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Whiteboard Video Animation Service

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 * Home
 * Video Products
   * Video Ideas
   * Social Video Software
   * Logo Animation
   * Social Media Video
   * Whiteboard Animation Video
   * Blackboard Animation Video
   * Greenboard Animation Video
   * Explainer Animation Videos
   * Chalkboard/Glassboard Animation Video
   * Kinetic Typography
   * Whiteboard Animation Video Subscription with voiceover
   * Presentation Style
   * Cinematic Videos
   * Product Showcase Videos
   * Video Sales Letters
   * Webinar Presentations
   * Spokesperson Videos
   * Extra Demos
 * Pricing
 * Our Process
   * About Us
   * GDPR Policy & Privacy Policy
   * Frequently Asked Questions
 * Animated Banners
 * Blog
 * Contact Us
 * Support




CINEMATIC VIDEOS

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A cinematic video is a video that appears like a film. When we utilize the term
“cinematic,” this means it looks like an actual film we see in theaters. Over
the years, the movie industry changed relatively in aspect ratio, color, and
lighting styles.

“Cinematic” is quite liberally utilized today, and most people relate it to the
black bars or wide-screen frame ratios. This term has the same explanation as
saying, “this photograph is like a painting.”

In the past, “cinematic” was widely utilized to explain the look of movies shot
on film. With the growth of digital video and the transformation of run-and-gun
weekend DPs, videographers, and YouTube vloggers, the term has come to be a
catch-all for anything that hearkens back to cinema and film — whether that’s
colors and also appearances or various other facets such as frame rate or
shutter speed — or even cam movements, motion, and composition. One might
discover a “cinematic” film look in photography, advertisements, or design.

Including a “Cinematic” look in your videos is fun and a great activity.
However, if you want to get your film noticed, you need to work on your film’s
cinematic quality.

Using a stabilizer is the first instruction to give your footage a cinematic
look because cinema is exclusively concerned with smooth shots.

The second guideline is to record flat and afterward play with the colors in a
whiteboardvideoanimationservice.com software (or any other software).

One more trait commonly believed to be an essential need of cinematic footage is
a superficial depth of field (where the history is out of focus). This has come
to be known by some as the Bokeh Effect. Although, initially, the term Bokeh
referred only to the way spots of light are rendered in an out-of-focus
background. Then there are the black bars at the top and bottom to give the
wide-screen effect.

The key benefits of cinematic video style videos:

 * Attract professionals with quality cinematic content: When you have
   accessibility to a wide variety of an entire cinematic library, choosing and
   producing content is more straightforward and faster. You’ll attract
   high-quality creators such as whiteboardvideoanimationservice.com, entrenched
   in original and customized cinematic videos.
 * Create a cultural phenomenon with cinematic videos: Diverse-looking content
   has the potential to record the focus of new audiences. This increases the
   potential to get in touch with viewers from many different backgrounds and
   generate returns on investment.
 * Concentrate on your story, not production: Access to a wholly stocked content
   library of video clips and footage (whiteboardvideoanimationservice.com can
   sort you on this) removes time-consuming and expensive production headaches.
   Instead of worrying about filming, you can focus on completing the project
   and how you’ll generate sales. This is a valuable benefit for users yearning
   to supercharge sales with content videos.
 * Enhance creation with select cinematic footage: Pre-shot footage is an
   essential pillar in website, film, and television production. It empowers
   users worldwide with the content they need to reveal their creative vision.
   Whiteboardvideoanimationservice.com are expert in this field. Please head
   over to whiteboardvideoanimationservice.com and check out our many video
   styles!


HOW TO MAKE YOUR VIDEOS MORE CINEMATIC?

One of novice video makers’ most frequently asked questions is, “How can I make
my videos more cinematic?” Today here we are sharing five tips you can use to
make your next video more cinematic. Assuming you’re not working on a Hollywood
collection, each point includes practical steps you can take to make your
independent, home-shot, or low-budget video appearance professional!


WHAT DOES CINEMATIC VIDEO ENTAIL?



Before we start this checklist, there are a few things to clarify. First, what
do we mean when we say we want our video to look more cinematic? There are some
interchangeable terms we can use. Cinematic, professional, high quality, sharp,
etc. The ultimate objective is to make your video look like what you’d see in a
feature film in theaters.

But that’s a high bar we established for ourselves. How can you attain that? The
fact is, there’s no checklist to cross for you to do to achieve that
automatically. It is a skill that you perfect with practice or experience. But
it would be best if you began somewhere, and the following tips will give you a
solid head start.


TIPS FOR PRODUCING CINEMATIC MOVIES AND VIDEOS


1. CREATE DEPTH

You might be listening to the clip with a superficial depth of field is a simple
method to make your video look more motion picture promptly. That’s right, also!
It assists, mainly because it’s a very efficient, faster way to include depth in
your shot.

Take a still photo from among your favored motion pictures. You’ll more likely
see a shot with a foreground, a happy medium, and a history. Somewhere in
between, your interest is drawn to the centerpiece’s point. That allows you to
look at a particular factor while submerged in another world. Producing depth
indicates concentrating on one point, et cetera is out of focus, developing a
natural 3D feeling.

Currently, exactly how can you use this in your movie? There are a few easy
methods.

ADJUST YOUR APERTURE AS LONG AS POSSIBLE

That will enable you to create an outstanding prime focus while creating a more
considerable background for everything behind you. It also suggests you do not
have to stress as much about whether the history is sidetracking since it’s out
of focus or otherwise. Yet beware: the more significant you open up the photo,
the more challenging it is to keep the focus on the point you desire!

USE SMOKE

Any shot you take will have some depth unless you’re shooting against a flat
wall. You won’t notice if there are various other objects behind the scenes.
Don’t you have any props? That’s not a problem. Do you know how to increase the
depth? Smoke! The smoke adds depth! Or artificial smoke or fog. This strategy is
used in Hollywood movies, just in a different form. It’s also one of the various
reasons you see so many characters smoking in movies.

PLACE SOMETHING IN THE WAY

Another great pointer is to put something before the lens, just a little. It is
among the reasons over-the-shoulder shooting is a favored technique of coverage.
It offers you a review of where your character is, but it likewise develops an
easy foreground that includes depth to your shot.
You can achieve the same impact by placing something else near the lens. If you
are shooting outdoors, that can be any object in your home or a tree branch. As
long as it’s not disruptive, it possibly doesn’t take much to develop the
impression of deepness.

MOVE IT AROUND

Around when taking a shot with a lot of depth, you will get parallax. Parallax
is when all the elements of the shot move at different speeds. If you have
something in front of the lens, you must move the camera if you relocate your
cam.

Use vertical lines in your shot. What is indicated by vertical lines? Trees,
structures, streetlights, and anything else have a vertical, direct form.
Besides, vertical lines are the simplest means to show that you’re. Suppose
you’re moving from side to side.

Combining these tips for more depth will sell your video at higher quality and
more expensive!


2. THE BEST LIGHT

Let’s pause briefly for a moment. The illumination area is so substantial that
we can’t do it justice in a quick introduction. Instead, we’ll offer some quick
solutions that can assist you in getting better top-quality shots with any
camera you use.

CAPTURING WITH A LEVEL ACCOUNT

Shooting with a level profile mutes practically every little thing in the
camera’s eye, offering the sensor a better chance to record your scene’s very
best dynamic series.

Dynamic variety is the minimum and maximum amount of luminance your cam can
capture. We say that wide variety dramatically affects your shot’s motion
picture appearance. Some cameras can handle a considerable range simultaneously,
while others can only record a limited at any offered time. There’s a reason
higher-budget cameras have a much more detailed, vibrant variety.

Relying on the video camera, you have accessibility to several level profiles.
S-Log, C-Log, and Cinestyle are a couple that might appear familiar. But
whatever you have readily at your disposal, the objective is to offer you much
more editing versatility.

That’s all you can technically do to impact the dynamic series of your
electronic camera. The rest is to customize the scene to optimize your
electronic shooting camera. And that has much more to do with the style and
design of the light you’re working with.

NATURAL LIGHTING

We encourage you to use the best, brightest, most desirable light you can get
access to for this trip.

And it’s free! It’s the sun.

Try to ensure that the exposure of your scene and the exposure of the light on
your subject’s face are comparable. If you don’t, you’ll get a crazy shape or a
blurred background.

You’re likely to encounter new trouble if you shoot outdoors – harsh, unwanted
shadows. There are several ways to address this trouble; however, your objective
needs to be to soften the light by diffusing it, resulting in our next idea. You
can place the items before an open home window and utilize the inbound light to
brighten their faces when shooting inside.

REFLECTORS

Reflectors will help you diffuse the light. Using some fabric or a white sheet
is a terrific do-it-yourself choice. If you have a 5-in-1 reflector, you have at
your disposal an excellent, portable option for diffusing light on your talent.
It is a significant in the final result of your shoot as it affects how your cam
star searches.

If you desire a wonderful halo of light around your item, you can shoot them
with their back to the sunlight and then bounce the light back onto their face.
You do not require an expensive reflector either – white paper, a white sheet,
or anything light and reflective can do the job.

Even if your camera’s dynamic variety isn’t that impressive, you can create a
great backlight without compromising your subject’s expression. With this simple
backlighting trick, you can add a crazy amount of production value to your scene
with minimal effort or money.

USAGE NATURE TO YOUR BENEFIT

If you have no tools to control your light, an additional alternative is to wait
on the best time of day and let nature work for you. The light is most
all-natural and spreads uniformly throughout your subject at this time. It has a
gorgeous gold glow! Please wait for an overcast day to ensure that the clouds
soften the all-natural sunshine and make it gorgeous, or wait for the gold hour
(right after daybreak or before sunset).

Some videos have counted nearly specifically on capturing the golden hour for
many years. It is among the most cost-effective ways (even the pros still use
it) to get great shots!


3. ASPECT RATIO

This tip is a faster one to implement compared to the previous ones. By altering
the element proportion, you can trick your target market into believing your
shots look more cinematic.

Traditional DSLR footage typically has a facet proportion of 16:9, which, when
you simplify it to a minuscule fraction, you get a proportion aspect of 1:1.78.
If you change the aspect proportion even by a negligible margin, claim to 1:1.85
or 1:2.35, your eyes will immediately see the video differently.

Upright video footage instantly states a great deal regarding the shot
(especially since this kind of video does not belong in the cinema)!

Even if you were to shoot your DSLR footage in the same format as your vertical
mobile phone footage, you would certainly have the same sensation as those shots
due to the shape.

Fortunately, using various methods, you can rapidly attain a cinematic aspect
ratio (as well as the sensation that includes it).

 * Add a cropping impact to the top and also the bottom of yours.
 * Adjust the cropping the feel that comes with it).

First, shoot your video in a more film-friendly aspect ratio (this relies on the
electronic camera you’re shooting).

Nonetheless, you set about it, and this simple tweak can make a noticeable
difference to your video footage and the general cinematic fee of your video
clip.


4. COLOR ADJUSTMENT

You knew this factor was coming. Color adjustment is a crucial part of this
puzzle. The image you took is shaped right into the final product regarding
light and shade.

Here comes the challenging component – color is a matter of subjective opinion.
Remember that every circumstance is different because every video attempts to
communicate a slightly different sensation, tone, or feeling. However, we’ll
point you in the correct direction so you can accomplish the extra approved
“traditional movie theater appearance” with your color modification.

You’re attempting to attain three things when providing your video with a
cinematic look.

 * Contrast
 * Separate your sights (also known as "pop").
 * If you're recording individuals, complexion.

If you shot your video footage with a color account (as recommended earlier),
there are a few points you can do to bring out the shades.

UTILIZE YOUR WAVEFORM DEVICE

One of the most crucial things is bringing as much comparison into the image as
feasible without shedding info. A helpful device for this is the waveform tool,
which allows you to highlight your clip’s lightest and darkest areas. Anything
over 100 on the waveform is pure white as well as unrecognizable. The lower area
0 is pure black.

As you change your clips, the waveform will grow. You can look at enhancing the
comparison after you make the changes while still maintaining the info! The
objective is to have the waveform load the chart yet not go past the leading or
drop below 0.

USE THE LUMETRI COLOR PANEL

One of the easiest methods to get started with color correction in Premiere Pro
is to use the Basics section of the Lumetri Shade panel. To change your clip’s
light and dark areas, utilize Direct exposure and comparison to make fundamental
changes. Please beware not to overdo it because you can adjust using the White,
Highlights, Shadows, and Blacks sliders.

If you intend to cut off the darker parts of your clip without influencing the
lighter areas too much, you can use the sliders for shadows and blacks to
achieve the wanted impact.

If you shoot in a level profile, you can include life in your video footage by
adding some saturation. Changing the white balance can give your colors much
more character and realism. Lastly, you can use the Color Saturation Contour to
increase or pull back details shades to accomplish your preferred look.

Some things can ruin the look of a movie faster than when human characters look
inhuman! However, you may encounter skin tone problems if you overdo the colors.
We recommend familiarizing yourself with the HSL secondary range to isolate your
skin tones and adjust them separately if you want to push color correction even
further.

It’s important to remember that the extent to which you can enhance your footage
in processing depends entirely on how you originally shot it. The closer you get
to your in-camera look, the happier you’ll be in the long run (and the less time
you’ll have to edit)!


5. IT'S ALL AN ILLUSION

Video making is comparable. Unless you’re watching a documentary, the characters
aren’t real, the locations sometimes don’t exist, and if you look behind the
scenes, you’ll see lights and equipment everywhere that destroy the illusion.

Since that’s what a video is, a magical trick. So the ultimate goal in all of
this is that you don’t remind your audience that they’re watching a video.

It’s an all-inclusive category. Many technical aspects can be included here,
such as:

Shoot at 24 frames per second and choose a shutter speed twice the frame rate
(so your audience sees your image as they experience life through their own
eyes). 

Other points are pretty obvious, such as:

 * Make sure there is no boom in the picture.
 * Ensure the props are appropriate for the scene's time and avoid sneezing
   noises behind the scenes in the audio.

Some props take a little more time and practice to get right:

 * Please ensure the sound is clean (otherwise, your audience will immediately
   know it's an amateur production).
 * Edit the footage to look professional (that would take a whole class).

But other things aren’t often considered, like making sure your audience
believes the story you’re narrating. How many student videos have you seen where
a kid plays the mob boss? That immediately ruins the illusion. Even if the
lighting, camera work, and acting are excellent, the audience won’t believe it.

So here are a couple more practical tips for producing the most realistic film
possible.


DON'T BITE OFF MORE THAN YOU CAN CHEW 

People are beaten up, and you must ensure that the blood and makeup look
realistic. If you want to put your characters in some science fiction world, you
must ensure the audience thinks you’re in the future!


TEST THINGS IN ADVANCE

Creativity is the key here! If you’re unsure you can pull it off, do a few test
shots to see your capabilities. If you don’t think you can make the shot
believable, scrap it and rewrite the scene so you can make it work. If the main
character is a millionaire, it’s much easier and cheaper to show them throwing
propeller money around than flying in a private jet.


WRITE AN INTELLIGENT SCRIPT AND COMMENCE

Make sure what you want to do delivers a credible result. If you’re starting,
it’s best, to begin with a location and a small number of people or characters.
Over time, you can evolve and become more ambitious. Whatever you decide, make
sure you can make it look high quality. 

Videomaking is all about using creativity and innovation to tell a story.
Whether it’s a real or fictional story, writing, shooting, and editing a “movie”
involves a certain amount of imagination behind the scenes. 

It’s all an illusion! No one needs to know how many or how few people were on
set or how much money you spent. Use that to your advantage! Make your audience
believe it with every image you show them. If you take these ideas to heart,
you’ll be well on your way to making more cinematic videos. 

For the best Cinematic Videos contact us at WhiteboardVideoAnimationService.com
today.

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STEP 1: REVIEW THE VIDEO STYLES

(Check out the video styles – they are just demos to give you an idea. We fully
customize them to your needs – Just make a note of the video title and style, or
we can choose for you)


STEP 2: SUBMIT THE FORM

(Check out the video styles – they are just demos to give you an idea. We fully
customize them to your needs – Just make a note of the video title and style, or
we can choose for you)


STEP 3: SEND US YOUR WEBSITE LINK VIA OUR SUPPORT DESK

(With any style preferences you have, our service is COMPLETELY done for you –
you don’t need to do anything at all!)

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CINEMATIC STYLE VIDEOS

A CINEMATIC VIDEO IS A VIDEO THAT RESEMBLES A FILM.

$297 UP TO 2 MINUTES

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Absolutely! We provide the script in almost any language you like.

We can also produce the voiceover (if you purchase that on the purchase page) in
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For example, we can do English US, English British, and English with an Indian
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Let us know what you want. We want to make you happy! We will try to make it
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