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RACHMANINOFF’S LAST LIVING PIANO STUDENT LIVES IN PA. SHE’S 99.


FORMER CHILD PRODIGY RUTH SLENCZYNSKA RELEASED AN ALBUM IN 2022 AND IS NOW
RETIRED AFTER NINE DECADES AT THE PIANO

By Cathy Free
February 3, 2024 at 8:05 a.m. EST

Ruth Slenczynska performs Chopin in 1931 at age 6. (Southern Illinois University
Edwardsville)

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Child piano prodigy Ruth Slenczynska received an urgent telegram in 1934: Famed
pianist and composer Sergei Rachmaninoff couldn’t play at his performance in Los
Angeles because of an elbow injury. Could she fill in?


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Slenczynska was 9.

“My father said, ‘Of course, we can come,’” Slenczynska recalled. “When Mr.
Rachmaninoff heard his place was taken by a 9-year-old girl, I don’t think he
was terribly pleased.”



She soon learned she was mistaken. Rachmaninoff, who was in the prime of his
enormous career, was so impressed with her that he offered to teach Slenczynska
at his apartment in Paris. Nine decades later, she is believed to be his only
living student.

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As she approached her 99th birthday last month, Slenczynska thought hard about
those lessons with Rachmaninoff, as well as her own remarkable career, which
started when she was 4 and her legs were too small to reach the piano pedals, so
they were raised for her.

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After almost 95 years in front of the keys, she decided it was time to retire.

A former child prodigy and the last living piano student of Sergei Rachmaninoff,
Ruth Slenczynska, 99, played Chopin's Prelude in F Major in 2023. (Video: Shelly
Moorman-Stahlman)

“I’m a very old lady,” Slenczynska said. “I decided that you don’t need to do as
much when you’re going to be 99.”

Her final project was an important one to her, and a fitting coda to her musical
career.

In 2022, at age 97, she recorded her first album in nearly 60 years for Decca
Classics, a classical music record label.



“My Life in Music,” an album featuring Slenczynska playing pieces from Barber,
Bach and her favorite childhood teacher, Rachmaninoff, bookended a lifetime of
seeking comfort through music, she said. Her childhood was punishing.

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“During bad times, it was music that got me through,” said Slenczynska, now
living with one of her former piano students near Hershey, Penn. “When I was a
child, music was always my escape.”

Now retired, Slenczynska said she is content to enjoy the quiet as she reflects
upon almost a century of performing. The Classic FM radio website featured her
story on her 99th birthday last month.



Slenczynska was born in Sacramento, but her family moved to Australia to be near
her father’s brother when she was nine months old. She said she was 1 ½ when she
first sat at a piano bench with her father, Joseph Slenczynska, a Polish
immigrant and violinist.

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“My father started showing me the notes on the piano when my mother was in the
hospital having her second baby,” Slenczynska said. “He was restless and didn’t
have anything else to do, so he gave me a little lesson.”

Ruth Slenczynska, 5, plays the piano in Philadelphia in 1930. (Video: University
of South Carolina)

By age 3, her father had implemented a rigorous practice routine. Slenczynska
recalled him being domineering and abusive.

“He wanted more than he could get out of everybody, including me,” she said.
“What would you call a person who beat you for every little mistake you made? It
was miserable.”



As she grew up, Slenczynska said her father forced her to practice the piano for
nine hours a day while her two younger sisters played outside. Her family had
moved to Paris when she was 4 so she would have access to the best teachers as
she progressed in her piano studies.

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“I wanted to join [my sisters], but if I didn’t want to practice, I was chased
around with a stick,” she said. “But I found comfort and beauty in the music. It
was a way to get away from [my father.] I could think about how beautiful the
music was, and I didn’t feel so bad.”

Slenczynska’s difficult early years were chronicled in her 1957 memoir,
“Forbidden Childhood.”



She was 6 when she performed in concert in Berlin in 1931, and she was 7 when
she performed with a full orchestra in Paris. Programs billed her as one of the
greatest child prodigies since Mozart.

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“Was I scared to perform? Of course,” she said. “I still am. But it is something
you become accustomed to. I would just become absorbed in the music.”

She soon became the moneymaker for her family, she said, with concert tours
filling her schedule and a private tutor to keep her caught up with schoolwork
in Paris.



After she’d substituted for Rachmaninoff in Los Angeles when she was 9, she and
her father returned home and received an invitation to visit Rachmaninoff at the
residential hotel in Paris where he practiced during the week, she said.

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“He lived in Switzerland, but his wife wasn’t thrilled to hear him practicing 17
hours a day,” Slenczynska said. “So he would come to Paris to practice Monday
through Friday.”

She found out she was to play for Rachmaninoff one day when her father
interrupted her practice to tell her she’d be playing for the legendary pianist
the following week. She recalled it being a Wednesday.



“I was as scared as I could be,” she said. “I said, ‘I can’t play for him,’ but
my father said, ‘Well, you’re going to,’ and we went the next week to see him.”

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As they approached Rachmaninoff’s apartment in Paris, Slenczynska said she heard
someone practicing the piano very slowly and thought, ‘My goodness, this student
isn’t very good.’”

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“Then we rang the bell and the music suddenly stopped and I realized it was
him,” she said. “This very tall man opened the door and looked down at me. He
pointed at me with his long finger and said, ‘that plays the piano?’”

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She said she couldn’t stop shaking as he summoned her and her father inside.

It's true, Martin Luther King Jr. paid the hospital bill when actress Julia
Roberts was born

“He wanted me to stop shaking, so he pulled a little paper from his pocket and
drew me a picture of his boat,” Slenczynska recalled. “I started to laugh,
picturing myself on this boat, and he then knew it was okay for me to play.”

Rachmaninoff knew what it was like to be a child prodigy — his aristocratic
mother had given him his first piano lesson at age 4. His famous Piano Concerto
No. 2 was written when he was in his 20s.



At his apartment that day, Rachmaninoff asked Slenczynska to play one of her
favorite pieces for him in a different key.

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“The piece was in E-flat major, and he asked me to play it in G-major,” she
said. “That meant I had to transpose. So very slowly, I did that. He then asked
if I’d played any of his music, and I told him no. I had thought he wrote only
big concertos.”

Rachmaninoff pulled out a pen and wrote “Prelude in D Major, Op. 23, No. 4,” on
a piece of paper and handed it to her, she said.

“He said, ‘Buy this music and play it for me next Wednesday,’” she said. “That’s
how I got my first lesson.”



For the next two summers, she was Rachmaninoff’s student, and she enjoyed tea
and Russian cakes served by his niece after her lessons, Slenczynska said. Her
famous teacher gave her a Fabergé egg necklace, which she still wears in his
honor.

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Slenczynska said Rachmaninoff taught her to think about how music related to the
composer, and the importance of adding history and emotion to each piece.

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“He was more than a teacher — he was a kind person, like a grandfather,” she
said.

The great piano maestro, who died in 1943, mentored and taught just a few
students in his life, including Gina Bachauer, who died in 1976.

“I am now his only living student,” Slenczynska said of Rachmaninoff. “That is
something I never expected, but then, life never turns out the way you expect it
to.”

Drummer, 98, started band with fellow Holocaust survivors, now tours world

When Slenczynska was 15, she said she fled her father’s abuse and set out on her
own. She stopped performing and studied music at the University of California,
and in 1944 she met and married another student there, she said. They eventually
divorced.



In 1954, Slenczynska resumed her concert career and accepted an
artist-in-residence position at Southern Illinois University Edwardsville, where
she taught piano until 1987.

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She has performed for five U.S. presidents, including Ronald Reagan, Jimmy
Carter, John F. Kennedy, Herbert Hoover and Harry S. Truman, who was an amateur
pianist, she said.

Of all my chance encounters as a reporter, none was as unlikely as this

“President Truman called me to the White House and asked me to play a duet with
him,” she recalled. “I really should have gotten a picture.”

While teaching in Illinois, Slenczynska married James Kerr, a professor of
political science, in 1967. “He was the love of my life,” she said.



After Kerr’s death in 2001, Slenczynska moved to New York City to teach students
and judge piano competitions, she said. She remained there until August 2020
during the pandemic, when one of her former students — Pennsylvania pianist and
music professor Shelly Moorman-Stahlman — persuaded Slenczynska to move in with
her and her husband.



“The pandemic was not a good time for elderly people to be out, and we live in a
small community where she could safely continue her walks,” Moorman-Stahlman
said, adding that Slenczynska doesn’t have children.

“Ruth is a remarkable woman — she has a unique ability to always be looking
forward,” she added. “We have a lot of fun together, and she is still incredibly
alert and gets around very well. She still insists on taking the stairs.”



Although she has retired from performing, Slenczynska said she enjoys listening
to others play the piano and she will occasionally offer advice to promising
students.

“I’m a very fortunate lady, and my hands are as youthful and free of pain as
when I was 30,” she said. “It’s because of the music. It will always be an
important part of who I am.”

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