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Resources from SIGGRAPH, SIGGRAPH Asia, and Digital Arts Community Exhibitions
MENUMENU
 * Art Exhibitions
   * SIGGRAPH
     * 2020: Think Beyond
     * 2019: Proliferating Possibilities
     * 2018: Original Narratives
     * 2017: Unsettled Artifacts
     * 2016: Data Materialities
     * 2015: Hybrid Craft
     * 2014: Acting in Translation
     * 2013: XYZN: Scale
     * 2012: In Search of the Miraculous
     * 2011: Tracing Home in the Age of Networked Techniques
     * 2010: TouchPoint: Haptic Exchange Between Digits
     * 2009: Art Exhibitions
       * 2009: BioLogic: A Natural History of Digital Life
       * 2009: Information Aesthetics Showcase
     * 2008: Art Exhibitions
       * 2008: Slow Art
       * 2008: Design and Computation
     * 2007: Global Eyes
     * 2006: Art Exhibitions
       * 2006: Intersections
       * 2006: Electronically Mediated Performances
       * 2006: Charles A. Csuri: Beyond Boundaries
     * 2005: Threading Time
     * 2004: Synaesthesia
     * 2003: CG03: Computer Graphics 2003
     * 2002: Art Gallery
     * 2001: n-space
     * 2000: Art Gallery
     * 1999: technOasis
     * 1998: Touchware
     * 1997: Ongoings
     * 1996: The Bridge
     * 1995: Digital Gallery
     * 1994: Art and Design Show
     * 1993: Machine Culture
     * 1992: Art Show
     * 1991: Art and Design Show
     * 1990: Digital Image-Digital Cinema
     * 1989: Art Show
     * 1988: Exhibition of Computer Art
     * 1987: Art Show
     * 1986: Art Shows
       * 1986: A Retrospective
       * 1986: Universal Spheres
       * 1986: Painting in Light
     * 1985: Art Show
     * 1984: Art Show
     * 1983: Art Show
     * 1982: Computer Culture Art Show
     * 1981: Art Shows
       * 1981: Art Show ’81
       * 1981: Frame Buffer Show
   * SIGGRAPH Asia
     * SA2020: Untitled & Untied
     * SA2019: Deep Dreaming
     * SA2018: Forcefields
     * SA2017: Mind-Body Dualism
     * SA2016: Mediated Aesthetics
     * SA2015: Life on Earth
     * SA2014: Digital Arts Lounge
     * SA2013: Art Gallery
     * SA2012: Echo
     * SA2011: FANTAsia
     * SA2009: Adaptation
     * SA2008: Synthesis
   * DAC Online
     * 2020: Digital Power
     * 2018: Urgency of Reality
     * 2018: Origins + Journeys
     * 2018: Designing Knowledge
     * 2017: Immersive Expressions
     * 2016: Science of the Unseen
     * 2015: Altered Books
     * 2015: Enhanced Vision
     * 2014: Aesthetics of Gameplay
     * 2012: Environments: Natural-Constructed
     * 2011: Analogue is the New Digital
 * Contributors
   * Display All Contributors
   * Art Show Administrators
   * Art Show Chairs
   * Art Show Co-Chairs
   * Art Show Jury Members
   * Art Show Reviewers
   * Art Paper Chairs
   * Art Paper Jury Members
   * Art Paper Reviewers
   * Artists
   * Authors
   * Collaborators
   * Committee Members
   * Presenters
 * Artwork
   * Display All by Year
   * 2D & Wall-Hung
   * 3D Sculpture
   * Animation / Video
   * AR & VR
   * Architecture
   * Artist Books
   * Design
   * Electronic / Robotic Object
   * Installations
   * Interactive & Monitor-Based
   * Internet Art
   * Performances
   * Sound Art
 * Writings & Talks
   * Display All by Year
   * Art Talks & Sketches
   * Essays
   * Panels & Roundtables
   * Papers
 * Collections
   * The Artworks of the 2019 Art Papers
   * SIGGRAPH Artworks in the Victoria & Albert Museum
 * Visualization
   * View / Export Data
   * Location Map
 * About Us
 * Search





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ACM SIGGRAPH is a Special Interest Group of the Association for Computing
Machinery (ACM) on Computer Graphics and Interactive Techniques. Since 1981, the
SIGGRAPH conference has hosted an annual art show showcasing some of the world’s
most innovative and creative digital artworks. The conference is attended by
tens of thousands of computer artists, animators and other computing
professionals. This Art Show Archive encapsulates the development of
computer/digital art as it evolved from algorithmic approaches to 3D,
interactive, and digital imaging.

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THIS SITE IS A WORK IN PROGRESS – WE NEED YOUR HELP

If you would like to submit changes or corrections to the ACM SIGGRAPH Art Show
Archive, select the appropriate category below:

Artwork Corrections


CONTRIBUTOR INFORMATION CORRECTIONS

Writings and Presentation Corrections

Exhibition Information Corrections

All other suggested corrections can be emailed to: artarchives@siggraph.org


IF YOU ARE AN EDUCATOR:

Incorporate the SIGGRAPH Art Show Archives into your classes.  Have your
students help proof the material and supply additional information while
learning about Digital Artists and the history of the field.

Use the History of Computer Art Assignment or make your own assignment.

--------------------------------------------------------------------------------

This archive is available for scholarship and research purposes only. Copyright
for the individual documents, artworks and other material is held by the authors
of those materials and not ACM SIGGRAPH.  If an author or artist would like
their work removed from the archives, they are welcome to contact us
at artarchives@siggraph.org and we will remove the requested material from the
archive as soon as possible.

ACM Policy: Permission to make digital or hard copies of part or all of this
work for personal or classroom use is granted without fee provided that copies
are not made or distributed for profit or commercial advantage and that copies
bear this notice and the full citation on the first page. Copyrights for
components of this work owned by others than ACM must be honored. Abstracting
with credit is permitted. To copy otherwise, to republish, to post on servers,
or to redistribute to lists, contact the Owner/Author.

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This site is built by a team directed by Bonnie Mitchell and Jan Searleman.







 * SPONSORED BY:
   
   

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All artwork and text on this site are the exclusive copyrighted works of the
artist or author. ALL RIGHTS RESERVED. Any unlawful redistribution or
reproduction of artwork featured on this site without prior express written
authorization of the copyright owner is strictly prohibited. 


MENUMENU
 * Art Exhibitions
   * SIGGRAPH
     * 2020: Think Beyond
     * 2019: Proliferating Possibilities
     * 2018: Original Narratives
     * 2017: Unsettled Artifacts
     * 2016: Data Materialities
     * 2015: Hybrid Craft
     * 2014: Acting in Translation
     * 2013: XYZN: Scale
     * 2012: In Search of the Miraculous
     * 2011: Tracing Home in the Age of Networked Techniques
     * 2010: TouchPoint: Haptic Exchange Between Digits
     * 2009: Art Exhibitions
       * 2009: BioLogic: A Natural History of Digital Life
       * 2009: Information Aesthetics Showcase
     * 2008: Art Exhibitions
       * 2008: Slow Art
       * 2008: Design and Computation
     * 2007: Global Eyes
     * 2006: Art Exhibitions
       * 2006: Intersections
       * 2006: Electronically Mediated Performances
       * 2006: Charles A. Csuri: Beyond Boundaries
     * 2005: Threading Time
     * 2004: Synaesthesia
     * 2003: CG03: Computer Graphics 2003
     * 2002: Art Gallery
     * 2001: n-space
     * 2000: Art Gallery
     * 1999: technOasis
     * 1998: Touchware
     * 1997: Ongoings
     * 1996: The Bridge
     * 1995: Digital Gallery
     * 1994: Art and Design Show
     * 1993: Machine Culture
     * 1992: Art Show
     * 1991: Art and Design Show
     * 1990: Digital Image-Digital Cinema
     * 1989: Art Show
     * 1988: Exhibition of Computer Art
     * 1987: Art Show
     * 1986: Art Shows
       * 1986: A Retrospective
       * 1986: Universal Spheres
       * 1986: Painting in Light
     * 1985: Art Show
     * 1984: Art Show
     * 1983: Art Show
     * 1982: Computer Culture Art Show
     * 1981: Art Shows
       * 1981: Art Show ’81
       * 1981: Frame Buffer Show
   * SIGGRAPH Asia
     * SA2020: Untitled & Untied
     * SA2019: Deep Dreaming
     * SA2018: Forcefields
     * SA2017: Mind-Body Dualism
     * SA2016: Mediated Aesthetics
     * SA2015: Life on Earth
     * SA2014: Digital Arts Lounge
     * SA2013: Art Gallery
     * SA2012: Echo
     * SA2011: FANTAsia
     * SA2009: Adaptation
     * SA2008: Synthesis
   * DAC Online
     * 2020: Digital Power
     * 2018: Urgency of Reality
     * 2018: Origins + Journeys
     * 2018: Designing Knowledge
     * 2017: Immersive Expressions
     * 2016: Science of the Unseen
     * 2015: Altered Books
     * 2015: Enhanced Vision
     * 2014: Aesthetics of Gameplay
     * 2012: Environments: Natural-Constructed
     * 2011: Analogue is the New Digital
 * Contributors
   * Display All Contributors
   * Art Show Administrators
   * Art Show Chairs
   * Art Show Co-Chairs
   * Art Show Jury Members
   * Art Show Reviewers
   * Art Paper Chairs
   * Art Paper Jury Members
   * Art Paper Reviewers
   * Artists
   * Authors
   * Collaborators
   * Committee Members
   * Presenters
 * Artwork
   * Display All by Year
   * 2D & Wall-Hung
   * 3D Sculpture
   * Animation / Video
   * AR & VR
   * Architecture
   * Artist Books
   * Design
   * Electronic / Robotic Object
   * Installations
   * Interactive & Monitor-Based
   * Internet Art
   * Performances
   * Sound Art
 * Writings & Talks
   * Display All by Year
   * Art Talks & Sketches
   * Essays
   * Panels & Roundtables
   * Papers
 * Collections
   * The Artworks of the 2019 Art Papers
   * SIGGRAPH Artworks in the Victoria & Albert Museum
 * Visualization
   * View / Export Data
   * Location Map
 * About Us
 * Search


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