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* Main Navigation * Main Content * Sidebar * Register * Login Toggle navigation * Announcements * About the Journal * Editorial Team * Archives * Submissions * Contact Search tba is an annual peer-reviewed journal organized by graduate students of the Visual Arts Department at Western University in London, Ontario. We hope to reflect the unique nature of our department in its vibrant mix of studio arts, art history, and museum/curatorial studies. This journal provides an interdisciplinary forum for emerging and independent scholars and artists by bringing together studio, art history, cultural studies, theory, criticism and related fields. We welcome experimentation and risk! We are currently accepting submissions for our next issue, FRICTION. Deadline for submissions is June 1st 2024. ANNOUNCEMENTS CALL FOR SUBMISSIONS: FRICTION | DEADLINE EXTENDED JUNE 15TH 2024-05-30 Call for Submissions: FRICTION tba: Journal of Art, Media, and Visual Culture, is pleased to announce that we are accepting submissions for our upcoming issue, FRICTION. tba is an annual peer-reviewed journal organized by graduate students of the Visual Arts Department at Western University in London, Ontario (CA). It provides an interdisciplinary forum for emerging and independent artists and scholars by bringing together studio, art history, cultural studies, theory and criticism, creative writing, and related fields. Academic articles, poetry, short fiction, and artworks are all welcome! Experimentation and risk is encouraged. * The static of friction is palpable, it shocks us daily. Below us, the lithosphere steadily pushes against itself in a process of subduction, and above ground a multiplicity of narratives and truths electrifies the air through various frictions. Friction can generate resistances to power that take the form of activism, protest, or rebellion. Friction is also a product of opposing forces that come into contact to produce (dis)order, systems of repression, or entropy. As anthropologist Anna Lowenhaupt Tsing states in Friction: An Ethnography of Global Connection (2005), “Speaking of friction is a reminder of the importance of interaction in defining movement, cultural form, and agency…Friction inflects historical trajectories, enabling, excluding, and particularizing” (Tsing, 6). Currently, artists and scholars are engaging in frictional dialogues which have the potential to produce new socio-symbolic order(s). By acknowledging the power relations that are (de)constructing these sites of frictional dialogue, conceptions of decolonization, the politics of knowledge production, and placemaking seek to render the relational experiences of people visible. For our upcoming issue tba encourages contributors to think through convergence and divergence of bodies, concepts, and ideologies as they explore friction. Topics can include, but are not limited to: * Mobility, displacement, migration and borders, transnationalism * Occupation, oppression * Seeking asylum, refugee experience * Human rights, activism, advocacy * Diaspora(s) * Governance, sovereignty, citizenship * Hegemony, globalization, extractivism * Colonialism/Postcolonialism * Racism, racialization * Indigeneity * Ethnophilosophy * Censorship * LGBTQ2S+ experience We invite you to submit your work by June 15th, 2024. Submissions must be completed through the journal’s website, which uses OJS software to ensure anonymity to potential reviewers. Emailed submissions will not be accepted. If you’re interested in supporting the review process, we are currently seeking peer reviewers–we welcome you to get in touch at tbawestern@gmail.com with your CV and research area(s). Imogen Clendinning, Editor Ronique Gillis, Associate Editor, Art History Anahí Gonzalez, Associate Editor, Studio * For inquiries, please write tbawestern@gmail.com website: www.tbajournal.ca Citation: Tsing, Anna Lowenhaupt. 2011. Friction : An Ethnography of Global Connection. Princeton, NJ: Princeton University Press. https://doi.org/10.1515/9781400830596. CURRENT ISSUE Vol. 5 No. 1 (2023): Plastic Published: 2024-01-26 FULL ISSUE Vol. 5 No. 1 (2023): PLASTIC ARTICLES PLASTIC LIKE JELLYFISH GETTING INTIMATE WITH LARGE AND SMALL SCALES OF BEING IN RUTH OZEKI’S A TALE FOR THE TIME BEING Nadège Paquette PDF PLASTIC BITS GENITALS AND PLASTIGAMETES Killian O Dwyer PDF KISKISOM CAN A PLASTIC BRAIN BE DECOLONIZED THROUGH STORIES? Neil Forbes PDF PERFORMING PLASTICITY: ON RECYCLING, PROSTHETIC MEMORIES, AND THE PRECARIOUS WORKING-CLASS RENAISSANCE — THE CASE OF DISCO ALASKAN WOLVES Zihan Feng PDF ARTWORKS 'NO LONG SHADOWS' Miles Rufelds PDF FROM PLASTIC SURGERY TO NATIONAL IDENTITY. Philip Gurrey PDF BLACK MIRROR IN DIAMOND LEADLIGHT Maxwell Hyett PDF FLOTSAM AND JETSAM. A BEACHWALK. Wiebke Schroeder PDF IF NOT, CLOUDS Morris Fox PDF GINNY <3 Ioana Dragomir PDF "PLASTICANE" MATERIALLY COMBINING SUGARCANE AND PLASTIC TO TRACE LEGACIES OF EXTRACTION AND EXPLOITATION INTO THE PRESENT TO HELP IMAGINE A LIVABLE FUTURE Hannah Chalew PDF SURFACE ALL THE WAY THROUGH Arianna Richardson PDF CREATIVE WRITING DIALOGUE IN THE KATACENE INTERGLACIAL Matthew Toffoletto PDF View All Issues MAKE A SUBMISSION Make a Submission ISSN: 2563-6243