V-mount, from Core SWX is a compact 14.8V, 98Wh
lithium-ion battery that supports a constant 12A draw and peak draw of 16A. With
this high output, the battery is designed for cine and broadcast applications,
but, of course, it can be used for virtually all other applications as well. At
only 4.7″ in height and weighing just 1.4 lb, it’s also highly suited for
gimbal, drone, and other mobile applications. The Hypercore NEO 9 Mini has the
ergonomic design, large backlit LCD, and protective over-molded rubberized
housing that Hypercore batteries have come to be known for over their past
releases, but this NEO 9 Mini version is a lot more advanced.
$20
Core SWX Hypercore NEO 150 Mini (V-Mount)
×
Core SWX Hypercore NEO 150 Mini (V-Mount)
$25.00 Daily Rate
The Hypercore NEO 150 Mini from Core SWX is a compact 14.8V, 147Wh lithium-ion
battery that features a V-mount, and it supports a constant 12A draw with a peak
draw of 16A. With this high output, the battery is designed for cine and
broadcast applications, as well as mobile and field applications. The battery is
ultra-compact, so it’s also highly suited for gimbal, drone, and other mobile
applications. The Hypercore NEO 150 Mini has the ergonomic design, large backlit
LCD, and protective overmolded rubberized housing that Hypercore batteries are
known for over their past releases.
$25
RED Brick 153WHr (V-Mount)
×
RED Brick 153WHr (V-Mount)
$20.00 Daily Rate
RED BRICKs provide long term battery power for your RED ONE, DSMC®, or DSMC2™
camera. REDBRICK batteries can be fastened to one of our V-Mount battery plates,
belt clips, and other accessories..
Ideal for shooting on the go, RED BRICKs provide long lasting power support for
any shoot.
$20
Anton Bauer 190 (V-Mount)
×
Anton Bauer 190 (V-Mount)
$30.00 Daily Rate
A high quality V-Mount battery line with significant improvements made to the
traditional V-Mount design, setting a new standard for the industry.
The Digital Battery Series is designed to power contemporary digital productions
and offers world-class levels of safety, performance and reliability in a sleek,
ergonomic design.
$30
Gold Mount
Core SWX HyperCore NEO 9 Mini (Gold-Mount)
×
Core SWX HyperCore NEO 9 Mini (Gold-Mount)
$20.00 Daily Rate
The Hypercore NEO 9 Mini, in a V-mount, from Core SWX is a compact 14.8V, 98Wh
lithium-ion battery that supports a constant 12A draw and peak draw of 16A. With
this high output, the battery is designed for cine and broadcast applications,
but, of course, it can be used for virtually all other applications as well. At
only 4.7″ in height and weighing just 1.4 lb, it’s also highly suited for
gimbal, drone, and other mobile applications. The Hypercore NEO 9 Mini has the
ergonomic design, large backlit LCD, and protective over-molded rubberized
housing that Hypercore batteries have come to be known for over their past
releases, but this NEO 9 Mini version is a lot more advanced.
$20
Core SWX Hypercore NEO 150 Mini (Gold Mount)
×
Core SWX Hypercore NEO 150 Mini – (Gold Mount)
$25.00 Daily Rate
The Hypercore NEO 150 Mini from Core SWX is a compact 14.8V, 147Wh lithium-ion
battery that features a gold mount, and it supports a constant 12A draw with a
peak draw of 16A. With this high output, the battery is designed for cine and
broadcast applications, as well as mobile and field applications. The battery is
ultra-compact, so it’s also highly suited for gimbal, drone, and other mobile
applications. The Hypercore NEO 150 Mini has the ergonomic design, large backlit
LCD, and protective overmolded rubberized housing that Hypercore batteries are
known for over their past releases.
$25
DJI
DJI TB50 Intelligent Battery
×
DJI TB50 Intelligent Battery
$25.00 Daily Rate
The DJI TB50 Intelligent Flight Battery is a replacement battery for your
Inspire 2 quadcopter and is also compatible with the Ronin 2 gimbal. Like the
battery that came with your Inspire 2, this is a 4280mAh, lithium-ion polymer
(LiPo) battery that yields between 25 and 27 minutes of flight time, depending
on conditions and which Zenmuse system you use.
$25
Sony
Sony NP-F770
×
Sony NP-F770
$5.00 Daily Rate
This rechargeable Li-ion battery has a capacity of 4000 mah and provides about
5-6 hours of full power operation.
$5
Sony NP-F550
×
Sony NP-F550
$5.00 Daily Rate
This battery pack features a capacity of 2200mAh and 7.4V of output power. Small
and lightweight, lithium-ion batteries can be charged or discharged at any time
without developing memory effects.
$5
Sony NP-FW50
×
Sony NP-FW50
$5.00 Daily Rate
The Sony NP-FW50 Lithium-Ion Rechargeable Battery is unique in its design since
it not only supplies power to your camera but will display the remaining battery
capacity. Small and lightweight, lithium-ion batteries can be charged or
discharged at any time without developing memory effects.
$5
Sony NP-FZ100
×
Sony NP-FZ100
$5.00 Daily Rate
The 7.2 VDC, 2280mAh NP-FZ100 Rechargeable Lithium-Ion Battery from Sony is a
high-capacity Z-series power source for select digital cameras. This battery has
InfoLITHIUM support for displaying the remaining charge of the battery on the
camera’s LCD screen.
$5
Canon
RED Komodo REDVolt BP
×
RED Komodo REDVolt BP
$25.00 Daily Rate
Boost your KOMODO 6K S35 runtime with the REDVOLT BP battery pack from RED
DIGITAL CINEMA. This battery features a longer-lasting, 6300mAh capacity and
in-camera display of the remaining battery time. Designed in conjunction with
battery-maker Core SWX, the compact REDVOLT BP is hot-swappable and mounts
directly onto your KOMODO’s battery plate.
$10
Jupio ProLine BP-975 Batt
×
Jupio ProLine BP-975 Batt
$15.00 Daily Rate
Designed with a built-in chip that supports all the functions of the KOMODO,
the Jupio ProLine BP-975 10,050mAh Battery is officially approved by RED for use
with the KOMODO camera. On the rear of the battery where it’s easily visible,
there’s a battery-level gauge with a check button for quickly checking the
remaining runtime.
$10
Canon LP-E6
×
Canon LP-E6
$2.00 Daily Rate
The Canon LP-E6 Rechargeable Lithium-ion Battery Pack (7.2V), has a capacity of
1800mAh, making it possible to shoot up to 850 shots at normal temperatures on a
single battery charge. The battery is also more compact and lightweight than
previous battery models.
$5
Canon LP-E17
×
Canon LP-E17
$3.00 Daily Rate
The LP-E17 Lithium-Ion Battery Pack from Canon is designed for select EOS DSLR
cameras and storage devices. It is compatible with the LC-E17 Charger, offers a
capacity of 1040mAh, and has an output voltage of 7.2V. The battery is supplied
with select cameras and is offered here as a spare or replacement.
$5
Chargers
--------------------------------------------------------------------------------
V-Mount
Core SWX Fleet Micro Quad Charger (V-Mount)
×
Core SWX Fleet Micro Quad Charger (V-Mount)
$50.00 Daily Rate
Featuring four independent charge bays, the Core SWX Fleet Micro 3A Digital Quad
Charger for V-Mount Batteries is capable of simultaneously charging four
batteries at 3A each. This means that four 98Wh batteries can be charged in
under 2.5 hours. The on-board LCD display screen allows you to easily monitor
your battery’s smart battery data without needing to connect to a computer. The
micro-USB connector allows for firmware updates and for connection to a
computer.
$50
Gold Mount
Core SWX Fleet Q Quad Charger (Gold Mount)
×
Core SWX Fleet Q Quad Charger (Gold Mount)
$50.00 Daily Rate
Featuring four independent charge bays, the Core SWX Fleet Micro 3A Digital Quad
Charger for Gold Mount Batteries is capable of simultaneously charging four
batteries at 3A each. This means that four 98Wh batteries can be charged in
under 2.5 hours. The on-board LCD display screen allows you to easily monitor
your battery’s smart battery data without needing to connect to a computer. The
micro-USB connector allows for firmware updates and for connection to a
computer.
$50
Accessories
--------------------------------------------------------------------------------
Adapters
Core SWX Shark-Fin Battery Mount
×
Core SWX Shark-Fin Battery Mount
$10.00 Daily Rate
The CoreSWX Short Form Factor Hotswap Shark-Fin Mount Battery Mount mounts on
you camera’s V-mount plate and enables simultaneous mounting of two V-mount
batteries. The batteries are mounted in parallel, which allows the two batteries
to act as one larger battery with increased capacity while maintaining the
voltage. As one battery becomes exhausted, you can remove it and swap it for a
charged battery without having to power down your camera. The Shark-Fin also
incorporates four D-Taps for accessory power. These D-Taps are unregulated, and
will deliver from 11 to 17 VDC, which will power most cinema accessories.
$10
FREEFLY D-Tap to RED DSMC2 Power Cable
×
FREEFLY D-Tap to RED DSMC2 Power Cable
$25.00 Daily Rate
This cable allows users to power their RED Epic/Weapon/Scarlet from the Mōvi
Pro’s camera power port. The cable features a custom thin and flexible cable
with high quality connectors. Users will enjoy the convenience of unlimited
up-time with this setup by utilizing the battery hot-swap capabilities of the
Mōvi Pro. The Mōvi Pro will power a fully rigged RED setup for ~1 hour.
$25
FREEFLY RED D-Tap Power Cable for MoVI Pro (9.8″)
×
FREEFLY RED D-Tap Power Cable for MoVI Pro (9.8″)
$25.00 Daily Rate
The FREEFLY D-Tap Cable for FRX Pro is for powering the FRX Pro Wireless Control
when installed on a MoVI Controller. This is the same cable that comes included
with the FRX Pro and can be used as a spare or replacement.
$25
Gold Mount Battery to V-Mount Adapter
×
Gold Mount Battery to V-Mount Adapter
$10.00 Daily Rate
Expand your battery power options with the Pro Gold-Mount Battery to V-Mount
Adapter from Wooden Camera. Designed in conjunction with Anton Bauer, this
aluminum plate enables your V-mount camera to use a Gold mount battery. Features
include secure battery mounts and three D-Tap ports for powering accessories. A
processor-controlled amp limit eliminates the need to carry spare fuses and
enables the plate to be reset with the press of a button. This versatile adapter
will disable the accessory outputs if the load is exceeded, enabling your camera
to continue to run.
$10
Kondor Blue D-Tap to USB-C Power Delivery Cable for Mirrorless Cameras (16″)
×
Kondor Blue D-Tap to USB-C Power Delivery Cable for Mirrorless Cameras (16″)
$5.00 Daily Rate
Power your wireless follow focus motor from a DC barrel power source with the
raven black D-Tap to USB-C Power Delivery Cable from Kondor Blue. This 16″ long
cable features a D-Tap connector on one end and a USB-C connector on the other,
and it allows you to power a mirrorless camera, laptop, or accessory with a
USB-C power input, such as a Canon R5 C or Sony FX3, from a battery or plate
with a D-Tap output. The cable supports up to 65W output using a smart PD
device.
$5
Kondor Blue D-Tap to Canon LP-E6 Dummy Battery Cable (16-36″)
×
Kondor Blue D-Tap to Canon LP-E6 Dummy Battery Cable (16-36″)
$5.00 Daily Rate
The Kondor Blue D-Tap to Canon LP-E6 Dummy Battery Cable lets you power
compatible devices from a brick battery with a D-Tap port or other D-Tap
sources. With a stylish braided blue coiled cable, it allows you to keep a neat
setup at 16″ in length or extend it up to 36″ to run it to the back of your
camera rig to power monitors, cameras, lights, and other devices that run on
LP-E6 batteries.
$5
Kondor Blue D-Tap Power Cable to Sony L-Series Dummy Battery
×
Kondor Blue D-Tap Power Cable to Sony L-Series Dummy Battery
$5.00 Daily Rate
Power your L-series gear from a professional battery source with this D-Tap
Power Cable to Sony L-Series Dummy Battery from Kondor Blue. The cable is
designed as an extended power solution for a monitor, light, or camera that uses
an L-series battery. The D-Tap connector plugs into a separately available brick
battery or other D-Tap power sources, and it provides 12 to 17 VDC input and
regulated 8 VDC output. The coiled cable extends from 16 to 36″ in length and is
braided to prevent snagging and knotting.
$5
Kondor Blue D-Tap To Sony a7S III Dummy Battery NP-FZ100 Cable
×
Kondor Blue D-Tap To Sony a7S III Dummy Battery NP-FZ100 Cable
$10.00 Daily Rate
This D-Tap To Sony a7S III Dummy Battery NP-FZ100 Cable from Kondor Blue allows
you to power the Sony a7S III series cameras from any power source with a D-Tap
input. When relaxed, the cable is 16″ long and can be easily managed, and it
stretches to 36″ long when you need the additional length. It supports an input
voltage range of 10 to 18V, and it outputs a power-regulated 8V. The power
regulator is neatly tucked away in the dummy battery, so it doesn’t interfere
with the cable.
$10
RED DIGITAL CINEMA D-Tap-to-Power Cable (6′)
×
RED DIGITAL CINEMA D-Tap-to-Power Cable (6′)
$15.00 Daily Rate
The D-Tap-to-Power Cable enables you to power your RED DIGITAL CINEMA KOMODO
camera from a battery with a D-Tap 7 to 17 VDC output. This cable sports a D-Tap
connector on one end and a 2-pin connector on the other, and it measures 6′
including the connectors.
$15
Tether Tools ONsite D-Tap to AC Power Supply (110V)
×
Tether Tools ONsite D-Tap to AC Power Supply (110V)
$10.00 Daily Rate
The ONsite D-Tap to AC Power Supply from Tether Tools is intended to power up
your devices wherever you are. This mobile power supply is designed for U.S. AC
outlets with its two 110 VAC outputs and four 2.1A USB Type-A ports. The ONsite
D-Tap to AC Power Supply is compatible with Tether Tools’ ONsite D-Tap Battery
with V-Mount, which work together to integrate with Tether Tools’ Tether Table
Aero Laptop Mounting System with the help of the ONsite Aero V-Mount.
Furthermore, this streamlined mounting solution secures the power supply to the
Tether Table Aero, which allows you to charge a laptop during long shoots while
keeping it safe and secure.
$10
V-Mount Battery to Gold Mount Adapter
×
V-Mount Battery to Gold Mount Adapter
$10.00 Daily Rate
Expand your battery power options with the Pro V-Mount Battery to Gold-Mount
Adapter from Wooden Camera. Designed in conjunction with Anton Bauer, this
aluminum plate enables your Gold mount camera to use a V-mount battery. Features
include secure battery mounts and three D-Tap ports for powering accessories. A
processor-controlled amp limit eliminates the need to carry spare fuses and
enables the plate to be reset with the press of a button. This versatile adapter
will disable the accessory outputs if the load is exceeded, enabling your camera
to continue to run.
$10
Wooden Camera 36″ Komodo to D-Tap
×
Wooden Camera 36″ Komodo to D-Tap
$10.00 Daily Rate
A special flexible version of the D-Tap to RED Komodo that allows you to power
the camera.
$10
Media
RED Mags
--------------------------------------------------------------------------------
512GB RED Mag
×
512GB RED Mag
$50.00 Daily Rate
The 512GB RED PRO CFAST 2.0 Memory Card from RED DIGITAL CINEMA provides
reliable recording for the KOMODO 6K and KOMOD ST digital cinema cameras. This
CFast 2.0 card features data rates up to 280 MB/s and a durable build that is
both X-ray and magnet proof. Each card is resistant to extreme temperatures,
humidity, shock, and vibration.
$50
960GB RED Mini-Mag
×
960GB RED Mini-Mag
$90.00 Daily Rate
This RED DIGITAL CINEMA RED MINI-MAG has a capacity of 960GB, is compatible with
most RED cameras (may require SSD module), and on select cameras can attain
write speeds as high as 300 MB/s. The RED MINI-MAG can support simultaneous R3D
and Apple ProRes recording, when used with DSMC2 camera systems.
$90
1TB RED Mag
×
1TB RED Mag
$170.00 Daily Rate
Certified for RED V-RAPTOR and KOMODO-X camera systems, the 1TB PRO CFexpress
2.0 Type B Memory Card from RED offers protection from overheating, operates
with a reduced power draw, and helps to ensure high bitrate capture. This card
can capture all frame rates and resolutions, including Full HD and raw 4K, 6K,
8K, and 12K video. It features a capacity of 1TB and uses the PCIe 3.0 x2 bus to
deliver maximum read/write speeds of 1785 MB/s.
$170
CFast
--------------------------------------------------------------------------------
128GB CFast 2.0
×
128GB CFast 2.0
$45.00 Daily Rate
For those working in high-performance industries such as broadcasting, cinema,
and photography, the 128GB Extreme PRO CFast 2.0 Memory
Card from SanDisk combines the speed, capacity, and performance needed to record
uninterrupted DCI 4K video, which has a resolution of 4096 x 2160 and a 17:9
aspect ratio. It features a SATA III 6 Gb/s bus, a maximum read speed of up to
525 MB/s (3500x), a maximum write speed of up to 450 MB/s (2933x), and a minimum
write speed of 130 MB/s. Its minimum write speed is backed up by the Video
Performance Guarantee 130 standard (VPG-130), meaning that its minimum write
speed will never drop below 130 MB/s. This card has been tested to work in
temperatures of -4 to 158°F, and in the case of card errors or accidental
deletions, this card comes with a RescuePRO Deluxe data recovery software
download offer. Additionally, thanks to ARRI’s Software Update Package (SUP)
5.2, this card is also compatible with select ARRI digital cinema cameras.
$45
256GB CFast 2.0
×
256GB CFast 2.0
$80.00 Daily Rate
For those working in high-performance industries such as broadcasting, cinema,
and photography, the 256GB Extreme PRO CFast 2.0 Memory
Card from SanDisk combines the speed, capacity, and performance needed to record
uninterrupted DCI 4K video, which has a resolution of 4096 x 2160 and a 17:9
aspect ratio. It features a SATA III 6 Gb/s bus, a maximum read speed of up to
525 MB/s (3500x), a maximum write speed of up to 450 MB/s (2933x), and a minimum
write speed of 130 MB/s. Its minimum write speed is backed up by the Video
Performance Guarantee 130 standard (VPG-130), meaning that its minimum write
speed will never drop below 130 MB/s. This card has been tested to work in
temperatures of -4 to 158°F, and in the case of card errors or accidental
deletions, this card comes with a RescuePRO Deluxe data recovery software
download offer. Additionally, thanks to ARRI’s Software Update Package (SUP)
5.2, this card is also compatible with select ARRI digital cinema cameras.
$80
512GB RED CFast 2.0
×
512GB RED CFast 2.0
$100.00 Daily Rate
The 512GB RED PRO CFAST 2.0 Memory Card from RED DIGITAL CINEMA provides
reliable recording for the KOMODO 6K and KOMOD ST digital cinema cameras. This
CFast 2.0 card features data rates up to 280 MB/s and a durable build that is
both X-ray and magnet proof. Each card is resistant to extreme temperatures,
humidity, shock, and vibration.
$100
1TB CFast 2.0
×
1TB CFast 2.0
$110.00 Daily Rate
The 1TB AV Pro CF CFast 2.0 Memory Card from Angelbird is designed for use with
Atomos, Blackmagic Design, Phantom, Canon, Hasselblad, and other devices that
are compatible with the CFast 2.0 standard, which utilizes the SATA III 6 Gb/s
interface. It can handle raw video and features maximum read speeds of 560 MB/s,
maximum write speeds of 525 MB/s, sustained write speeds of 480 MB/s, Stable
Stream technology, over provisioning of ~7.6%, TRIM, EDC/ECC for data
reliability, EMS protection, a built-in cache, SMART technology, an MTBF of 2.4
million hours.
$110
CFexpress A
--------------------------------------------------------------------------------
160GB CFexpress A
×
160GB CFexpress A
$60.00 Daily Rate
Offering both strength and speed, the 160GB CFexpress Type A TOUGH Memory
Card from Sony provides fast read speeds up to 800 MB/s along with write speeds
up to 700 MB/s. This quick performance benefits recording a variety of video
resolutions, bit-rates, and compressions as well as high-resolution continuous
raw photo shooting. Beyond its speed, this TOUGH memory card also has a
reinforced physical design to withstand falls from up to 15′ and has been
rigidity tested to 70 N of force. It’s also resistant to extreme temperatures,
X-rays, electrostatic, and UV lighting. Offering further protection, File Rescue
recovery software can be downloaded for recovering lost or even accidentally
deleted files and Media Scan Utility can be used to automatically scan CFexpress
cards and inform you of the flash memory condition.
$60
CFexpress B
--------------------------------------------------------------------------------
256GB CFexpress B
×
256GB CFexpress B
$45.00 Daily Rate
Designed to deliver speeds necessary for working with smooth, raw 4K video
captures at resolutions up to 4096 x 2160, the 256GB Extreme PRO CFexpress Card
Type B from SanDisk provides read speeds of up to 1700 MB/s and write speeds of
up to 1200 MB/s, which enables low latency during high-speed recording and an
enhanced workflow efficiency. This card is also backward compatible with select
XQD cameras that adopt firmware to enable CFexpress
$45
1TB RED CFexpress B
×
1TB RED CFexpress B
$75.00 Daily Rate
Certified for RED V-RAPTOR and KOMODO-X camera systems, the 1TB PRO CFexpress
2.0 Type B Memory Card from RED offers protection from overheating, operates
with a reduced power draw, and helps to ensure high bitrate capture. This card
can capture all frame rates and resolutions, including Full HD and raw 4K, 6K,
8K, and 12K video. It features a capacity of 1TB and uses the PCIe 3.0 x2 bus to
deliver maximum read/write speeds of 1785 MB/s.
$75
Compact Flash
--------------------------------------------------------------------------------
64GB Compact Flash
×
64GB Compact Flash
$10.00 Daily Rate
The 128GB Extreme Pro CompactFlash Memory Card from SanDisk features enhanced
data read speeds of up to 160MB/s along with data write speeds up to 150MB/s.
This Extreme Pro CompactFlash Card is designed to support both full HD and 4K
video as it is VPG-65 certified. VPG-65 (video performance guarantee) offers
sustained data write speeds of 65MB/s ensuring a smooth flow of data keeping
video streams crisp and clean. This CompactFlash card is also compatible with
bothThe 64GB Extreme Pro CompactFlash Memory Card from SanDisk features enhanced
data read speeds of up to 160MB/s along with data write speeds up to 150MB/s.
This Extreme Pro CompactFlash Card is designed to support both full HD and 4K
video as it is VPG-65 certified. VPG-65 (video performance guarantee) offers
sustained data write speeds of 65MB/s ensuring a smooth flow of data keeping
video streams crisp and clean. This CompactFlash card is also compatible with
both RAW and JPEG file formats and comes equipped with an RTV silicone coating
and writable label.RAW and JPEG file formats and comes equipped with an RTV
silicone coating and writable label.
$10
128GB Compact Flash
×
128GB Compact Flash
$20.00 Daily Rate
The 128GB Extreme Pro CompactFlash Memory Card from SanDisk features enhanced
data read speeds of up to 160MB/s along with data write speeds up to 150MB/s.
This Extreme Pro CompactFlash Card is designed to support both full HD and 4K
video as it is VPG-65 certified. VPG-65 (video performance guarantee) offers
sustained data write speeds of 65MB/s ensuring a smooth flow of data keeping
video streams crisp and clean. This CompactFlash card is also compatible with
both RAW and JPEG file formats and comes equipped with an RTV silicone coating
and writable label.
$20
SD
--------------------------------------------------------------------------------
256GB UHS-II SDXC
×
256GB UHS-II SDXC
$25.00 Daily Rate
The 256GB Professional 1667x UHS-II SDXC Memory Card from Lexar features a
storage capacity of 256B and takes advantage of the UHS-II bus to support
advanced DSLR functions such as continuous shutter bursts and rapid shooting, as
well as raw and JPEG captures. This card is also well-suited for video capture,
including 4K, 3D, and Full HD video, and can achieve maximum read speeds of up
to 250 MB/s and maximum write speeds of up to 120 MB/s. Thanks to its V60 speed
class rating, minimum write speeds are guaranteed not to drop below 60 MB/s.
$25
128GB UHS-II SDXC
×
128GB UHS-II SDXC
$20.00 Daily Rate
The 128GB Professional 1667x UHS-II SDXC Memory Card from Lexar features a
storage capacity of 128GB and takes advantage of the UHS-II bus to support
advanced DSLR functions such as continuous shutter bursts and rapid shooting, as
well as raw and JPEG captures. This card is also well-suited for video capture,
including 4K, 3D, and Full HD video, and can achieve maximum read speeds of up
to 250 MB/s and maximum write speeds of up to 120 MB/s. Thanks to its V60 speed
class rating, minimum write speeds are guaranteed not to drop below 60 MB/s.
$20
64GB SD
×
64GB SD
$3.00 Daily Rate
Designed for SD devices that can capture Full HD, 3D, and 4K video, as well as
raw and burst photography, the 64GB Extreme PRO UHS-I SDXC Memory
Card from SanDisk has a capacity of 64GB, is compatible with the UHS-I bus, and
features a speed class rating of V30, which guarantees minimum write speeds of
30 MB/s. If your device does not support the V30 standard, this card also
supports the U3 standard, which likewise guarantees minimum write speeds of 30
MB/s. Read speeds are supported up to 200 MB/s and write speeds max out at 90
MB/s. A built-in write-protect switch helps to safeguard against the accidental
erasure of card data.
$3
32GB SD
×
32GB SD
$2.00 Daily Rate
Designed for SD devices that can capture Full HD, 3D, and 4K video, as well as
raw and burst photography, the 32GB Extreme PRO UHS-I SDXC Memory
Card from SanDisk has a capacity of 32GB, is compatible with the UHS-I bus, and
features a speed class rating of V30, which guarantees minimum write speeds of
30 MB/s. If your device does not support the V30 standard, this card also
supports the U3 standard, which likewise guarantees minimum write speeds of 30
MB/s. Read speeds are supported up to 100 MB/s and write speeds max out at 90
MB/s. A built-in write-protect switch helps to safeguard against the accidental
erasure of card data.
$2
MicroSD
--------------------------------------------------------------------------------
256GB MicroSD
×
256GB MicroSD
$1.00 Daily Rate
Designed for action cameras, drones, and Android smartphones, the 256GB
Professional 1066x UHS-I microSDXC Memory Card from Lexar features a storage
capacity of 256GB and supports maximum read speeds of up to 160 MB/s and maximum
write speeds of up to 120 MB/s. This card has also been designed with the V30
Video Speed Class rating, which guarantees minimum write speeds of at least 30
MB/s. All of this provides the speed and storage you need to capture more
adventures on the go.
$10
128GB MicroSD
×
128GB MicroSD
$5.00 Daily Rate
Designed for action cameras, drones, and Android smartphones, the 128GB
Professional 1066x UHS-I microSDXC Memory Card from Lexar features a storage
capacity of 128GB and supports maximum read speeds of up to 160 MB/s and maximum
write speeds of up to 120 MB/s. This card has also been designed with the V30
Video Speed Class rating, which guarantees minimum write speeds of at least 30
MB/s. All of this provides the speed and storage you need to capture more
adventures on the go.
$5
64GB MicroSD
×
64GB MicroSD
$3.00 Daily Rate
Designed for SD devices that can capture Full HD, 3D, and 4K video, as well as
raw and burst photography, the 64GB Extreme PRO UHS-I SDXC Memory
Card from SanDisk has a capacity of 64GB, is compatible with the UHS-I bus, and
features a speed class rating of V30, which guarantees minimum write speeds of
30 MB/s. If your device does not support the V30 standard, this card also
supports the U3 standard, which likewise guarantees minimum write speeds of 30
MB/s. Read speeds are supported up to 100 MB/s and write speeds max out at 90
MB/s. A built-in write-protect switch helps to safeguard against the accidental
erasure of card data.
$3
32GB MicroSD
×
32GB MicroSD
$2.00 Daily Rate
Designed for SD devices that can capture Full HD, 3D, and 4K video, as well as
raw and burst photography, the 32GB Extreme PRO UHS-I SDXC Memory
Card from SanDisk has a capacity of 32GB, is compatible with the UHS-I bus, and
features a speed class rating of V30, which guarantees minimum write speeds of
30 MB/s. If your device does not support the V30 standard, this card also
supports the U3 standard, which likewise guarantees minimum write speeds of 30
MB/s. Read speeds are supported up to 100 MB/s and write speeds max out at 90
MB/s. A built-in write-protect switch helps to safeguard against the accidental
erasure of card data.
$2
16GB MicroSD
×
16GB MicroSD
$1.00 Daily Rate
Designed for action cameras and mobile devices, the 16GB Ultra microSDHC Memory
Card from SanDisk features a storage capacity of 16GB and supports maximum write
speeds of 150 MB/s. This card has also been designed with the V30 Video Speed
Class rating, which guarantees minimum write speeds of at least 30 MB/s.
$1
Follow Focus
Teradek
--------------------------------------------------------------------------------
Teradek CTRL.3 RT 3-Motor Follow Focus Kit
×
Teradek CTRL.3 RT 3-Motor Follow Focus Kit
$225.00 Daily Rate
INCLUDES:
(x1) – Controller Neckstrap
(x3) – LP-E6 Duracell 1600mAh Li-ion Battery
(x1) – LP-E6 Battery Charger
(x1) – Receiver Rail Clamp for 15/19mm rods
(x5) – White Disc Type B
(x1) – Pre-Marked focus Ring – 10″ minimum focus
(x1) – Pre-Marked focus Ring – 20″ minimum focus
(x1) – Pre-Marked focus Ring – 3’6″ minimum focus
(x1) – Pre-Marked focus Ring – 6′ minimum focus
(x1) – Pre-Marked focus Ring – 10′ minimum focus
(x1) – MDR.X (x1) – MOTR.X
(x1) – Teradek RT Pre-Marked focus Ring – 0.25m minimum focus
(x1) – Teradek RT Pre-Marked focus Ring – 0.5m minimum focus
(x1) – Teradek RT Pre-Marked focus Ring – 1m minimum focus
(x1) – Teradek RT Pre-Marked focus Ring – 2m minimum focus
(x1) – Teradek RT Pre-Marked focus Ring – 3m minimum focus
(x1) – Teradek RT Pre-Marked focus Ring – 10in minimum focus
(x1) – Teradek RT Pre-Marked focus Ring – 20in minimum focus
(x1) – Teradek RT Pre-Marked focus Ring – 3ft, 6in minimum focus
(x1) – Teradek RT Pre-Marked focus Ring – 6ft minimum focus
(x1) – Teradek RT Pre-Marked focus Ring – 10ft minimum focus
(x1) – Teradek RT Pre-Marked Iris Ring – 1-32
(x1) – Teradek RT CTRL.3
(x1) – Teradek RT Monitor Bracket for Hand Controllers
(x3) – Teradek RT Quick-release Motor Extension Rod Clamp
(x2) – 2pin Conn. to PowerTap – 18in Cable
(x2) – 2pin Conn. to 2pin Conn. (Alexa) 18in Cable
(x1) – Mini-USB (5pin) to USB – 18in Cable
(x3) – Teradek RT Motor Cable – ST to ST (0.2m / 8in)
(x3) – Teradek RT Motor Cable – Straight to Straight (0.4m / 16in)
(x1) – Teradek RT Motor Cable – Straight to Straight (60cm / 24in)
(x1) – MDR.X ARRI R/S Cable
(x1) – MDR.X Sony F55 R/S Cable
(x1) – MDR.X RED CTRL Cable – 40cm
(x1) – SmallHD Monitor Interface Cable – 5pin to USB Micro (0.4m)
(x1) – SmallHD Monitor Interface Cable – 5pin to 703 Bolt 5pin 0.25m
(x1) – SmallHD Monitor Interface Cable – 5pin to USB Type A (1m)
(x1) – Teradek Case XLarge – Black with RT Motion CTL3 Controller Set Foam
(x1) – Teradek Vinyl Zipper Bag 250x150mm
CTRL.3 is a feature-rich, powerful 3-axis wireless controller with built-in lens
mapping and data storage. Paired with any SmallHD monitor, CTRL.3 displays
critical lens data as overlays directly on the monitor, allowing camera
assistants to pull focus and keep eyes on the image.
$225
Tilta
--------------------------------------------------------------------------------
Tilta Nucleus-M 3-Motor Follow Focus Kit
×
Tilta Nucleus-M 3-Motor Follow Focus Kit
$70.00 Daily Rate
INCLUDES:
(x1) – Tilta Nucleus-M Wireless Lens Control System
(x1) – Wireless FIZ Hand Unit
(x2) – Wireless Motors
(x2) – 19mm Motor Rod Clamps
(x2) – 19 to 15mm Bushings
(x1) – Wireless Left Handle (Focus)
(x1) – Wireless Right Handle (Iris, Zoom) (x4) – Follow Focus Disks
(x1) – 7-Pin to D-Tap Motor Power Cable (29″)
(x1) – 7-Pin to 7-Pin Straight Motor Cable (11.7″)
(x1) – 7-Pin to 7-Pin Straight Motor Cable (7″)
(x2) – Handle to ARRI Rosette Adapter
(x2) – Handle to Gimbal Bar Adapter (25 to 30mm Compatibility)
(x1) – Four-Slot 18650 Battery Charger
(x1) – AC Power Cord for Charger
(x1) – Wireless FIZ Hand Unit Strap
(x1) – Hard-Shell Waterproof Safety Case (x4) – 18650 Rechargeable Battery
The Tilta Nucleus-M Wireless Lens Control` System features a 1000′ transmission
range and comes with two lens drive motors with built-in wireless receivers, a
FIZ hand controller, and two handgrips—one to control focus, and the other iris
and zoom. The lens drive motors each feature a cine standard 0.8 MOD drive gear
and two 7-pin connectors, enabling you to freely swap or interchange each motor.
The motors power by daisy-chaining using the 7-pin cables, and each motor
includes a 19mm rod clamp with 19 to 15mm reducing bushing.
$70
Tilta Nucleus-Nano Follow Focus Kit
×
Tilta Nucleus-Nano Follow Focus Kit
$20.00 Daily Rate
INCLUDED:
(1x) -Tilta Nucleus-Nano Hand Wheel Controller
(1x) -Nucleus-Nano Wireless Follow Focus Motor
(1x) – 15mm Single Rod Mounting Baseplate for 95mm Lens
(1x) – Mounting Screws
(1x) – 15mm x 100mm Black Aluminum Rod
(1x) – Cables
(1x) – Lens Gear
(1x) – Hand Wheel Attachment Plate for Ronin-S/G2x
(1x) – Hand Wheel Attachment Adapter for Zhiyun Crane
The Nucleus-Nano (WLC-T04) is a revolutionary wireless lens control system
specifically designed for handheld gimbal systems. It makes it possible for a
single operator to control a lens gear while simultaneously operating their
gimbal.
The Nano system is compatible with all DSLR, mirrorless, and modified
“cine-style” vintage photo lenses. The Nano is fully cross-compatible with the
Nucleus-M controllers and motors.
$20
Wooden Camera
--------------------------------------------------------------------------------
Wooden Camera UFF-1 Pro
×
Wooden Camera UFF-1 Pro
$50.00 Daily Rate
INCLUDES:
(1x) – Wooden Camera UFF-1 Universal Follow Focus
(1x) – Adjustable Bridge with Rod Clamps
(2x) – Handwheel
(2x) – Hard Stop Disk
(10x) – Standard Marking Disks
(1x) – Handwheel Extension
(1x) – Focus Whip
(1x) – Speed Crank
(5x) – Focus Drive Gears
(1x) – Hard Carrying Case
UFF-1 Universal Follow Focus is the first follow focus to be compatible with
15mm LW, 15mm Studio, and 19mm rods without the use of adapters. Simply unlock
the clamps and slide to the appropriate rod position. Notches in the bottom of
the bridge indicate when the clamp is in the correct position.
The included swing arm and lens gears can be flipped to the front or back
position which is helpful for compact lens configuration and the bridge has the
lowest height in the industry so it will work with larger zoom lens barrels.
$50
Wooden Camera Zip Focus (15mm)
×
Wooden Camera Zip Focus (15mm)
$25.00 Daily Rate
INCLUDES:
(1x) – Hard Stop Disk
(2x) – Marking Disks
(1x) – Friction Gear
(1x) – 8 Mod 35 Tooth
(1x) – 15mm adapter bushing
If you require a follow focus that can fit compact camera setups, check out
the Wooden Camera Zip Focus Single-Rod Follow Focus. As the name implies, the
Zip Focus only requires a single rod to secure to your camera rig. The short
design of this follow focus works best with 15mm LWS configurations. A central
joint allows for flexible pivoting to fit a wide range of lenses. The rubberized
focus knob is textured for a sure grip. At the center of the knob is an
ARRI-standard accessory port for attaching separately available accessories such
as a whip or a crank.
$25
Wooden Camera Zip Focus (19/15mm Studio)
×
Wooden Camera Zip Focus
(19/15mm Studio)
$25.00 Daily Rate
INCLUDES:
(1x) – Hard Stop Disk
(2x) – Marking Disks
(1x) – Friction Gear
(1x) – 8 Mod 35 Tooth
(1x) – 15mm adapter bushing
If you require a follow focus that can fit compact camera setups, check out
the Wooden Camera Zip Focus Single-Rod Follow Focus. As the name implies, the
Zip Focus only requires a single rod to secure to your camera rig. The short
design of this follow focus works best with 15mm LWS configurations. A central
joint allows for flexible pivoting to fit a wide range of lenses. The rubberized
focus knob is textured for a sure grip. At the center of the knob is an
ARRI-standard accessory port for attaching separately available accessories such
as a whip or a crank.
$25
Matteboxes
Bright Tangerine
--------------------------------------------------------------------------------
Bright Tangerine Misfit Atom Mattebox
×
Bright Tangerine Misfit Atom Mattebox
$40.00 Daily Rate
INCLUDES:
(x1) – Bright Tangerine Misfit Atom 4×5.65″/4×4″ Ultra Lightweight 2-Stage
Clip-On Matte Box
(x1) – Bright Tangerine Carbon Fiber Top Flag for Misfit Atom Matte Box Mounting
Hardware
(x1) – Bright Tangerine Anti-Reflective Filter Tilt Control for Misfit Atom &
Misfit Atom Pola+
The Misfit Atom 4 x 5.65″ / 4 x 4″ Ultra Lightweight 2-Stage Clip-On Matte Box
from Bright Tangerine is a small, lightweight yet strong, clamp-on matte box for
lenses with an outer diameter of up to 114mm. It holds up to two 4 x 4″ or 4 x
5.65″ filters without using filter trays, and provides a wide field of view
suitable for many wide-angle lenses even with two filters mounted.
The removable flexible hood is built to hold its shape over time, even in
temperature extremes. The matte box with hood weighs in at under 7 ounces, only
3.5 ounces without the hood. This makes the matte box suitable for use with
gimbals and Steadicams, and the removable hood makes the matte box an excellent
choice for aerial shooting.
$40
Bright Tangerine Misfit Atom Pola+ Mattebox
×
Bright Tangerine Misfit Atom Pola+ Mattebox
$50.00 Daily Rate
INCLUDES:
(x1) – Bright Tangerine Misfit Atom Pola+ Matte Box
(x1) – Bright Tangerine Rota Ring for Misfit Atom Pola+ Matte Box
(x1) – Bright Tangerine Carbon Fiber Top Flag Cover for Misfit Atom Pola+ Matte
Box
(x1) – Bright Tangerine 143 to 114mm Clamp-On Ring for Misfit & Strummer DNA
Matte Box
(x1) – Bright Tangerine 143 to 95mm Clamp-On Ring for Misfit & Strummer DNA
Matte Box
(x1) – Bright Tangerine 143 to 80mm Clamp-On Ring for Misfit & Strummer DNA
Matte Box
(x1) – Bright Tangerine 143mm Black Hole Donut for Viv, Viv 5″, Misfit, and
Strummer DNA
(x1) – Bright Tangerine 15mm LWS Rod Bracket
(x1) -Bright Tangerine Strummer 19mm Studio Bracket
The Bright Tangerine Misfit Atom Pola+ Matte Box is a lightweight grab-and-go
matte box. With its 143mm OD lens clamp, the Misfit Atom Pola+ can be adapted to
fit on the front of most cinema lenses while keeping a thin profile due to the
front-mounting filter trays. Up to two 4 x 4″ or 4 x 5.65″ filters can be used
this way. Additionally, using the included 138mm Rota Ring, +1 and +2 diopters
or round filters can be implemented in this lightweight setup. This matte box
can be configured to fit on 15mm LWS or 19mm studio rods using separately
available accessories.
$50
Wooden Camera
--------------------------------------------------------------------------------
Wooden Camera UMB-1 Mattebox
×
Wooden Camera UMB-1 Mattebox
$60.00 Daily Rate
INCLUDES:
1x – Swing Away Bracket
2x – Rotating 4×5.65 filter stages
1x – Folding French flag
1x – 143mm rubber bellows with 138mm round filter slot
1x – Swing away insert set
1x – NATO standard accessory rails on left, right, and top
1x – Universal cloth donut
1x – Left and right side flags
1x – Bottom flag
1x – Reduction Rings: 80mm 87mm 95mm 104mm 110mm
1x – Clamp On Adapters: 80mm 87mm 95mm 104mm 110mm 114mm 125mm 134mm 136mm
The Wooden Camera UMB-1 Universal Matte Box (Pro) mounts to 15mm LWS rods using
a height-adjustable swing-away bracket and features two rotating 4 x 5.65″
filter stages, with an optional third stage available as an add-on. It has a
143mm diameter opening and includes an ARRI-style rubber bellows with a standard
114mm opening, a set of bellows reduction rings, and a universal cloth donut for
non-standard lens diameters. The reduction rings snap into the bellows quickly
for fast lens changes and are compatible with all third party 114mm threaded
bellows. For accessory mounting, the matte box includes NATO accessory rails on
the left, right, and top. Completing the package is a folding top flag. The
UMB-1 is designed to be user upgradable and can quickly transition between Swing
Away 15mm rod and Clamp On configurations.
$60
Wooden Camera Zip Box Pro Clamp-On Mattebox
×
Wooden Camera Zip Box Pro
Clamp-On Mattebox
$20.00 Daily Rate
INCLUDES:
(x1) – Zip Box 4×5.65 (90-95mm)
The clamp-on Wooden Camera Zip Box Pro 4 x 5.65″ Matte Box for lenses with a
114mm front fills out the Wooden Camera matte box lineup, fitting in neatly
between the UMB-1 line and the original rubber Zip Box. A lightweight yet
durable matte box with interchangeable mounting systems, the Zip Box Pro accepts
up to three 4 x 5.65″ (Panavision-style) filters without the use of filter
trays. If reflections from light sources in frame are a concern, they you can
tilt up to two filters in the matte box to help move the reflections out of
picture area.
$20
Wooden Camera Zip Box Pro Swing Away Mattebox
×
Wooden Camera Zip Box Pro Swing Away Mattebox
$40.00 Daily Rate
INCLUDES:
(x1) – Mattebox with three 4×5.65 filter stages
(x1) – Swing Away Back
(x1) – Top flag
(x1) – Cloth donut
(x1) – Swing Away Reduction Rings Set
The swing-away Wooden Camera Zip Box Pro 4 x 5.65″ Matte Box mounts on 15mm LWS
support rods (not included) and features a rear opening of 114mm. A lightweight
yet durable matte box with interchangeable mounting systems, the Zip Box Pro
accepts up to three 4 x 5.65″ (Panavision-style) filters without the use of
filter trays. If reflections from light sources in the frame are a concern, you
can tilt up to two filters in the matte box to help move the reflections out of
the picture area.
$40
Underwater
Aquatech
--------------------------------------------------------------------------------
AquaTech Canon 1D Underwater Sport Housing
×
AquaTech Canon 1D Underwater Sport Housing
$100.00 Daily Rate
The EVO III Water Housing from AquaTech lets you capture the action on and under
the surface with your Canon EOS-1D X series DSLR camera. The polyurethane
housing comes equipped with a standard left grip and a “palm stopper” on the
right, and they can be switched to suit your needs. There’s one shutter button
in the customary location for landscape shooting and another on the bottom for
vertical holds, and both offer the same half-press for focus and full-press to
shoot function as the camera itself.
$100
AquaTech EDGE Sports Housing for Sony Mirrorless
×
AquaTech EDGE Sports Housing for Sony Mirrorless
$100.00 Daily Rate
Use your Sony a7R IV, a1, a7S III, or a9 II camera to capture photos and video
in the surf, at the pool, or in any other aquatic environment with the AquaTech
EDGE Sports Housing, in gray. The EDGE Sports housing features a depth rating of
33′ and offers tactile push-button controls for accessing important camera
functions, and its small profile and ergonomic design allow for easy handling in
the water.
$100
Lighting
Daily Rate
Aputure
--------------------------------------------------------------------------------
Electro Storm
Aputure Electro Storm XT26 Bi-Color LED Monolight
×
Aputure Electro Storm XT26 Bi-Color LED Monolight
$280.00 Daily Rate
INCLUDES:
1x – Aputure Electro-Storm XT26 Bi-Color LED Monolight
1x – Ballast Control Box
1x – Handcart for Ballast
1x – Head Cable (24.6″)
1x – AC Power Cable (19.7″)
1x – 35º Reflector
1x – Barndoors
1x – Protection Cover
Designed with power and durability for film and television professionals, the
Electro Storm XT26 Bi-Color LED Monolight from Aputure is a bi-color
point-source fixture offering 2600W of dynamic white CCT from 2700 to 6500K and
tint control, dual accessory mounts, advanced connectivity options, and a rugged
IP65 dust and weather resistant construction to withstand demanding filming
environments. The XT26’s innovative electronic modifiers provide enhanced
optimization and motorized control. This XT26 version comes with a 60A Bates
connector.
$280
Aputure Electro Storm CS15 RGB LED Monolight
×
Aputure Electro Storm CS15 RGB LED Monolight
$250.00 Daily Rate
INCLUDES:
1x – Aputure Electro-Storm CS15 RGB LED Monolight
1x – Ballast Control Box
1x – Handcart for Ballast
1x – Head Cable (24.6″)
1x – AC Power Cable (19.7″)
1x – 35º Reflector
1x – Barndoors
1x – Protection Cover
Designed with power and durability for film and television professionals, the
Electro Storm CS15 RGB LED Monolight from Aputure is a full-color point-source
fixture offering 1500W of ultra-high color quality. The CS15 provides
2000-10,000K CCT and tint control, dual accessory mounts, advanced connectivity
options, and a rugged IP65 dust- and weather-resistant construction to withstand
demanding filming environments. Made with optimization and versatility in mind,
filmmakers and lighting technicians will appreciate this powerful,
color-accurate, RGB fixture that is ideal for illuminating large areas. This
CS15 version comes with a US plug.
$250
Light Storm
Aputure LS 1200d Pro Light Kit
×
Aputure LS 1200d Pro Light Kit
$200.00 Daily Rate
INCLUDES:
(x1) – Aputure Light Storm 1200d Pro Lamp Head
(x1) – Control Box
(x1) – LS 1200 Series Hyper Reflector (Medium)
(x1) – LS 1200 Series 7-Pin Weatherproof Head Cable (7.5m)
(x1) – Neutrik powerCON TRUE1 TOP AC Power Cable (6m)
(x1) – Lightning ClampRolling Case
(x1) – Reflector Carry Case
(x1) – Aputure Light Dome 150 Bowens Mount Softbox
(x1) – Fabric Light Control Grid
(x1) – Front Diffusion 1 (1.5 Stop)
(x1) – Front Diffusion 2 (2.5 Stop)
(x1) – Speed Ring Adapter
(x1) – Dome Carrying Bag
The LS 1200d Pro LED Light from Aputure is a powerful COB LED fixture with
expansive power, control options, and output comparable to a 1600W HMI. The
precision fixture has a solid 5600K color temperature with a high CRI/TLCI
rating of 95 that is great for location shooting outdoors, or in areas dominated
by other daylight-balanced fixtures such as HMIs. Besides power, control is a
driving force in the design of the 1200d Pro. The light supports multiple
wireless control methods, including the Sidus Link mobile app and the built-in
wireless DMX control. The 1200d Pro is also compatible with LumenRadio CRMX,
Art-net, and sACN via an etherCON connector. It also has 5-pin DMX512
connectivity for seamlessly integrating into any professional DMX interface.
$200
Aputure LS 600c Pro Light Kit
×
Aputure LS 600c Pro Light Kit
$125.00 Daily Rate
The Light Storm 600c Pro is Aputure’s first-ever full-color point-source light
fixture, complete with Bowens Mount Compatibility, custom color-blending optics,
intense output, weather resistance, and professional level connectivity. Its
immensely powerful RGBWW LED chipset is capable of 600W of total output,
positioning the LS 600c Pro as one of the brightest full-color point-source
light fixtures on the market and as having the highest wattage RBGWW chipset in
any point-source LED for filmmaking. And with its Bowens Mount compatibility,
the LS 600c Pro is uniquely positioned as one of the most adaptable fixtures on
the market.
$125
Aputure LS 60x Light Kit
×
Aputure LS 60x Light Kit
$30.00 Daily Rate
The LS 60x Bi-Color LED Focusing Flood Light from Aputure is a precision fixture
with beam spread, power, color balance, and light intensity options. The light
has an expansive color range of 2700 to 6500K to meet any ambient light
challenge or match other fixtures. The light’s beam spread range of a tight 15
degrees to medium flood of 45 degrees can be further modified by the included
8-way barndoors for selective lighting. Light intensity is adjustable too from 0
to 100%.
$30
Nova
Aputure Nova 600c 2×1 Light Kit
×
Aputure Nova 600c 2×1 Light Kit
$100.00 Daily Rate
The Light Storm 600c Pro is Aputure’s first-ever full-color point-source light
fixture, complete with Bowens Mount Compatibility, custom color-blending optics,
intense output, weather resistance, and professional level connectivity. Its
immensely powerful RGBWW LED chipset is capable of 600W of total output,
positioning the LS 600c Pro as one of the brightest full-color point-source
light fixtures on the market and as having the highest wattage RBGWW chipset in
any point-source LED for filmmaking. And with its Bowens Mount compatibility,
the LS 600c Pro is uniquely positioned as one of the most adaptable fixtures on
the market.
$100
B7c
Aputure B7c 8-Light Kit
×
Aputure B7c 8-Light Kit
$45.00 Daily Rate
This Accent B7C RGBWW LED 8-Light Kit from Aputure is a location lighting
solution in a convenient carrying case. It includes eight of the versatile RGBWW
LED bulbs in a rugged polymer carrying case that features an integrated
multi-voltage AC charger, flip-lock latches, and a pressure release valve. This
dustproof case features a molded handle and accepts user-supplied padlocks for
security.
$45
MC
Aputure MC Pro RGB LED Light (8-Light Kit)
×
Aputure MC Pro RGB LED Light (8-Light Kit)
$75.00 Daily Rate
Designed for filmmakers and creators in need of advanced control, the MC Pro
Production 8-Light Kit from Aputure offers expanded connectivity options, an
IP65 rating, and RGBWW capability, while providing eight lights in a sturdy
charging case to cover your entire scene. The kit is packed with a vast number
of mounting accessories and magnetic modifiers for more possibilities to adapt
and rig an array of MC Pros. This Pro version utilizes a similar compact,
pocket-sized form factor to the brand’s original MC fixture while bringing
professional functionalities. With an upgraded optical design and LED chipset,
the MC Pro has an impressive color temperature range from 2000 to 10,000K and a
tighter beam spread of 45° for increased intensity. Each multifunction light
allows you to add color to your productions and can be used for in-camera
practical effects or as a portable fill or accent light. You can control it
onboard with a TFT color display, remotely using the Sidus Link app, or via
advanced wired and wireless methods, including DMX/RDM and LumenRadio CRMX.
$75
Aputure MC 4-Light Kit
×
Aputure MC 4-Light Kit
$25.00 Daily Rate
Designed for filmmakers and creators in need of advanced control, the MC Pro
Production 8-Light Kit from Aputure offers expanded connectivity options, an
IP65 rating, and RGBWW capability, while providing eight lights in a sturdy
charging case to cover your entire scene. The kit is packed with a vast number
of mounting accessories and magnetic modifiers for more possibilities to adapt
and rig an array of MC Pros. This Pro version utilizes a similar compact,
pocket-sized form factor to the brand’s original MC fixture while bringing
professional functionalities. With an upgraded optical design and LED chipset,
the MC Pro has an impressive color temperature range from 2000 to 10,000K and a
tighter beam spread of 45° for increased intensity. Each multifunction light
allows you to add color to your productions and can be used for in-camera
practical effects or as a portable fill or accent light. You can control it
onboard with a TFT color display, remotely using the Sidus Link app, or via
advanced wired and wireless methods, including DMX/RDM and LumenRadio CRMX.
$25
INFINIBAR
Aputure INFINIBAR PB12 8-Light Kit (4′)
×
Aputure INFINIBAR PB12 8-Light Kit (4′)
$200.00 Daily Rate
INCLUDE:
(8x) – INFINIBAR PB12
(8x) – 48W DC Power Adapter (3m)
(1x) – AC Locking Power Cable (4m)
(8x) – AC Locking Power Cable (1.5m)
(1x) – 330W Power Adapter with 8-Way Splitters
(16x) – Magnetic Spacer
(8x) – INFINIBAR Clamp to Baby Pin Adapter
(8x) – INFINIBAR Straight Connector
(1x) – 5mm Hex Wrench
(8x) – INFINIBAR PB12 45º Light Control Grid
(1x) – Flight Case
Versatile and precise, the 4′ INFINIBAR PB12 RGB LED Light Panel from Aputure is
a professional’s choice for dynamic and colorful lighting designs. Featuring 96
pixels of CRI 96/TLCI 98 color quality throughout its multiple color modes, the
INFINIBAR is designed to be a key light, built directly into sets, or used with
its connector ecosystem to create new shapes and designs. The unit’s proprietary
RGBWW chipset produces color temperature light of 2000 to 10,000K with full
green-magenta adjustment, and it has advanced hue, saturation, and intensity
controls for a wide gamut of precise and accurate colors. Connect multiple
INFINIBAR panels of any size with up to ten different connectors, available
separately, then synchronize them via the Sidus Link app, LumenRadio CRMX, or
through wired DMX with an optional USB-C to DMX adapter.
$200
Aputure INFINIBAR PB6 8-Light Kit (2′)
×
Aputure INFINIBAR PB6 8-Light Kit (2′)
$200.00 Daily Rate
INCLUDE:
(8x) – INFINIBAR PB6
(8x) – 48W DC Power Adapter (3m)
(1x) – AC Locking Power Cable (4m)
(8x) – AC Locking Power Cable (1.5m)
(1x) – 330W Power Adapter with 8-Way Splitters
(16x) – Magnetic Spacer
(8x) – INFINIBAR Clamp to Baby Pin Adapter
(8x) – INFINIBAR Straight Connector
(1x) – 5mm Hex Wrench
(8x) – INFINIBAR PB6 45º Light Control Grid
(1x) – Flight Case
Versatile and precise, the 2′ INFINIBAR PB6 RGB LED Light Panel from Aputure is
a professional’s choice for dynamic and colorful lighting designs. Featuring 48
pixels of CRI 96/TLCI 98 color quality throughout its multiple color modes, the
INFINIBAR is designed to be a key light, built directly into sets, or used with
its connector ecosystem to create new shapes and designs. The unit’s proprietary
RGBWW chipset produces color temperature light of 2000 to 10,000K with full
green-magenta adjustment, and it has advanced hue, saturation, and intensity
controls for a wide gamut of precise and accurate colors. Connect multiple
INFINIBAR panels of any size with up to ten different connectors, available
separately, then synchronize them via the Sidus Link app, LumenRadio CRMX, or
through wired DMX with an optional USB-C to DMX adapter.
$150
Aputure INFINIBAR PB12 RGB LED Light Panel (4′)
×
Aputure INFINIBAR PB12 RGB LED Light Panel (4′)
$40.00 Daily Rate
Versatile and precise, the 4′ INFINIBAR PB12 RGB LED Light Panel from Aputure is
a professional’s choice for dynamic and colorful lighting designs. Featuring 96
pixels of CRI 96/TLCI 98 color quality throughout its multiple color modes, the
INFINIBAR is designed to be a key light, built directly into sets, or used with
its connector ecosystem to create new shapes and designs. The unit’s proprietary
RGBWW chipset produces color temperature light of 2000 to 10,000K with full
green-magenta adjustment, and it has advanced hue, saturation, and intensity
controls for a wide gamut of precise and accurate colors. Connect multiple
INFINIBAR panels of any size with up to ten different connectors, available
separately, then synchronize them via the Sidus Link app, LumenRadio CRMX, or
through wired DMX with an optional USB-C to DMX adapter.
$40
Aputure INFINIBAR PB6 RGB LED Light Panel (2′)
×
Aputure INFINIBAR PB6 RGB LED Light Panel (2′)
$30.00 Daily Rate
Versatile and precise, the 2′ INFINIBAR PB6 RGB LED Light Panel from Aputure is
a professional’s choice for dynamic and colorful lighting designs. Featuring 48
pixels of CRI 96/TLCI 98 color quality throughout its multiple color modes, the
INFINIBAR is designed to be a key light, built directly into sets, or used with
its connector ecosystem to create new shapes and designs. The unit’s proprietary
RGBWW chipset produces color temperature light of 2000 to 10,000K with full
green-magenta adjustment, and it has advanced hue, saturation, and intensity
controls for a wide gamut of precise and accurate colors. Connect multiple
INFINIBAR panels of any size with up to ten different connectors, available
separately, then synchronize them via the Sidus Link app, LumenRadio CRMX, or
through wired DMX with an optional USB-C to DMX adapter.
$30
Aputure INFINIBAR PB3 RGB LED Light Panel (1′)
×
Aputure INFINIBAR PB3 RGB LED Light Panel (1′)
$20.00 Daily Rate
Versatile and precise, the 1′ INFINIBAR PB3 RGB LED Light Panel from Aputure is
a professional’s choice for dynamic and colorful lighting designs. Featuring 24
pixels of CRI 96/TLCI 98 color quality throughout its multiple color modes, the
INFINIBAR is designed to be a key light, built directly into sets, or used with
its connector ecosystem to create new shapes and designs. The unit’s proprietary
RGBWW chipset produces color temperature light of 2000 to 10,000K with full
green-magenta adjustment, and it has advanced hue, saturation, and intensity
controls for a wide gamut of precise and accurate colors. Connect multiple
INFINIBAR panels of any size with up to ten different connectors, available
separately, then synchronize them via the Sidus Link app, LumenRadio CRMX, or
through wired DMX with an optional USB-C to DMX adapter.
$20
amaran
--------------------------------------------------------------------------------
300c
amaran 300c RGB LED Monolight Kit
×
amaran 300c RGB LED Monolight Kit
$50.00 Daily Rate
INCLUDES:
(1x) – amaran 300c RGB LED Monolight
(1x) – Protection COver
(1x) – Hyper Reflector
(1x) – AC Power Supply
(1x) – AC Power Cable
(1x) – Carry Case
A powerful point-source light that combines RGBWW full-color control and Bowens
mount versatility, the gray 300c RGB LED Monolight from amaran is a variable
color temperature light fixture ideal for filmmakers, photographers, and
creators. You get modifiability for magnified or diffused output and full-color
control throughout its expanded 2500 to 7500K CCT range. Featuring highly
accurate color reproduction, the 300c also ensures high-quality light output
with up to 26,580 lux at 3.3′ using its included reflector. The 300c provides
nine built-in special effects for paparazzi, fireworks, lightning, faulty bulb,
TV, pulsing, strobe, explosion, and fire. You can find the right level of
illumination for your scene with 0 to 100% stepless dimming.
$50
F22c
amaran F22c Light Mat Kit
×
amaran F22c Light Mat Kit
$50.00 Daily Rate
INCLUDES:
(1x) – amaran F22c 2 x 2′ RGB LED Flexible Light Mat (V-Mount)
(1x) – Control Box with V-Mount Battery Plate
(1x) – 9.8′ Head Extension Cable
(1x) – Support Bracket
(1x) – Tilting Stand Mount
(1x) – F22 Softbox Frame
(1x) – F22 Diffusion Cloth 1 (1/2 Grid Cloth)
(1x) – F22 Diffusion Cloth 2 (2.5 Stop)
(1x) – F22 45 ° Light Control Grid
(1x) – Multi-Voltage AC Power Supply
(1x) – AC Power Cable
(1x) – Carrying Case
The F22c RGBWW LED Mat from amaran is a powerful, versatile, and flexible LED
mat that measures 2 x 2′. It offers outstanding light output and color rendering
suitable for a variety of users, from filmmakers to videographers, content
creators, and still photographers. Providing 200W of power, it features RGBWW
LEDs for complete color control, as well as tunable CCT from 2500 to 7500K,
providing endless possibilities for creative lighting selections through 360°
HSI control, 46 color gel presets, and 15 unique customizable lighting effects.
It has stellar CRI and TLCI scores of 95+ and 97+, and stepless dimming from 0
to 100%. An included folding X-frame stretches the mat to a rigid panel that can
be attached directly to a C-stand grip head using the straight Baby Pin adapter,
or onto any standard light stand with the included right angle Baby Pin and
tilting stand mount. The included foldable softbox has two strengths of
diffusion, and a fabric grid that uses an integrated hook-and-loop fabric to
instantly turn this flexible mat into an ultrathin soft light that will add
beautifully controlled soft light to a scene.
$50
F21c
amaran F21c Light Mat Kit
×
amaran F21c Light Mat Kit
$40.00 Daily Rate
INCLUDES:
(1x) – amaran F21c 2 x 1′ RGB LED Flexible Light Mat (V-Mount)
(1x) – Control Box with V-Mount Battery Plate
(1x) – 9.8′ Head Extension Cable
(1x) – Support Bracket
(1x) – Right-Angle Baby Pin Adapter
(1x) – Straight Baby Pin Adapter
(1x) – Tilting Stand Mount
(1x) – F21 Softbox Frame
(1x) -F21 Diffusion Cloth 1 (1/2 Grid Cloth)
(1x) – F21 Diffusion Cloth 2 (2.5 Stop)
(1x) – F21 45 ° Light Control Grid
(1x) – Multi-Voltage AC Power Supply
(1x) – AC Power Cable
(1x) – Carrying Case
The F21c RGBWW LED Mat from amaran is a powerful, versatile, and flexible LED
mat that measures 2 x 1′. It offers outstanding light output and color rendering
suitable for a variety of users, from filmmakers to videographers, content
creators, and still photographers. Providing 100W of power, it features RGBWW
LEDs for complete color control, as well as tunable CCT from 2500 to 7500K,
providing endless possibilities for creative lighting selections through 360°
HSI control, 46 color gel presets, and 15 unique customizable lighting effects.
It has stellar CRI and TLCI scores of 95+ and 97+, and stepless dimming from 0
to 100%. An included folding X-frame stretches the mat to a rigid panel that can
be attached directly to a C-stand grip head using the straight Baby Pin adapter,
or onto any standard light stand with the included right angle Baby Pin and
tilting stand mount. The included foldable softbox has two strengths of
diffusion, and a fabric grid that uses an integrated hook-and-loop fabric to
instantly turn this flexible mat into an ultrathin soft light that will add
beautifully controlled soft light to a scene.
$40
Creamsource
--------------------------------------------------------------------------------
Vortex 8
Creamsource Vortex 8 Light Kit
×
Creamsource Vortex 8 Light Kit
$300.00 Daily Rate
Add this 650W Vortex8 RGB LED Light Panel from Creamsource to your high-end
production for a wide range of colors, effects, and powerful illumination that
rivals a 1200W HMI light. The Vortex8 features a massive 14,000 lux in daylight
at 9.8′, a color temperature range of 2200 to 15,000K, full RGBW spectrum LEDs,
full hue/saturation control, 0 to 100% dimming control, and a CRI/TLCI of 95.
$300
Vortex 4
Creamsource Vortex 4 Light Kit
×
Creamsource Vortex 4 Light Kit
$150.00 Daily Rate
The Vortex4’s 1×1 RRGBBW system, with CCT ranging from 2200K to 15000K and four
independently controllable pixel zones, delivers a directional hard punch light
to bounce or push through diffusion.
$150
LitePanels
--------------------------------------------------------------------------------
Gemini
Litepanels Gemini 2×1 Light Kit
×
Litepanels Gemini 2×1 Light Kit
$200.00 Daily Rate
This Gemini 2×1 Soft RGB LED Light Panel from Litepanels is
an aluminum-constructed, 25 x 6.5 x 12.5″ fixture with three lighting modes. The
CCT color temperature control has six factory presets in increments from 2700 to
10,000K. There are also six presets for user-defined color temperature and
plus/minus green control. The HSI color mode allows you to adjust the hue,
saturation, and intensity, while Gel mode permits your choice from a library of
often-used filters. A firmware update adds a Lighting Effects mode that includes
TV simulation, hue burst, paparazzi, strobe, fire, squares, fireworks, emergency
lights, pulse, and party lights. The light has a CRI/TLCI rating of 97 for
daylight balance and 99 for tungsten balance, indicating a very accurate
rendition of color. The Gemini is dimmable from 100 to 0% without flicker or
color shift. Settings and features are displayed on the rear LCD screen.
$200
Litepanels Gemini 1×1 Light Kit
×
Litepanels Gemini 1×1 Light Kit
$100.00 Daily Rate
Stability, rugged construction, flexibility, and control are hallmarks of
the Litepanels Gemini 1×1 Hard RGB LED Light Panel with Standard Yoke and US
Power Cord. Similar in design to the Gemini 2×1, the LED layout has been
reconfigured with the Gemini 1×1, allowing it to create 60% of the output of the
Gemini 2×1 with a medium-wide beam angle of 46 degrees. The
aluminum-constructed, 12.6 x 12.6 x 4.6″ RGBWW fixture has multiple lighting
modes including CCT, Hue, Saturation, Gel Presets, as well as an effects mode.
The CCT color temperature control has six factory presets in increments from
2700 to 10,000K. There are also six presets for user-defined color temperature
and plus/minus green control. The HSI Color mode allows you to adjust the hue,
saturation, and intensity, while Gel mode permits your choice from a library of
filters favored by filmmakers, and an effects mode provides nine different
effects to work with. The light has a CRI/TLCI rating of 98, indicating an
accurate rendition of color. The Gemini is dimmable from 100 to 0.1% without
flicker or color shift, and settings and features are displayed on the rear LCD
screen.
$100
Astra
Litepanels Astra 6X Bi-Color Light Kit
×
Litepanels Astra 6X Bi-Color Light Kit
$50.00 Daily Rate
The Astra 6X Bi-Color LED Light Panel from LitePanels offers significantly
brightness due to the use of tightly-binned LEDs and fine-tuned TIR (Total
Internal Reflection) optics, resulting in a longer throw over a wider field. It
offers flicker-free 0-100% dimming with no visible color shift, and has a high
CRI of 95 for accurate color rendering
$50
Caliber
Litepanels Caliber LED Fresnel 3-Light Kit
×
Litepanels Caliber LED Fresnel 3-Light Kit
$45.00 Daily Rate
The Litepanels Caliber 3-Light Kit is the portable, out-of-the-box lighting
solution that today’s professional videographers have been waiting for. Ideal
for webcasting, blogging and professional content creators, the compact Caliber
3-Light Kit enables easy travel and fast setup. The latest addition to
Litepanels’ award-winning line of LED Fresnels, the Caliber is a true Fresnel
fixture with wide focus range that can be powered via AC or with AA batteries.
Each fixture offers focusable output comparable to a 150W tungsten yet requires
only 17W to power it. The fixture’s compact size and high intensity output make
it a valuable production tool in the field. Weighing in at less than 13 pounds,
each kit contains (3) Caliber fixtures, (3) AC Adapters with international plug
sets, (3) multi-jointed flexible tripods, and a compact stand with stand
adapter, offering additional placement options. Everything comes packaged in a
fully customizable soft case, with plenty of additional storage space for
batteries, camera lenses and other items.
$45
Profoto
--------------------------------------------------------------------------------
Pro-11
Profoto Pro-11 Strobe Kit
×
Profoto Pro-11 Strobe Kit
$375.00 Daily Rate
The Profoto Pro-11 Strobe Kit includes two Profoto ProHead Plus Flash Heads and
the Profoto Pro-11 Power Pack which is capable of quick bursts up to 50 flashes
per second, and has a super-short minimum flash power of 1/80,000 second for the
ultimate in action-stopping whether your subject is dance, fashion, or splash
shots.
$375
B1
Profoto B1 500 AirTTL Light Kit
×
Profoto B1 500 AirTTL Light Kit
$100.00 Daily Rate
Profoto continues to impress and surprise us, this time with an enhanced version
of the B1 battery-powered monolight, the B1X, introduced with the B1X 500 AirTTL
1-Light To-Go Kit with an improved battery that will give you an impressive 325
full-power flashes. All of the familiar professional and convenience features
we’ve come to expect from Profoto are onboard. The B1X has the same dense,
durable polymer housing, integrated 77-degree reflector, built-in receiver
compatible with Air Remote TTL remotes and intuitive highly visible controls and
display.
$100
Modifying Attachments
Aputure Barndoors
×
Aputure Barndoors
$10.00 Daily Rate
Aputure Barndoors
$10
Aputure F10 Barndoors
×
Aputure F10 Barndoors
$10.00 Daily Rate
Aputure F10 Barndoors
$10
Aputure F10 Fresnel Lens
×
Aputure F10 Fresnel Lens
$15.00 Daily Rate
Aputure F10 Fresnel Lens
$15
Aputure 2x Fresnel Lens
×
Aputure 2x Fresnel Lens
$15.00 Daily Rate
Aputure 2x Fresnel Lens
$15
Softboxes
amaran Light Dome Mini SE
×
amaran Light Dome Mini SE
$10.00 Daily Rate
amaran Light Dome Mini SE
$10
Aputure 90º Lantern Softbox
×
Aputure 90º Lantern Softbox
$10.00 Daily Rate
Aputure 90º Lantern Softbox
$10
Aputure LightBox 30120
×
Aputure LightBox 30120
$10.00 Daily Rate
Aputure LightBox 30120
$10
Aputure LightBox 6090
×
Aputure LightBox 6090
$10.00 Daily Rate
Aputure LightBox 6090
$10
Aputure Light Dome SE Softbox
×
Aputure Light Dome SE Softbox
$10.00 Daily Rate
Aputure Light Dome SE Softbox
$10
Aputure Light Dome 150 Softbox
×
Aputure Light Dome 150 Softbox
$15.00 Daily Rate
Aputure Light Dome 150 Softbox
$15
Aputure LS60 Softbox
×
Aputure LS60 Softbox
$8.00 Daily Rate
Aputure LS60 Softbox
$8
Glow EZ Lock 20″ Deep Parabolic Softbox
×
Glow EZ Lock 20″ Deep Parabolic Softbox
$8.00 Daily Rate
Glow EZ Lock 20″ Deep Parabolic Softbox
$8
Impact Luxbanx 12×36 Strip Softbox
×
Impact Luxbanx 12×36 Strip Softbox
$10.00 Daily Rate
Impact Luxbanx 12×36 Strip Softbox
$10
Spotlights
Aputure 19º Spotlight Kit
×
Aputure 19º Spotlight Kit
$50.00 Daily Rate
INCLUDES:
(1x) – Aputure Spotlight Mount
(1x) -19° Spotlight Lens
(3x) – B-Size Gobo
(1x) – Gobo Frame
(1x) – Gel Frame
(1x) – Hard Case
Offering a high degree of control, this Aputure Spotlight Mount Set is a
versatile light modifier with an included 19° lens for producing a dramatic yet
clean beam of light. Featuring a Bowens mount, this modifier can be easily
attached to a variety of lights, including the Light Storm LC 120d II, 120D, and
300D, and its integrated yoke has a dual junior/baby mount for attaching to
anything from a C-stand to a lighting grid. The Spotlight’s design incorporates
a dual drop-in slot, which can accept the included B-size gobo holder, included
gel holder, or an optional adjustable iris for further control over the shape
and size of the light beam. Like a conventional ellipsoidal light, too, the lens
can be easily swapped in order to achieve a different beam angle. The Spotlight
Mount has a durable aluminum alloy housing and this kit is delivered in a hard
travel case to protect the housing, lens, and accessories during transport.
$50
Aputure 26º Spotlight Kit
×
Aputure 26º Spotlight Kit
$50.00 Daily Rate
INCLUDES:
(1x) – Aputure Spotlight Mount
(1x) – 26° Spotlight Lens
(3x) – B-Size Gobo
(1x) – Gobo Frame
(1x) – Gel Frame
(1x) – Hard Case
Offering a high degree of control, this Aputure Spotlight Mount Set is a
versatile light modifier with an included 26° lens for producing a dramatic yet
clean beam of light. Featuring a Bowens mount, this modifier can be easily
attached to a variety of lights, including the Light Storm LC 120d II, 120D, and
300D, and its integrated yoke has a dual junior/baby mount for attaching to
anything from a C-stand to a lighting grid. The Spotlight’s design incorporates
a dual drop-in slot, which can accept the included B-size gobo holder, included
gel holder, or an optional adjustable iris for further control over the shape
and size of the light beam. Like a conventional ellipsoidal light, too, the lens
can be easily swapped in order to achieve a different beam angle. The Spotlight
Mount has a durable aluminum alloy housing and this kit is delivered in a hard
travel case to protect the housing, lens, and accessories during transport.
$50
Aputure 36º Spotlight Kit
×
Aputure 36º Spotlight Kit
$50.00 Daily Rate
INCLUDES:
(1x) – Aputure Spotlight Mount
(1x) – 36° Spotlight Lens
(3x) – B-Size Gobo
(1x) – Gobo Frame
(1x) – Gel Frame
(1x) – Hard Case
Offering a high degree of control, this Aputure Spotlight Mount Set is a
versatile light modifier with an included 36° lens for producing a dramatic yet
clean beam of light. Featuring a Bowens mount, this modifier can be easily
attached to a variety of lights, including the Light Storm LC 120d II, 120D, and
300D, and its integrated yoke has a dual junior/baby mount for attaching to
anything from a C-stand to a lighting grid. The Spotlight’s design incorporates
a dual drop-in slot, which can accept the included B-size gobo holder, included
gel holder, or an optional adjustable iris for further control over the shape
and size of the light beam. Like a conventional ellipsoidal light, too, the lens
can be easily swapped in order to achieve a different beam angle. The Spotlight
Mount has a durable aluminum alloy housing and this kit is delivered in a hard
travel case to protect the housing, lens, and accessories during transport.
$50
Aputure Spotlight Max Kit with 19º Lens
×
Aputure Spotlight Max Kit with 19º Lens
$75.00 Daily Rate
INCLUDES:
(1x) – Aputure Spotlight Max Mount
(1x) – 19º Lens
(1x) – Rotatable Gobo Clip
(3x) – A-Sized Gobo
(1x) – Rolling Hard Case
Built for high-output LED fixtures, Aputure introduces its most powerful
projection lens, the Spotlight Max. This optical modifier instantly transforms
Bowens mount LED lights with 600 to 2600W of power output into a perfectly
circular spotlight. Optimized to work with the brand’s LS 600 Series, LS 1200d
Pro, and the Electro Storm CS15 and XT26 fixtures, this is the spotlight
filmmakers and lighting technicians have been waiting for.
$75
Aputure Spotlight Max Kit with 36º Lens
×
Aputure Spotlight Max Kit with 36º Lens
$75.00 Daily Rate
INCLUDES:
(1x) – Aputure Spotlight Max Mount
(1x) – 36º Lens
(1x) – Rotatable Gobo Clip
(3x) -A-Sized Gobo
(1x) – Rolling Hard Case
Built for high-output LED fixtures, Aputure introduces its most powerful
projection lens, the Spotlight Max. This optical modifier instantly transforms
Bowens mount LED lights with 600 to 2600W of power output into a perfectly
circular spotlight. Optimized to work with the brand’s LS 600 Series, LS 1200d
Pro, and the Electro Storm CS15 and XT26 fixtures, this is the spotlight
filmmakers and lighting technicians have been waiting for.
$75
Aputure Spotlight Max Kit with 50º Lens
×
Aputure Spotlight Max Kit with 50º Lens
$75.00 Daily Rate
INCLUDES:
(1x) – Aputure Spotlight Max Mount
(1x) – 50º Lens
(1x) – Rotatable Gobo Clip
(3x) – A-Sized Gobo
(1x) – Rolling Hard Case
Built for high-output LED fixtures, Aputure introduces its most powerful
projection lens, the Spotlight Max. This optical modifier instantly transforms
Bowens mount LED lights with 600 to 2600W of power output into a perfectly
circular spotlight. Optimized to work with the brand’s LS 600 Series, LS 1200d
Pro, and the Electro Storm CS15 and XT26 fixtures, this is the spotlight
filmmakers and lighting technicians have been waiting for.
$75
Gobo
Aputure Spotlight Gobo Firework
×
Aputure Spotlight Gobo Firework
$1.00 Daily Rate
Aputure Spotlight Gobo Firework
$1
Aputure Spotlight Gobo Linear
×
Aputure Spotlight Gobo Linear
$1.00 Daily Rate
Aputure Spotlight Gobo Linear
$1
Aputure Spotlight Gobo Dot
×
Aputure Spotlight Gobo Dot
$1.00 Daily Rate
Aputure Spotlight Gobo Dot
$1
Aputure Spotlight Gobo Fire
×
Aputure Spotlight Gobo Fire
$1.00 Daily Rate
Aputure Spotlight Gobo Fire
$1
Aputure Spotlight Gobo Church Window
×
Aputure Spotlight Gobo Church Window
$1.00 Daily Rate
Aputure Spotlight Gobo Church Window
$1
Aputure Spotlight Gobo Modern Window
×
Aputure Spotlight Gobo Modern Window
$1.00 Daily Rate
Aputure Spotlight Gobo Modern Window
$1
Aputure Spotlight Gobo Scatter
×
Aputure Spotlight Gobo Scatter
$1.00 Daily Rate
Aputure Spotlight Gobo Scatter
$1
Aputure Spotlight Gobo Lightning
×
Aputure Spotlight Gobo Lightning
$1.00 Daily Rate
Aputure Spotlight Gobo Lightning
$1
Aputure Spotlight Gobo Ripple
×
Aputure Spotlight Gobo Ripple
$1.00 Daily Rate
Aputure Spotlight Gobo Ripple
$1
Aputure Spotlight Gobo Grille
×
Aputure Spotlight Gobo Grille
$1.00 Daily Rate
Aputure Spotlight Gobo Grille
$1
Reflectors
Aputure LS 1200d Pro Wide Reflector
×
Aputure LS 1200d Pro Wide Reflector
$5.00 Daily Rate
Aputure LS 1200d Pro Wide Reflector
$5
Aputure LS 1200d Pro Medium Reflector
×
Aputure LS 1200d Pro Medium Reflector
$5.00 Daily Rate
Aputure LS 1200d Pro Medium Reflector
$5
Aputure LS 1200d Pro Narrow Reflector
×
Aputure LS 1200d Pro Narrow Reflector
$5.00 Daily Rate
Aputure LS 1200d Pro Narrow Reflector
$5
Profoto OCF Magnum Reflector
×
Profoto OCF Magnum Reflector
$15.00 Daily Rate
Profoto OCF Magnum Reflector
$15
Profoto OCF Zoom Reflector
×
Profoto OCF Zoom Reflector
$10.00 Daily Rate
Profoto OCF Zoom Reflector
$10
Grip
Daily Rate
Stands
--------------------------------------------------------------------------------
Lightweight Stand
×
Lightweight Stand
$3.00 Daily Rate
Lightweight Stand
$3
Mini Preemie Baby Double Riser Stand
×
Mini Preemie Baby Double Riser Stand
$3.00 Daily Rate
Mini Preemie Baby Double Riser Stand
$3
Preemie Baby Double Liner Stand
×
Preemie Baby Double Liner Stand
$5.00 Daily Rate
Preemie Baby Double Liner Stand
$5
Beefy Baby Triple-Riser Stand
×
Beefy Baby Triple-Riser Stand
$5.00 Daily Rate
Beefy Baby Triple-Riser Stand
$5
Mini Slider Stand
×
Mini Slider Stand
$3.00 Daily Rate
Mini Slider Stand
$3
Low Boy Slider Stand
×
Low Boy Slider Stand
$5.00 Daily Rate
Low Boy Slider Stand
$5
Low Boy Combo Double Riser Stand
×
Low Boy Combo Double Riser Stand
$5.00 Daily Rate
Low Boy Combo Double Riser Stand
$5
Triple Riser Combo Stand
×
Triple Riser Combo Stand
$6.00 Daily Rate
Triple Riser Combo Stand
$6
Sky High Triple Riser Combo Stand
×
Sky High Triple Riser Combo Stand
$15.00 Daily Rate
Sky High Triple Riser Combo Stand
$6
Mombo Combo Quad Riser Stand
×
Mombo Combo Quad Riser Stand
$20.00 Daily Rate
Mombo Combo Quad Riser Stand
$20
C-Stands
--------------------------------------------------------------------------------
20″ Sliding Leg C-Stand w/ Arm
×
20″ Sliding Leg C-Stand w/ Arm
$5.00 Daily Rate
20″ Sliding Leg C-Stand w/ Arm
$5
20″ Turtle Base C-Stand w/ Arm
×
20″ Turtle Base C-Stand w/ Arm
$5.00 Daily Rate
20″ Turtle Base C-Stand w/ Arm
$5
40″ Sliding Leg C-Stand w/ Arm
×
40″ Sliding Leg C-Stand w/ Arm
$5.00 Daily Rate
40″ Sliding Leg C-Stand w/ Arm
$5
40″ Turtle Base C-Stand w/ Arm
×
40″ Turtle Base C-Stand w/ Arm
$5.00 Daily Rate
40″ Turtle Base C-Stand w/ Arm
$5
Rollers
--------------------------------------------------------------------------------
Double Riser Baby Roller Stand
×
Double Riser Baby Roller Stand
$5.00 Daily Rate
Double Riser Baby Roller Stand
$5
Double Riser Combo Roller Stand
×
Double Riser Combo Roller Stand
$5.00 Daily Rate
Double Riser Combo Roller Stand
$5
Triple Riser Combo Roller Stand
×
Triple Riser Combo Roller Stand
$5.00 Daily Rate
Triple Riser Combo Roller Stand
$5
Rolling Monitor Stand II
×
Rolling Monitor Stand II
$10.00 Daily Rate
Rolling Monitor Stand II
$10
Backdrops
--------------------------------------------------------------------------------
Impact Pro Backdrop Kit
×
Impact Pro Backdrop Kit
$10.00 Daily Rate
Impact Pro Backdrop Support Kit (12.9′ Width)
$10
Impact 5×7′ Collapsible B/W Background
×
Impact 5×7′ Collapsible B/W Background
$10.00 Daily Rate
Impact 5×7′ Collapsible B/W Background
$10
Impact Pop-Up Blue Green Screen
×
Impact Pop-Up Blue Green Screen
$10.00 Daily Rate
Impact Pop-Up Blue Green Screen
$10
Impact 10×12 Muslin- White
×
Impact 10×12 Muslin – White
$15.00 Daily Rate
Impact 10×12 Muslin – White
$15
Impact 10×12 Musin- Black
×
Impact 10×12 Musin – Black
$15.00 Daily Rate
Impact 10×12 Musin – Black
$15
Impact 10×24 Charcoal/Smoke Grey Reversible Background
×
Impact 10×24 Charcoal/Smoke Grey Reversible Background
$15.00 Daily Rate
Impact 10×24 Charcoal/Smoke Grey Reversible Background
$15
Impact 10×24 Green Chroma Muslin
×
Impact 10×24 Green Chroma Muslin
$15.00 Daily Rate
Impact 10×24 Green Chroma Muslin
$15
Flags + Rags
18×24″
--------------------------------------------------------------------------------
Matthews 18×24″ Black Solid
×
Matthews 18×24″ Black Solid
$4.00 Daily Rate
Matthews 18×24″ Black Solid
$4
Matthews 18×24″ Silk
×
Matthews 18×24″ Silk
$4.00 Daily Rate
Matthews 18×24″ Silk
$4
Matthews 18×24″ Double Net
×
Matthews 18×24″ Double Net
$4.00 Daily Rate
Matthews 18×24″ Double Net
$4
Matthews 18×24″ Single Net
×
Matthews 18×24″ Single Net
$4.00 Daily Rate
Matthews 18×24″ Single Net
$4
Matthews 18×24″ Cello Cookie
×
Matthews 18×24″ Cello Cookie
$3.00 Daily Rate
Matthews 18×24″ Cello Cookie
$3
Matthews 18×24″ Wood Cookie
×
Matthews 18×24″ Wood Cookie
$3.00 Daily Rate
Matthews 18×24″ Wood Cookie
$3
18×48″
--------------------------------------------------------------------------------
Matthews 18×48″ Cutter
×
Matthews 18×48″ Cutter
$5.00 Daily Rate
Matthews 18×48″ Cutter
$5
24×74″
--------------------------------------------------------------------------------
Matthews 24×74″ Floppy Cutter
×
Matthews 24×74″ Floppy Cutter
$10.00 Daily Rate
Matthews 24×74″ Floppy Cutter
$5
40×40″
--------------------------------------------------------------------------------
Matthews 40×40″ Black Solid
×
Matthews 40×40″ Black Solid
$6.00 Daily Rate
Matthews 40×40″ Black Solid
$6
Matthews 40×40″ Artificial Silk
×
Matthews 40×40″ Artificial Silk
$6.00 Daily Rate
Matthews 40×40″ Artificial Silk
$6
Matthews 40×40″ Top-Hinge Floppy
×
Matthews 40×40″ Top-Hinge Floppy
$6.00 Daily Rate
Matthews 40×40″ Top-Hinge Floppy
$6
Matthews 40×40″ Matthboard
×
Matthews 40×40″ Matthboard
$8.00 Daily Rate
Matthews 40×40″ Matthboard
$8
Matthews 40×40″ Matthbounce
×
Matthews 40×40″ Matthbounce
$6.00 Daily Rate
Matthews 40×40″ Matthbounce
$6
2×3′
--------------------------------------------------------------------------------
Matthews 2×3′ Black Solid
×
Matthews 2×3′ Black Solid
$10.00 Daily Rate
Matthews 2×3′ Black Solid
$4
Matthews 2×3′ Silk
×
Matthews 2×3′ Silk
$4.00 Daily Rate
Matthews 2×3′ Silk
$4
Matthews 2×3′ Cello Cookie
×
Matthews 2×3′ Cello Cookie
$3.00 Daily Rate
Matthews 2×3′ Cello Cookie
$3
Matthews 2×3′ Double Net
×
Matthews 2×3′ Double Net
$4.00 Daily Rate
Matthews 2×3′ Double Net
$4
Matthews 2×3′ Single Net
×
Matthews 2×3′ Single Net
$4.00 Daily Rate
Matthews 2×3′ Single Net
$4
Matthews 2’x3′ Wood Cookie
×
Matthews 2’x3′ Wood Cookie
$3.00 Daily Rate
Matthews 2×3′ Wood Cookie
$3
Modern ON-THE-GO 2×3′ Flag Kit
×
Modern ON-THE-GO 2×3′ Flag Kit
$22.00 Daily Rate
INCLUDES:
(1x) -2×3′ Single Scrim
(1x) 2×3′ Double Scrim
(1x) – 2×3′ Artificial Silk
(1x) – 2×3′ Floppy
(1x) – 2×3′ Black Solid
(1x) – 2×3′ Flag Carrying Case
This ON-THE-GO Kit from Modern Studio Equipment features one of each basic 2×3′
scrim/cutter that you’d need in one convenient carrying case.
$22
4×4′
--------------------------------------------------------------------------------
Matthews 4×4′ Artificial Silk
×
Matthews 4×4′ Artificial Silk
$10.00 Daily Rate
Matthews 4×4′ Artificial Silk
$10
Matthews 4×4′ China Silk
×
Matthews 4×4′ China Silk
$10.00 Daily Rate
Matthews 4×4′ China Silk
$10
Matthews 4×4′ 1/4 Stop Silk
×
Matthews 4×4′ 1/4 Stop Silk
$10.00 Daily Rate
Matthews 4×4′ 1/4 Stop Silk
$10
Matthews 4×4′ Knife Blade Frame
×
Matthews 4×4′ Knife Blade Frame
$10.00 Daily Rate
Matthews 4×4′ Knife Blade Frame
$10
Matthews 4×4′ Top-Hinge Floppy
×
Matthews 4×4′ Top-Hinge Floppy
$8.00 Daily Rate
Matthews 4×4′ Top-Hinge Floppy
$8
Matthews 4×4′ Matthbounce
×
Matthews 4×4′ Matthbounce
$20.00 Daily Rate
Matthews 4×4′ Matthbounce
$20
Matthews 4×4 RoadFlag II Kit
×
Matthews 4×4 RoadFlag II Kit
$25.00 Daily Rate
INCLUDES:
(x2) – Folding Frames
(x1) – Single Scrim
(x1) – Silk (x1) – Flag
(x1) – Silver Lame
(x1) – 15 x 49″ Carry Bag
$25
4×4′ 250 Diffusion Frame
×
4×4′ 250 Diffusion Frame
$10.00 Daily Rate
4×4′ 250 Diffusion Frame
$10
TRP 4×4′ Ultrabounce 3-Sided Floppy Tent
×
TRP 4×4′ Ultrabounce 3-Sided Floppy Tent
$20.00 Daily Rate
TRP 4×4′ Ultrabounce 3-Sided Floppy Tent
$20
TRP 4×4′ Ultrabounce 4-Sided Floppy Tent
×
TRP 4×4′ Ultrabounce 4-Sided Floppy Tent
$20.00 Daily Rate
TRP 4×4′ Ultrabounce 4-Sided Floppy Tent
$20
6×6′
--------------------------------------------------------------------------------
6×6′ Black Solid
×
6×6′ Black Solid
$15.00 Daily Rate
6×6′ Black Solid
$15
6×6′ White Artificial Silk
×
6×6′ White Artificial Silk
$15.00 Daily Rate
6×6′ White Artificial Silk
$15
6×6′ Ultrabounce
×
6×6′ Ultrabounce
$15.00 Daily Rate
6×6′ Ultrabounce
$15
6×6′ 1/4 Silent Gridcloth
×
6×6′ 1/4 Silent Gridcloth
$15.00 Daily Rate
6×6′ 1/4 Silent Gridcloth
$15
6×6′ Lite Silent Gridcloth
×
6×6′ Lite Silent Gridcloth
$15.00 Daily Rate
6×6′ Lite Silent Gridcloth
$15
8×8′
--------------------------------------------------------------------------------
8×8′ Black Solid
×
8×8′ Black Solid
$20.00 Daily Rate
8×8′ Black Solid
$20
8×8′ White Artificial Silk
×
8×8′ White Artificial Silk
$15.00 Daily Rate
8×8′ White Artificial Silk
$15
8×8′ Magic Cloth
×
8×8′ Magic Cloth
$20.00 Daily Rate
8×8′ Magic Cloth
$20
8×8′ Ultrabounce
×
8×8′ Ultrabounce
$20.00 Daily Rate
8×8′ Ultrabounce
$20
8×8′ Chroma Green
×
8×8′ Chroma Green
$30.00 Daily Rate
8×8′ Chroma Green
$30
12×12′
--------------------------------------------------------------------------------
12×12′ Black Solid
×
12×12′ Black Solid
$20.00 Daily Rate
12×12′ Black Solid
$20
12×12′ White Artificial Silk
×
12×12′ White Artificial Silk
$20.00 Daily Rate
12×12′ White Artificial Silk
$20
12×12′ Ultrabounce
×
12×12′ Ultrabounce
$20.00 Daily Rate
12×12′ Ultrabounce
$20
20×20′
--------------------------------------------------------------------------------
20×20′ Black Solid
×
20×20′ Black Solid
$45.00 Daily Rate
20×20′ Black Solid
$45
20×20′ Ultrabounce
×
20×20′ Ultrabounce
$45.00 Daily Rate
20×20′ Ultrabounce
$45
20×20′ Digital Green
×
20×20′ Digital Green
$125.00 Daily Rate
20×20′ Digital Green
$125
Kits
--------------------------------------------------------------------------------
Matthews RoadRags II Kit
×
Matthews RoadRags II Kit
$25.00 Daily Rate
INCLUDES:
(2x) – Matthews RoadRag Frame
(1x) – Matthews RoadRag Solid
(1x) – Matthews RoadRag Silk
(1x) – Matthews RoadRag Single Net
(1x) – Matthews RoadRag Double Net
This Matthews RoadRags II Kit is a portable lighting modification system that
helps you to quickly and easily duplicate studio lighting effects on location,
using your portable lights. The elastic corded frames easily fold for storing
and transporting. A simple “flick of the wrist” is all that’s required to
quickly open the frame making it ready to use. By using the different materials,
you are able to quickly create contrasts, different light ratios, diffusion or
block the light. The RoadRags Kit fits easily into most lighting bags.
Additional fabrics are available separately. RoadRags are designed for use under
a controlled environment. Wind and/or other weather conditions may cause damage
to this product
$25
Modern Fingers & Dots Kit
×
Modern Fingers & Dots Kit
$50.00 Daily Rate
INCLUDES:
(12x) – Fingers
(18x) – Dots
(1x) – Carrying Bag
This is a well-furnished dot-and-finger kit. Shape, soften or diminish the light
from your fixtures. Sizes range from 3 to 10″, suitable for small to medium
product setups, or full-length portraits.
$50
Modern ON-THE-GO 18×24″ Flag Kit
×
Modern ON-THE-GO 18×24″ Flag Kit
$18.00 Daily Rate
INCLUDES:
(1x) – 18×24″ Single Scrim
(1x) – 18×24″ Double Scrim
(1x) – 18×24″ Black Solid
(1x) – 18×24″ Floppy
(1x) – 18×24″ Artificial Silk
(1x) – 18×24″ Flag Bag
This ON-THE-GO Kit from Modern Studio Equipment features one of each basic
18×24″ scrim/cutter that you’d need in one convenient carrying case.
$18
Modern ON-THE-GO Wag Flag Kit
×
Modern ON-THE-GO Wag Flag Kit
$80.00 Daily Rate
INCLUDES:
(1x) – Modular Wag Flag Frame
(1x) – 4×4′ Ultrabounce Wag Flag Fabric
(1x) – 4×4′ Black Rip Stop Wag Flag Fabric
(1x) – 4×4′ Silent 1/2 Gridcloth Wag Flag Fabric
(1x) – 6×6′ Ultrabounce Wag Flag Fabric
(1x) – 6×6′ Black Rip Stop Wag Flag Fabric
(1x) – 6×6′ Silent 1/2 Gridcloth Wag Flag Fabric
(1x) – 8×8′ Ultrabounce Wag Flag Fabric
(1x) – 8×8′ Black Rip Stop Wag Flag Fabric
(1x) – 8×8′ Silent 1/2 Gridcloth Wag Flag Fabric
(1x) – Wag Flag Kit Carrying Case
This ON-THE-GO Kit from Modern Studio Equipment features three different flags
in standard sizes of 4×4, 6×6, and 8×8 ft as well as a compact modular frame
within a carrying case.
$80
Speedrail
Length
--------------------------------------------------------------------------------
1′ Speedrail
×
1′ Speedrail
$3.00 Daily Rate
1′ Speedrail
$3
2′ Speedrail
×
2′ Speedrail
$3.00 Daily Rate
2′ Speedrail
$3
4′ Speedrail
×
4′ Speedrail
$3.00 Daily Rate
4′ Speedrail
$3
6′ Speedrail
×
6′ Speedrail
$3.00 Daily Rate
6′ Speedrail
$3
8′ Speedrail
×
8′ Speedrail
$3.00 Daily Rate
8′ Speedrail
$3
10′ Speedrail
×
10′ Speedrail
$3.00 Daily Rate
10′ Speedrail
$3
12′ Speedrail
×
12′ Speedrail
$4.00 Daily Rate
12′ Speedrail
$4
14′ Speedrail
×
14′ Speedrail
$4.00 Daily Rate
14′ Speedrail
$4
20′ Speedrail
×
20′ Speedrail
$5.00 Daily Rate
20′ Speedrail
$5
Couplers
--------------------------------------------------------------------------------
Medium Speedrail Coupler
×
Medium Speedrail Coupler
$3.00 Daily Rate
Medium Speedrail Coupler
$3
Swivel Tee Speedrail Coupler
×
Swivel Tee Speedrail Coupler
$3.00 Daily Rate
Swivel Tee Speedrail Coupler
$3
Standard Speedrail Coupler
×
Standard Speedrail Coupler
$3.00 Daily Rate
Standard Speedrail Coupler
$3
Short Speedrail Coupler
×
Short Speedrail Coupler
$3.00 Daily Rate
Short Speedrail Coupler
$3
Speedrail Coupler Ear
×
Speedrail Coupler Ear
$3.00 Daily Rate
Speedrail Coupler Ear
$3
Baby Pin Slider Speedrail Coupler
×
Baby Pin Slider Speedrail Coupler
$3.00 Daily Rate
Baby Pin Slider Speedrail Coupler
$3
Wide Over/Under Speedrail Coupler
×
Wide Over/Under Speedrail Coupler
$3.00 Daily Rate
Wide Over/Under Speedrail Coupler
$3
Cross Speedrail Coupler
×
Cross Speedrail Coupler
$3.00 Daily Rate
Cross Speedrail Coupler
$3
Short Barrel Cross Speedrail Coupler
×
Short Barrel Cross Speedrail Coupler
$3.00 Daily Rate
Short Barrel Cross Speedrail Coupler
$3
Split Cross Speedrail Coupler
×
Split Cross Speedrail Coupler
$3.00 Daily Rate
Split Cross Speedrail Coupler
$3
Elbow Speedrail Coupler
×
Elbow Speedrail Coupler
$3.00 Daily Rate
Elbow Speedrail Coupler
$3
Tee-E Speedrail Coupler
×
Tee-E Speedrail Coupler
$3.00 Daily Rate
Tee-E Speedrail Coupler
$3
Baby to Junior Speedrail Coupler
×
Baby to Junior Speedrail Coupler
$3.00 Daily Rate
Baby to Junior Speedrail Coupler
$3
Modern ON-THE-GO 1-1/4″ Speedrail Kit
×
Modern ON-THE-GO 1-1/4″ Speedrail Kit
$50.00 Daily Rate
Modern ON-THE-GO 1-1/4″ Speedrail Kit
$50
Trailer Hitch Adapter for 1-1/4″ Speedrail
×
Trailer Hitch Adapter for 1-1/4″ Speedrail
$6.00 Daily Rate
Trailer Hitch Adapter for 1-1/4″ Speedrail
$6
Speedrail Wall Spreader Kit
×
Speedrail Wall Spreader Kit
$6.00 Daily Rate
Speedrail Wall Spreader Kit
$6
Frames
Sizes
--------------------------------------------------------------------------------
Matthews 6×6′ Overhead 1″ Frame Tube
×
Matthews 6×6′ Overhead 1″ Frame Tube
$10.00 Daily Rate
Matthews 6×6′ Overhead 1″ Frame Tube
$10
Matthews 8×8′ Overhead 1″ Frame Tube
×
Matthews 8×8′ Overhead 1″ Frame Tube
$15.00 Daily Rate
Matthews 8×8′ Overhead 1″ Frame Tube
$15
Matthews 12×12′ Overhead 1″ Frame Tube
×
Matthews 12×12′ Overhead 1″ Frame Tube
$20.00 Daily Rate
Matthews 12×12′ Overhead 1″ Frame Tube
$20
Westcott 6×6′ Scrim Jim Kit
×
Westcott 6×6′ Scrim Jim Kit
$10.00 Daily Rate
INCLUDES:
(2x) – 6 x 6′ Scrim Jim Cine Frame
(1x) – 1/4-Stop Diffuser Fabric (6 x 6′)
(1x) – 1/2-Stop Grid Cloth Diffuser Fabric (6 x 6′)
(1x) – 3/4-Stop Diffuser Fabric (6 x 6′)
(1x) – Full-Stop Diffusion Fabric (6 x 6′)
(1x) – 1-1/4-Stop Diffuser Fabric (6 x 6′)
(1x) – Single Net Fabric (6 x 6′)
(1x) – Solid Black Block Fabric (6 x 6′)
(1x) – 2-in-1 Silver/White Bounce Fabric (6 x 6′)
(1x) – Scrim Jim Deluxe Wheeled Travel Case
Designed to be modular, the 6 x 6′ Scrim Jim Cine Video Kit from Westcott will
supply you with everything you need to construct a frame and start using it.
This includes various fabrics, including a full-stop diffusion, a 2-in-1
silver/white bounce, and a single net, each with their own unique
characteristics for controlling light in your scene. Additionally, it comes with
a cable wrap for cord management and a Scrim Jim Deluxe Wheeled Travel Case for
storage and transport.
$10
Westcott 8×8′ Scrim Jim Kit
×
Westcott 8×8′ Scrim Jim Kit
$15.00 Daily Rate
INCLUDES:
(x2) – 8×8′ Scrim Jim Cine Frame
(x4) – 2″ Straight Frame Connector
(x4) – 2D Corner Frame Connector
(x1) – Full-Stop Diffuser Fabric (8 x 8′)
(x1) – 1-1/4-Stop Diffuser Fabric (8 x 8′)
(x1) – 3/4-Stop Diffuser Fabric (8 x 8′)
(x1) – 1/4-Stop Diffuser Fabric (8 x 8′)
(x1) – Solid Black Block Fabric (8 x 8′)
(x1) – Silver/White Bounce Fabric (8 x 8′)
(x1) – Single Net Fabric (8 x 8′)
(x2) – Clamp with 5/8″ Stud
(x1) – Wheeled Travel Case
Designed to be modular, the 8 x 8′ Scrim Jim Cine Video Kit from Westcott will
supply you with everything you need to construct a frame and start using it.
This includes various fabrics, including a full-stop diffusion, a 2-in-1
silver/white bounce, and a single net, each with their own unique
characteristics for controlling light in your scene. Additionally, it comes with
a Scrim Jim Deluxe Wheeled Travel Case for storage and transport.
$15
Digital Juice 8×8 Butterfly Overhead Frame Kit
×
Digital Juice 8×8 Butterfly Overhead Frame Kit
$25.00 Daily Rate
INCLUDES:
(1x) – Digital Juice Butterfly Frame – 8×8′
(1x) – Digital Juice Butterfly Screen Kit for 8×8′ Frame (Black/White)
(2x) – Digital Juice Butterfly C-Stand Frame Clamps
The Digital Juice Butterfly Frame – 8×8′ has an ingenious design that will have
you up, running and shooting in seconds. Unlike conventional frames there’s no
assembly of the 4 aluminum sides of this frame. Hinged corners allow it to “pop
up” just like the smaller PVC frames but with greater structural integrity – a
quality you’ll appreciate in adverse conditions like windy days. Use the
optional white silk diffusion material either overhead to soften harsh sunlight
or vertically for a reflector or to punch strobe, tungsten or HMI light through.
The Digital Juice Butterfly C-Stand Frame Clamps (Pair) make mounting the 8×8′
Butterfly frame to C-Stands easy. Made of the same sturdy aluminum that the
frame is, each clamp slides on to the frame and is secured by 2 hefty
polycarbonate knobs. Pressure plates are built into the jaws of the clamp so
that there’s no danger of the tightened screw denting the frame. The 5/8″
diameter stud at the end of the clamp fits neatly into a grip head atop the C-
stand. The frame can then tilt 360 degrees between the stands.
$25
Quick Reverse Ear for 1″ Frame
×
Quick Reverse Ear for 1″ Frame
$3.00 Daily Rate
Quick Reverse Ear for 1″ Frame
$3
Grip Hardware
Baby
--------------------------------------------------------------------------------
Rigging + Mounting
Baby Pin – 1/4-20 Male
×
Baby Pin – 1/4-20 Male
$1.00 Daily Rate
Baby Pin – 1/4-20 Male
$1
Baby Pin- 1/4-20 Female
×
Baby Pin – 1/4-20 Female
$1.00 Daily Rate
Baby Pin – 1/4-20 Female
$1
Baby Pin – 3/8-16 Male
×
Baby Pin – 3/8-16 Male
$1.00 Daily Rate
Baby Pin – Male
$1
Baby Pin – 3/8-16 Female
×
Baby Pin – 3/8-16 Female
$1.00 Daily Rate
Baby Pin – 3/8-16 Female
$1
Baby Pipe Clamp
×
Baby Pipe Clamp
$2.00 Daily Rate
Baby Pipe Clamp
$2
Scissor Clamp
×
Scissor Clamp
$2.00 Daily Rate
Scissor Clamp
$2
Mini Baby Double Header
×
Mini Baby Double Header
$2.00 Daily Rate
Mini Baby Double Header
$2
Baby Triple Header
×
Baby Triple Header
$2.00 Daily Rate
Baby Triple Header
$2
3-Way Baby Pin Adapter
×
3-Way Baby Pin Adapter
$2.00 Daily Rate
3-Way Baby Pin Adapter
$2
Gobo Head
×
Gobo Head
$3.00 Daily Rate
Gobo Head
$3
Double Gobo Head
×
Double Gobo Head
$4.00 Daily Rate
Double Gobo Head
$4
Clamps
Baby C-Clamp
×
Baby C-Clamp
$3.00 Daily Rate
Baby C-Clamp
$3
Baby Pin Grid Clamp
×
Baby Pin Grid Clamp
$3.00 Daily Rate
Baby Pin Grid Clamp
$3
Cardellini Mini w/ 3/8″-16 Stud
×
Cardellini Mini w/ 3/8″-16 Stud
$2.00 Daily Rate
Cardellini Mini w/ 3/8″-16 Stud
$2
2″ End Jaw Cardellini Clamp
×
2″ End Jaw Cardellini Clamp
$3.00 Daily Rate
2″ End Jaw Cardellini Clamp
$3
6″ End Jaw Cardellini Clamp
×
6″ End Jaw Cardellini Clamp
$4.00 Daily Rate
6″ End Jaw Cardellini Clamp
$4
3″ Center Jaw Cardellini Clamp
×
3″ Center Jaw Cardellini Clamp
$3.00 Daily Rate
3″ Center Jaw Cardellini Clamp
$3
Mafer Clamp w/ Pin
×
Mafer Clamp w/ Pin
$3.00 Daily Rate
Mafer Clamp w/ Pin
$3
Quacker Clamp
×
Quacker Clamp
$3.00 Daily Rate
Quacker Clamp
$3
Nail-On Plate
2″ Baby Nail-On Plate
×
2″ Baby Nail-On Plate
$4.00 Daily Rate
2″ Baby Nail-On Plate
$4
3/8″-16 Female Threaded Nail-On Plate
×
3/8″-16 Female Threaded Nail-On Plate
$4.00 Daily Rate
3/8″-16 Female Threaded Nail-On Plate
$4
3″ Baby Nail-On Plate
×
3″ Baby Nail-On Plate
$4.00 Daily Rate
3″ Baby Nail-On Plate
$4
6″ Baby Nail-On Plate
×
6″ Baby Nail-On Plate
$4.00 Daily Rate
6″ Baby Nail-On Plate
$4
12″ Baby Nail-On Plate
×
12″ Baby Nail-On Plate
$4.00 Daily Rate
12″ Baby Nail-On Plate
$4
90º Baby (Short) Nail-On Plate
×
90º Baby (Short) Nail-On Plate
$4.00 Daily Rate
90º Baby (Short) Nail-On Plate
$4
90º Baby (Tall) Nail-On Plate
×
90º Baby (Tall) Nail-On Plate
$4.00 Daily Rate
90º Baby (Tall) Nail-On Plate
$4
Baby Receiver Nail-On Plate
×
Baby Receiver Nail-On Plate
$4.00 Daily Rate
Baby Receiver Nail-On Plate
$4
D-Ring Nail-On Plate
×
D-Ring Nail-On Plate
$4.00 Daily Rate
D-Ring Nail-On Plate
$4
Junior
--------------------------------------------------------------------------------
Rigging + Mounting
Junior Offset Arm w/ 1-1/8″ Receiver
×
Junior Offset Arm w/ 1-1/8″ Receiver
$8.00 Daily Rate
Junior Offset Arm w/ 1-1/8″ Receiver
$8
Spud Adapter
×
Spud Adapter
$3.00 Daily Rate
Spud Adapter
$3
Lollipop
×
Lollipop
$3.00 Daily Rate
Lollipop
$3
Clamps
Big Ben Grid Clamp
×
Big Ben Grid Clamp
$3.00 Daily Rate
Big Ben Grid Clamp
$3
Junior Receiver Grid Clamp
×
Junior Receiver Grid Clamp
$3.00 Daily Rate
Junior Receiver Grid Clamp
$3
Junior/Baby Receiver Grid Clamp
×
Junior/Baby Receiver Grid Clamp
$3.00 Daily Rate
Junior/Baby Receiver Grid Clamp
$3
T-Style Junior Grid Clamp
×
T-Style Junior Grid Clamp
$3.00 Daily Rate
T-Style Junior Grid Clamp
$3
Ear Grid Clamp
×
Ear Grid Clamp
$3.00 Daily Rate
Ear Grid Clamp
$3
Swivel Grid Clamp
×
Swivel Grid Clamp
$3.00 Daily Rate
Swivel Grid Clamp
$3
Nail-On Plates
Junior Receiver Nail-On Plate
×
Junior Receiver Nail-On Plate
$4.00 Daily Rate
Junior Receiver Nail-On Plate
$4
Junior Nail-On Plate
×
Junior Nail-On Plate
$4.00 Daily Rate
Junior Nail-On Plate
$4
Square Floor Flange Speedrail End
×
Square Floor Flange Speedrail End
$2.00 Daily Rate
Square Floor Flange Speedrail End
$2
Oval Floor Flange Speedrail End
×
Oval Floor Flange Speedrail End
$2.00 Daily Rate
Oval Floor Flange Speedrail End
$2
Offset Mount Speedrail End
×
Offset Mount Speedrail End
$2.00 Daily Rate
Offset Mount Speedrail End
$2
Boom Arms
--------------------------------------------------------------------------------
Junior Boom Arm
×
Junior Boom Arm
$25.00 Daily Rate
Junior Boom Arm
$25
Baby Boom Arm
×
Baby Boom Arm
$20.00 Daily Rate
Baby Boom Arm
$20
Mini Boom Arm
×
Mini Boom Arm
$15.00 Daily Rate
Mini Boom Arm
$15
Menace Arm Kit
×
Menace Arm Kit
$10.00 Daily Rate
INCLUDES:
(1x) – Ear with 9.5″ Anti-Sag Center Post
(1x) – Dual Baby Pin Front Mount
(1x) – Rear Counterweight Receiver with D-Ring on Top and Bottom
This Matthews Menace Arm Kit enables you to boom a lighting fixture attached to
a 1 1/4″ Schedule 40 aluminum pipe speed rail, sold separately, while keeping
the light stand out of camera view. The kit includes an ear with a 9.5″ anti-sag
center post, dual baby pin front mount, and a rear counterweight receiver with a
D-ring on top and bottom for connecting a ratchet strap to the bottom of the
stand instead of a counterweight bar.
$10
10lbs Counter Balance Weight
×
10lbs Counter Balance Weight
$5.00 Daily Rate
10lbs Counter Balance Weight
$5
Suction Cups
--------------------------------------------------------------------------------
Suction Cup w/ 3″ Baby Pin
×
Suction Cup w/ 3″ Baby Pin
$6.00 Daily Rate
Suction Cup w/ 3″ Baby Pin
$6
Suction Cup w/ Flat Threaded Base
×
Suction Cup w/ Flat Threaded Base
$6.00 Daily Rate
Suction Cup w/ Flat Threaded Base
$6
Suction Cup w/ 5/8″ Socket
×
Suction Cup w/ 5/8″ Socket
$6.00 Daily Rate
Suction Cup w/ 5/8″ Socket
$6
Safety
--------------------------------------------------------------------------------
D-Ring 3/8-16 Male
×
D-Ring 3/8-16 Male
$1.00 Daily Rate
D-Ring 3/8-16 Male
$1
D-Ring 3/8-16 Female
×
D-Ring 3/8-16 Female
$1.00 Daily Rate
D-Ring 3/8-16 Female
$1
Safety Cable
×
Safety Cable
$1.00 Daily Rate
Safety Cable
$1
5/8ths
--------------------------------------------------------------------------------
Modern ON-THE-GO 5/8″ Kit
×
Modern ON-THE-GO 5/8″ Kit
$75.00 Daily Rate
INCLUDES:
(3x) – 5/8″ Aluminum Rod 44 1/4 feet of cut to 3″
(3x) – 5/8″ Aluminum Rod 44 1/4 feet of cut to 6″
(3x) – 5/8″ Aluminum Rod 44 1/4 feet of cut to 8″
(3x) – 5/8″ Aluminum Rod 44 1/4 feet of cut to 12″
(3x) – 5/8″ Aluminum Rod 44 1/4 feet of cut to 14″
(3x) – 5/8″ Aluminum Rod 44 1/4 feet of cut to 16″
(3x) – 5/8″ Aluminum Rod 44 1/4 feet of cut to 18″
(3x) – 5/8″ Aluminum Rod 44 1/4 feet of cut to 24″
(3x) – 5/8″ Aluminum Rod 44 1/4 feet of cut to 30″
(3x) – 5/8″ Aluminum Rod 44 1/4 feet of cut to 36″
(3x) – 5/8″ Stainless Steel Rod 44 1/4 Feet of Cut To 3″
(3x) – 5/8″ Aluminum Rod 44 1/4 feet of cut to 10″
(3x) – 5/8″ Stainless Steel Rod 44 1/4 Feet of Cut To 6″
(3x) – 5/8″ Stainless Steel Rod 44 1/4 Feet of Cut To 8″
(3x) – 5/8″ Stainless Steel Rod 44 1/4 Feet of Cut To 10″
(3x) – 5/8″ Stainless Steel Rod 44 1/4 Feet of Cut To 12″
(3x) – 5/8″ Stainless Steel Rod 44 1/4 Feet of Cut To 14″
(3x) – 5/8″ Stainless Steel Rod 44 1/4 Feet of Cut To 16″
(3x) – 5/8″ Stainless Steel Rod 44 1/4 Feet of Cut To 18″
(3x) – 5/8″ Stainless Steel Rod 44 1/4 Feet of Cut To 24″
(3x) – 5/8″ Stainless Steel Rod 44 1/4 Feet of Cut To 30″
(3x) – 5/8″ Stainless Steel Rod 44 1/4 Feet of Cut To 36″
(8x) – Cross for 5/8 in.
(8x) – Tee for 5/8 in.
(4x) – Sleeve for 5/8 in.
(4x) – Tee Receiver for 5/8 in.
(4x) – Over and Under for 5/8 in.
(4x) – Combination Camera Rod Starter for 5/8 in.
(1x) – Mini 5/8 in. Speed C
(1x) – Mini 5/8 in. Wallspreader
(1x) – 3-Fold Deluxe 5/8 Rod Bag (Charcoal Gray)
The Modern 5/8″ Diameter Rod On the Go Rigging Kit features 5/8″ diameter
aluminum rod and 5/8″ diameter stainless steel rod for rigging cameras, cars,
lights and more. Rods in lengths from 3″ to 36″ with tees, connectors, speed
c-clamp, wall spreader and camera starters. All contained in an organized soft
bag.
$75
Clamps
--------------------------------------------------------------------------------
Plastic A – Clamp
×
Plastic A – Clamp
$1.00 Daily Rate
Plastic A – Clamp
$1
0.5″ Spring Clamp
×
0.5″ Spring Clamp
$1.00 Daily Rate
0.5″ Spring Clamp
$1
1″ A – Clamp
×
1″ A – Clamp
$1.00 Daily Rate
1″ A – Clamp
$1
2″ A – Clamp
×
2″ A – Clamp
$1.00 Daily Rate
2″ A – Clamp
$1
3″ A – Clamp
×
3″ A – Clamp
$1.00 Daily Rate
3″ A – Clamp
$1
1″ C-Clamp
×
1″ C-Clamp
$3.00 Daily Rate
1″ C-Clamp
$3
2″ C-Clamp
×
2″ C-Clamp
$3.00 Daily Rate
2″ C-Clamp
$3
3″ C-Clamp
×
3″ C-Clamp
$3.00 Daily Rate
3″ C-Clamp
$3
4″ C-Clamp
×
4″ C-Clamp
$3.00 Daily Rate
4″ C-Clamp
$3
6″ C-Clamp
×
6″ C-Clamp
$3.00 Daily Rate
6″ C-Clamp
$3
8″ C-Clamp
×
8″ C-Clamp
$3.00 Daily Rate
8″ C-Clamp
$3
Wood
--------------------------------------------------------------------------------
Apple Box Full
×
Apple Box Full
$3.00 Daily Rate
Apple Box Full
$3
Apple Box Half
×
Apple Box Half
$2.00 Daily Rate
Apple Box Half
$2
Apple Box Quarter
×
Apple Box Quarter
$2.00 Daily Rate
Apple Box Quarter
$2
Apple Box Pancake
×
Apple Box Pancake
$2.00 Daily Rate
Apple Box Pancake
$2
Bags
--------------------------------------------------------------------------------
15lbs Sandbag
×
15lbs Sandbag
$3.00 Daily Rate
15lbs Sandbag
$3
25lbs Sandbag
×
25lbs Sandbag
$3.00 Daily Rate
25lbs Sandbag
$3
35lbs Sandbag
×
35lbs Sandbag
$3.00 Daily Rate
35lbs Sandbag
$3
25lbs Shotbag
×
25lbs Shotbag
$5.00 Daily Rate
25lbs Shotbag
$5
Reflectors
LightBridge
--------------------------------------------------------------------------------
LightBridge CRLS C-100 Double Sided Reflector Diffusion 1&2
×
LightBridge CRLS C-100 Double Sided Reflector Diffusion 1&2
$145.00 Daily Rate
LightBridge CRLS C-100 Double Sided Reflector Diffusion 1&2
$145
LightBridge CRLS C-100 Double Sided Reflector Diffusion 3&4
×
LightBridge CRLS C-100 Double Sided Reflector Diffusion 3&4
$145.00 Daily Rate
LightBridge CRLS C-100 Double Sided Reflector Diffusion 3&4
$145
LightBridge CRLS C-Drive Kit
×
LightBridge CRLS C-Drive Kit
$175.00 Daily Rate
INCLUDES:
(5x) – 2.7 x 2.7″ C-Reflector with Cordura Bag
(5x) – 5.9 x 5.9″ C-Reflector with Cordura Bag
(5x) – 19.6 x 19.6″ C-Reflector with Cordura Bag
(3x) – Grip Bag
(1x) – Flight Case
(1x) – Cleaning Kit
The Lightbridge C-Drive + Kit contains versatile range of high-tech cine
reflectors, ranging from diffusion 0 to 4. They give you full control of your
diffused light without using flags or frames, while having a minimal footprint,
and can be placed close to the subjects since they don’t generate heat.
$175
Godox
--------------------------------------------------------------------------------
Godox LiteFlow 100 Reflector Diffusion 1&2
×
Godox LiteFlow 100 Reflector Diffusion 1&2
$125.00 Daily Rate
Godox LiteFlow 100 Reflector Diffusion 1&2
$125
Godox LiteFlow 100 Reflector Diffusion 3&4
×
Godox LiteFlow 100 Reflector Diffusion 3&4
$125.00 Daily Rate
Godox LiteFlow 100 Reflector Diffusion 1&2
$125
Godox KNOWLED LiteFlow K1 Reflector Kit
×
Godox KNOWLED LiteFlow K1 Reflector Kit
$125.00 Daily Rate
INCLUDES:
(4x) – LiteFlow 50 Panels
(4x) – LiteFlow 25 Panels
(4x) – LiteFlow 15 Panels
(4x) – LiteFlow 7 Panels
(2x) – Rail Mount Receivers
(2x) – Rail Mount Studs
(1x) – Tool Kit Pouch
(1x) – Gloves
(2x) – Safety Cables
(1x) – Cleaning Spray & Cloths
(1x) – Cleaning Kit Pouch
(1x) – Soft Carrying Case
The KNOWLED LiteFlow Cine Lighting Reflector System is a new and innovative
cinematic light control system, that introduces a fresh perspective on
illumination. With outstanding reflectivity, and coming in a Multitude of Sizes
and Various Degrees of Diffusion, the LiteFlow Cine Light Reflector Syetm is
highly versatile. The LiteFlow system offers remarkable light quality,
convenience, and control designed to streamline your workflow on set.
$105
Impact
--------------------------------------------------------------------------------
Impact 5-in-1 Collapsible 32″ Reflector
×
Impact 5-in-1 Collapsible 32″ Reflector
$5.00 Daily Rate
Impact 5-in-1 Collapsible 32″ Reflector
$5
Impact 5-in-1 Collapsible 42″ Reflector
×
Impact 5-in-1 Collapsible 42″ Reflector
$5.00 Daily Rate
Impact 5-in-1 Collapsible 42″ Reflector
$5
Impact Panel Reflector Gold/Silk Reversible Fabric
×
Impact Panel Reflector Gold/Silk Reversible Fabric
$5.00 Daily Rate
Impact Panel Reflector Gold/Silk Reversible Fabric
$5
Neewer
--------------------------------------------------------------------------------
Neewer 43″ Circular Reflector
×
Neewer 43″ Circular Reflector
$3.00 Daily Rate
Neewer 43″ Circular Reflector
$3
Electric
Daily Rate
Distribution
--------------------------------------------------------------------------------
Heavy Duty Stinger 25′
×
Heavy Duty Stinger 25′
$4.00 Daily Rate
Known in the theatrical and film industry as a “stinger,” this heavy duty
extension cord is built by hand and features heavy duty all weather AC plugs and
receptacles wired to all-weather neoprene rubber 12/3 AC power cable. Designed
for studio use and rated for rugged field in the harshest environments.
$3
Heavy Duty Stinger 50′
×
Heavy Duty Stinger 50′
$4.00 Daily Rate
Known in the theatrical and film industry as a “stinger,” this heavy duty
extension cord is built by hand and features heavy duty all weather AC plugs and
receptacles wired to all-weather neoprene rubber 12/3 AC power cable. Designed
for studio use and rated for rugged field in the harshest environments.
$4
Heavy Duty Stinger 100′
×
Heavy Duty Stinger 100′
$6.00 Daily Rate
Known in the theatrical and film industry as a “stinger,” this heavy duty
extension cord is built by hand and features heavy duty all weather AC plugs and
receptacles wired to all-weather neoprene rubber 12/3 AC power cable. Designed
for studio use and rated for rugged field in the harshest environments.
$6
Light Duty Stinger 25′
×
Light Duty Stinger 25′
$2.00 Daily Rate
Known in the theatrical and film industry as a “stinger,” this light duty
extension cord is built by hand and features heavy duty all weather AC plugs and
receptacles wired to all-weather neoprene rubber 12/3 AC power cable. Designed
for studio use and rated for rugged field in the harshest environments.
$2
Light Duty Stinger 50′
×
Light Duty Stinger 50′
$3.00 Daily Rate
Known in the theatrical and film industry as a “stinger,” this light duty
extension cord is built by hand and features heavy duty all weather AC plugs and
receptacles wired to all-weather neoprene rubber 12/3 AC power cable. Designed
for studio use and rated for rugged field in the harshest environments.
$3
Light Duty Stinger 100′
×
Light Duty Stinger 100′
$4.00 Daily Rate
Known in the theatrical and film industry as a “stinger,” this light duty
extension cord is built by hand and features heavy duty all weather AC plugs and
receptacles wired to all-weather neoprene rubber 12/3 AC power cable. Designed
for studio use and rated for rugged field in the harshest environments.
$4
Squid
×
Squid
$3.00 Daily Rate
Male Edison plug to 4 Female Edison outlets.
$3
Power Strip
×
Power Strip
$2.00 Daily Rate
Power Strip
$2
Cube Tap
×
Cube Tap
$1.00 Daily Rate
Male Edison Plug to 3 Female Edison outlets.
$1
2k Dimmer
×
2k Dimmer
$5.00 Daily Rate
2k Dimmer
$5
1k Dimmer
×
1k Dimmer
$5.00 Daily Rate
1k Dimmer
$5
Edison to Light Socket Adapter
×
Edison to Light Socket Adapter
$1.00 Daily Rate
3-Prong Edison Outlet to Light Socket Adapter
$1
Generators
--------------------------------------------------------------------------------
Honda Generator EU2200i
×
Honda Generator EU2200i
$65.00 Daily Rate
FEATURES:
Running Wattage – 1800
Starting Wattage – 2200
Recoil Start 120 volts
2 outlets
Built-in inverter
Fuel tank capacity – 0.95 gallons
Full load fuel consumption – 0.24 gallons/hour
Operational Volume – 57dB
$65
GOAL ZERO YETI 500X
×
GOAL ZERO YETI 500X
$40.00 Daily Rate
Whether you are in the woods camping, on the jobsite working, or dealing with a
power outage at home, the Yeti 500X Portable Power Station from GoalZero is a
solid choice to power your small to medium electronics and appliances from
phones & cameras to tablets & laptops to CPAP machines, TVs, and small
refrigerators. This power pack is an environmentally-friendly alternative to
traditional loud and smelly backup generators. using a 505Wh Li-ion NMC battery
this addition to the venerable Yeti series is 20% smaller and lighter with 20%
more power than previous models, works without noise, and produces no exhaust.
The Yeti can be charged from 110 VAC house current, 12 VDC car/vehicle power, or
from compatible GoalZero solar panels. Multiple power and charging management
systems optimize the input and output to protect your gear and its battery while
being extremely efficient. The front display panel provides readouts of
incoming/outgoing power and battery status in 20% increments. This real time
feedback enables precise power management. The Yeti provides an array of output
options for any energy need including: 110 VAC grounded wall outlets, a 60W USB
Type-C Power Delivery (PD) port, two standard USB ports, an 18W USB Type-C port,
a 12 VDC car/vehicle port, and a 6mm 12 VDC plug port.
$40
GOAL ZERO YETI 1500X
×
GOAL ZERO YETI 1500X
$80.00 Daily Rate
Charge or power everything from phones, tablets, laptops, TVs, fridges, and more
with the Yeti 1500X Portable Power Station from GoalZero. Off the grid, on a job
site, or at home when the power’s out, the Yeti 1500X supplies power for
electronics and appliances without the noise and fumes of traditional
generators. Add the optional Goal Zero Home Integration Kit with professional
assistance, and the Yeti 1500X becomes a back-up home power supply to run
lights, medical equipment, and other critical gear. The included 120W power
supply will charge the unit in 14 hours, but you can cut that to 3 hours with
the optional 600W Power Supply.
$80
GOAL ZERO YETI 6000X
×
GOAL ZERO YETI 6000X
$200.00 Daily Rate
FEATURES:
With a lithium-ion battery at its core, the Goal Zero Yeti X equips you with
safe, clean, portable power
2000W AC (3500W Surge) inverter
Power a wide range of devices with seven different port options including
fast-charging 60W USB-C Power Delivery, multiple USB-A ports, regulated 12V, and
two 120V AC ports.
$200
GOAL ZERO Boulder 200 Briefcase Solar Panel
×
GOAL ZERO Boulder 200 Briefcase Solar Panel
$35.00 Daily Rate
Use the clean, free, and renewable power of the sun to charge your Goal Zero
power pack with the Boulder 200 Briefcase Solar Panel. It consists of two panels
chained and joined by a hinge, so you can fold them together and carry them by
the handle. Measuring 40 x 53.5 x 1.75″ unfolded, this panel produces up to 200
watts of power that can be stored in any Goal Zero station, but it is most
effective with the Yeti and Sherpa models. You can chain the Boulder 200
Briefcase together with other Boulder panels for increased power production. The
panel is covered with scratch-resistant tempered glass and is supported by an
aluminum frame with extra corner protection, and it features an integrated
kickstand that supports it at the optimum angle for charging. The
weather-resistant Boulder 200 Briefcase is rugged enough to be permanently
installed, but its size, handle, and carry bag make it portable enough for car
camping, RV use, and other outdoor activities.
$35
Audio
Daily Rate
Microphones
--------------------------------------------------------------------------------
Rode NTG4+ Shotgun
×
Rode NTG4+ Shotgun
$25.00 Daily Rate
Customize your tone and capture quality sound indoors or outside for your next
indie film, TV shoot, or documentary project with the Rode NTG4+ battery- or
phantom-powered shotgun microphone. Specialized features such as low-noise
circuitry, digitally switchable pad and frequency settings, and minimal handling
noise reduce the need to repair and restore audio in post production.
$25
Rode VideoMic Pro
×
Rode VideoMic Pro
$20.00 Daily Rate
Offering lower noise, higher sensitivity, and more adjustable settings than the
VideoMic, the Rode VideoMic Pro camera-mount shotgun microphone is ideal for
mobile journalists, vloggers, budget filmmakers, and run-and-gun shooters
looking for a cost-effective way to step up to the next level in quality.
$20
Rode Stereo VideoMic Pro
×
Rode Stereo VideoMic Pro
$20.00 Daily Rate
The Stereo VideoMic Pro Rycote from Rode builds on the success of the Stereo
VideoMic Pro with a few improved upgrades such as a Rycote Lyre shockmount,
higher-sensitivity X/Y capsules, denser foam windscreen, better RF shielding,
and a thicker Kevlar braided cable. The microphone retains all of the switch
locations and other features as the previous model, for use as an on-camera DSLR
and camcorder microphone for video applications.
$20
Rode VideoMic
×
Rode VideoMic
$15.00 Daily Rate
Compared to the smaller VideoMic GO, the Rode VideoMic camera-mount shotgun
microphone offers battery powering, extended low-end response, and customizable
audio settings. Its switchable pad and bass roll-off optimize it for mobile
journalists, vloggers, and run-and-gun shooters in loud or rumble-heavy
environments.
$15
Rode NT-USB
×
Rode NT-USB
$10.00 Daily Rate
The NT-USB USB Microphone from Rode is a cardioid, side-address USB microphone
that is capable of capturing audio in up to 16-bit/48kHz resolution. It has an
integrated headphone amplifier and 1/8″ stereo headphone jack that allows for
monitoring.
$10
Sennheiser MKH 416 Shotgun Microphone
×
Sennheiser MKH 416 Shotgun Microphone
$50.00 Daily Rate
Achieve superb audio capture in demanding conditions for your next professional
film, TV, or location recording with the Sennheiser MKH
416-P48U3 moisture-resistant shotgun microphone. Mix-ready sound quality is
provided by its sharp directivity, low noise, and strong output. Plus, there are
no controls to worry about; the MKH 416-P48U3 delivers the reliability you need
for high-pressure gigs.
$50
Wooden Camera VX Skateboard Mic
×
Wooden Camera VX Skateboard Mic
$15.00 Daily Rate
Spruce up the sound of your skateboarding videos with the VX Skateboard Camera
Mic from Wooden Camera. For use with modern cameras, the VX emulates the
legendary sound of the Sony VX1000’s built-in microphone. The VX’s design
incorporates four microphone capsules arranged in the same orientation as those
of the VX1000 and a digital signal processor designed to recreate the VX1000’s
frequency filtering and compression.
$15
512 Audio Limelight Dynamic XLR Mic
×
512 Audio Limelight Dynamic XLR Mic
$15.00 Daily Rate
Brought about by Warm Audio’s team of expert engineers specifically for
podcasters, live streamers, and broadcasters, the 512 AUDIO Limelight dynamic
vocal XLR microphone offers build quality, tone, and features that extend beyond
its price class. Like all of Warm Audio’s pro audio gear, the Limelight mic is
designed to produce a great sound without gratuitous tweaking after the
recording.
$15
Mixers + Recorders
--------------------------------------------------------------------------------
Zoom F8n
×
Zoom F8n
$55.00 Daily Rate
Capture every location recording quickly and cleanly with the Zoom F8n Pro, a
sound bag–friendly multitrack field recorder with 32-bit float technology for
immense dynamic range that frees you from clipping and manual gain adjustments.
Offering 8-input / 10-track recording, separate converters for quiet and loud
sounds, and high-grade preamps with mic/line input switching, the F8n Pro packs
quantity and quality into a rugged frame that’s more than ready for filmmaking,
production/location sound mixing, sound effects recording, and electronic news
gathering.
$55
Zoom H6
×
Zoom H6
$30.00 Daily Rate
While the original gray H6 is bundled with two mic capsules and premium
accessories, the Zoom H6 All Black portable handheld recorder features a sleek
black finish and a single mic capsule, making ideal for bands,
multi-instrumentalists, and podcasters who don’t immediately need the extras.
With its X/Y stereo microphone capsule, six versatile mic/line inputs, and up to
6-track recording, the H6 All Black is both user-friendly and easily expandable.
$30
Zoom H5
×
Zoom H5
$20.00 Daily Rate
Ideal for documentaries, podcasting, audio for video, and professional sound
design, the Zoom H5 portable handheld recorder lets you quickly record up to
four input signals regardless of your audio experience. With a swappable stereo
microphone capsule, versatile 2-channel inputs, and up to 4-track recording, the
H5 is both user-friendly and easily expandable.
$20
Zoom H4
×
Zoom H4
$10.00 Daily Rate
Whether you’re recording a live performance, a podcast, a class or workshop, a
rehearsal, a songwriting session or even a sizzling performance of your band,
the Zoom H4 has more recording tools available than any device ever made.
Weighing a mere 6.7 ounces (190g), the H4 puts a remarkable amount of recording
power in the palm of your hand.
Underneath its sleek exterior are built-in studio effects such as compression,
limiting and mic modeling. Use the combination XLR-1/4-inch inputs for external
mics, guitars, bass or keyboards. Also onboard are Zoom’s most incredible
microphone, guitar and bass modeling, accurately reproducing the tone of the
most famous microphones and amps ever made. Audio can be recorded as WAV or MP3
files and moved to a computer via USB for easy editing, mixing and mastering.
$10
Zoom H2
×
Zoom H2
$5.00 Daily Rate
It’s a simple idea: provide brilliant stereo recording in an easy-to-use,
ultra-portable device. Now everyone can record pristine audio in an infinite
variety of applications. From seminars and conferences, to electronic news
gathering (ENG) and podcasting, to musical performances, songwriting sessions
and rehearsals, the Zoom H2 provides amazing recording quality. And no matter
what kind of music you perform or the instrument you play, the H2 can
effortlessly record it in high-quality stereo.
$5
Wireless
--------------------------------------------------------------------------------
Comtek FPM-216 2-RX IFB Kit
×
Comtek FPM-216 2-RX IFB Kit
$70.00 Daily Rate
INCLUDED:
(1x) – Comtek M-216 TX
(1x) – Standard Antenna
(2x) – Comtek PR-216 RX
(1x) – CB-36 ST 3.5mm Stereo Mini Cable
(2x) – Belt Clip
(1x) – Carrying Case
(1x) – Flat Head Nudger
(2x) – Sony MDR-ZX110 Headphones
(1x) – F-Stop Cube Case
The Comtek FPM-216 bundles together several items into a field monitoring kit.
These items include the M-216 Transmitter (Option P7)—which provides a 3.5mm
line-level mini input and up to 40 hours of in-the-field operation off a single
9V battery—and two PR-216 beltpack receivers for hearing the incoming audio from
the M-216 transmitter.
$70
Sennheiser G3 Wireless Lavalier Kit
×
Sennheiser G3 Wireless Lavalier Kit
$45.00 Daily Rate
INCLUDED:
(1x) – G3 Diversity Receiver
(1x) – G3 Bodypack Transmitter
(1x) – ME 2 Clip-on Omni-Directional Condenser Microphone
(1x) – CA2 Hotshoe Mount for Transmitter
(1x) – XLR Cable
(1x) – Mini Camera Input Cable
The Sennheisser G3 Wireless Lav Kit includes a transmitter, receiver as well as
a coldshoe mount for the receiver. Packaged with a Sennheiser ME2 lavalier
microphone. Includes an XLR and a stereo mini to keep compatibility to a
multitude of audio destinations.
$45
Audio Accessories
--------------------------------------------------------------------------------
Auray RF-C17 Studio Isolation Filter
×
Auray RF-C17 Studio Isolation Filter
$7.00 Daily Rate
This B&H Kit combines the Auray RF-C17 Studio Isolation Filter and Tripod Mic
Stand with a pop filter to create a complete microphone recording solution for
music producers, voiceover artists, and podcasters.
$7
Auray Boom Pole Holder
×
Auray Boom Pole Holder
$2.00 Daily Rate
Hold your boom with ease, using the Auray Boom Pole Holder!
$2
Beyerdynamic DT 770 M Headphones
×
Beyerdynamic DT 770 M Headphones
$10.00 Daily Rate
The Beyerdynamic DT 770 M 80Ohms Dynamic Closed Headphone is a closed dynamic
headphone designed especially for drummers. Due to its high SPL capability and
excellent ambient noise attenuation, the DT 770 M is also suitable for the
monitoring of PA systems (FOH) live on stage and in studios. The single-sided
9.84′ (3m) connecting cable allows easy handling for everyday use and is
equipped with an in-line volume control for optimum set-up. It is fitted with a
gold-plated mini stereo plug (3.5mm) with a 1/4″ (6.35mm) adapter and is
therefore suitable for use with almost all headphone amplifiers.
$10
Senal SMH-1000 Headphones
×
Senal SMH-1000 Headphones
$5.00 Daily Rate
The SMH-1000-MK2 professional headphones are designed to deliver high-quality
sound for video and audio applications in the studio, in the field, or on the
set. Whether you’re checking audio for clarity, monitoring dialogue, or quickly
checking levels, the SMH-1000-MK2 headphones will ensure detail and clarity
that’s perfect for pro applications.
$5
Senal SMH-1200 Headphones
×
Senal SMH-1200 Headphones
$8.00 Daily Rate
The nautical blue version of the SMH-1200 Enhanced Studio Monitor
Headphones from Senal is tuned for accurate music reproduction and studio
monitoring. With a closed-back, over-the-ear, foldable design and features like
interchangeable twist-locking cables, extra deep ear cushions, and a refined
musical frequency response, the SMH-1200s are suitable for both audio
professionals and enthusiasts.
$8
Sony MDR-7506 Headphones
×
Sony MDR-7506 Headphones
$10.00 Daily Rate
Sony MDR7506 Professional Stereo Headphones are ideal for sound monitoring in
recording studios, radio, film production, video, electronic news gathering –
and virtually any application where high quality sound is required. The
closed-ear design MDR-7506 is outrageously popular in pro and home recording
studios. It features a rugged design, convenient folding construction, 40mm
driver units, gold connectors and a professional-quality OFC (oxygen free
copper) cord. Sony 7500 Series headphones offer a practical range of choices for
everyone from the casual user to the studio pro.
$10
Sony MDR-ZX110 On-Ear Headphones
×
Sony MDR-ZX110 On-Ear Headphones
$5.00 Daily Rate
The Sony ZX Series MDRZX110 headphones feature neodymium magnets and 30mm
drivers for powerful, reinforced sound.
$5
Rode Blimp
×
Rode Blimp
$15.00 Daily Rate
The Blimp Windshield and Rycote Shock Mount Suspension System from Rode is
designed to provide your shotgun microphone with protection from wind noise and
isolation from shock and vibration. It fits the Rode NTG1, NTG2, NTG3, NTG4,
NTG4+, NTG5, and any shotgun mic up to 12.75″ in length.
$15
Rycote Classic-Softie
×
Rycote Classic-Softie
$12.00 Daily Rate
Specially designed acoustic foam and synthetic fur achieve up to 25 dB of
wind-noise reduction without any adverse effect on high frequencies. While
protecting the mic, the specialty foam is impervious to UV and moisture damage
making this a trusted tool for years of effective use in the harshest
environments.
$12
Rycote #4 Windshield
×
Rycote #4 Windshield
$8.00 Daily Rate
The Modular Windshield is a lightweight, durable basket made from flexible grey
plastic netting with a screening material attached. Designed for use with the
Modular Suspension, this system provides excellent wind-noise reduction of up to
30dB with minimal High-Frequency loss.
$8
Rycote #4 Windjammer
×
Rycote #4 Windjammer
$5.00 Daily Rate
Originally developed by Rycote, the Windjammer is a high-quality, synthetic
fur-cover that provides the highest possible protection against extreme
wind-noise. When using a Windjammer fitted over a Windshield, up to 50 dB of
wind-noise attenuation can be achieved, producing excellent standard audio
recordings. Made from materials specially designed for wind-noise isolation, the
Windjammer has virtually no adverse effect on high frequencies.
$5
Rycote Super Softie Windshield
×
Rycote Super Softie Windshield
$5.00 Daily Rate
The shape & structure of the Super-Softie® improves upon standard slip-on
windshield designs with an entirely new shape and structure. Superb wind
attenuation performance along with improved attenuation with extreme
low-frequencies and infrasonic frequencies protects captured audio where wind
noise is at its greatest.
$5
Sound Blanket w/ Grommets
×
Sound Blanket w/ Grommets
$5.00 Daily Rate
This sound blanket can be used to black out a window or hang in a room for added
sound insulation. Sound blankets can also be used to protect equipment during
transportation. This model has 12 grommets, four on each side.
$5
Audio Support
--------------------------------------------------------------------------------
Auray CFP-516B Boom Pole
×
Auray CFP-516B Boom Pole
$10.00 Daily Rate
The 16′ CFP-516B Carbon Fiber Telescoping Boom Pole with Internal Cable & Bottom
XLR Base from Auray is a lightweight and durable boom pole that is loaded with
features like anti-tangle integrated cable with triple strain relief system,
anti-twist tube design, Neutrik XLR connectors, and easy drop-through cable
insertion to keep your sessions trouble and maintenance-free. It allows you to
place a microphone close to the subject while remaining at a distance or out of
frame, whether recording a narrative film, documentary, or a run-and-gun ENG
(Electronic News Gathering) production.
$10
K-Tek KE-89CC Boom Pole
×
K-Tek KE-89CC Boom Pole
$6.00 Daily Rate
The K-Tek KE-89CC Avalon Series Aluminum Boompole provides a lightweight
boompole solution for ENG, EFP, and other field recording applications. Its
sturdy aluminum design is tough enough to endure the rigors of road use, while
remaining lightweight and travel-worthy. This pole features an internal coiled
cable and an XLR connection at the base of the pole. A total of four aluminum
sections telescope between 2′ 5″ to 7′ 6″ and will easily store in any standard
equipment case. The captive-collet coupling system locks each section in place
for even further reliability.
$6
K-Tek KP9CCR Boom Pole
×
K-Tek KP9CCR Boom Pole
$20.00 Daily Rate
The KP9CCR 9′ KlassicPro Graphite 6-Section Boompole with Internal XLR Coiled
Cable, Side Exit from K-Tek features a removable headpiece for cable
reconfiguration without soldering. The top attachment is a 3/8″ male thread that
includes a coiled cable with a KlassicPro right angle connector and a bottom
male 3-pin XLR with a side exit. This boompole can be used as a solution for
Film, Broadcast TV, Electronic News Gathering (ENG), Electronic Field
Productions, (EFP), and other field recording applications.
$20
Audio Cables
--------------------------------------------------------------------------------
3-Pin XLR 3′
×
3-Pin XLR 3′
$2.00 Daily Rate
3′ XLR 3-pin Male to XLR 3-pin Female for 28v applications.
$2
3-Pin XLR 10′
×
3-Pin XLR 10′
$5.00 Daily Rate
10′ XLR 3-pin Male to XLR 3-pin Female for 28v applications.
$5
3-Pin XLR 25′
×
3-Pin XLR 25′
$8.00 Daily Rate
25′ XLR 3-pin Male to XLR 3-pin Female for 28v applications.
$8
3-Pin XLR 50′
×
3-Pin XLR 50′
$10.00 Daily Rate
50′ XLR 3-pin Male to XLR 3-pin Female for 28v applications.
$10
3-Pin XLR 100′
×
3-Pin XLR 100′
$20.00 Daily Rate
100′ XLR 3-pin Male to XLR 3-pin Female for 28v applications.
$20
Production
Daily Rate
Carts
--------------------------------------------------------------------------------
Inovativ Voyager Evo 30″ Cart
×
Inovativ Voyager Evo 30″ Cart
$75.00 Daily Rate
Measuring 34 x 21 x 39.5 inches (W x L x H), the Inovativ Voyager 30 EVO with
X-Top Keyboard Shelf is a lightweight equipment cart designed to carry camera
gear, tools, and accessories in the studio or on location. Inovativ’s patented
SLAS (Self-Locking Adjustable Shelving) system requires no tools for
assembly/disassembly, so you can build or break down the cart with ease in
approximately two minutes. The X-Top shelf is height adjustable up to 10″ in 2″
increments, and comfortably accommodates a keyboard and mouse. The cart
collapses to a compact flight case measuring 8.25″ thick, with a travel handle,
integrated rolling wheels, and a spring-loaded latch system. In flight case
form, the cart becomes portable and easy to transport at just 58 pounds.
$75
Inovativ Voyager Evo 36″ Cart
×
Inovativ Voyager Evo 36″ Cart
$100.00 Daily Rate
Measuring 39.9 x 24.7 x 39.5″ (W x L x H), the Inovativ Voyager 36 EVO is a
lightweight equipment cart designed to carry camera gear, tools, and accessories
in the studio or on location. Inovativ’s patented SLAS (Self-Locking Adjustable
Shelving) system requires no tools for assembly/disassembly, so you can build or
break down the cart with ease in approximately two minutes. Furthermore, the
locking top shelf is height adjustable up to 10″ in 2″ increments. The cart and
its wheels collapse to a compact 8.25″ thick flight case, which features a
travel handle, integrated rolling wheels, and a spring-loaded latch system. In
its flight case form, the cart becomes portable and easily transportable at just
68 pounds.
$100
Inovativ Apollo Evo 40″ Cart
×
Inovativ Apollo Evo 40″ Cart
$150.00 Daily Rate
Measuring 42 x 40 x 26″ (W x L x H), the Apollo 40 EVO Cart from Inovativ can be
used on set, in the studio, or on location to transport your cinema equipment.
It can also function as a mobile workstation for data management operators. The
cart can be configured to hold several monitors, a laptop, or a camera. This
allows the operator on set to help the photographer manage data more
efficiently.
$125
Inovativ Voyager Evo 42″ Cart
×
Inovativ Voyager Evo 42″ Cart
$125.00 Daily Rate
Measuring 45.9 x 24.7 x 40.9 inches (W x L x H), the Inovativ Voyager 42 EVO
with X-Top Keyboard Shelf is a lightweight equipment cart designed to carry
camera gear, tools, and accessories in the studio or on location. Inovativ’s
patented SLAS (Self-Locking Adjustable Shelving) system requires no tools for
assembly/disassembly, so you can build or break down the cart with ease in
approximately two minutes. The X-Top shelf is height adjustable up to 10″ in 2″
increments, and comfortably accommodates a keyboard and mouse. The cart
collapses to a compact flight case measuring 8.25″ thick, with a travel handle,
integrated rolling wheels, and a spring-loaded latch system. In flight case
form, the cart becomes portable and easy to transport at just 78 pounds.
$125
Inovativ Apollo Evo 52″ Cart
×
Inovativ Apollo Evo 52″ Cart
$175.00 Daily Rate
Measuring 54 x 40 x 26″ (W x L x H), the Apollo 52 EVO Cart from Inovativ can be
used on set, in the studio, or on location to transport your cinema equipment.
It can also function as a mobile workstation for data management operators. The
cart can be configured to hold several monitors, a laptop, or a camera. This
allows the operator on set to help the photographer manage data more
efficiently.
$175
Inovativ AXIS Command Station Cart
×
Inovativ AXIS Command Station Cart
$125.00 Daily Rate
Set up your mobile workstation and your monitor and gear smoothly around the set
using this AXIS Command Station with Top Drawer from Inovativ. The Command
Station is comprised of various easily assembled components including the AXIS
Stand, 8″ heavy-duty locking wheels, the WorkSurface Pro, and a top drawer that
attaches to the WorkSurface Pro. It also has a hanger with a 25 lb weight bag, a
Dual Bar, a Case Platform with a locking bottom drawer, multiple mafer clamps,
and an AXIS Trough.
$125
Backstage Magliner Junior Cart
×
Backstage Magliner Junior Cart
$75.00 Daily Rate
This junior cart is built from the ground up, starting out with a B&P 6061 T6
frame that is assembled with aircraft grade stainless steel rivets. It offers a
removable 24″ x 36″ top shelf and a 24″ x 36″ attached bottom shelf. It also
features 10″ 4-ply tube-type pneumatic tires, rated to 350 pounds each, and
steel split rims with sealed roller bearings for the best quality main wheel
combination. The 8″ tires are also 4-ply tube-type, but rated for a 295 pound
load factor, so you can enjoy a 1290 pound capacity total.
$75
Backstage Magliner Senior Cart
×
Backstage Magliner Senior Cart
$100.00 Daily Rate
The Magliner SR with 8″ Wheels from Backstage Equipment supports up to 1000 lb
and features 24″ top and bottom shelves, a custom top plate, nose and frame
re-enforcement, and pre-drilled holes to accept optional bolt-on accessories.
The cart has two fixed wheels and two swivel wheels with foot brakes.
$100
RocknRoller Multi-Cart R12RT All Terrain
×
RocknRoller Multi-Cart R12RT All Terrain
$10.00 Daily Rate
INCLUDES: (1x) – Multi-Cart R12RT All Terrain —– FEATURES: • Rugged Steel • No
Moveable Pins • Tubeless No-Flat Rear Wheels
$10
Communication
--------------------------------------------------------------------------------
Eartec UltraLITE 2-Hub 17 Headsets Kit
×
Eartec UltraLITE 2-Hub 17 Headsets Kit
$225.00 Daily Rate
INCLUDES:
(17x) – UltraLITE Single-Ear Remote Headset
(1x) – Plug-in Max4G Single Headset
(2x) – Eartec HUB Mini Base Master
(1x) – Interlink Cable
(40x) – Rechargeable Lithium Batteries
(1x) – 8-Bay Muilti Port Charger
(1x) -10-Bay Multi Port Charger
(2x) – Softside Case
The Eartec HUB is a professional full duplex intercom for 9 people that need to
communicate and work with their hands. This bundle takes the power of two
compact systems and puts them together using the included interlink cable to
increase the capacity to 17 trancievers (16 wireless and 1 wired). UltraLITE
headset provide simultaneous talk, two way voice communication for users that
need to work with their hands yet also require one ear free to listen to what is
going on around them. The mic boom arm swivels 270 deg. so the headset can be
worn on the left or right. Microphone mutes when in the up position.
– Max4G Single Headset –
The Max4G Headset features a fully adjustable headband and deluxe foam padding
to ensure a firm, comfortable fit. Boom arm rotates 270 degrees and when set in
the UP position automatically mutes the microphone gain.
The “AutoMUTE Boom” is a brand new technology developed by Eartec engineers and
is included with all Max4G headsets. These specialty microphone assemblies
feature an internal micro switch that automatically mutes the headset mic gain
when set to the UP position.
The batteries are lightweight and only about the size of a book of matches. They
charge in approximately 3 hours and operate the headset for 6 hours. Since they
are removable and are charged externally in the Multi-Port charger, they can be
changed out in seconds.
An 8-Port charger charges the headset batteries in individual bays. When each
battery reaches full charge the corresponding LED turns from red to green
indicating that the battery is ready to go. This feature allows users to have
extra batteries on hand in the charger whenever necessary.
$225
Eartec UltraLITE 9 Headsets Kit
×
Eartec UltraLITE 9 Headsets Kit
$150.00 Daily Rate
INCLUDES:
(8x) – UltraLITE Single-Ear Remote Headset
(1x) – Plug-in Max4G Single Headset
(1x) – Eartec HUB Mini Base Master
(20x) – Rechargeable Lithium Batteries
(2x) – 8-Bay Multi Port Charger
(1x) – Softside Case
The Eartec HUB953MXS UltraLITE 9-Person HUB Intercom System includes one HUB
Mini Base Station, five UltraLITE Single Remote headsets, three UltraLITE Double
Remote headsets, one Max 4G Single headset, nine LX600LI lithium batteries, an
eight-port charger, and a large soft-side case. It is designed to accommodate
nine-person crews who need to communicate wirelessly while simultaneously
working with their hands. This system is designed to work in the United States.
The Hub is designed to extend the range of your existing Eartec wireless system
by over 1000′, and moreover, to be portable; you can wear it on a belt, and thus
allow your hotspot to travel with you, or place it in a single, changeable
location. The UltraLITE single and dual headsets works in conjunction with the
Hub for controlling the voice communication between users. They provide two-way
voice communication and the microphone arm can swivel 270°. The Max 4G Single
headset features an adjustable headband and a boom arm that rotates 270° and
automatically mutes when placed in an “up” position.
$150
Eartec UltraLITE 6 Headsets Kit
×
Eartec UltraLITE 6 Headsets Kit
$100.00 Daily Rate
INCLUDES:
(1x) -Eartec HUB Mini Base Station
(4x) – UltraLITE Single Remote Headset
(2x) – UltraLITE Double Remote Headset
(12x) – LX600LI Lithium Batteries
(1x) – 8-Port Charger with Adapter
(1x) – Carry Case
The HUB is a wearable Mini Base that expands the capacity of UltraLITE wireless
headsets for larger crews that need to communicate and work with their hands.
This compact transceiver weighs only 4oz and can either be placed strategically
on location or belt worn. When clipped comfortably to the user’s waist it moves
seamlessly with your group allowing UltraLITE headsets to remain connected in
full duplex.
$100
Motorola T605 Talkabout 11 Walkie Kit
×
Motorola T605 Talkabout 11 Walkie Kit
$80.00 Daily Rate
The Hub is designed to extend the range of your existing Eartec wireless system
by over 1000′, and moreover, to be portable; you can wear it on a belt, and thus
allow your hotspot to travel with you, or place it in a single, changeable
location. The UltraLITE single and dual headsets works in conjunction with the
Hub for controlling the voice communication between users. They provide two-way
voice communication and the microphone arm can swivel 270°.
$80
SFX
--------------------------------------------------------------------------------
Reel EFX DF-50 Diffusion Hazer
×
Reel EFX DF-50 Diffusion Hazer
$100.00 Daily Rate
Reel EFX DF-50 Diffusion Hazer
$100
Reel EFX Turbo Fan 2
×
Reel EFX Turbo Fan 2
$100.00 Daily Rate
Reel EFX Turbo Fan 2
$100
SmokeGENIE Handheld Smoke Machine
×
SmokeGENIE Handheld Smoke Machine
$30.00 Daily Rate
SmokeGENIE Handheld Smoke Machine
$30
Coolers
--------------------------------------------------------------------------------
Coleman 120 Cooler
×
Coleman 120 Cooler
$15.00 Daily Rate
37.9”W x 19”D x 18”H
$15
YETI Hopper Flip 12 + Ice Pack
×
YETI Hopper Flip 12 + Ice Pack
$15.00 Daily Rate
12.63″W x 10″D x 11.5″H
$15
YETI Roadie 24 + Ice Pack
×
YETI Roadie 24 + Ice Pack
$15.00 Daily Rate
16.6″W x 14.0″D x 17.4″H
$15
YETI Tundra 125 + Ice Pack
×
YETI Tundra 125 + Ice Pack
$30.00 Daily Rate
40.3″W x 19.4″D x 20.1″H
$30
YETI Tundra 35 + Ice Pack
×
YETI Tundra 35 + Ice Pack
$20.00 Daily Rate
21.1″W x 15.9″D x 15.4″H
$20
YETI Tundra Haul + Ice Pack
×
YETI Tundra Haul + Ice Pick
$20.00 Daily Rate
28.1″W x 18.6″D x 19.6″H
$20
Basecamp
--------------------------------------------------------------------------------
ABC Canopy 10×10′ Canopy Tent
×
ABC Canopy 10×10′ Canopy Tent
$12.00 Daily Rate
ABC Canopy 10×10′ Canopy Tent
$12
E-Z Up 10×10′ 4-Sided Canopy
×
E-Z Up 10×10′ 4-Sided Canopy
$6.00 Daily Rate
E-Z Up 10×10′ 4-Sided Canopy
$6
Eurmax 10×10′ Pop-Up 4-Wall Canopy
×
Eurmax 10×10′ Pop-Up 4-Wall Canopy
$6.00 Daily Rate
Eurmax 10×10′ Pop-Up 4-Wall Canopy
$6
Eurmax 10×20′ Pop-Up 4-Wall Canopy
×
Eurmax 10×20′ Pop-Up 4-Wall Canopy
$14.00 Daily Rate
Eurmax 10×20′ Pop-Up 4-Wall Canopy
$14
Pop-Up Recycling Bin
×
Pop-Up Recycling Bin
$3.00 Daily Rate
Pop-Up Recycling Bin
$3
Pop-Up Trash Bin
×
Pop-Up Trash Bin
$3.00 Daily Rate
Pop-Up Trash Bin
$3
Tall Director’s Chair
×
Tall Director’s Chair
$7.00 Daily Rate
Tall Director’s Chair
$7
Short Director’s Chair
×
Short Director’s Chair
$5.00 Daily Rate
Short Director’s Chair
$5
8′ Folding Table- White
×
8′ Folding Table- White
$10.00 Daily Rate
8′ Folding Table- White
$10
6′ Folding Table- White
×
6′ Folding Table- White
$5.00 Daily Rate
6′ Folding Table- White
$5
6′ Folding Table- Black
×
6′ Folding Table- Black
$5.00 Daily Rate
6′ Folding Table- Black
$5
4′ Folding Table- White
×
4′ Folding Table- White
$4.00 Daily Rate
4′ Folding Table- White
$4
Round Folding Bistro Table- White
×
Round Folding Bistro Table- White
$4.00 Daily Rate
Round Folding Bistro Table- White
$5
Folding Chairs- White
×
Folding Chairs- White
$3.00 Daily Rate
Folding Chairs- White
$3
20″ Electric Floor Fan
×
20″ Electric Floor Fan
$4.00 Daily Rate
20″ Electric Floor Fan
$4
8″ Tabletop Fan
×
8″ Tabletop Fan
$1.00 Daily Rate
8″ Tabletop Fan
$1
Advanced Equipment.
Legendary Support.
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CONTACT US
5645 N Ravenswood Ave,
Chicago, IL 60660
(312) 888-5441
rent@machina.rentals