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menu * News * Interviews * Reviews * Blog * Galleries * Current Issue * Artists * Pleased to Meet You * Media * News * Interviews * Reviews * Blog * Galleries * Current Issue * Artists * Pleased to Meet You * Media * Subscribe * Advertise Saturday, December 24th, 2022 Subscribe Advertise * NEWS * All PREMIERE: ĠENN DEBUT NEW VIDEO FOR “CATALYST” NEW EP, LIMINAL, OUT NOW VIA EVERYTHING SUCKS MUSIC Sep 01, 2021 By Caleb Campbell Photography by Holly Whitaker Brighton-based outfit ĠENN shared their debut EP Liminal earlier this year, introducing the world to their stridently political and powerfully personal genre-blending style. It proved to be a chaotic ride, taking cues from ‘90s alt rock and post punk and filtering them through experimental and psychedelic textures, reportedly influenced by bands like Metronomy, LCD Soundsystem, Captain Beefheart, and Warpaint. The band released “Catalyst,” one of the record’s highlights, as a single last week and now the band is back with an accompanying video, premiering with Under the Radar. “Catalyst” initially reads as a political punk polemic, complete with tightly wound guitar riffs, a propulsive rhythm section, and chanted lyrics一“We’re awake now / Stay awake now.” But,m though the band cries for revolution, the change they’re calling for is personal as much as political. Vocalist Leona Farrugia says of the track, “Lyrically the track could be interpreted as a cry for collective change, but I had, in fact, began writing from my own perspective, realising the ‘revolution’ one can make within their own approach to everyday life; changing the rhythm of my thoughts to achieve freedom from unhealthy traditions.” The accompanying visual follows a different sort of journey, tracking a rubber ball from an initial throw, all the way to the ocean. As Farrugia explains “it all came from a flippant moment observed from a window during rehearsal: a basketball thrown from body to body as we played through the song. The image of the ball synchronised so perfectly in the moment that it almost felt like the image moved in slow motion, and I wanted to transfer these bursts of energy into cinematic transition. Cinema offers you the ability to disobey real time and space, and I’ve always taken great influence from experimental filmmakers such as Varda, Godard and Menken. I wanted to use the ball as a visual metaphor, the ball transitioning through its irrepressible journey, stopping and starting from one frame to the next. It continues regardless of the situations and obstacles it encounters. In this sense, the images become a representation of this journey of personal rediscovery.” Check out the song and video below, out now via Everything Sucks Music. Écoutez Catalyst sur Amazon Music Unlimited (ad) Astuces & Economies Panneaux solaires: Bénéficiez des aides de l'Etat pour votre installationAstuces & Economies| SponsoredSponsored Undo Découverte Santé Mal aux genoux après 60 ansDécouverte Santé| SponsoredSponsored Undo Luoccia Perfect Shave Without Irritation Or Cuts! The Trimmer Every Man Needs.Luoccia| SponsoredSponsored Shop Now Undo Nutravya Prostate gonflée : Essayez ceci maintenant (Regarder)Nutravya| SponsoredSponsored Undo Easy Un homme adopte une fille que personne ne veut, 28 ans plus tard elle fait l'impensable dans son dosEasy| SponsoredSponsored Undo PodoCare Enfin, un redresseur d'orteils qui fonctionne vraiment ! PodoCare| SponsoredSponsored Undo COMMENTS SUBMIT YOUR COMMENT Name Required Email Required, will not be published URL Remember my personal information Notify me of follow-up comments? Please enter the word you see in the image below: There are no comments for this entry yet. CURRENT ISSUE ISSUE #70 Nov 18, 2022 Issue #70 - My Favorite Movie (Sharon Van Etten and Ezra Furman) MOST RECENT * Under the Radar’s Top 100 Albums of 2022 (News) — Aldous Harding, Alex G, Alvvays, Angel Olsen, Bartees Strange, Beach House, The Beths, Big Thief, Mitski, Ezra Furman, Sharon Van Etten, Nilüfer Yanya, The Smile, Weyes Blood, Wet Leg, Stella Donnelly, Destroyer, Yard Act, Yeah Yeah Yeahs, Hatchie, Black Country, New Road, Death Cab for Cutie, Dry Cleaning, The 1975, Jockstrap, Suede, Spoon, Phoenix, Julia Jacklin, Kendrick Lamar, Father John Misty, Bonny Light Horseman, Horsegirl, Beyoncé, Tears for Fears, Charli XCX, Cate Le Bon, black midi, Viagra Boys, Metric, Sorry, beabadoobee, Marlon Williams, Rolling Blackouts Coastal Fever, Taylor Swift, Ethel Cain, SASAMI, Kevin Morby, The Big Moon, Beth Orton, Sea Power, Rina Sawayama, Katy J Pearson, Sudan Archives, Oceanator, C Duncan, The Linda Lindas * Evergreen (25th Anniversary Edition) (Review) — Echo & the Bunnymen * Stream Damo Suzuki Documentary From Today! (News) — CAN, Damo Suzuki * Listen to Christmas Underground’s 2022 Mix Featuring Mainly Obscure Indie Rock Christmas Songs (News) — Jim Goodwin, Hans Pucket, SASAMI, Dr. Dog, Dent May * Lost Masters & Demos (Review) — Nazz Contact Staff About Us © Under The Radar Magazine