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Sunday, March 10, 2024
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THE OSCARS NOW HAVE D.E.I. RULES, BUT SOME SAY IT’S JUST A PERFORMANCE

How “Oppenheimer,” a movie about the men who developed the atomic bomb, met the
new standards.

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This will be the first Academy Awards with new rules about diversity and
inclusion.Credit...Noel West for The New York Times

By Jeremy W. Peters and Brooks Barnes

Jeremy Peters and Brooks Barnes spoke to current and former film industry
insiders about Hollywood’s grappling with representation on and off camera.

Published March 8, 2024Updated March 10, 2024, 8:06 p.m. ET

Follow our live updates for the 2024 Oscars.

The national reckoning over racial justice after the killing of George Floyd
spurred many of the country’s most distinguished institutions into action, few
more so than the Academy of Motion Picture Arts and Sciences.

After years of criticism for overlooking female directors and actors of color,
the academy announced a torrent of diversity-oriented changes. One high-profile
move involved the academy’s most coveted trophy: To qualify for the best picture
Oscar, films had to fulfill a new set of diversity and inclusion standards.

This new rule, enforced for the first time for this Sunday’s ceremony, is
complicated and expansive.

A checklist of four categories and nine subcategories cover almost every aspect
of the filmmaking pipeline. Diversity in hiring — actors, directors, makeup
artists, publicists, interns — is considered. So is the movie’s plot. To
qualify, films must show that they meet two of the four main categories of
representation: onscreen (actors, plot), offscreen leadership (set designers,
makeup artists), training programs and marketing.



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Academy leaders light up like theater marquees when talking about the standards,
calling them a success and pointing to a 2023 survey of members in which 85
percent of respondents said it was “important” for the organization to lead on
representation, inclusion and equity.

But critics from an array of perspectives in the film industry have described
the standards as the equivalent of tinsel — flimsy and showy — doing more to
gild Hollywood’s image than to help people the movie business has long
overlooked.

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A correction was made on 
March 8, 2024
: 

An earlier version of this article misspelled the last name of Universal
Studio’s head of domestic marketing. He is Dwight Caines, not Cane.

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When we learn of a mistake, we acknowledge it with a correction. If you spot an
error, please let us know at nytnews@nytimes.com.Learn more

Jeremy W. Peters is a Times reporter who covers debates over free expression and
how they impact higher education and other vital American institutions. More
about Jeremy W. Peters

Brooks Barnes covers all things Hollywood. He joined The New York Times in 2007
and previously worked at The Wall Street Journal. More about Brooks Barnes

A version of this article appears in print on March 9, 2024, Section A, Page 1
of the New York edition with the headline: Oscars’ Rules For Diversity Draw
Skeptics. Order Reprints | Today’s Paper | Subscribe
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